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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47C0C8 it is the complementary color #B83F37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47C0C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47C0C8 shade: #4CC0C3, #5DD2D6, #6EE4E9, #7FF6FC and #90FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47C0C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47C0C8 shade: #47C0C8, #36AEB5, #259CA2, #148A8F and #03787C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47C0C8 shade: #46BFC7, #469CC7, #467AC7, #4657C7 and #5846C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47C0C8 shade: #46BFC7, #469CC7, #467AC7, #4657C7 and #4646C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47C0C8 shade matches the following richer shades: #46BFC7, #33D0DB and #1FE1EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47C0C8 shade: #46BFC7, #59AEB4, #6D9DA1, #808C8D and #937B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47C0C8 shade: #46C789, #46C7AB, #46C1C7, #469EC7 and #467CC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47C0C8 shade: #2B8A90, #34A8B0, #46BFC7, #66CAD1 and #85D5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47C0C8 shade: #47C0C8, #6646C7 and #C79A46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47C0C8 shade: #47C0C8, #C746C1 and #C1C746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47C0C8 shade: #47C0C8, #6646C7, #C74C46 and #A7C746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47C0C8 shade: #47C0C8, #8D46C7, #C74C46 and #80C746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 4 / 0 / 22

HEX #47C0C8

RGB 71 192 200

HSL 183.72, 0.54%, 0.53%

LAB 71.7, -30.63, -13.95

 

Complementary color

CMYK 0 / 66 / 70 / 28

HEX #B83F37

RGB 184 63 55

HSL 3.72, 0.54%, 0.47%

LAB 44.26, 48.33, 31.58

 

CMYK 61 / 2 / 0 / 24

HEX #4CC0C3

RGB 76 192 195

HSL 181.51, 0.5%, 0.53%

LAB 71.67, -31.23, -11.24

 

CMYK 57 / 2 / 0 / 16

HEX #5DD2D6

RGB 93 210 214

HSL 181.98, 0.6%, 0.6%

LAB 78.04, -31.58, -11.96

 

CMYK 53 / 2 / 0 / 9

HEX #6EE4E9

RGB 110 228 233

HSL 182.44, 0.74%, 0.67%

LAB 84.32, -31.82, -12.62

 

CMYK 50 / 2 / 0 / 1

HEX #7FF6FC

RGB 127 246 252

HSL 182.88, 0.95%, 0.74%

LAB 90.53, -31.98, -13.24

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 65 / 4 / 0 / 22

HEX #47C0C8

RGB 71 192 200

HSL 183.72, 0.54%, 0.53%

LAB 71.7, -30.63, -13.95

 

CMYK 70 / 4 / 0 / 29

HEX #36AEB5

RGB 54 174 181

HSL 183.31, 0.54%, 0.46%

LAB 65.27, -29.96, -13.18

 

CMYK 77 / 4 / 0 / 36

HEX #259CA2

RGB 37 156 162

HSL 182.88, 0.63%, 0.39%

LAB 58.77, -29.04, -12.32

 

CMYK 86 / 3 / 0 / 44

HEX #148A8F

RGB 20 138 143

HSL 182.44, 0.75%, 0.32%

LAB 52.18, -27.75, -11.34

 

CMYK 98 / 3 / 0 / 51

HEX #03787C

RGB 3 120 124

HSL 181.98, 0.95%, 0.25%

LAB 45.51, -26.03, -10.23

 

CMYK 65 / 4 / 0 / 22

HEX #46BFC7

RGB 70 191 199

HSL 183.72, 0.54%, 0.53%

LAB 71.34, -30.59, -13.94

 

CMYK 65 / 22 / 0 / 22

HEX #469CC7

RGB 70 156 199

HSL 200, 0.54%, 0.53%

LAB 60.96, -12.55, -29.78

 

CMYK 65 / 39 / 0 / 22

HEX #467AC7

RGB 70 122 199

HSL 215.81, 0.54%, 0.53%

LAB 51.09, 7.2, -45.26

 

CMYK 65 / 56 / 0 / 22

HEX #4657C7

RGB 70 87 199

HSL 232.09, 0.54%, 0.53%

LAB 41.6, 29.2, -60.49

 

CMYK 56 / 65 / 0 / 22

HEX #5846C7

RGB 88 70 199

HSL 248.37, 0.54%, 0.53%

LAB 38.86, 42.58, -64.89

 

CMYK 65 / 4 / 0 / 22

HEX #46BFC7

RGB 70 191 199

HSL 183.72, 0.54%, 0.53%

LAB 71.34, -30.59, -13.94

 

CMYK 65 / 22 / 0 / 22

HEX #469CC7

RGB 70 156 199

HSL 200, 0.54%, 0.53%

LAB 60.96, -12.55, -29.78

 

CMYK 65 / 39 / 0 / 22

HEX #467AC7

RGB 70 122 199

HSL 215.81, 0.54%, 0.53%

LAB 51.09, 7.2, -45.26

 

CMYK 65 / 56 / 0 / 22

HEX #4657C7

RGB 70 87 199

HSL 232.09, 0.54%, 0.53%

LAB 41.6, 29.2, -60.49

 

CMYK 65 / 65 / 0 / 22

HEX #4646C7

RGB 70 70 199

HSL 240, 0.54%, 0.53%

LAB 37.49, 39.78, -67.18

 

CMYK 65 / 4 / 0 / 22

HEX #46BFC7

RGB 70 191 199

HSL 183.72, 0.54%, 0.53%

LAB 71.34, -30.59, -13.94

 

CMYK 77 / 5 / 0 / 14

HEX #33D0DB

RGB 51 208 219

HSL 183.93, 0.7%, 0.53%

LAB 76.64, -35.18, -16.84

 

