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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47A31E it is the complementary color #B85CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47A31E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47A31E shade: #4CA319, #5DB52C, #6EC73F, #7FD952 and #90EB65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47A31E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47A31E shade: #47A31E, #36910B, #257F00, #146D00 and #035B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47A31E shade: #47A31E, #6BA31E, #8FA31E, #A3941E and #A3701E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47A31E shade: #47A31E, #23A31E, #1EA33C, #1EA360 and #1EA385

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47A31E shade matches the following richer shades: #47A31E and #41B30E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47A31E shade: #47A31E, #4D942D, #53843D, #59744D and #5F655C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47A31E shade: #8FA31E, #6CA31E, #48A31E, #24A31E and #1EA33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47A31E shade: #285E11, #388017, #47A31E, #56C624 and #6BDA39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47A31E shade: #47A31E, #1EA394 and #A31E7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47A31E shade: #47A31E, #1E48A3 and #A31E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47A31E shade: #47A31E, #1EA394, #791EA3 and #A31E2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47A31E shade: #47A31E, #1E8BA3, #791EA3 and #A3361E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

Complementary color

CMYK 18 / 59 / 0 / 12

HEX #B85CE1

RGB 184 92 225

HSL 281.5, 0.69%, 0.62%

LAB 55.36, 58.1, -52.62

 

CMYK 53 / 0 / 85 / 36

HEX #4CA319

RGB 76 163 25

HSL 97.83, 0.73%, 0.37%

LAB 59.71, -48.8, 56.92

 

CMYK 49 / 0 / 76 / 29

HEX #5DB52C

RGB 93 181 44

HSL 98.54, 0.61%, 0.44%

LAB 66.18, -49.61, 57.53

 

CMYK 45 / 0 / 68 / 22

HEX #6EC73F

RGB 110 199 63

HSL 99.26, 0.55%, 0.51%

LAB 72.58, -50.09, 57.27

 

CMYK 41 / 0 / 62 / 15

HEX #7FD952

RGB 127 217 82

HSL 100, 0.64%, 0.59%

LAB 78.9, -50.35, 56.55

 

CMYK 39 / 0 / 57 / 8

HEX #90EB65

RGB 144 235 101

HSL 100.75, 0.77%, 0.66%

LAB 85.14, -50.46, 55.6

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 63 / 0 / 92 / 43

HEX #36910B

RGB 54 145 11

HSL 100.75, 0.86%, 0.31%

LAB 53.01, -48.7, 53.84

 

CMYK 71 / 0 / 100 / 50

HEX #257F00

RGB 37 127 0

HSL 102.52, 1%, 0.25%

LAB 46.41, -46.71, 50.26

 

CMYK 82 / 0 / 100 / 57

HEX #146D00

RGB 20 109 0

HSL 108.99, 1%, 0.21%

LAB 39.72, -43.83, 44.79

 

CMYK 97 / 0 / 100 / 64

HEX #035B00

RGB 3 91 0

HSL 118.02, 1%, 0.18%

LAB 32.92, -40.22, 39.25

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 34 / 0 / 82 / 36

HEX #6BA31E

RGB 107 163 30

HSL 85.26, 0.69%, 0.38%

LAB 61.15, -38.16, 57.4

 

CMYK 12 / 0 / 82 / 36

HEX #8FA31E

RGB 143 163 30

HSL 69.02, 0.69%, 0.38%

LAB 63.45, -23.55, 60.33

 

CMYK 0 / 9 / 82 / 36

HEX #A3941E

RGB 163 148 30

HSL 53.23, 0.69%, 0.38%

LAB 60.83, -6.91, 58.67

 

CMYK 0 / 31 / 82 / 36

HEX #A3701E

RGB 163 112 30

HSL 36.99, 0.69%, 0.38%

LAB 51.23, 13.12, 50.14

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 79 / 0 / 82 / 36

HEX #23A31E

RGB 35 163 30

HSL 117.74, 0.69%, 0.38%

LAB 58.64, -57.53, 54.18

 

CMYK 82 / 0 / 63 / 36

HEX #1EA33C

RGB 30 163 60

HSL 133.53, 0.69%, 0.38%

LAB 58.79, -55.51, 42.85

 

CMYK 82 / 0 / 41 / 36

HEX #1EA360

RGB 30 163 96

HSL 149.77, 0.69%, 0.38%

LAB 59.26, -49.82, 25.32

 

CMYK 82 / 0 / 18 / 36

HEX #1EA385

RGB 30 163 133

HSL 166.47, 0.69%, 0.38%

LAB 60.04, -41.32, 5.94

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 64 / 0 / 92 / 30

HEX #41B30E

RGB 65 179 14

HSL 101.45, 0.85%, 0.38%

LAB 64.48, -57.76, 63.11

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 48 / 0 / 70 / 42

HEX #4D942D

RGB 77 148 45

HSL 101.36, 0.53%, 0.38%

LAB 55.02, -41.27, 45.64

 

