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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442691 it is the complementary color #BBD96E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442691. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442691 shade: #49268C, #5A389F, #6B4AB2, #7C5CC5 and #8D6ED8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442691. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442691 shade: #442691, #33147E, #22026B, #110058 and #000045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442691 shade: #442691, #612691, #7D2691, #912687 and #91266A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442691 shade: #442691, #272691 and #262691

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442691 shade matches the following richer shades: #442691, #3D179F and #3708AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442691 shade: #442691, #4A3582, #514473, #575364 and #5E6155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442691 shade: #264291, #262691, #422691, #5F2691 and #7B2691

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442691 shade: #25154F, #351D70, #442691, #532FB1 and #653ECB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442691 shade: #442691, #91265F and #349126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442691 shade: #442691, #914226 and #269142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442691 shade: #442691, #91265F, #749126 and #269158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442691 shade: #442691, #91263F, #749126 and #269178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

Complementary color

CMYK 14 / 0 / 49 / 15

HEX #BBD96E

RGB 187 217 110

HSL 76.82, 0.58%, 0.64%

LAB 82.55, -26.27, 49.01

 

CMYK 48 / 73 / 0 / 45

HEX #49268C

RGB 73 38 140

HSL 260.59, 0.57%, 0.35%

LAB 25.85, 40.31, -50.78

 

CMYK 43 / 65 / 0 / 38

HEX #5A389F

RGB 90 56 159

HSL 259.81, 0.48%, 0.42%

LAB 32.93, 39.15, -50.82

 

CMYK 40 / 58 / 0 / 30

HEX #6B4AB2

RGB 107 74 178

HSL 259.04, 0.41%, 0.49%

LAB 39.98, 37.91, -50.69

 

CMYK 37 / 53 / 0 / 23

HEX #7C5CC5

RGB 124 92 197

HSL 258.29, 0.48%, 0.57%

LAB 46.94, 36.73, -50.51

 

CMYK 35 / 49 / 0 / 15

HEX #8D6ED8

RGB 141 110 216

HSL 257.55, 0.58%, 0.64%

LAB 53.78, 35.64, -50.34

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 60 / 84 / 0 / 51

HEX #33147E

RGB 51 20 126

HSL 257.55, 0.73%, 0.29%

LAB 18.84, 41.8, -53.57

 

CMYK 68 / 98 / 0 / 58

HEX #22026B

RGB 34 2 107

HSL 258.29, 0.96%, 0.21%

LAB 12.25, 41.91, -52.26

 

CMYK 81 / 100 / 0 / 65

HEX #110058

RGB 17 0 88

HSL 251.59, 1%, 0.17%

LAB 7.44, 36.83, -47.62

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 33 / 74 / 0 / 43

HEX #612691

RGB 97 38 145

HSL 273.08, 0.58%, 0.36%

LAB 29.34, 46.24, -48.05

 

CMYK 14 / 74 / 0 / 43

HEX #7D2691

RGB 125 38 145

HSL 288.79, 0.58%, 0.36%

LAB 33.54, 52.15, -41.06

 

CMYK 0 / 74 / 7 / 43

HEX #912687

RGB 145 38 135

HSL 305.61, 0.58%, 0.36%

LAB 36.28, 54.94, -30.35

 

CMYK 0 / 74 / 27 / 43

HEX #91266A

RGB 145 38 106

HSL 321.87, 0.58%, 0.36%

LAB 34.9, 50.65, -14.33

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 73 / 74 / 0 / 43

HEX #272691

RGB 39 38 145

HSL 240.56, 0.58%, 0.36%

LAB 23.21, 36.93, -58.33

 

CMYK 74 / 74 / 0 / 43

HEX #262691

RGB 38 38 145

HSL 240, 0.58%, 0.36%

LAB 23.14, 36.82, -58.44

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 62 / 86 / 0 / 38

HEX #3D179F

RGB 61 23 159

HSL 256.76, 0.75%, 0.36%

LAB 24.03, 50.97, -65.53

 

CMYK 68 / 95 / 0 / 32

HEX #3708AE

RGB 55 8 174

HSL 256.99, 0.91%, 0.36%

LAB 23.81, 58.83, -75

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 43 / 59 / 0 / 49

HEX #4A3582

RGB 74 53 130

HSL 256.36, 0.42%, 0.36%

LAB 28.42, 28.82, -40.38

 

