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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442D11 it is the complementary color #BBD2EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442D11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442D11 shade: #492D0C, #5A3F1F, #6B5132, #7C6345 and #8D7558

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442D11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442D11 shade: #442D11, #331B00, #220900, #110000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442D11 shade: #452D11, #451F11, #451111 and #451111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442D11 shade: #452D11, #453B11, #404511, #324511 and #244511

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442D11 shade matches the following richer shades: #452D11, #4C2E0A and #532F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442D11 shade: #452D11, #3E2D18, #372C1F, #302B26 and #292B2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442D11 shade: #451111, #451F11, #452D11, #453A11 and #414511

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442D11 shade: #030200, #241809, #452D11, #664319 and #875921

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442D11 shade: #442D11, #1F4511 and #181145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442D11 shade: #442D11, #11452D and #2D1145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442D11 shade: #442D11, #1F4511, #112945 and #371145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442D11 shade: #442D11, #114513, #112945 and #451143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 75 / 73

HEX #442D11

RGB 68 45 17

HSL 32.94, 0.6%, 0.17%

LAB 20.62, 7.28, 21.86

 

Complementary color

CMYK 21 / 12 / 0 / 7

HEX #BBD2EE

RGB 187 210 238

HSL 212.94, 0.6%, 0.83%

LAB 83.35, -1.79, -16.33

 

CMYK 0 / 38 / 84 / 71

HEX #492D0C

RGB 73 45 12

HSL 32.46, 0.72%, 0.17%

LAB 21.28, 9.56, 25.38

 

CMYK 0 / 30 / 66 / 65

HEX #5A3F1F

RGB 90 63 31

HSL 32.54, 0.49%, 0.24%

LAB 28.97, 7.87, 23.97

 

CMYK 0 / 24 / 53 / 58

HEX #6B5132

RGB 107 81 50

HSL 32.63, 0.36%, 0.31%

LAB 36.44, 6.65, 22.33

 

CMYK 0 / 20 / 44 / 51

HEX #7C6345

RGB 124 99 69

HSL 32.73, 0.28%, 0.38%

LAB 43.71, 5.73, 20.84

 

CMYK 0 / 17 / 38 / 45

HEX #8D7558

RGB 141 117 88

HSL 32.83, 0.23%, 0.45%

LAB 50.79, 5.01, 19.51

 

CMYK 0 / 34 / 75 / 73

HEX #442D11

RGB 68 45 17

HSL 32.94, 0.6%, 0.17%

LAB 20.62, 7.28, 21.86

 

CMYK 0 / 47 / 100 / 80

HEX #331B00

RGB 51 27 0

HSL 31.76, 1%, 0.1%

LAB 12.53, 9.24, 18.82

 

CMYK 0 / 74 / 100 / 87

HEX #220900

RGB 34 9 0

HSL 15.88, 1%, 0.07%

LAB 4.84, 10.18, 7.43

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 35 / 75 / 73

HEX #452D11

RGB 69 45 17

HSL 32.31, 0.6%, 0.17%

LAB 20.76, 7.8, 22.06

 

CMYK 0 / 55 / 75 / 73

HEX #451F11

RGB 69 31 17

HSL 16.15, 0.6%, 0.17%

LAB 16.92, 16.91, 17.57

 

CMYK 0 / 75 / 75 / 73

HEX #451111

RGB 69 17 17

HSL 0, 0.6%, 0.17%

LAB 13.87, 24.88, 13.69

 

CMYK 0 / 75 / 75 / 73

HEX #451111

RGB 69 17 17

HSL 0, 0.6%, 0.17%

LAB 13.87, 24.88, 13.69

 

CMYK 0 / 35 / 75 / 73

HEX #452D11

RGB 69 45 17

HSL 32.31, 0.6%, 0.17%

LAB 20.76, 7.8, 22.06

 

CMYK 0 / 14 / 75 / 73

HEX #453B11

RGB 69 59 17

HSL 48.46, 0.6%, 0.17%

LAB 25.06, -1.33, 26.67

 

CMYK 7 / 0 / 75 / 73

HEX #404511

RGB 64 69 17

HSL 65.77, 0.6%, 0.17%

LAB 27.81, -10.07, 29.34

 

CMYK 28 / 0 / 75 / 73

HEX #324511

RGB 50 69 17

HSL 81.92, 0.6%, 0.17%

LAB 26.66, -16.84, 27.8

 

CMYK 48 / 0 / 75 / 73

HEX #244511

RGB 36 69 17

HSL 98.08, 0.6%, 0.17%

LAB 25.78, -22.83, 26.6

 

CMYK 0 / 35 / 75 / 73

HEX #452D11

RGB 69 45 17

HSL 32.31, 0.6%, 0.17%

LAB 20.76, 7.8, 22.06

 

CMYK 0 / 39 / 87 / 70

HEX #4C2E0A

RGB 76 46 10

HSL 32.73, 0.77%, 0.17%

LAB 21.99, 10.35, 27.13

 

CMYK 0 / 43 / 96 / 67

HEX #532F03

RGB 83 47 3

HSL 33, 0.93%, 0.17%

LAB 23.27, 12.96, 31.64

 

CMYK 0 / 35 / 75 / 73

HEX #452D11

RGB 69 45 17

HSL 32.31, 0.6%, 0.17%

LAB 20.76, 7.8, 22.06

 

