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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47DD94 it is the complementary color #B8226B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47DD94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47DD94 shade: #4CDD8F, #5DEFA2, #6EFFB5, #7FFFC8 and #90FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47DD94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47DD94 shade: #47DD94, #36CB81, #25B96E, #14A75B and #039548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47DD94 shade: #45DD93, #45DD6A, #49DD45, #72DD45 and #9BDD45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47DD94 shade: #45DD93, #45DDBC, #45D5DD, #45ACDD and #4583DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47DD94 shade matches the following richer shades: #45DD93 and #33EE93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47DD94 shade: #45DD93, #57CB92, #69B992, #7AA791 and #8C9691

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47DD94 shade: #4ADD45, #45DD68, #45DD91, #45DDB9 and #45D7DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47DD94 shade: #20AF6A, #26D27F, #45DD93, #68E3A7 and #8BE9BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47DD94 shade: #47DD94, #4573DD and #DD5445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47DD94 shade: #47DD94, #9145DD and #DD9145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47DD94 shade: #47DD94, #4573DD, #DD4591 and #DDAF45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47DD94 shade: #47DD94, #4545DD, #DD4591 and #DDDD45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 33 / 13

HEX #47DD94

RGB 71 221 148

HSL 150.8, 0.69%, 0.57%

LAB 79.15, -55.89, 24.63

 

Complementary color

CMYK 0 / 82 / 42 / 28

HEX #B8226B

RGB 184 34 107

HSL 330.8, 0.69%, 0.43%

LAB 41.84, 62.24, -3.78

 

CMYK 66 / 0 / 35 / 13

HEX #4CDD8F

RGB 76 221 143

HSL 147.72, 0.68%, 0.58%

LAB 79.18, -56.02, 27.27

 

CMYK 61 / 0 / 32 / 6

HEX #5DEFA2

RGB 93 239 162

HSL 148.36, 0.82%, 0.65%

LAB 85.34, -56.25, 25.92

 

CMYK 57 / 0 / 29 / 0

HEX #6EFFB5

RGB 110 255 181

HSL 149.38, 1%, 0.72%

LAB 90.86, -55.54, 23.86

 

CMYK 50 / 0 / 22 / 0

HEX #7FFFC8

RGB 127 255 200

HSL 154.22, 1%, 0.75%

LAB 91.78, -48.05, 15.51

 

CMYK 44 / 0 / 14 / 0

HEX #90FFDB

RGB 144 255 219

HSL 160.54, 1%, 0.78%

LAB 92.82, -40.03, 7.31

 

CMYK 68 / 0 / 33 / 13

HEX #47DD94

RGB 71 221 148

HSL 150.8, 0.69%, 0.57%

LAB 79.15, -55.89, 24.63

 

CMYK 73 / 0 / 36 / 20

HEX #36CB81

RGB 54 203 129

HSL 150.2, 0.59%, 0.5%

LAB 72.95, -55.35, 26.09

 

CMYK 80 / 0 / 41 / 27

HEX #25B96E

RGB 37 185 110

HSL 149.59, 0.67%, 0.44%

LAB 66.69, -54.48, 27.67

 

CMYK 88 / 0 / 46 / 35

HEX #14A75B

RGB 20 167 91

HSL 148.98, 0.79%, 0.37%

LAB 60.37, -53.15, 29.4

 

CMYK 98 / 0 / 52 / 42

HEX #039548

RGB 3 149 72

HSL 148.36, 0.96%, 0.3%

LAB 54.01, -51.24, 31.25

 

CMYK 69 / 0 / 33 / 13

HEX #45DD93

RGB 69 221 147

HSL 150.79, 0.69%, 0.57%

LAB 79.09, -56.41, 25.06

 

CMYK 69 / 0 / 52 / 13

HEX #45DD6A

RGB 69 221 106

HSL 134.61, 0.69%, 0.57%

LAB 78.47, -63.36, 44.76

 

