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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47CDD3 it is the complementary color #B8322C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47CDD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47CDD3 shade: #4CCDCE, #5DDFE1, #6EF1F4, #7FFFFF and #90FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47CDD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47CDD3 shade: #47CDD3, #36BBC0, #25A9AD, #14979A and #038587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47CDD3 shade: #46CCD2, #46A6D2, #4680D2, #465AD2 and #5746D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47CDD3 shade: #46CCD2, #46A6D2, #4680D2, #465AD2 and #4646D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47CDD3 shade matches the following richer shades: #46CCD2, #33DDE4 and #21EEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47CDD3 shade: #46CCD2, #58BBBF, #6BAAAD, #7D999A and #908887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47CDD3 shade: #46D28C, #46D2B1, #46CDD2, #46A8D2 and #4682D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47CDD3 shade: #269A9F, #2EBAC0, #46CCD2, #67D5DA and #88DEE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47CDD3 shade: #47CDD3, #6646D2 and #D29E46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47CDD3 shade: #47CDD3, #D246CD and #CDD246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47CDD3 shade: #47CDD3, #6646D2, #D24A46 and #B1D246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47CDD3 shade: #47CDD3, #9046D2, #D24A46 and #87D246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 3 / 0 / 17

HEX #47CDD3

RGB 71 205 211

HSL 182.57, 0.61%, 0.55%

LAB 75.89, -33.68, -13.62

 

Complementary color

CMYK 0 / 73 / 76 / 28

HEX #B8322C

RGB 184 50 44

HSL 2.57, 0.61%, 0.45%

LAB 42.24, 52.98, 35.63

 

CMYK 63 / 0 / 0 / 19

HEX #4CCDCE

RGB 76 205 206

HSL 180.46, 0.57%, 0.55%

LAB 75.86, -34.33, -10.96

 

CMYK 59 / 1 / 0 / 12

HEX #5DDFE1

RGB 93 223 225

HSL 180.91, 0.69%, 0.62%

LAB 82.13, -34.75, -11.71

 

CMYK 55 / 1 / 0 / 4

HEX #6EF1F4

RGB 110 241 244

HSL 181.34, 0.86%, 0.69%

LAB 88.33, -35.04, -12.41

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 66 / 3 / 0 / 17

HEX #47CDD3

RGB 71 205 211

HSL 182.57, 0.61%, 0.55%

LAB 75.89, -33.68, -13.62

 

CMYK 72 / 3 / 0 / 25

HEX #36BBC0

RGB 54 187 192

HSL 182.17, 0.56%, 0.48%

LAB 69.56, -32.95, -12.81

 

CMYK 79 / 2 / 0 / 32

HEX #25A9AD

RGB 37 169 173

HSL 181.76, 0.65%, 0.41%

LAB 63.17, -31.96, -11.91

 

CMYK 87 / 2 / 0 / 40

HEX #14979A

RGB 20 151 154

HSL 181.34, 0.77%, 0.34%

LAB 56.7, -30.61, -10.9

 

CMYK 98 / 1 / 0 / 47

HEX #038587

RGB 3 133 135

HSL 180.91, 0.96%, 0.27%

LAB 50.15, -28.85, -9.75

 

CMYK 67 / 3 / 0 / 18

HEX #46CCD2

RGB 70 204 210

HSL 182.57, 0.61%, 0.55%

LAB 75.54, -33.64, -13.61

 

CMYK 67 / 21 / 0 / 18

HEX #46A6D2

RGB 70 166 210

HSL 198.86, 0.61%, 0.55%

LAB 64.34, -14.44, -30.67

 

CMYK 67 / 39 / 0 / 18

HEX #4680D2

RGB 70 128 210

HSL 215.14, 0.61%, 0.55%

LAB 53.38, 7.38, -47.87

 

