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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4428B8 it is the complementary color #BBD747. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4428B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4428B8 shade: #4928B3, #5A3AC6, #6B4CD9, #7C5EEC and #8D70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4428B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4428B8 shade: #4428B8, #3316A5, #220492, #11007F and #00006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4428B8 shade: #4428B8, #6B28B8, #9128B8, #B828B7 and #B82890

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4428B8 shade: #4428B8 and #2828B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4428B8 shade matches the following richer shades: #4428B8, #3916CA and #2E04DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4428B8 shade: #4428B8, #4F3AA5, #5A4C93, #655E81 and #70716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4428B8 shade: #285AB8, #2834B8, #4228B8, #6928B8 and #8F28B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4428B8 shade: #2B1974, #372096, #4428B8, #5536D3 and #7158DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4428B8 shade: #4428B8, #B82880 and #47B828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4428B8 shade: #4428B8, #B84228 and #28B842

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4428B8 shade: #4428B8, #B82880, #9DB828 and #28B85F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4428B8 shade: #4428B8, #B82855, #9DB828 and #28B88A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

Complementary color

CMYK 13 / 0 / 67 / 16

HEX #BBD747

RGB 187 215 71

HSL 71.67, 0.64%, 0.56%

LAB 81.63, -28.46, 64.93

 

CMYK 59 / 78 / 0 / 30

HEX #4928B3

RGB 73 40 179

HSL 254.24, 0.63%, 0.43%

LAB 29.88, 50.55, -67.88

 

CMYK 55 / 71 / 0 / 22

HEX #5A3AC6

RGB 90 58 198

HSL 253.71, 0.55%, 0.5%

LAB 36.51, 49.29, -68.14

 

CMYK 51 / 65 / 0 / 15

HEX #6B4CD9

RGB 107 76 217

HSL 253.19, 0.65%, 0.57%

LAB 43.22, 47.84, -68.09

 

CMYK 47 / 60 / 0 / 7

HEX #7C5EEC

RGB 124 94 236

HSL 252.68, 0.79%, 0.65%

LAB 49.91, 46.41, -67.91

 

CMYK 45 / 56 / 0 / 0

HEX #8D70FF

RGB 141 112 255

HSL 252.17, 1%, 0.72%

LAB 56.56, 45.05, -67.67

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 69 / 87 / 0 / 35

HEX #3316A5

RGB 51 22 165

HSL 252.17, 0.76%, 0.37%

LAB 23.65, 52.19, -69.83

 

CMYK 77 / 97 / 0 / 43

HEX #220492

RGB 34 4 146

HSL 252.68, 0.95%, 0.29%

LAB 17.93, 51.63, -67.72

 

CMYK 87 / 100 / 0 / 50

HEX #11007F

RGB 17 0 127

HSL 248.03, 1%, 0.25%

LAB 13.54, 47.48, -63.1

 

CMYK 100 / 100 / 0 / 58

HEX #00006C

RGB 0 0 108

HSL 240, 1%, 0.21%

LAB 9.66, 42.08, -57.31

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 42 / 78 / 0 / 28

HEX #6B28B8

RGB 107 40 184

HSL 267.92, 0.64%, 0.44%

LAB 34.2, 56.64, -63.63

 

CMYK 21 / 78 / 0 / 28

HEX #9128B8

RGB 145 40 184

HSL 283.75, 0.64%, 0.44%

LAB 39.58, 63.13, -54.64

 

CMYK 0 / 78 / 1 / 28

HEX #B828B7

RGB 184 40 183

HSL 300.42, 0.64%, 0.44%

LAB 45.81, 70.48, -43.71

 

CMYK 0 / 78 / 22 / 28

HEX #B82890

RGB 184 40 144

HSL 316.67, 0.64%, 0.44%

LAB 43.83, 64.84, -23.55

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 78 / 78 / 0 / 28

HEX #2828B8

RGB 40 40 184

HSL 240, 0.64%, 0.44%

LAB 27.92, 48.94, -74.18

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 72 / 89 / 0 / 21

HEX #3916CA

RGB 57 22 202

HSL 251.67, 0.8%, 0.44%

LAB 28.66, 62.67, -83.53

 

CMYK 79 / 98 / 0 / 14

HEX #2E04DC

RGB 46 4 220

HSL 251.67, 0.96%, 0.44%

LAB 28.99, 70.68, -93.46

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 52 / 65 / 0 / 35

HEX #4F3AA5

RGB 79 58 165

HSL 251.78, 0.48%, 0.44%

LAB 32.71, 37.54, -54.85

 

