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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442142 it is the complementary color #BBDEBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442142 shade: #49213D, #5A3350, #6B4563, #7C5776 and #8D6989

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442142 shade: #442142, #330F2F, #22001C, #110009 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442142 shade: #442142, #442139, #44212F, #442125 and #442121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442142 shade: #442142, #3D2144, #332144, #2A2144 and #212144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442142 shade matches the following richer shades: #442142, #4D184A, #551051, #5D0858 and #650060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442142 shade: #442142, #3C293B, #343134, #2C392C and #234225

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442142 shade: #332144, #3D2144, #442143, #442139 and #442130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442142 shade: #0D060C, #291327, #442142, #602E5D and #7C3B78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442142 shade: #442142, #442A21 and #214438

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442142 shade: #442142, #434421 and #214344

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442142 shade: #442142, #442A21, #214422 and #213B44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442142 shade: #442142, #443421, #214422 and #213144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

Complementary color

CMYK 16 / 0 / 15 / 13

HEX #BBDEBD

RGB 187 222 189

HSL 123.43, 0.35%, 0.8%

LAB 85.24, -17.72, 12.4

 

CMYK 0 / 55 / 16 / 71

HEX #49213D

RGB 73 33 61

HSL 318, 0.38%, 0.21%

LAB 19.4, 23.27, -9.36

 

CMYK 0 / 43 / 11 / 65

HEX #5A3350

RGB 90 51 80

HSL 315.38, 0.28%, 0.28%

LAB 27.08, 22.39, -10.25

 

CMYK 0 / 36 / 7 / 58

HEX #6B4563

RGB 107 69 99

HSL 312.63, 0.22%, 0.35%

LAB 34.57, 21.53, -10.93

 

CMYK 0 / 30 / 5 / 51

HEX #7C5776

RGB 124 87 118

HSL 309.73, 0.18%, 0.41%

LAB 41.86, 20.75, -11.5

 

CMYK 0 / 26 / 3 / 45

HEX #8D6989

RGB 141 105 137

HSL 306.67, 0.15%, 0.48%

LAB 48.97, 20.05, -12.02

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 71 / 8 / 80

HEX #330F2F

RGB 51 15 47

HSL 306.67, 0.55%, 0.13%

LAB 10.93, 23.1, -12.77

 

CMYK 0 / 100 / 18 / 87

HEX #22001C

RGB 34 0 28

HSL 310.59, 1%, 0.07%

LAB 3.83, 19.09, -9.5

 

CMYK 0 / 100 / 47 / 93

HEX #110009

RGB 17 0 9

HSL 328.24, 1%, 0.03%

LAB 1.25, 6.08, -1.71

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 51 / 16 / 73

HEX #442139

RGB 68 33 57

HSL 318.86, 0.35%, 0.2%

LAB 18.42, 20.59, -8.14

 

CMYK 0 / 51 / 31 / 73

HEX #44212F

RGB 68 33 47

HSL 336, 0.35%, 0.2%

LAB 18.02, 18.78, -1.72

 

CMYK 0 / 51 / 46 / 73

HEX #442125

RGB 68 33 37

HSL 353.14, 0.35%, 0.2%

LAB 17.69, 17.26, 4.87

 

CMYK 0 / 51 / 51 / 73

HEX #442121

RGB 68 33 33

HSL 0, 0.35%, 0.2%

LAB 17.58, 16.74, 7.54

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 10 / 51 / 0 / 73

HEX #3D2144

RGB 61 33 68

HSL 288, 0.35%, 0.2%

LAB 17.91, 20.39, -16.65

 

CMYK 25 / 51 / 0 / 73

HEX #332144

RGB 51 33 68

HSL 270.86, 0.35%, 0.2%

LAB 16.55, 16.89, -18.87

 

CMYK 38 / 51 / 0 / 73

HEX #2A2144

RGB 42 33 68

HSL 255.43, 0.35%, 0.2%

LAB 15.47, 13.87, -20.64

 

CMYK 51 / 51 / 0 / 73

HEX #212144

RGB 33 33 68

HSL 240, 0.35%, 0.2%

LAB 14.56, 11.08, -22.15

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 69 / 4 / 70

HEX #4D184A

RGB 77 24 74

HSL 303.4, 0.52%, 0.2%

LAB 18.91, 32.05, -19.01

 

CMYK 0 / 81 / 5 / 67

HEX #551051

RGB 85 16 81

HSL 303.48, 0.68%, 0.2%

LAB 19.62, 38.87, -22.55

 

CMYK 0 / 91 / 5 / 64

HEX #5D0858

RGB 93 8 88

HSL 303.53, 0.84%, 0.2%

LAB 20.85, 44.19, -25.22

 

