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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44398D it is the complementary color #BBC672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44398D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44398D shade: #493988, #5A4B9B, #6B5DAE, #7C6FC1 and #8D81D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44398D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44398D shade: #44398D, #33277A, #221567, #110354 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44398D shade: #44398D, #5B398D, #71398D, #88398D and #8D397B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44398D shade: #44398D and #39398D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44398D shade matches the following richer shades: #44398D, #38299D, #2C19AD and #2009BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44398D shade: #44398D, #50497D, #5C596D, #68695C and #747A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44398D shade: #395C8D, #39468D, #43398D, #59398D and #6F398D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44398D shade: #282152, #362D6F, #44398D, #5245AA and #695CBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44398D shade: #44398D, #8D3972 and #518D39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44398D shade: #44398D, #8D4339 and #398D43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44398D shade: #44398D, #8D3972, #838D39 and #398D54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44398D shade: #44398D, #8D3959, #838D39 and #398D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

Complementary color

CMYK 6 / 0 / 42 / 22

HEX #BBC672

RGB 187 198 114

HSL 67.86, 0.42%, 0.61%

LAB 77.38, -16.52, 40.72

 

CMYK 46 / 58 / 0 / 47

HEX #493988

RGB 73 57 136

HSL 252.15, 0.41%, 0.38%

LAB 29.71, 27.9, -42.03

 

CMYK 42 / 52 / 0 / 39

HEX #5A4B9B

RGB 90 75 155

HSL 251.25, 0.35%, 0.45%

LAB 37.06, 26.55, -41.75

 

CMYK 39 / 47 / 0 / 32

HEX #6B5DAE

RGB 107 93 174

HSL 250.37, 0.33%, 0.52%

LAB 44.25, 25.4, -41.5

 

CMYK 36 / 42 / 0 / 24

HEX #7C6FC1

RGB 124 111 193

HSL 249.51, 0.4%, 0.6%

LAB 51.27, 24.4, -41.31

 

CMYK 33 / 39 / 0 / 17

HEX #8D81D4

RGB 141 129 212

HSL 248.67, 0.49%, 0.67%

LAB 58.15, 23.53, -41.17

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 58 / 68 / 0 / 52

HEX #33277A

RGB 51 39 122

HSL 248.67, 0.52%, 0.32%

LAB 22.16, 30.12, -45.58

 

CMYK 67 / 80 / 0 / 60

HEX #221567

RGB 34 21 103

HSL 249.51, 0.66%, 0.24%

LAB 14.71, 31.98, -45.56

 

CMYK 80 / 96 / 0 / 67

HEX #110354

RGB 17 3 84

HSL 250.37, 0.93%, 0.17%

LAB 7.45, 33.77, -44.88

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 35 / 60 / 0 / 45

HEX #5B398D

RGB 91 57 141

HSL 264.29, 0.42%, 0.39%

LAB 31.97, 33.78, -41.38

 

CMYK 20 / 60 / 0 / 45

HEX #71398D

RGB 113 57 141

HSL 280, 0.42%, 0.39%

LAB 34.72, 39.52, -36.82

 

CMYK 4 / 60 / 0 / 45

HEX #88398D

RGB 136 57 141

HSL 296.43, 0.42%, 0.39%

LAB 37.99, 45.77, -31.43

 

CMYK 0 / 60 / 13 / 45

HEX #8D397B

RGB 141 57 123

HSL 312.86, 0.42%, 0.39%

LAB 37.88, 43.98, -20.47

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 60 / 60 / 0 / 45

HEX #39398D

RGB 57 57 141

HSL 240, 0.42%, 0.39%

LAB 28.69, 26.1, -46.84

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 64 / 74 / 0 / 38

HEX #38299D

RGB 56 41 157

HSL 247.76, 0.59%, 0.39%

LAB 26.33, 41.2, -60.52

 

CMYK 75 / 86 / 0 / 32

HEX #2C19AD

RGB 44 25 173

HSL 247.7, 0.75%, 0.39%

LAB 24.47, 52.84, -73.32

 

CMYK 83 / 95 / 0 / 26

HEX #2009BD

RGB 32 9 189

HSL 247.67, 0.91%, 0.39%

LAB 24.25, 61.61, -83.28

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 36 / 42 / 0 / 51

HEX #50497D

RGB 80 73 125

HSL 248.08, 0.26%, 0.39%

LAB 33.88, 16.16, -28.52

 