CMYK 67 / 0 / 69 / 13

HEX #49DD45

RGB 73 221 69

HSL 118.42, 0.69%, 0.57%

LAB 78.2, -66.84, 60.51

 

CMYK 48 / 0 / 69 / 13

HEX #72DD45

RGB 114 221 69

HSL 102.24, 0.69%, 0.57%

LAB 79.45, -56.96, 62.21

 

CMYK 30 / 0 / 69 / 13

HEX #9BDD45

RGB 155 221 69

HSL 86.05, 0.69%, 0.57%

LAB 81.35, -43.53, 64.77

 

CMYK 69 / 0 / 33 / 13

HEX #45DD93

RGB 69 221 147

HSL 150.79, 0.69%, 0.57%

LAB 79.09, -56.41, 25.06

 

CMYK 69 / 0 / 15 / 13

HEX #45DDBC

RGB 69 221 188

HSL 166.97, 0.69%, 0.57%

LAB 79.96, -47.26, 4.7

 

CMYK 69 / 4 / 0 / 13

HEX #45D5DD

RGB 69 213 221

HSL 183.16, 0.69%, 0.57%

LAB 78.5, -34.85, -15.07

 

CMYK 69 / 22 / 0 / 13

HEX #45ACDD

RGB 69 172 221

HSL 199.34, 0.69%, 0.57%

LAB 66.51, -14.25, -33.39

 

CMYK 69 / 41 / 0 / 13

HEX #4583DD

RGB 69 131 221

HSL 215.53, 0.69%, 0.57%

LAB 54.78, 9.27, -51.84

 

CMYK 69 / 0 / 33 / 13

HEX #45DD93

RGB 69 221 147

HSL 150.79, 0.69%, 0.57%

LAB 79.09, -56.41, 25.06

 

CMYK 79 / 0 / 38 / 7

HEX #33EE93

RGB 51 238 147

HSL 150.8, 0.85%, 0.57%

LAB 83.94, -65.04, 31.52

 

CMYK 69 / 0 / 33 / 13

HEX #45DD93

RGB 69 221 147

HSL 150.79, 0.69%, 0.57%

LAB 79.09, -56.41, 25.06

 

CMYK 57 / 0 / 28 / 20

HEX #57CB92

RGB 87 203 146

HSL 150.52, 0.53%, 0.57%

LAB 74.07, -46.02, 18.78

 

CMYK 43 / 0 / 21 / 27

HEX #69B992

RGB 105 185 146

HSL 150.75, 0.36%, 0.57%

LAB 69.31, -33.59, 12.23

 

CMYK 27 / 0 / 13 / 35

HEX #7AA791

RGB 122 167 145

HSL 150.67, 0.2%, 0.57%

LAB 64.82, -19.85, 6.52

 

CMYK 7 / 0 / 3 / 41

HEX #8C9691

RGB 140 150 145

HSL 150, 0.05%, 0.57%

LAB 61.16, -4.59, 1.39

 

CMYK 67 / 0 / 69 / 13

HEX #4ADD45

RGB 74 221 69

HSL 118.03, 0.69%, 0.57%

LAB 78.23, -66.65, 60.54

 

CMYK 69 / 0 / 53 / 13

HEX #45DD68

RGB 69 221 104

HSL 133.82, 0.69%, 0.57%

LAB 78.45, -63.64, 45.68

 

CMYK 69 / 0 / 34 / 13

HEX #45DD91

RGB 69 221 145

HSL 150, 0.69%, 0.57%

LAB 79.05, -56.8, 26.04

 

CMYK 69 / 0 / 16 / 13

HEX #45DDB9

RGB 69 221 185

HSL 165.79, 0.69%, 0.57%

LAB 79.89, -48, 6.19

 

CMYK 69 / 3 / 0 / 13

HEX #45D7DD

RGB 69 215 221

HSL 182.37, 0.69%, 0.57%

LAB 79.09, -35.79, -14.19

 