CMYK 30 / 41 / 0 / 55

HEX #514473

RGB 81 68 115

HSL 256.6, 0.26%, 0.36%

LAB 32.08, 16.83, -25.1

 

CMYK 13 / 17 / 0 / 61

HEX #575364

RGB 87 83 100

HSL 254.12, 0.09%, 0.36%

LAB 36.24, 5.43, -9.24

 

CMYK 3 / 0 / 12 / 62

HEX #5E6155

RGB 94 97 85

HSL 75, 0.07%, 0.36%

LAB 40.55, -3.6, 6.44

 

CMYK 74 / 54 / 0 / 43

HEX #264291

RGB 38 66 145

HSL 224.3, 0.58%, 0.36%

LAB 30.29, 18.31, -46.77

 

CMYK 74 / 74 / 0 / 43

HEX #262691

RGB 38 38 145

HSL 240, 0.58%, 0.36%

LAB 23.14, 36.82, -58.44

 

CMYK 54 / 74 / 0 / 43

HEX #422691

RGB 66 38 145

HSL 255.7, 0.58%, 0.36%

LAB 25.53, 40.58, -54.43

 

CMYK 34 / 74 / 0 / 43

HEX #5F2691

RGB 95 38 145

HSL 271.96, 0.58%, 0.36%

LAB 29.07, 45.84, -48.52

 

CMYK 15 / 74 / 0 / 43

HEX #7B2691

RGB 123 38 145

HSL 287.66, 0.58%, 0.36%

LAB 33.22, 51.71, -41.59

 

CMYK 53 / 73 / 0 / 69

HEX #25154F

RGB 37 21 79

HSL 256.55, 0.58%, 0.2%

LAB 12.57, 24.4, -32.93

 

CMYK 53 / 74 / 0 / 56

HEX #351D70

RGB 53 29 112

HSL 257.35, 0.59%, 0.28%

LAB 19.25, 33.3, -43.92

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 53 / 73 / 0 / 31

HEX #532FB1

RGB 83 47 177

HSL 256.62, 0.58%, 0.44%

LAB 31.91, 47.88, -63.32

 

CMYK 50 / 69 / 0 / 20

HEX #653ECB

RGB 101 62 203

HSL 256.6, 0.58%, 0.52%

LAB 38.77, 50.37, -67.32

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 0 / 74 / 34 / 43

HEX #91265F

RGB 145 38 95

HSL 328.04, 0.58%, 0.36%

LAB 34.46, 49.26, -7.96

 

CMYK 64 / 0 / 74 / 43

HEX #349126

RGB 52 145 38

HSL 112.15, 0.58%, 0.36%

LAB 53.08, -47.69, 46.16

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 0 / 54 / 74 / 43

HEX #914226

RGB 145 66 38

HSL 15.7, 0.58%, 0.36%

LAB 37.94, 31.39, 32.34

 

CMYK 74 / 0 / 54 / 43

HEX #269142

RGB 38 145 66

HSL 135.7, 0.58%, 0.36%

LAB 53.01, -47.27, 33.2

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 0 / 74 / 34 / 43

HEX #91265F

RGB 145 38 95

HSL 328.04, 0.58%, 0.36%

LAB 34.46, 49.26, -7.96

 

CMYK 20 / 0 / 74 / 43

HEX #749126

RGB 116 145 38

HSL 76.26, 0.58%, 0.36%

LAB 56.19, -25.76, 50.29

 

CMYK 74 / 0 / 39 / 43

HEX #269158

RGB 38 145 88

HSL 148.04, 0.58%, 0.36%

LAB 53.35, -43.39, 21.88

 

CMYK 53 / 74 / 0 / 43

HEX #442691

RGB 68 38 145

HSL 256.82, 0.58%, 0.36%

LAB 25.74, 40.9, -54.08

 

CMYK 0 / 74 / 57 / 43

HEX #91263F

RGB 145 38 63

HSL 345.98, 0.58%, 0.36%

LAB 33.49, 46.06, 11.38

 

CMYK 20 / 0 / 74 / 43

HEX #749126

RGB 116 145 38

HSL 76.26, 0.58%, 0.36%

LAB 56.19, -25.76, 50.29

 

CMYK 74 / 0 / 17 / 43

HEX #269178

RGB 38 145 120

HSL 165.98, 0.58%, 0.36%

LAB 54.05, -35.9, 4.73

 

Description

Color code: HEX #442691 | qconv.com Color code: HEX #442691 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 38 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 38 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 74 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 74% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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