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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442E79 it is the complementary color #BBD186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442E79 shade: #492E74, #5A4087, #6B529A, #7C64AD and #8D76C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442E79 shade: #442E79, #331C66, #220A53, #110040 and #00002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442E79 shade: #442E7A, #582E7A, #6D2E7A, #7A2E72 and #7A2E5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442E79 shade: #442E7A, #302E7A and #2E2E7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442E79 shade matches the following richer shades: #442E7A, #3E2087, #391395 and #3305A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442E79 shade: #442E7A, #4A3B6C, #4F495E, #555751 and #5B6443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442E79 shade: #2E417A, #2F2E7A, #432E7A, #572E7A and #6C2E7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442E79 shade: #22173E, #33225C, #442E7A, #553997 and #6644B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442E79 shade: #442E79, #7A2E55 and #377A2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442E79 shade: #442E79, #7A432E and #2E7A43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442E79 shade: #442E79, #7A2E55, #647A2E and #2E7A52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442E79 shade: #442E79, #7A2E3E, #647A2E and #2E7A69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 62 / 0 / 53

HEX #442E79

RGB 68 46 121

HSL 257.6, 0.45%, 0.33%

LAB 25.45, 29.01, -39.52

 

Complementary color

CMYK 11 / 0 / 36 / 18

HEX #BBD186

RGB 187 209 134

HSL 77.6, 0.45%, 0.67%

LAB 80.68, -19.65, 34.8

 

CMYK 37 / 60 / 0 / 55

HEX #492E74

RGB 73 46 116

HSL 263.14, 0.43%, 0.32%

LAB 25.66, 28.79, -35.99

 

CMYK 33 / 53 / 0 / 47

HEX #5A4087

RGB 90 64 135

HSL 261.97, 0.36%, 0.39%

LAB 33.11, 27.63, -35.86

 

CMYK 31 / 47 / 0 / 40

HEX #6B529A

RGB 107 82 154

HSL 260.83, 0.31%, 0.46%

LAB 40.4, 26.58, -35.74

 

CMYK 28 / 42 / 0 / 32

HEX #7C64AD

RGB 124 100 173

HSL 259.73, 0.31%, 0.54%

LAB 47.52, 25.65, -35.65

 

CMYK 27 / 39 / 0 / 25

HEX #8D76C0

RGB 141 118 192

HSL 258.65, 0.37%, 0.61%

LAB 54.48, 24.82, -35.6

 

CMYK 44 / 62 / 0 / 53

HEX #442E79

RGB 68 46 121

HSL 257.6, 0.45%, 0.33%

LAB 25.45, 29.01, -39.52

 

CMYK 50 / 73 / 0 / 60

HEX #331C66

RGB 51 28 102

HSL 258.65, 0.57%, 0.25%

LAB 17.89, 30.39, -39.62

 

CMYK 59 / 88 / 0 / 67

HEX #220A53

RGB 34 10 83

HSL 259.73, 0.78%, 0.18%

LAB 10.42, 31.35, -39.21

 

CMYK 73 / 100 / 0 / 75

HEX #110040

RGB 17 0 64

HSL 255.94, 1%, 0.13%

LAB 4.42, 26.99, -35.85

 

CMYK 100 / 100 / 0 / 82

HEX #00002D

RGB 0 0 45

HSL 240, 1%, 0.09%

LAB 1.71, 12.03, -26.26

 

CMYK 44 / 62 / 0 / 52

HEX #442E7A

RGB 68 46 122

HSL 257.37, 0.45%, 0.33%

LAB 25.53, 29.32, -40.04

 

CMYK 28 / 62 / 0 / 52

HEX #582E7A

RGB 88 46 122

HSL 273.16, 0.45%, 0.33%

LAB 27.94, 34.34, -36.03

 

CMYK 11 / 62 / 0 / 52

HEX #6D2E7A

RGB 109 46 122

HSL 289.74, 0.45%, 0.33%

LAB 30.9, 39.98, -31.13

 

CMYK 0 / 62 / 7 / 52

HEX #7A2E72

RGB 122 46 114

HSL 306.32, 0.45%, 0.33%

LAB 32.49, 42.08, -23.44

 

CMYK 0 / 62 / 24 / 52

HEX #7A2E5D

RGB 122 46 93

HSL 322.89, 0.45%, 0.33%

LAB 31.54, 38.61, -11.49

 

CMYK 44 / 62 / 0 / 52

HEX #442E7A

RGB 68 46 122

HSL 257.37, 0.45%, 0.33%

LAB 25.53, 29.32, -40.04

 

CMYK 61 / 62 / 0 / 52

HEX #302E7A

RGB 48 46 122

HSL 241.58, 0.45%, 0.33%

LAB 23.63, 24.99, -43.2

 

CMYK 62 / 62 / 0 / 52

HEX #2E2E7A

RGB 46 46 122

HSL 240, 0.45%, 0.33%

LAB 23.47, 24.61, -43.46

 

CMYK 44 / 62 / 0 / 52

HEX #442E7A

RGB 68 46 122

HSL 257.37, 0.45%, 0.33%

LAB 25.53, 29.32, -40.04

 

CMYK 54 / 76 / 0 / 47

HEX #3E2087

RGB 62 32 135

HSL 257.48, 0.62%, 0.33%

LAB 23.02, 40.15, -52.34

 

CMYK 62 / 87 / 0 / 42

HEX #391395

RGB 57 19 149

HSL 257.54, 0.77%, 0.33%

LAB 21.96, 49.33, -62.81

 

CMYK 69 / 97 / 0 / 36

HEX #3305A2

RGB 51 5 162

HSL 257.58, 0.94%, 0.33%

LAB 21.66, 56.27, -71.32

 