CMYK 0 / 100 / 5 / 60

HEX #650060

RGB 101 0 96

HSL 302.97, 1%, 0.2%

LAB 22.34, 48.98, -28.07

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 32 / 2 / 76

HEX #3C293B

RGB 60 41 59

HSL 303.16, 0.19%, 0.2%

LAB 19.48, 12.54, -8.01

 

CMYK 0 / 6 / 0 / 80

HEX #343134

RGB 52 49 52

HSL 300, 0.03%, 0.2%

LAB 20.73, 2.02, -1.43

 

CMYK 23 / 0 / 23 / 78

HEX #2C392C

RGB 44 57 44

HSL 120, 0.13%, 0.2%

LAB 22.46, -8.51, 6.37

 

CMYK 47 / 0 / 44 / 74

HEX #234225

RGB 35 66 37

HSL 123.87, 0.31%, 0.2%

LAB 24.91, -18.77, 14.15

 

CMYK 25 / 51 / 0 / 73

HEX #332144

RGB 51 33 68

HSL 270.86, 0.35%, 0.2%

LAB 16.55, 16.89, -18.87

 

CMYK 10 / 51 / 0 / 73

HEX #3D2144

RGB 61 33 68

HSL 288, 0.35%, 0.2%

LAB 17.91, 20.39, -16.65

 

CMYK 0 / 51 / 1 / 73

HEX #442143

RGB 68 33 67

HSL 301.71, 0.35%, 0.2%

LAB 18.89, 22.65, -14.34

 

CMYK 0 / 51 / 16 / 73

HEX #442139

RGB 68 33 57

HSL 318.86, 0.35%, 0.2%

LAB 18.42, 20.59, -8.14

 

CMYK 0 / 51 / 29 / 73

HEX #442130

RGB 68 33 48

HSL 334.29, 0.35%, 0.2%

LAB 18.05, 18.95, -2.37

 

CMYK 0 / 54 / 8 / 95

HEX #0D060C

RGB 13 6 12

HSL 308.57, 0.37%, 0.04%

LAB 2.19, 2.75, -1.65

 

CMYK 0 / 54 / 5 / 84

HEX #291327

RGB 41 19 39

HSL 305.45, 0.37%, 0.12%

LAB 9.67, 15.15, -8.94

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 52 / 3 / 62

HEX #602E5D

RGB 96 46 93

HSL 303.6, 0.35%, 0.28%

LAB 27.38, 30.07, -18.22

 

CMYK 0 / 52 / 3 / 51

HEX #7C3B78

RGB 124 59 120

HSL 303.69, 0.36%, 0.36%

LAB 35.54, 37.23, -22.44

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 38 / 51 / 73

HEX #442A21

RGB 68 42 33

HSL 15.43, 0.35%, 0.2%

LAB 20.02, 10.86, 10.85

 

CMYK 51 / 0 / 18 / 73

HEX #214438

RGB 33 68 56

HSL 159.43, 0.35%, 0.2%

LAB 25.99, -16.11, 3.36

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 1 / 0 / 51 / 73

HEX #434421

RGB 67 68 33

HSL 61.71, 0.35%, 0.2%

LAB 27.95, -6.47, 20.94

 

CMYK 51 / 1 / 0 / 73

HEX #214344

RGB 33 67 68

HSL 181.71, 0.35%, 0.2%

LAB 26.03, -12.03, -4.46

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 38 / 51 / 73

HEX #442A21

RGB 68 42 33

HSL 15.43, 0.35%, 0.2%

LAB 20.02, 10.86, 10.85

 

CMYK 51 / 0 / 50 / 73

HEX #214422

RGB 33 68 34

HSL 121.71, 0.35%, 0.2%

LAB 25.48, -21.09, 16.73

 

CMYK 51 / 13 / 0 / 73

HEX #213B44

RGB 33 59 68

HSL 195.43, 0.35%, 0.2%

LAB 23.23, -7.07, -8.66

 

CMYK 0 / 51 / 3 / 73

HEX #442142

RGB 68 33 66

HSL 303.43, 0.35%, 0.2%

LAB 18.84, 22.43, -13.73

 

CMYK 0 / 24 / 51 / 73

HEX #443421

RGB 68 52 33

HSL 32.57, 0.35%, 0.2%

LAB 22.98, 4.23, 14.74

 

CMYK 51 / 0 / 50 / 73

HEX #214422

RGB 33 68 34

HSL 121.71, 0.35%, 0.2%

LAB 25.48, -21.09, 16.73

 

CMYK 51 / 28 / 0 / 73

HEX #213144

RGB 33 49 68

HSL 212.57, 0.35%, 0.2%

LAB 19.79, -0.42, -13.93

 

Description

Color code: HEX #442142 | qconv.com Color code: HEX #442142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 33 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 33 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 3 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 3% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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