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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442C66 it is the complementary color #BBD399. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442C66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442C66 shade: #492C61, #5A3E74, #6B5087, #7C629A and #8D74AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442C66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442C66 shade: #442C66, #331A53, #220840, #11002D and #00001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442C66 shade: #442C67, #542C67, #642C67, #672C5A and #672C4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442C66 shade: #442C67, #342C67 and #2C2C67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442C66 shade matches the following richer shades: #442C67, #422073, #40147F and #3E088B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442C66 shade: #442C67, #46385B, #48444F, #4B5043 and #4D5C37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442C66 shade: #2C3467, #342C67, #442C67, #532C67 and #632C67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442C66 shade: #1E132D, #311F4A, #442C67, #583884 and #6B45A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442C66 shade: #442C66, #672C44 and #2C672C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442C66 shade: #442C66, #67442C and #2C6744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442C66 shade: #442C66, #672C44, #4F672C and #2C674F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442C66 shade: #442C66, #672C32, #4F672C and #2C6761

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 57 / 0 / 60

HEX #442C66

RGB 68 44 102

HSL 264.83, 0.4%, 0.29%

LAB 23.64, 24.67, -30.25

 

Complementary color

CMYK 11 / 0 / 27 / 17

HEX #BBD399

RGB 187 211 153

HSL 84.83, 0.4%, 0.71%

LAB 81.54, -18.05, 26.13

 

CMYK 25 / 55 / 0 / 62

HEX #492C61

RGB 73 44 97

HSL 272.83, 0.38%, 0.28%

LAB 23.94, 24.77, -26.47

 

CMYK 22 / 47 / 0 / 55

HEX #5A3E74

RGB 90 62 116

HSL 271.11, 0.3%, 0.35%

LAB 31.53, 23.79, -26.52

 

CMYK 21 / 41 / 0 / 47

HEX #6B5087

RGB 107 80 135

HSL 269.45, 0.26%, 0.42%

LAB 38.92, 22.89, -26.57

 

CMYK 19 / 36 / 0 / 40

HEX #7C629A

RGB 124 98 154

HSL 267.86, 0.22%, 0.49%

LAB 46.11, 22.1, -26.65

 

CMYK 18 / 33 / 0 / 32

HEX #8D74AD

RGB 141 116 173

HSL 266.32, 0.26%, 0.57%

LAB 53.14, 21.39, -26.75

 

CMYK 33 / 57 / 0 / 60

HEX #442C66

RGB 68 44 102

HSL 264.83, 0.4%, 0.29%

LAB 23.64, 24.67, -30.25

 

CMYK 39 / 69 / 0 / 67

HEX #331A53

RGB 51 26 83

HSL 266.32, 0.52%, 0.21%

LAB 15.84, 25.83, -30.28

 

CMYK 47 / 88 / 0 / 75

HEX #220840

RGB 34 8 64

HSL 267.86, 0.78%, 0.14%

LAB 7.98, 26.66, -29.95

 

CMYK 62 / 100 / 0 / 82

HEX #11002D

RGB 17 0 45

HSL 262.67, 1%, 0.09%

LAB 2.79, 16.86, -24.49

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 34 / 57 / 0 / 60

HEX #442C67

RGB 68 44 103

HSL 264.41, 0.4%, 0.29%

LAB 23.7, 24.95, -30.79

 

CMYK 18 / 57 / 0 / 60

HEX #542C67

RGB 84 44 103

HSL 280.68, 0.4%, 0.29%

LAB 25.76, 29.64, -27.39

 

CMYK 3 / 57 / 0 / 60

HEX #642C67

RGB 100 44 103

HSL 296.95, 0.4%, 0.29%

LAB 28.09, 34.48, -23.56

 

CMYK 0 / 57 / 13 / 60

HEX #672C5A

RGB 103 44 90

HSL 313.22, 0.4%, 0.29%

LAB 27.91, 32.92, -15.37

 

CMYK 0 / 57 / 28 / 60

HEX #672C4A

RGB 103 44 74

HSL 329.49, 0.4%, 0.29%

LAB 27.24, 30.25, -5.84

 

CMYK 34 / 57 / 0 / 60

HEX #442C67

RGB 68 44 103

HSL 264.41, 0.4%, 0.29%

LAB 23.7, 24.95, -30.79

 

CMYK 50 / 57 / 0 / 60

HEX #342C67

RGB 52 44 103

HSL 248.14, 0.4%, 0.29%

LAB 21.98, 20.65, -33.64

 

CMYK 57 / 57 / 0 / 60

HEX #2C2C67

RGB 44 44 103

HSL 240, 0.4%, 0.29%

LAB 21.27, 18.73, -34.83

 

CMYK 34 / 57 / 0 / 60

HEX #442C67

RGB 68 44 103

HSL 264.41, 0.4%, 0.29%

LAB 23.7, 24.95, -30.79

 

CMYK 43 / 72 / 0 / 55

HEX #422073

RGB 66 32 115

HSL 264.58, 0.56%, 0.29%

LAB 21.69, 35.06, -41.81

 

CMYK 50 / 84 / 0 / 50

HEX #40147F

RGB 64 20 127

HSL 264.67, 0.73%, 0.29%

LAB 20.53, 43.77, -51.38

 

CMYK 55 / 94 / 0 / 45

HEX #3E088B

RGB 62 8 139

HSL 264.73, 0.89%, 0.29%

LAB 20.29, 50.47, -59.35

 

CMYK 34 / 57 / 0 / 60

HEX #442C67

RGB 68 44 103

HSL 264.41, 0.4%, 0.29%

LAB 23.7, 24.95, -30.79

 