CMYK 82 / 0 / 39 / 31

HEX #20AF6A

RGB 32 175 106

HSL 151.05, 0.69%, 0.41%

LAB 63.35, -52.11, 25.37

 

CMYK 82 / 0 / 40 / 18

HEX #26D27F

RGB 38 210 127

HSL 151.05, 0.69%, 0.49%

LAB 74.85, -60.18, 29.62

 

CMYK 69 / 0 / 33 / 13

HEX #45DD93

RGB 69 221 147

HSL 150.79, 0.69%, 0.57%

LAB 79.09, -56.41, 25.06

 

CMYK 54 / 0 / 26 / 11

HEX #68E3A7

RGB 104 227 167

HSL 150.73, 0.69%, 0.65%

LAB 82.2, -48.11, 19.08

 

CMYK 40 / 0 / 20 / 9

HEX #8BE9BB

RGB 139 233 187

HSL 150.64, 0.68%, 0.73%

LAB 85.68, -38.04, 13.71

 

CMYK 68 / 0 / 33 / 13

HEX #47DD94

RGB 71 221 148

HSL 150.8, 0.69%, 0.57%

LAB 79.15, -55.89, 24.63

 

CMYK 69 / 48 / 0 / 13

HEX #4573DD

RGB 69 115 221

HSL 221.84, 0.69%, 0.57%

LAB 50.39, 19.13, -58.87

 

CMYK 0 / 62 / 69 / 13

HEX #DD5445

RGB 221 84 69

HSL 5.92, 0.69%, 0.57%

LAB 54.18, 52.67, 36.85

 

CMYK 68 / 0 / 33 / 13

HEX #47DD94

RGB 71 221 148

HSL 150.8, 0.69%, 0.57%

LAB 79.15, -55.89, 24.63

 

CMYK 34 / 69 / 0 / 13

HEX #9145DD

RGB 145 69 221

HSL 270, 0.69%, 0.57%

LAB 46.31, 59.54, -65.17

 

CMYK 0 / 34 / 69 / 13

HEX #DD9145

RGB 221 145 69

HSL 30, 0.69%, 0.57%

LAB 66.56, 21.99, 50.84

 

CMYK 68 / 0 / 33 / 13

HEX #47DD94

RGB 71 221 148

HSL 150.8, 0.69%, 0.57%

LAB 79.15, -55.89, 24.63

 

CMYK 69 / 48 / 0 / 13

HEX #4573DD

RGB 69 115 221

HSL 221.84, 0.69%, 0.57%

LAB 50.39, 19.13, -58.87

 

CMYK 0 / 69 / 34 / 13

HEX #DD4591

RGB 221 69 145

HSL 330, 0.69%, 0.57%

LAB 53.68, 64.94, -8.57

 

CMYK 0 / 21 / 69 / 13

HEX #DDAF45

RGB 221 175 69

HSL 41.84, 0.69%, 0.57%

LAB 73.84, 5.94, 58.58

 

CMYK 68 / 0 / 33 / 13

HEX #47DD94

RGB 71 221 148

HSL 150.8, 0.69%, 0.57%

LAB 79.15, -55.89, 24.63

 

CMYK 69 / 69 / 0 / 13

HEX #4545DD

RGB 69 69 221

HSL 240, 0.69%, 0.57%

LAB 39.14, 47.49, -77.17

 

CMYK 0 / 69 / 34 / 13

HEX #DD4591

RGB 221 69 145

HSL 330, 0.69%, 0.57%

LAB 53.68, 64.94, -8.57

 

CMYK 0 / 0 / 69 / 13

HEX #DDDD45

RGB 221 221 69

HSL 60, 0.69%, 0.57%

LAB 85.76, -17.61, 70.64

 

Description

Color code: HEX #47DD94 | qconv.com Color code: HEX #47DD94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 221 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 221 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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