CMYK 67 / 57 / 0 / 18

HEX #465AD2

RGB 70 90 210

HSL 231.43, 0.61%, 0.55%

LAB 43.16, 31.13, -64.29

 

CMYK 59 / 67 / 0 / 18

HEX #5746D2

RGB 87 70 210

HSL 247.29, 0.61%, 0.55%

LAB 39.68, 45.81, -69.92

 

CMYK 67 / 3 / 0 / 18

HEX #46CCD2

RGB 70 204 210

HSL 182.57, 0.61%, 0.55%

LAB 75.54, -33.64, -13.61

 

CMYK 67 / 21 / 0 / 18

HEX #46A6D2

RGB 70 166 210

HSL 198.86, 0.61%, 0.55%

LAB 64.34, -14.44, -30.67

 

CMYK 67 / 39 / 0 / 18

HEX #4680D2

RGB 70 128 210

HSL 215.14, 0.61%, 0.55%

LAB 53.38, 7.38, -47.87

 

CMYK 67 / 57 / 0 / 18

HEX #465AD2

RGB 70 90 210

HSL 231.43, 0.61%, 0.55%

LAB 43.16, 31.13, -64.29

 

CMYK 67 / 67 / 0 / 18

HEX #4646D2

RGB 70 70 210

HSL 240, 0.61%, 0.55%

LAB 38.44, 43.42, -72.01

 

CMYK 67 / 3 / 0 / 18

HEX #46CCD2

RGB 70 204 210

HSL 182.57, 0.61%, 0.55%

LAB 75.54, -33.64, -13.61

 

CMYK 78 / 3 / 0 / 11

HEX #33DDE4

RGB 51 221 228

HSL 182.37, 0.77%, 0.55%

LAB 80.75, -38.54, -15.47

 

CMYK 87 / 4 / 0 / 3

HEX #21EEF7

RGB 33 238 247

HSL 182.52, 0.93%, 0.55%

LAB 86.1, -41.94, -17.48

 

CMYK 67 / 3 / 0 / 18

HEX #46CCD2

RGB 70 204 210

HSL 182.57, 0.61%, 0.55%

LAB 75.54, -33.64, -13.61

 

CMYK 54 / 2 / 0 / 25

HEX #58BBBF

RGB 88 187 191

HSL 182.33, 0.45%, 0.55%

LAB 70.44, -27.67, -10.86

 

CMYK 38 / 2 / 0 / 32

HEX #6BAAAD

RGB 107 170 173

HSL 182.73, 0.29%, 0.55%

LAB 65.66, -19.39, -7.95

 

CMYK 19 / 1 / 0 / 40

HEX #7D999A

RGB 125 153 154

HSL 182.07, 0.13%, 0.55%

LAB 61.2, -9.51, -3.78

 

CMYK 0 / 6 / 6 / 44

HEX #908887

RGB 144 136 135

HSL 6.67, 0.04%, 0.55%

LAB 57.35, 2.8, 1.6

 

CMYK 67 / 0 / 33 / 18

HEX #46D28C

RGB 70 210 140

HSL 150, 0.61%, 0.55%

LAB 75.63, -53.37, 24.01

 

CMYK 67 / 0 / 16 / 18

HEX #46D2B1

RGB 70 210 177

HSL 165.86, 0.61%, 0.55%

LAB 76.42, -45.14, 5.46

 

CMYK 67 / 2 / 0 / 18

HEX #46CDD2

RGB 70 205 210

HSL 182.14, 0.61%, 0.55%

LAB 75.83, -34.11, -13.17

 

CMYK 67 / 20 / 0 / 18

HEX #46A8D2

RGB 70 168 210

HSL 198, 0.61%, 0.55%

LAB 64.93, -15.51, -29.76

 

CMYK 67 / 38 / 0 / 18

HEX #4682D2

RGB 70 130 210

HSL 214.29, 0.61%, 0.55%

LAB 53.94, 6.17, -46.98

 

