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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E933 it is the complementary color #B816CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E933 shade: #4CE92E, #5DFB41, #6EFF54, #7FFF67 and #90FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E933 shade: #47E933, #36D720, #25C50D, #14B300 and #03A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E933 shade: #47E933, #78E933, #A9E933, #DAE933 and #E9C733

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E933 shade: #47E933, #33E950, #33E981, #33E9B3 and #33E9E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E933 shade matches the following richer shades: #47E933 and #39FB21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E933 shade: #47E933, #56D746, #64C558, #72B36A and #80A17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E933 shade: #AAE933, #79E933, #49E933, #33E94F and #33E97F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E933 shade: #25B713, #2CDD17, #47E933, #69ED59 and #8BF17E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E933 shade: #47E933, #33DAE9 and #E93391

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E933 shade: #47E933, #3349E9 and #E93349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E933 shade: #47E933, #33DAE9, #D433E9 and #E94333

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E933 shade: #47E933, #33A4E9, #D433E9 and #E97933

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

Complementary color

CMYK 10 / 89 / 0 / 20

HEX #B816CC

RGB 184 22 204

HSL 293.41, 0.81%, 0.44%

LAB 45.8, 77.61, -55.95

 

CMYK 67 / 0 / 80 / 9

HEX #4CE92E

RGB 76 233 46

HSL 110.37, 0.81%, 0.55%

LAB 81.84, -71.7, 71.63

 

CMYK 63 / 0 / 74 / 2

HEX #5DFB41

RGB 93 251 65

HSL 110.97, 0.96%, 0.62%

LAB 87.83, -72.94, 71.88

 

CMYK 57 / 0 / 67 / 0

HEX #6EFF54

RGB 110 255 84

HSL 110.88, 1%, 0.66%

LAB 89.62, -69.06, 67.19

 

CMYK 50 / 0 / 60 / 0

HEX #7FFF67

RGB 127 255 103

HSL 110.53, 1%, 0.7%

LAB 90.33, -63.03, 60.49

 

CMYK 44 / 0 / 52 / 0

HEX #90FF7A

RGB 144 255 122

HSL 110.08, 1%, 0.74%

LAB 91.17, -56.23, 53.26

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 75 / 0 / 85 / 16

HEX #36D720

RGB 54 215 32

HSL 112.79, 0.74%, 0.48%

LAB 75.75, -70.58, 69.35

 

CMYK 81 / 0 / 93 / 23

HEX #25C50D

RGB 37 197 13

HSL 112.17, 0.88%, 0.41%

LAB 69.72, -68.17, 67.4

 

CMYK 89 / 0 / 100 / 30

HEX #14B300

RGB 20 179 0

HSL 113.3, 1%, 0.35%

LAB 63.66, -64.97, 63.93

 

CMYK 98 / 0 / 100 / 37

HEX #03A100

RGB 3 161 0

HSL 118.88, 1%, 0.32%

LAB 57.57, -60.93, 59

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 48 / 0 / 78 / 9

HEX #78E933

RGB 120 233 51

HSL 97.25, 0.81%, 0.56%

LAB 83.18, -60.85, 71.97

 

CMYK 27 / 0 / 78 / 9

HEX #A9E933

RGB 169 233 51

HSL 81.1, 0.81%, 0.56%

LAB 85.48, -44.57, 74.93

 

CMYK 6 / 0 / 78 / 9

HEX #DAE933

RGB 218 233 51

HSL 64.95, 0.81%, 0.56%

LAB 88.65, -25.4, 78.97

 

CMYK 0 / 15 / 78 / 9

HEX #E9C733

RGB 233 199 51

HSL 48.79, 0.81%, 0.56%

LAB 80.97, -2.25, 72.57

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 78 / 0 / 66 / 9

HEX #33E950

RGB 51 233 80

HSL 129.56, 0.81%, 0.56%

LAB 81.6, -73.02, 59.74

 

CMYK 78 / 0 / 45 / 9

HEX #33E981

RGB 51 233 129

HSL 145.71, 0.81%, 0.56%

LAB 82.15, -66.49, 38.15

 

CMYK 78 / 0 / 23 / 9

HEX #33E9B3

RGB 51 233 179

HSL 162.2, 0.81%, 0.56%

LAB 83.04, -56.49, 13.8

 

CMYK 78 / 0 / 2 / 9

HEX #33E9E4

RGB 51 233 228

HSL 178.35, 0.81%, 0.56%

LAB 84.27, -43.92, -10.2

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 77 / 0 / 87 / 2

HEX #39FB21

RGB 57 251 33

HSL 113.39, 0.96%, 0.56%

LAB 86.98, -80.6, 79.02

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 60 / 0 / 67 / 16

HEX #56D746

RGB 86 215 70

HSL 113.38, 0.64%, 0.56%

LAB 76.69, -61.99, 58.63

 

