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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47F997 it is the complementary color #B80668. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47F997. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47F997 shade: #4CF992, #5DFFA5, #6EFFB8, #7FFFCB and #90FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47F997. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47F997 shade: #47F997, #36E784, #25D571, #14C35E and #03B14B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47F997 shade: #47F997, #47F967, #57F947, #87F947 and #B7F947

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47F997 shade: #47F997, #47F9C7, #47F9F7, #47CBF9 and #479BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47F997 shade matches the following richer shades: #47F997

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47F997 shade: #47F997, #57EA99, #66DA9A, #75CB9C and #85BC9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47F997 shade: #59F947, #47F965, #47F994, #47F9C4 and #47F9F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47F997 shade: #07E76C, #1FF881, #47F997, #6FFAAE and #98FBC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47F997 shade: #47F997, #4788F9 and #F94D47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47F997 shade: #47F997, #9447F9 and #F99447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47F997 shade: #47F997, #4788F9, #F947AC and #F9B847

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47F997 shade: #47F997, #4753F9, #F947AC and #F9ED47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

Complementary color

CMYK 0 / 97 / 43 / 28

HEX #B80668

RGB 184 6 104

HSL 326.97, 0.94%, 0.37%

LAB 40.11, 66.65, -4.45

 

CMYK 69 / 0 / 41 / 2

HEX #4CF992

RGB 76 249 146

HSL 144.28, 0.94%, 0.64%

LAB 87.66, -65.84, 36.99

 

CMYK 64 / 0 / 35 / 0

HEX #5DFFA5

RGB 93 255 165

HSL 146.67, 1%, 0.68%

LAB 90.12, -61.84, 30.86

 

CMYK 57 / 0 / 28 / 0

HEX #6EFFB8

RGB 110 255 184

HSL 150.62, 1%, 0.72%

LAB 90.91, -54.96, 22.41

 

CMYK 50 / 0 / 20 / 0

HEX #7FFFCB

RGB 127 255 203

HSL 155.63, 1%, 0.75%

LAB 91.84, -47.43, 14.06

 

CMYK 44 / 0 / 13 / 0

HEX #90FFDE

RGB 144 255 222

HSL 162.16, 1%, 0.78%

LAB 92.89, -39.39, 5.87

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 77 / 0 / 43 / 9

HEX #36E784

RGB 54 231 132

HSL 146.44, 0.79%, 0.56%

LAB 81.62, -64.94, 36

 

CMYK 83 / 0 / 47 / 16

HEX #25D571

RGB 37 213 113

HSL 145.91, 0.7%, 0.49%

LAB 75.56, -63.8, 37.62

 

CMYK 90 / 0 / 52 / 24

HEX #14C35E

RGB 20 195 94

HSL 145.37, 0.81%, 0.42%

LAB 69.46, -62.19, 39.32

 

CMYK 98 / 0 / 58 / 31

HEX #03B14B

RGB 3 177 75

HSL 144.83, 0.97%, 0.35%

LAB 63.32, -60.02, 41.05

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 71 / 0 / 59 / 2

HEX #47F967

RGB 71 249 103

HSL 130.79, 0.94%, 0.63%

LAB 87.03, -72.8, 56.32

 

CMYK 65 / 0 / 71 / 2

HEX #57F947

RGB 87 249 71

HSL 114.61, 0.94%, 0.63%

LAB 87.11, -73.08, 69.11

 

CMYK 46 / 0 / 71 / 2

HEX #87F947

RGB 135 249 71

HSL 98.43, 0.94%, 0.63%

LAB 88.62, -61.23, 71.12

 

CMYK 27 / 0 / 71 / 2

HEX #B7F947

RGB 183 249 71

HSL 82.25, 0.94%, 0.63%

LAB 90.9, -45.3, 74.16

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 71 / 0 / 20 / 2

HEX #47F9C7

RGB 71 249 199

HSL 163.15, 0.94%, 0.63%

LAB 88.55, -55.87, 11.25

 

CMYK 71 / 0 / 1 / 2

HEX #47F9F7

RGB 71 249 247

HSL 179.33, 0.94%, 0.63%

LAB 89.77, -43.68, -11.93

 

CMYK 71 / 18 / 0 / 2

HEX #47CBF9

RGB 71 203 249

HSL 195.51, 0.94%, 0.63%

LAB 76.61, -21.24, -32.95

 

CMYK 71 / 38 / 0 / 2

HEX #479BF9

RGB 71 155 249

HSL 211.69, 0.94%, 0.63%

LAB 63.03, 5.07, -54.23

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 63 / 0 / 35 / 8

HEX #57EA99

RGB 87 234 153

HSL 146.94, 0.78%, 0.63%

LAB 83.53, -57.15, 28.05

 