CMYK 76 / 3 / 0 / 38

HEX #269A9F

RGB 38 154 159

HSL 182.48, 0.61%, 0.39%

LAB 58.06, -28.88, -11.67

 

CMYK 76 / 3 / 0 / 25

HEX #2EBAC0

RGB 46 186 192

HSL 182.47, 0.61%, 0.47%

LAB 69.12, -33.39, -13.5

 

CMYK 67 / 3 / 0 / 18

HEX #46CCD2

RGB 70 204 210

HSL 182.57, 0.61%, 0.55%

LAB 75.54, -33.64, -13.61

 

CMYK 53 / 2 / 0 / 15

HEX #67D5DA

RGB 103 213 218

HSL 182.61, 0.61%, 0.63%

LAB 79.35, -30.02, -12.11

 

CMYK 40 / 2 / 0 / 11

HEX #88DEE2

RGB 136 222 226

HSL 182.67, 0.61%, 0.71%

LAB 83.43, -24.92, -10.15

 

CMYK 66 / 3 / 0 / 17

HEX #47CDD3

RGB 71 205 211

HSL 182.57, 0.61%, 0.55%

LAB 75.89, -33.68, -13.62

 

CMYK 51 / 67 / 0 / 18

HEX #6646D2

RGB 102 70 210

HSL 253.71, 0.61%, 0.55%

LAB 40.99, 48.25, -67.73

 

CMYK 0 / 25 / 67 / 18

HEX #D29E46

RGB 210 158 70

HSL 37.71, 0.61%, 0.55%

LAB 68.46, 10.37, 52.07

 

CMYK 66 / 3 / 0 / 17

HEX #47CDD3

RGB 71 205 211

HSL 182.57, 0.61%, 0.55%

LAB 75.89, -33.68, -13.62

 

CMYK 0 / 67 / 2 / 18

HEX #D246CD

RGB 210 70 205

HSL 302.14, 0.61%, 0.55%

LAB 54.54, 69.97, -42.34

 

CMYK 2 / 0 / 67 / 18

HEX #CDD246

RGB 205 210 70

HSL 62.14, 0.61%, 0.55%

LAB 81.57, -18.76, 65.67

 

CMYK 66 / 3 / 0 / 17

HEX #47CDD3

RGB 71 205 211

HSL 182.57, 0.61%, 0.55%

LAB 75.89, -33.68, -13.62

 

CMYK 51 / 67 / 0 / 18

HEX #6646D2

RGB 102 70 210

HSL 253.71, 0.61%, 0.55%

LAB 40.99, 48.25, -67.73

 

CMYK 0 / 65 / 67 / 18

HEX #D24A46

RGB 210 74 70

HSL 1.71, 0.61%, 0.55%

LAB 50.74, 53.28, 31.71

 

CMYK 16 / 0 / 67 / 18

HEX #B1D246

RGB 177 210 70

HSL 74.14, 0.61%, 0.55%

LAB 79.55, -30.15, 62.95

 

CMYK 66 / 3 / 0 / 17

HEX #47CDD3

RGB 71 205 211

HSL 182.57, 0.61%, 0.55%

LAB 75.89, -33.68, -13.62

 

CMYK 31 / 67 / 0 / 18

HEX #9046D2

RGB 144 70 210

HSL 271.71, 0.61%, 0.55%

LAB 45.58, 56.3, -60.06

 

CMYK 0 / 65 / 67 / 18

HEX #D24A46

RGB 210 74 70

HSL 1.71, 0.61%, 0.55%

LAB 50.74, 53.28, 31.71

 

CMYK 36 / 0 / 67 / 18

HEX #87D246

RGB 135 210 70

HSL 92.14, 0.61%, 0.55%

LAB 77.09, -45.83, 59.63

 

Description

Color code: HEX #47CDD3 | qconv.com Color code: HEX #47CDD3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 205 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 205 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 3 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 3% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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