CMYK 49 / 0 / 55 / 23

HEX #64C558

RGB 100 197 88

HSL 113.39, 0.48%, 0.56%

LAB 71.79, -49.79, 45.43

 

CMYK 36 / 0 / 41 / 30

HEX #72B36A

RGB 114 179 106

HSL 113.42, 0.32%, 0.56%

LAB 67.17, -35.34, 30.86

 

CMYK 20 / 0 / 23 / 37

HEX #80A17C

RGB 128 161 124

HSL 113.51, 0.16%, 0.56%

LAB 62.96, -18.76, 15.62

 

CMYK 27 / 0 / 78 / 9

HEX #AAE933

RGB 170 233 51

HSL 80.77, 0.81%, 0.56%

LAB 85.54, -44.2, 75

 

CMYK 48 / 0 / 78 / 9

HEX #79E933

RGB 121 233 51

HSL 96.92, 0.81%, 0.56%

LAB 83.22, -60.56, 72.02

 

CMYK 69 / 0 / 78 / 9

HEX #49E933

RGB 73 233 51

HSL 112.75, 0.81%, 0.56%

LAB 81.8, -71.98, 70.17

 

CMYK 78 / 0 / 66 / 9

HEX #33E94F

RGB 51 233 79

HSL 129.23, 0.81%, 0.56%

LAB 81.59, -73.12, 60.13

 

CMYK 78 / 0 / 45 / 9

HEX #33E97F

RGB 51 233 127

HSL 145.05, 0.81%, 0.56%

LAB 82.12, -66.82, 39.1

 

CMYK 80 / 0 / 90 / 28

HEX #25B713

RGB 37 183 19

HSL 113.41, 0.81%, 0.4%

LAB 65.21, -63.89, 62.66

 

CMYK 80 / 0 / 90 / 13

HEX #2CDD17

RGB 44 221 23

HSL 113.64, 0.81%, 0.48%

LAB 77.47, -73.98, 72.5

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 56 / 0 / 62 / 7

HEX #69ED59

RGB 105 237 89

HSL 113.51, 0.8%, 0.64%

LAB 84.12, -63.48, 59.19

 

CMYK 42 / 0 / 48 / 5

HEX #8BF17E

RGB 139 241 126

HSL 113.22, 0.8%, 0.72%

LAB 86.95, -51.56, 46.19

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 78 / 6 / 0 / 9

HEX #33DAE9

RGB 51 218 233

HSL 184.95, 0.81%, 0.56%

LAB 80.03, -35.68, -19.22

 

CMYK 0 / 78 / 38 / 9

HEX #E93391

RGB 233 51 145

HSL 329.01, 0.81%, 0.56%

LAB 53.75, 73.75, -8.25

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 78 / 69 / 0 / 9

HEX #3349E9

RGB 51 73 233

HSL 232.75, 0.81%, 0.56%

LAB 40.17, 47.43, -82.35

 

CMYK 0 / 78 / 69 / 9

HEX #E93349

RGB 233 51 73

HSL 352.75, 0.81%, 0.56%

LAB 52.03, 68.49, 32.49

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 78 / 6 / 0 / 9

HEX #33DAE9

RGB 51 218 233

HSL 184.95, 0.81%, 0.56%

LAB 80.03, -35.68, -19.22

 

CMYK 9 / 78 / 0 / 9

HEX #D433E9

RGB 212 51 233

HSL 293.08, 0.81%, 0.56%

LAB 54.29, 81, -58.62

 

CMYK 0 / 71 / 78 / 9

HEX #E94333

RGB 233 67 51

HSL 5.27, 0.81%, 0.56%

LAB 53.58, 62.57, 46.53

 

CMYK 70 / 0 / 78 / 9

HEX #47E933

RGB 71 233 51

HSL 113.41, 0.81%, 0.56%

LAB 81.76, -72.33, 70.12

 

CMYK 78 / 30 / 0 / 9

HEX #33A4E9

RGB 51 164 233

HSL 202.75, 0.81%, 0.56%

LAB 64.27, -8.05, -43.52

 

CMYK 9 / 78 / 0 / 9

HEX #D433E9

RGB 212 51 233

HSL 293.08, 0.81%, 0.56%

LAB 54.29, 81, -58.62

 

CMYK 0 / 48 / 78 / 9

HEX #E97933

RGB 233 121 51

HSL 23.08, 0.81%, 0.56%

LAB 62.71, 38.65, 55.59

 

Description

Color code: HEX #47E933 | qconv.com Color code: HEX #47E933 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 233 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 233 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 78 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 78% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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