CMYK 53 / 0 / 29 / 15

HEX #66DA9A

RGB 102 218 154

HSL 146.9, 0.61%, 0.63%

LAB 79.21, -47.36, 21.73

 

CMYK 42 / 0 / 23 / 20

HEX #75CB9C

RGB 117 203 156

HSL 147.21, 0.45%, 0.63%

LAB 75.39, -36.57, 15.45

 

CMYK 29 / 0 / 16 / 26

HEX #85BC9D

RGB 133 188 157

HSL 146.18, 0.29%, 0.63%

LAB 71.82, -24.49, 9.99

 

CMYK 64 / 0 / 71 / 2

HEX #59F947

RGB 89 249 71

HSL 113.93, 0.94%, 0.63%

LAB 87.16, -72.68, 69.17

 

CMYK 71 / 0 / 59 / 2

HEX #47F965

RGB 71 249 101

HSL 130.11, 0.94%, 0.63%

LAB 87.01, -73.03, 57.16

 

CMYK 71 / 0 / 41 / 2

HEX #47F994

RGB 71 249 148

HSL 145.96, 0.94%, 0.63%

LAB 87.6, -66.24, 35.9

 

CMYK 71 / 0 / 21 / 2

HEX #47F9C4

RGB 71 249 196

HSL 162.13, 0.94%, 0.63%

LAB 88.48, -56.56, 12.71

 

CMYK 71 / 0 / 2 / 2

HEX #47F9F3

RGB 71 249 243

HSL 177.98, 0.94%, 0.63%

LAB 89.66, -44.77, -10.02

 

CMYK 97 / 0 / 53 / 9

HEX #07E76C

RGB 7 231 108

HSL 147.05, 0.94%, 0.47%

LAB 80.89, -72.11, 46.61

 

CMYK 88 / 0 / 48 / 3

HEX #1FF881

RGB 31 248 129

HSL 147.1, 0.94%, 0.55%

LAB 86.51, -73.2, 43.66

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 56 / 0 / 30 / 2

HEX #6FFAAE

RGB 111 250 174

HSL 147.19, 0.93%, 0.71%

LAB 89.3, -54.67, 25.29

 

CMYK 39 / 0 / 22 / 2

HEX #98FBC4

RGB 152 251 196

HSL 146.67, 0.93%, 0.79%

LAB 91.53, -40.84, 17.36

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 71 / 45 / 0 / 2

HEX #4788F9

RGB 71 136 249

HSL 218.09, 0.94%, 0.63%

LAB 57.83, 16.41, -62.53

 

CMYK 0 / 69 / 71 / 2

HEX #F94D47

RGB 249 77 71

HSL 2.02, 0.94%, 0.63%

LAB 57.94, 64.69, 41.34

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 41 / 71 / 0 / 2

HEX #9447F9

RGB 148 71 249

HSL 265.96, 0.94%, 0.63%

LAB 49.06, 65.83, -76.47

 

CMYK 0 / 41 / 71 / 2

HEX #F99447

RGB 249 148 71

HSL 25.96, 0.94%, 0.63%

LAB 70.72, 31.98, 55.39

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 71 / 45 / 0 / 2

HEX #4788F9

RGB 71 136 249

HSL 218.09, 0.94%, 0.63%

LAB 57.83, 16.41, -62.53

 

CMYK 0 / 71 / 31 / 2

HEX #F947AC

RGB 249 71 172

HSL 325.96, 0.94%, 0.63%

LAB 59.55, 74.64, -15.09

 

CMYK 0 / 26 / 71 / 2

HEX #F9B847

RGB 249 184 71

HSL 38.09, 0.94%, 0.63%

LAB 78.97, 13.14, 63.94

 

CMYK 71 / 0 / 39 / 2

HEX #47F997

RGB 71 249 151

HSL 146.97, 0.94%, 0.63%

LAB 87.64, -65.72, 34.47

 

CMYK 71 / 67 / 0 / 2

HEX #4753F9

RGB 71 83 249

HSL 235.96, 0.94%, 0.63%

LAB 44.75, 48.76, -83.78

 

CMYK 0 / 71 / 31 / 2

HEX #F947AC

RGB 249 71 172

HSL 325.96, 0.94%, 0.63%

LAB 59.55, 74.64, -15.09

 

CMYK 0 / 5 / 71 / 2

HEX #F9ED47

RGB 249 237 71

HSL 55.96, 0.94%, 0.63%

LAB 92.2, -13.82, 76.97

 

Description

Color code: HEX #47F997 | qconv.com Color code: HEX #47F997 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 249 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 249 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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