CMYK 87 / 5 / 0 / 7

HEX #1FE1EE

RGB 31 225 238

HSL 183.77, 0.86%, 0.53%

LAB 82.01, -38.85, -18.9

 

CMYK 65 / 4 / 0 / 22

HEX #46BFC7

RGB 70 191 199

HSL 183.72, 0.54%, 0.53%

LAB 71.34, -30.59, -13.94

 

CMYK 51 / 3 / 0 / 29

HEX #59AEB4

RGB 89 174 180

HSL 183.96, 0.38%, 0.53%

LAB 66.28, -23.99, -11

 

CMYK 32 / 2 / 0 / 37

HEX #6D9DA1

RGB 109 157 161

HSL 184.62, 0.22%, 0.53%

LAB 61.6, -15, -7.25

 

CMYK 9 / 1 / 0 / 45

HEX #808C8D

RGB 128 140 141

HSL 184.62, 0.05%, 0.53%

LAB 57.34, -4.13, -2.03

 

CMYK 0 / 16 / 17 / 42

HEX #937B7A

RGB 147 123 122

HSL 2.4, 0.1%, 0.53%

LAB 53.79, 9.09, 4

 

CMYK 65 / 0 / 31 / 22

HEX #46C789

RGB 70 199 137

HSL 151.16, 0.54%, 0.53%

LAB 72.2, -49.61, 20.91

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 65 / 3 / 0 / 22

HEX #46C1C7

RGB 70 193 199

HSL 182.79, 0.54%, 0.53%

LAB 71.94, -31.55, -13.04

 

CMYK 65 / 21 / 0 / 22

HEX #469EC7

RGB 70 158 199

HSL 199.07, 0.54%, 0.53%

LAB 61.55, -13.65, -28.86

 

CMYK 65 / 38 / 0 / 22

HEX #467CC7

RGB 70 124 199

HSL 214.88, 0.54%, 0.53%

LAB 51.66, 5.98, -44.36

 

CMYK 70 / 4 / 0 / 44

HEX #2B8A90

RGB 43 138 144

HSL 183.56, 0.54%, 0.37%

LAB 52.62, -24.88, -11.22

 

CMYK 70 / 5 / 0 / 31

HEX #34A8B0

RGB 52 168 176

HSL 183.87, 0.54%, 0.45%

LAB 63.24, -28.8, -13.46

 

CMYK 65 / 4 / 0 / 22

HEX #46BFC7

RGB 70 191 199

HSL 183.72, 0.54%, 0.53%

LAB 71.34, -30.59, -13.94

 

CMYK 51 / 3 / 0 / 18

HEX #66CAD1

RGB 102 202 209

HSL 183.93, 0.54%, 0.61%

LAB 75.87, -27.28, -12.48

 

CMYK 39 / 2 / 0 / 15

HEX #85D5DA

RGB 133 213 218

HSL 183.53, 0.53%, 0.69%

LAB 80.54, -23.2, -10.21

 

CMYK 65 / 4 / 0 / 22

HEX #47C0C8

RGB 71 192 200

HSL 183.72, 0.54%, 0.53%

LAB 71.7, -30.63, -13.95

 

CMYK 49 / 65 / 0 / 22

HEX #6646C7

RGB 102 70 199

HSL 254.88, 0.54%, 0.53%

LAB 40.13, 45.08, -62.77

 

CMYK 0 / 23 / 65 / 22

HEX #C79A46

RGB 199 154 70

HSL 39.07, 0.54%, 0.53%

LAB 66.29, 7.8, 49.36

 

CMYK 65 / 4 / 0 / 22

HEX #47C0C8

RGB 71 192 200

HSL 183.72, 0.54%, 0.53%

LAB 71.7, -30.63, -13.95

 

CMYK 0 / 65 / 3 / 22

HEX #C746C1

RGB 199 70 193

HSL 302.79, 0.54%, 0.53%

LAB 52.26, 65.43, -39.17

 

CMYK 3 / 0 / 65 / 22

HEX #C1C746

RGB 193 199 70

HSL 62.79, 0.54%, 0.53%

LAB 77.65, -18.3, 61.35

 

CMYK 65 / 4 / 0 / 22

HEX #47C0C8

RGB 71 192 200

HSL 183.72, 0.54%, 0.53%

LAB 71.7, -30.63, -13.95

 

CMYK 49 / 65 / 0 / 22

HEX #6646C7

RGB 102 70 199

HSL 254.88, 0.54%, 0.53%

LAB 40.13, 45.08, -62.77

 

CMYK 0 / 62 / 65 / 22

HEX #C74C46

RGB 199 76 70

HSL 2.79, 0.54%, 0.53%

LAB 49.2, 48.65, 29.4

 

CMYK 16 / 0 / 65 / 22

HEX #A7C746

RGB 167 199 70

HSL 74.88, 0.54%, 0.53%

LAB 75.76, -28.93, 58.79

 

CMYK 65 / 4 / 0 / 22

HEX #47C0C8

RGB 71 192 200

HSL 183.72, 0.54%, 0.53%

LAB 71.7, -30.63, -13.95

 

CMYK 29 / 65 / 0 / 22

HEX #8D46C7

RGB 141 70 199

HSL 273.02, 0.54%, 0.53%

LAB 44.47, 53.1, -55.53

 

CMYK 0 / 62 / 65 / 22

HEX #C74C46

RGB 199 76 70

HSL 2.79, 0.54%, 0.53%

LAB 49.2, 48.65, 29.4

 

CMYK 36 / 0 / 65 / 22

HEX #80C746

RGB 128 199 70

HSL 93.02, 0.54%, 0.53%

LAB 73.47, -43.58, 55.65

 

Description

Color code: HEX #47C0C8 | qconv.com Color code: HEX #47C0C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 192 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 192 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 4 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 4% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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