CMYK 23 / 38 / 0 / 64

HEX #46385B

RGB 70 56 91

HSL 264, 0.24%, 0.29%

LAB 26.41, 14.38, -18.7

 

CMYK 9 / 14 / 0 / 69

HEX #48444F

RGB 72 68 79

HSL 261.82, 0.07%, 0.29%

LAB 29.6, 4.17, -5.99

 

CMYK 6 / 0 / 16 / 69

HEX #4B5043

RGB 75 80 67

HSL 83.08, 0.09%, 0.29%

LAB 33.22, -4.75, 6.99

 

CMYK 16 / 0 / 40 / 64

HEX #4D5C37

RGB 77 92 55

HSL 84.32, 0.25%, 0.29%

LAB 36.94, -13.02, 19.42

 

CMYK 57 / 50 / 0 / 60

HEX #2C3467

RGB 44 52 103

HSL 231.86, 0.4%, 0.29%

LAB 23.57, 13.14, -31.13

 

CMYK 50 / 57 / 0 / 60

HEX #342C67

RGB 52 44 103

HSL 248.14, 0.4%, 0.29%

LAB 21.98, 20.65, -33.64

 

CMYK 34 / 57 / 0 / 60

HEX #442C67

RGB 68 44 103

HSL 264.41, 0.4%, 0.29%

LAB 23.7, 24.95, -30.79

 

CMYK 19 / 57 / 0 / 60

HEX #532C67

RGB 83 44 103

HSL 279.66, 0.4%, 0.29%

LAB 25.62, 29.34, -27.62

 

CMYK 4 / 57 / 0 / 60

HEX #632C67

RGB 99 44 103

HSL 295.93, 0.4%, 0.29%

LAB 27.94, 34.17, -23.81

 

CMYK 33 / 58 / 0 / 82

HEX #1E132D

RGB 30 19 45

HSL 265.38, 0.41%, 0.13%

LAB 8.4, 12.57, -15.49

 

CMYK 34 / 58 / 0 / 71

HEX #311F4A

RGB 49 31 74

HSL 265.12, 0.41%, 0.21%

LAB 16.14, 19.34, -23.67

 

CMYK 34 / 57 / 0 / 60

HEX #442C67

RGB 68 44 103

HSL 264.41, 0.4%, 0.29%

LAB 23.7, 24.95, -30.79

 

CMYK 33 / 58 / 0 / 48

HEX #583884

RGB 88 56 132

HSL 265.26, 0.4%, 0.37%

LAB 30.8, 31.14, -37.7

 

CMYK 34 / 57 / 0 / 37

HEX #6B45A1

RGB 107 69 161

HSL 264.78, 0.4%, 0.45%

LAB 37.76, 36.2, -44.14

 

CMYK 33 / 57 / 0 / 60

HEX #442C66

RGB 68 44 102

HSL 264.83, 0.4%, 0.29%

LAB 23.64, 24.67, -30.25

 

CMYK 0 / 57 / 34 / 60

HEX #672C44

RGB 103 44 68

HSL 335.59, 0.4%, 0.29%

LAB 27.02, 29.37, -2.17

 

CMYK 57 / 0 / 57 / 60

HEX #2C672C

RGB 44 103 44

HSL 120, 0.4%, 0.29%

LAB 38.58, -32.45, 27.29

 

CMYK 33 / 57 / 0 / 60

HEX #442C66

RGB 68 44 102

HSL 264.83, 0.4%, 0.29%

LAB 23.64, 24.67, -30.25

 

CMYK 0 / 34 / 57 / 60

HEX #67442C

RGB 103 68 44

HSL 24.41, 0.4%, 0.29%

LAB 32.26, 12.16, 20.56

 

CMYK 57 / 0 / 34 / 60

HEX #2C6744

RGB 44 103 68

HSL 144.41, 0.4%, 0.29%

LAB 38.99, -28.12, 14.09

 

CMYK 33 / 57 / 0 / 60

HEX #442C66

RGB 68 44 102

HSL 264.83, 0.4%, 0.29%

LAB 23.64, 24.67, -30.25

 

CMYK 0 / 57 / 34 / 60

HEX #672C44

RGB 103 44 68

HSL 335.59, 0.4%, 0.29%

LAB 27.02, 29.37, -2.17

 

CMYK 23 / 0 / 57 / 60

HEX #4F672C

RGB 79 103 44

HSL 84.41, 0.4%, 0.29%

LAB 40.48, -19.61, 30.01

 

CMYK 57 / 0 / 23 / 60

HEX #2C674F

RGB 44 103 79

HSL 155.59, 0.4%, 0.29%

LAB 39.24, -25.58, 7.81

 

CMYK 33 / 57 / 0 / 60

HEX #442C66

RGB 68 44 102

HSL 264.83, 0.4%, 0.29%

LAB 23.64, 24.67, -30.25

 

CMYK 0 / 57 / 51 / 60

HEX #672C32

RGB 103 44 50

HSL 353.9, 0.4%, 0.29%

LAB 26.49, 27.12, 9.11

 

CMYK 23 / 0 / 57 / 60

HEX #4F672C

RGB 79 103 44

HSL 84.41, 0.4%, 0.29%

LAB 40.48, -19.61, 30.01

 

CMYK 57 / 0 / 6 / 60

HEX #2C6761

RGB 44 103 97

HSL 173.9, 0.4%, 0.29%

LAB 39.75, -20.74, -2.44

 

Description

Color code: HEX #442C66 | qconv.com Color code: HEX #442C66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 44 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 44 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 57 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 57% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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