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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #438A37 it is the complementary color #BC75C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #438A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #438A37 shade: #488A32, #599C45, #6AAE58, #7BC06B and #8CD27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #438A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #438A37 shade: #438A37, #327824, #216611, #105400 and #004200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #438A37 shade: #438A37, #598A37, #708A37, #868A37 and #8A7737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #438A37 shade: #438A37, #378A41, #378A58, #378A6E and #378A85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #438A37 shade matches the following richer shades: #438A37, #389A27, #2CA917 and #21B908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #438A37 shade: #438A37, #4E7A46, #596B56, #645B66 and #6F4B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #438A37 shade: #708A37, #598A37, #438A37, #378A40 and #378A57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #438A37 shade: #264F1F, #346D2B, #438A37, #51A842 and #66BC57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #438A37 shade: #438A37, #37868A and #8A3765

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #438A37 shade: #438A37, #37438A and #8A3743

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #438A37 shade: #438A37, #37868A, #7E378A and #8A3B37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #438A37 shade: #438A37, #376D8A, #7E378A and #8A5437

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

Complementary color

CMYK 6 / 42 / 0 / 22

HEX #BC75C8

RGB 188 117 200

HSL 291.33, 0.43%, 0.62%

LAB 59.51, 41.32, -31.93

 

CMYK 48 / 0 / 64 / 46

HEX #488A32

RGB 72 138 50

HSL 105, 0.47%, 0.37%

LAB 51.59, -38.19, 39.65

 

CMYK 43 / 0 / 56 / 39

HEX #599C45

RGB 89 156 69

HSL 106.21, 0.39%, 0.44%

LAB 58.35, -38.3, 38.52

 

CMYK 39 / 0 / 49 / 32

HEX #6AAE58

RGB 106 174 88

HSL 107.44, 0.35%, 0.51%

LAB 64.99, -38.26, 37.28

 

CMYK 36 / 0 / 44 / 25

HEX #7BC06B

RGB 123 192 107

HSL 108.71, 0.4%, 0.59%

LAB 71.54, -38.12, 36.03

 

CMYK 33 / 0 / 40 / 18

HEX #8CD27E

RGB 140 210 126

HSL 110, 0.48%, 0.66%

LAB 77.98, -37.94, 34.82

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 58 / 0 / 70 / 53

HEX #327824

RGB 50 120 36

HSL 110, 0.54%, 0.31%

LAB 44.57, -38.81, 38.08

 

CMYK 68 / 0 / 83 / 60

HEX #216611

RGB 33 102 17

HSL 108.71, 0.71%, 0.23%

LAB 37.6, -37.89, 38.39

 

CMYK 81 / 0 / 100 / 67

HEX #105400

RGB 16 84 0

HSL 108.57, 1%, 0.16%

LAB 30.52, -36.04, 37.42

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 19 / 0 / 60 / 46

HEX #708A37

RGB 112 138 55

HSL 78.8, 0.43%, 0.38%

LAB 53.92, -22.67, 40.53

 

CMYK 3 / 0 / 60 / 46

HEX #868A37

RGB 134 138 55

HSL 62.89, 0.43%, 0.38%

LAB 55.61, -13.2, 42.88

 

CMYK 0 / 14 / 60 / 46

HEX #8A7737

RGB 138 119 55

HSL 46.27, 0.43%, 0.38%

LAB 50.54, -0.91, 37.28

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 60 / 0 / 53 / 46

HEX #378A41

RGB 55 138 65

HSL 127.23, 0.43%, 0.38%

LAB 51.12, -41.16, 31.51

 

CMYK 60 / 0 / 36 / 46

HEX #378A58

RGB 55 138 88

HSL 143.86, 0.43%, 0.38%

LAB 51.49, -37.14, 19.47

 

CMYK 60 / 0 / 20 / 46

HEX #378A6E

RGB 55 138 110

HSL 159.76, 0.43%, 0.38%

LAB 51.97, -32.22, 7.57

 

CMYK 60 / 0 / 4 / 46

HEX #378A85

RGB 55 138 133

HSL 176.39, 0.43%, 0.38%

LAB 52.6, -26.11, -4.84

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 64 / 0 / 75 / 40

HEX #389A27

RGB 56 154 39

HSL 111.13, 0.6%, 0.38%

LAB 56.19, -49.93, 48.96

 

CMYK 74 / 0 / 86 / 34

HEX #2CA917

RGB 44 169 23

HSL 111.37, 0.76%, 0.38%

LAB 60.76, -58.38, 58

 