CMYK 37 / 0 / 54 / 48

HEX #53843D

RGB 83 132 61

HSL 101.41, 0.37%, 0.38%

LAB 50.31, -30.46, 32.88

 

CMYK 23 / 0 / 34 / 55

HEX #59744D

RGB 89 116 77

HSL 101.54, 0.2%, 0.38%

LAB 45.84, -17.79, 18.45

 

CMYK 6 / 0 / 9 / 60

HEX #5F655C

RGB 95 101 92

HSL 100, 0.05%, 0.38%

LAB 42.02, -4.19, 4.29

 

CMYK 12 / 0 / 82 / 36

HEX #8FA31E

RGB 143 163 30

HSL 69.02, 0.69%, 0.38%

LAB 63.45, -23.55, 60.33

 

CMYK 34 / 0 / 82 / 36

HEX #6CA31E

RGB 108 163 30

HSL 84.81, 0.69%, 0.38%

LAB 61.2, -37.78, 57.47

 

CMYK 56 / 0 / 82 / 36

HEX #48A31E

RGB 72 163 30

HSL 101.05, 0.69%, 0.38%

LAB 59.59, -49.7, 55.39

 

CMYK 78 / 0 / 82 / 36

HEX #24A31E

RGB 36 163 30

HSL 117.29, 0.69%, 0.38%

LAB 58.66, -57.39, 54.2

 

CMYK 82 / 0 / 64 / 36

HEX #1EA33B

RGB 30 163 59

HSL 133.08, 0.69%, 0.38%

LAB 58.78, -55.62, 43.29

 

CMYK 57 / 0 / 82 / 63

HEX #285E11

RGB 40 94 17

HSL 102.08, 0.69%, 0.22%

LAB 35, -32.73, 35.98

 

CMYK 56 / 0 / 82 / 50

HEX #388017

RGB 56 128 23

HSL 101.14, 0.7%, 0.3%

LAB 47.42, -41.28, 45.97

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 57 / 0 / 82 / 22

HEX #56C624

RGB 86 198 36

HSL 101.48, 0.69%, 0.46%

LAB 71.21, -58.35, 64.59

 

CMYK 51 / 0 / 74 / 15

HEX #6BDA39

RGB 107 218 57

HSL 101.37, 0.69%, 0.54%

LAB 78.21, -58.69, 65.15

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 82 / 0 / 9 / 36

HEX #1EA394

RGB 30 163 148

HSL 173.23, 0.69%, 0.38%

LAB 60.43, -37.22, -1.93

 

CMYK 0 / 82 / 23 / 36

HEX #A31E7D

RGB 163 30 125

HSL 317.14, 0.69%, 0.38%

LAB 38.19, 60.15, -20.92

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 82 / 56 / 0 / 36

HEX #1E48A3

RGB 30 72 163

HSL 221.05, 0.69%, 0.38%

LAB 33.04, 20.37, -53.25

 

CMYK 0 / 82 / 56 / 36

HEX #A31E48

RGB 163 30 72

HSL 341.05, 0.69%, 0.38%

LAB 36.33, 54.68, 10.03

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 82 / 0 / 9 / 36

HEX #1EA394

RGB 30 163 148

HSL 173.23, 0.69%, 0.38%

LAB 60.43, -37.22, -1.93

 

CMYK 26 / 82 / 0 / 36

HEX #791EA3

RGB 121 30 163

HSL 281.05, 0.69%, 0.38%

LAB 33.22, 57.82, -52.58

 

CMYK 0 / 82 / 72 / 36

HEX #A31E2D

RGB 163 30 45

HSL 353.23, 0.69%, 0.38%

LAB 35.8, 53.04, 26.6

 

CMYK 56 / 0 / 82 / 36

HEX #47A31E

RGB 71 163 30

HSL 101.5, 0.69%, 0.38%

LAB 59.55, -49.98, 55.35

 

CMYK 82 / 15 / 0 / 36

HEX #1E8BA3

RGB 30 139 163

HSL 190.83, 0.69%, 0.38%

LAB 53.37, -20.76, -21.1

 

CMYK 26 / 82 / 0 / 36

HEX #791EA3

RGB 121 30 163

HSL 281.05, 0.69%, 0.38%

LAB 33.22, 57.82, -52.58

 

CMYK 0 / 67 / 82 / 36

HEX #A3361E

RGB 163 54 30

HSL 10.83, 0.69%, 0.38%

LAB 38.76, 43.79, 38.48

 

Description

Color code: HEX #47A31E | qconv.com Color code: HEX #47A31E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 163 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 163 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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