CMYK 16 / 18 / 0 / 57

HEX #5C596D

RGB 92 89 109

HSL 249, 0.1%, 0.39%

LAB 38.77, 5.71, -10.97

 

CMYK 1 / 0 / 12 / 59

HEX #68695C

RGB 104 105 92

HSL 64.62, 0.07%, 0.39%

LAB 43.97, -2.93, 7.18

 

CMYK 5 / 0 / 38 / 52

HEX #747A4C

RGB 116 122 76

HSL 67.83, 0.23%, 0.39%

LAB 49.68, -10.14, 24.46

 

CMYK 60 / 35 / 0 / 45

HEX #395C8D

RGB 57 92 141

HSL 215, 0.42%, 0.39%

LAB 38.63, 3.06, -30.94

 

CMYK 60 / 50 / 0 / 45

HEX #39468D

RGB 57 70 141

HSL 230.71, 0.42%, 0.39%

LAB 32.2, 17.46, -41.18

 

CMYK 52 / 60 / 0 / 45

HEX #43398D

RGB 67 57 141

HSL 247.14, 0.42%, 0.39%

LAB 29.52, 28.14, -45.46

 

CMYK 37 / 60 / 0 / 45

HEX #59398D

RGB 89 57 141

HSL 262.86, 0.42%, 0.39%

LAB 31.75, 33.28, -41.76

 

CMYK 21 / 60 / 0 / 45

HEX #6F398D

RGB 111 57 141

HSL 278.57, 0.42%, 0.39%

LAB 34.46, 38.98, -37.27

 

CMYK 51 / 60 / 0 / 68

HEX #282152

RGB 40 33 82

HSL 248.57, 0.43%, 0.23%

LAB 16.25, 18, -29.01

 

CMYK 51 / 59 / 0 / 56

HEX #362D6F

RGB 54 45 111

HSL 248.18, 0.42%, 0.31%

LAB 23.03, 23.14, -37.12

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 52 / 59 / 0 / 33

HEX #5245AA

RGB 82 69 170

HSL 247.72, 0.42%, 0.47%

LAB 35.89, 33.04, -52.66

 

CMYK 44 / 51 / 0 / 26

HEX #695CBC

RGB 105 92 188

HSL 248.13, 0.42%, 0.55%

LAB 44.64, 29.57, -49.07

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 0 / 60 / 19 / 45

HEX #8D3972

RGB 141 57 114

HSL 319.29, 0.42%, 0.39%

LAB 37.49, 42.53, -15.46

 

CMYK 43 / 0 / 60 / 45

HEX #518D39

RGB 81 141 57

HSL 102.86, 0.42%, 0.39%

LAB 53.05, -35.76, 38.1

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 0 / 52 / 60 / 45

HEX #8D4339

RGB 141 67 57

HSL 7.14, 0.42%, 0.39%

LAB 37.79, 30.48, 20.78

 

CMYK 60 / 0 / 52 / 45

HEX #398D43

RGB 57 141 67

HSL 127.14, 0.42%, 0.39%

LAB 52.2, -41.58, 31.82

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 0 / 60 / 19 / 45

HEX #8D3972

RGB 141 57 114

HSL 319.29, 0.42%, 0.39%

LAB 37.49, 42.53, -15.46

 

CMYK 7 / 0 / 60 / 45

HEX #838D39

RGB 131 141 57

HSL 67.14, 0.42%, 0.39%

LAB 56.26, -15.94, 42.59

 

CMYK 60 / 0 / 40 / 45

HEX #398D54

RGB 57 141 84

HSL 139.29, 0.42%, 0.39%

LAB 52.46, -38.73, 23.01

 

CMYK 52 / 60 / 0 / 45

HEX #44398D

RGB 68 57 141

HSL 247.86, 0.42%, 0.39%

LAB 29.61, 28.35, -45.31

 

CMYK 0 / 60 / 37 / 45

HEX #8D3959

RGB 141 57 89

HSL 337.14, 0.42%, 0.39%

LAB 36.57, 39.01, -1.06

 

CMYK 7 / 0 / 60 / 45

HEX #838D39

RGB 131 141 57

HSL 67.14, 0.42%, 0.39%

LAB 56.26, -15.94, 42.59

 

CMYK 60 / 0 / 23 / 45

HEX #398D6D

RGB 57 141 109

HSL 157.14, 0.42%, 0.39%

LAB 52.98, -33.42, 9.59

 

Description

Color code: HEX #44398D | qconv.com Color code: HEX #44398D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 57 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 57 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 60 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 60% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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