CMYK 82 / 0 / 96 / 27

HEX #21B908

RGB 33 185 8

HSL 111.53, 0.92%, 0.38%

LAB 65.78, -65.26, 64.71

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 36 / 0 / 43 / 52

HEX #4E7A46

RGB 78 122 70

HSL 110.77, 0.27%, 0.38%

LAB 46.95, -26.15, 23.77

 

CMYK 17 / 0 / 20 / 58

HEX #596B56

RGB 89 107 86

HSL 111.43, 0.11%, 0.38%

LAB 43.23, -11.21, 9.56

 

CMYK 2 / 11 / 0 / 60

HEX #645B66

RGB 100 91 102

HSL 289.09, 0.06%, 0.38%

LAB 39.83, 5.88, -4.97

 

CMYK 5 / 36 / 0 / 54

HEX #6F4B75

RGB 111 75 117

HSL 291.43, 0.22%, 0.38%

LAB 37.29, 23.08, -17.99

 

CMYK 19 / 0 / 60 / 46

HEX #708A37

RGB 112 138 55

HSL 78.8, 0.43%, 0.38%

LAB 53.92, -22.67, 40.53

 

CMYK 36 / 0 / 60 / 46

HEX #598A37

RGB 89 138 55

HSL 95.42, 0.43%, 0.38%

LAB 52.48, -31.77, 38.52

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 60 / 0 / 54 / 46

HEX #378A40

RGB 55 138 64

HSL 126.51, 0.43%, 0.38%

LAB 51.11, -41.31, 32.01

 

CMYK 60 / 0 / 37 / 46

HEX #378A57

RGB 55 138 87

HSL 143.13, 0.43%, 0.38%

LAB 51.47, -37.34, 20.01

 

CMYK 52 / 0 / 61 / 69

HEX #264F1F

RGB 38 79 31

HSL 111.25, 0.44%, 0.22%

LAB 29.67, -25.25, 23.68

 

CMYK 52 / 0 / 61 / 57

HEX #346D2B

RGB 52 109 43

HSL 111.82, 0.43%, 0.3%

LAB 40.96, -32.79, 30.72

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 52 / 0 / 61 / 34

HEX #51A842

RGB 81 168 66

HSL 111.18, 0.44%, 0.46%

LAB 61.78, -46.13, 43.86

 

CMYK 46 / 0 / 54 / 26

HEX #66BC57

RGB 102 188 87

HSL 111.09, 0.43%, 0.54%

LAB 69.1, -45.66, 42.72

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 60 / 3 / 0 / 46

HEX #37868A

RGB 55 134 138

HSL 182.89, 0.43%, 0.38%

LAB 51.49, -22.6, -9.4

 

CMYK 0 / 60 / 27 / 46

HEX #8A3765

RGB 138 55 101

HSL 326.75, 0.43%, 0.38%

LAB 36.13, 40.59, -9.4

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 60 / 51 / 0 / 46

HEX #37438A

RGB 55 67 138

HSL 231.33, 0.43%, 0.38%

LAB 31.02, 17.98, -41.23

 

CMYK 0 / 60 / 51 / 46

HEX #8A3743

RGB 138 55 67

HSL 351.33, 0.43%, 0.38%

LAB 35.08, 36.5, 10.8

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 60 / 3 / 0 / 46

HEX #37868A

RGB 55 134 138

HSL 182.89, 0.43%, 0.38%

LAB 51.49, -22.6, -9.4

 

CMYK 9 / 60 / 0 / 46

HEX #7E378A

RGB 126 55 138

HSL 291.33, 0.43%, 0.38%

LAB 35.99, 43.42, -32.86

 

CMYK 0 / 57 / 60 / 46

HEX #8A3B37

RGB 138 59 55

HSL 2.89, 0.43%, 0.38%

LAB 35.61, 33.39, 19.11

 

CMYK 51 / 0 / 60 / 46

HEX #438A37

RGB 67 138 55

HSL 111.33, 0.43%, 0.38%

LAB 51.43, -39.19, 37.04

 

CMYK 60 / 21 / 0 / 46

HEX #376D8A

RGB 55 109 138

HSL 200.96, 0.43%, 0.38%

LAB 43.63, -8.79, -21.35

 

CMYK 9 / 60 / 0 / 46

HEX #7E378A

RGB 126 55 138

HSL 291.33, 0.43%, 0.38%

LAB 35.99, 43.42, -32.86

 

CMYK 0 / 39 / 60 / 46

HEX #8A5437

RGB 138 84 55

HSL 20.96, 0.43%, 0.38%

LAB 41.25, 19.43, 26.24

 

Description

Color code: HEX #438A37 | qconv.com Color code: HEX #438A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 138 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 138 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 60 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 60% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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