CMYK 0 / 27 / 61 / 76

HEX #3E2D18

RGB 62 45 24

HSL 33.16, 0.44%, 0.17%

LAB 19.91, 4.79, 16.51

 

CMYK 0 / 20 / 44 / 78

HEX #372C1F

RGB 55 44 31

HSL 32.5, 0.28%, 0.17%

LAB 18.85, 2.77, 10.34

 

CMYK 0 / 10 / 21 / 81

HEX #302B26

RGB 48 43 38

HSL 30, 0.12%, 0.17%

LAB 17.9, 1.23, 4.08

 

CMYK 9 / 4 / 0 / 82

HEX #292B2D

RGB 41 43 45

HSL 210, 0.05%, 0.17%

LAB 17.41, -0.39, -1.61

 

CMYK 0 / 75 / 75 / 73

HEX #451111

RGB 69 17 17

HSL 0, 0.6%, 0.17%

LAB 13.87, 24.88, 13.69

 

CMYK 0 / 55 / 75 / 73

HEX #451F11

RGB 69 31 17

HSL 16.15, 0.6%, 0.17%

LAB 16.92, 16.91, 17.57

 

CMYK 0 / 35 / 75 / 73

HEX #452D11

RGB 69 45 17

HSL 32.31, 0.6%, 0.17%

LAB 20.76, 7.8, 22.06

 

CMYK 0 / 16 / 75 / 73

HEX #453A11

RGB 69 58 17

HSL 47.31, 0.6%, 0.17%

LAB 24.74, -0.7, 26.33

 

CMYK 6 / 0 / 75 / 73

HEX #414511

RGB 65 69 17

HSL 64.62, 0.6%, 0.17%

LAB 27.9, -9.57, 29.47

 

CMYK 0 / 33 / 100 / 99

HEX #030200

RGB 3 2 0

HSL 40, 1%, 0.01%

LAB 0.57, -0.02, 0.85

 

CMYK 0 / 33 / 75 / 86

HEX #241809

RGB 36 24 9

HSL 33.33, 0.6%, 0.09%

LAB 9.39, 3.8, 10.42

 

CMYK 0 / 35 / 75 / 73

HEX #452D11

RGB 69 45 17

HSL 32.31, 0.6%, 0.17%

LAB 20.76, 7.8, 22.06

 

CMYK 0 / 34 / 75 / 60

HEX #664319

RGB 102 67 25

HSL 32.73, 0.61%, 0.25%

LAB 31.6, 10.82, 30.66

 

CMYK 0 / 34 / 76 / 47

HEX #875921

RGB 135 89 33

HSL 32.94, 0.61%, 0.33%

LAB 41.85, 13.67, 38.65

 

CMYK 0 / 34 / 75 / 73

HEX #442D11

RGB 68 45 17

HSL 32.94, 0.6%, 0.17%

LAB 20.62, 7.28, 21.86

 

CMYK 55 / 0 / 75 / 73

HEX #1F4511

RGB 31 69 17

HSL 103.85, 0.6%, 0.17%

LAB 25.53, -24.68, 26.26

 

CMYK 65 / 75 / 0 / 73

HEX #181145

RGB 24 17 69

HSL 248.08, 0.6%, 0.17%

LAB 9.2, 20.9, -31.55

 

CMYK 0 / 34 / 75 / 73

HEX #442D11

RGB 68 45 17

HSL 32.94, 0.6%, 0.17%

LAB 20.62, 7.28, 21.86

 

CMYK 75 / 0 / 35 / 73

HEX #11452D

RGB 17 69 45

HSL 152.31, 0.6%, 0.17%

LAB 25.46, -23.67, 9.67

 

CMYK 35 / 75 / 0 / 73

HEX #2D1145

RGB 45 17 69

HSL 272.31, 0.6%, 0.17%

LAB 11.88, 25.63, -27.07

 

CMYK 0 / 34 / 75 / 73

HEX #442D11

RGB 68 45 17

HSL 32.94, 0.6%, 0.17%

LAB 20.62, 7.28, 21.86

 

CMYK 55 / 0 / 75 / 73

HEX #1F4511

RGB 31 69 17

HSL 103.85, 0.6%, 0.17%

LAB 25.53, -24.68, 26.26

 

CMYK 75 / 41 / 0 / 73

HEX #112945

RGB 17 41 69

HSL 212.31, 0.6%, 0.17%

LAB 16.18, 1.56, -20.34

 

CMYK 20 / 75 / 0 / 73

HEX #371145

RGB 55 17 69

HSL 283.85, 0.6%, 0.17%

LAB 13.49, 28.23, -24.4

 

CMYK 0 / 34 / 75 / 73

HEX #442D11

RGB 68 45 17

HSL 32.94, 0.6%, 0.17%

LAB 20.62, 7.28, 21.86

 

CMYK 75 / 0 / 72 / 73

HEX #114513

RGB 17 69 19

HSL 122.31, 0.6%, 0.17%

LAB 25.02, -28.58, 24.56

 

CMYK 75 / 41 / 0 / 73

HEX #112945

RGB 17 41 69

HSL 212.31, 0.6%, 0.17%

LAB 16.18, 1.56, -20.34

 

CMYK 0 / 75 / 3 / 73

HEX #451143

RGB 69 17 67

HSL 302.31, 0.6%, 0.17%

LAB 15.86, 31.65, -19.08

 

Description

Color code: HEX #442D11 | qconv.com Color code: HEX #442D11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 45 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 45 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 75 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 75% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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