CMYK 44 / 62 / 0 / 52

HEX #442E7A

RGB 68 46 122

HSL 257.37, 0.45%, 0.33%

LAB 25.53, 29.32, -40.04

 

CMYK 31 / 45 / 0 / 58

HEX #4A3B6C

RGB 74 59 108

HSL 258.37, 0.29%, 0.33%

LAB 28.55, 18.48, -26.26

 

CMYK 16 / 22 / 0 / 63

HEX #4F495E

RGB 79 73 94

HSL 257.14, 0.13%, 0.33%

LAB 32.34, 7.32, -11.43

 

CMYK 2 / 0 / 7 / 66

HEX #555751

RGB 85 87 81

HSL 80, 0.04%, 0.33%

LAB 36.63, -2.06, 3.2

 

CMYK 9 / 0 / 33 / 61

HEX #5B6443

RGB 91 100 67

HSL 76.36, 0.2%, 0.33%

LAB 40.81, -9.72, 17.61

 

CMYK 62 / 47 / 0 / 52

HEX #2E417A

RGB 46 65 122

HSL 225, 0.45%, 0.33%

LAB 28.82, 11.61, -34.85

 

CMYK 61 / 62 / 0 / 52

HEX #2F2E7A

RGB 47 46 122

HSL 240.79, 0.45%, 0.33%

LAB 23.55, 24.8, -43.33

 

CMYK 45 / 62 / 0 / 52

HEX #432E7A

RGB 67 46 122

HSL 256.58, 0.45%, 0.33%

LAB 25.42, 29.08, -40.22

 

CMYK 29 / 62 / 0 / 52

HEX #572E7A

RGB 87 46 122

HSL 272.37, 0.45%, 0.33%

LAB 27.81, 34.08, -36.25

 

CMYK 11 / 62 / 0 / 52

HEX #6C2E7A

RGB 108 46 122

HSL 288.95, 0.45%, 0.33%

LAB 30.75, 39.71, -31.38

 

CMYK 45 / 63 / 0 / 76

HEX #22173E

RGB 34 23 62

HSL 256.92, 0.46%, 0.17%

LAB 11.28, 16.56, -23.18

 

CMYK 45 / 63 / 0 / 64

HEX #33225C

RGB 51 34 92

HSL 257.59, 0.46%, 0.25%

LAB 18.46, 23.48, -32.1

 

CMYK 44 / 62 / 0 / 52

HEX #442E7A

RGB 68 46 122

HSL 257.37, 0.45%, 0.33%

LAB 25.53, 29.32, -40.04

 

CMYK 44 / 62 / 0 / 41

HEX #553997

RGB 85 57 151

HSL 257.87, 0.45%, 0.41%

LAB 32.02, 35.18, -47.47

 

CMYK 44 / 62 / 0 / 29

HEX #6644B5

RGB 102 68 181

HSL 258.05, 0.45%, 0.49%

LAB 38.37, 41.09, -55.09

 

CMYK 44 / 62 / 0 / 53

HEX #442E79

RGB 68 46 121

HSL 257.6, 0.45%, 0.33%

LAB 25.45, 29.01, -39.52

 

CMYK 0 / 62 / 30 / 52

HEX #7A2E55

RGB 122 46 85

HSL 329.21, 0.45%, 0.33%

LAB 31.22, 37.44, -6.77

 

CMYK 55 / 0 / 62 / 52

HEX #377A2E

RGB 55 122 46

HSL 112.89, 0.45%, 0.33%

LAB 45.54, -37.11, 34.52

 

CMYK 44 / 62 / 0 / 53

HEX #442E79

RGB 68 46 121

HSL 257.6, 0.45%, 0.33%

LAB 25.45, 29.01, -39.52

 

CMYK 0 / 45 / 62 / 52

HEX #7A432E

RGB 122 67 46

HSL 16.58, 0.45%, 0.33%

LAB 34.7, 21.58, 22.98

 

CMYK 62 / 0 / 45 / 52

HEX #2E7A43

RGB 46 122 67

HSL 136.58, 0.45%, 0.33%

LAB 45.5, -36.37, 23.31

 

CMYK 44 / 62 / 0 / 53

HEX #442E79

RGB 68 46 121

HSL 257.6, 0.45%, 0.33%

LAB 25.45, 29.01, -39.52

 

CMYK 0 / 62 / 30 / 52

HEX #7A2E55

RGB 122 46 85

HSL 329.21, 0.45%, 0.33%

LAB 31.22, 37.44, -6.77

 

CMYK 18 / 0 / 62 / 52

HEX #647A2E

RGB 100 122 46

HSL 77.37, 0.45%, 0.33%

LAB 48.04, -20.36, 38.02

 

CMYK 62 / 0 / 33 / 52

HEX #2E7A52

RGB 46 122 82

HSL 148.42, 0.45%, 0.33%

LAB 45.78, -33.38, 15.12

 

CMYK 44 / 62 / 0 / 53

HEX #442E79

RGB 68 46 121

HSL 257.6, 0.45%, 0.33%

LAB 25.45, 29.01, -39.52

 

CMYK 0 / 62 / 49 / 52

HEX #7A2E3E

RGB 122 46 62

HSL 347.37, 0.45%, 0.33%

LAB 30.49, 34.63, 7.23

 

CMYK 18 / 0 / 62 / 52

HEX #647A2E

RGB 100 122 46

HSL 77.37, 0.45%, 0.33%

LAB 48.04, -20.36, 38.02

 

CMYK 62 / 0 / 14 / 52

HEX #2E7A69

RGB 46 122 105

HSL 166.58, 0.45%, 0.33%

LAB 46.34, -27.75, 2.38

 

Description

Color code: HEX #442E79 | qconv.com Color code: HEX #442E79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 46 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 46 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 62 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 62% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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