CMYK 39 / 48 / 0 / 42

HEX #5A4C93

RGB 90 76 147

HSL 251.83, 0.32%, 0.44%

LAB 36.84, 23.56, -37.28

 

CMYK 22 / 27 / 0 / 49

HEX #655E81

RGB 101 94 129

HSL 252, 0.16%, 0.44%

LAB 41.78, 10.75, -18.54

 

CMYK 1 / 0 / 2 / 56

HEX #70716F

RGB 112 113 111

HSL 90, 0.01%, 0.44%

LAB 47.5, -0.79, 0.97

 

CMYK 78 / 51 / 0 / 28

HEX #285AB8

RGB 40 90 184

HSL 219.17, 0.64%, 0.44%

LAB 39.96, 17.63, -54.48

 

CMYK 78 / 72 / 0 / 28

HEX #2834B8

RGB 40 52 184

HSL 235, 0.64%, 0.44%

LAB 30.32, 42.17, -70.22

 

CMYK 64 / 78 / 0 / 28

HEX #4228B8

RGB 66 40 184

HSL 250.83, 0.64%, 0.44%

LAB 29.75, 51.2, -71.09

 

CMYK 43 / 78 / 0 / 28

HEX #6928B8

RGB 105 40 184

HSL 267.08, 0.64%, 0.44%

LAB 33.94, 56.33, -64.05

 

CMYK 22 / 78 / 0 / 28

HEX #8F28B8

RGB 143 40 184

HSL 282.92, 0.64%, 0.44%

LAB 39.27, 62.77, -55.15

 

CMYK 63 / 78 / 0 / 55

HEX #2B1974

RGB 43 25 116

HSL 251.87, 0.65%, 0.28%

LAB 17.78, 35.22, -48.95

 

CMYK 63 / 79 / 0 / 41

HEX #372096

RGB 55 32 150

HSL 251.69, 0.65%, 0.36%

LAB 23.83, 43.71, -60.36

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 60 / 74 / 0 / 17

HEX #5536D3

RGB 85 54 211

HSL 251.85, 0.64%, 0.52%

LAB 36.5, 54.42, -75.72

 

CMYK 48 / 60 / 0 / 15

HEX #7158DA

RGB 113 88 218

HSL 251.54, 0.64%, 0.6%

LAB 46.38, 42.49, -63.5

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 0 / 78 / 30 / 28

HEX #B82880

RGB 184 40 128

HSL 323.33, 0.64%, 0.44%

LAB 43.16, 62.86, -14.81

 

CMYK 61 / 0 / 78 / 28

HEX #47B828

RGB 71 184 40

HSL 107.08, 0.64%, 0.44%

LAB 66.35, -56.94, 58.73

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 0 / 64 / 78 / 28

HEX #B84228

RGB 184 66 40

HSL 10.83, 0.64%, 0.44%

LAB 44.58, 46.35, 40.3

 

CMYK 78 / 0 / 64 / 28

HEX #28B842

RGB 40 184 66

HSL 130.83, 0.64%, 0.44%

LAB 65.85, -60.44, 48.16

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 0 / 78 / 30 / 28

HEX #B82880

RGB 184 40 128

HSL 323.33, 0.64%, 0.44%

LAB 43.16, 62.86, -14.81

 

CMYK 15 / 0 / 78 / 28

HEX #9DB828

RGB 157 184 40

HSL 71.25, 0.64%, 0.44%

LAB 70.6, -27.51, 64.23

 

CMYK 78 / 0 / 48 / 28

HEX #28B85F

RGB 40 184 95

HSL 142.92, 0.64%, 0.44%

LAB 66.18, -56.43, 34.78

 

CMYK 63 / 78 / 0 / 28

HEX #4428B8

RGB 68 40 184

HSL 251.67, 0.64%, 0.44%

LAB 29.93, 51.42, -70.8

 

CMYK 0 / 78 / 54 / 28

HEX #B82855

RGB 184 40 85

HSL 341.25, 0.64%, 0.44%

LAB 41.79, 58.67, 9.97

 

CMYK 15 / 0 / 78 / 28

HEX #9DB828

RGB 157 184 40

HSL 71.25, 0.64%, 0.44%

LAB 70.6, -27.51, 64.23

 

CMYK 78 / 0 / 25 / 28

HEX #28B88A

RGB 40 184 138

HSL 160.83, 0.64%, 0.44%

LAB 66.95, -47.77, 13

 

Description

Color code: HEX #4428B8 | qconv.com Color code: HEX #4428B8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 40 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 40 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 78 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 78% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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