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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #443DCB it is the complementary color #BBC234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #443DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #443DCB shade: #493DC6, #5A4FD9, #6B61EC, #7C73FF and #8D85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #443DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #443DCB shade: #443DCB, #332BB8, #2219A5, #110792 and #00007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #443DCB shade: #443DCB, #6A3DCB, #913DCB, #B73DCB and #CB3DB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #443DCB shade: #443DCB and #3D3DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #443DCB shade matches the following richer shades: #443DCB, #3229DF and #2015F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #443DCB shade: #443DCB, #5651B7, #6865A3, #7A7990 and #8C8C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #443DCB shade: #3D84CB, #3D5ECB, #423DCB, #683DCB and #8E3DCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #443DCB shade: #2B2690, #352FB0, #443DCB, #645ED4 and #837EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #443DCB shade: #443DCB, #CB3DAA and #71CB3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #443DCB shade: #443DCB, #CB423D and #3DCB42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #443DCB shade: #443DCB, #CB3DAA, #C6CB3D and #3DCB5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #443DCB shade: #443DCB, #CB3D7F, #C6CB3D and #3DCB89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

Complementary color

CMYK 4 / 0 / 73 / 24

HEX #BBC234

RGB 187 194 52

HSL 62.96, 0.58%, 0.48%

LAB 75.7, -19.29, 65.94

 

CMYK 63 / 69 / 0 / 22

HEX #493DC6

RGB 73 61 198

HSL 245.26, 0.55%, 0.51%

LAB 35.66, 45.18, -69.6

 

CMYK 59 / 64 / 0 / 15

HEX #5A4FD9

RGB 90 79 217

HSL 244.78, 0.64%, 0.58%

LAB 42.42, 43.26, -69.45

 

CMYK 55 / 59 / 0 / 7

HEX #6B61EC

RGB 107 97 236

HSL 244.32, 0.79%, 0.65%

LAB 49.17, 41.49, -69.18

 

CMYK 51 / 55 / 0 / 0

HEX #7C73FF

RGB 124 115 255

HSL 243.86, 1%, 0.73%

LAB 55.85, 39.9, -68.88

 

CMYK 45 / 48 / 0 / 0

HEX #8D85FF

RGB 141 133 255

HSL 243.93, 1%, 0.76%

LAB 61.36, 33.03, -59.96

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 72 / 77 / 0 / 28

HEX #332BB8

RGB 51 43 184

HSL 243.4, 0.62%, 0.45%

LAB 29.14, 48.21, -72.15

 

CMYK 79 / 85 / 0 / 35

HEX #2219A5

RGB 34 25 165

HSL 243.86, 0.74%, 0.37%

LAB 22.83, 49.88, -71.23

 

CMYK 88 / 95 / 0 / 43

HEX #110792

RGB 17 7 146

HSL 244.32, 0.91%, 0.3%

LAB 17.21, 50.2, -68.94

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 48 / 70 / 0 / 20

HEX #6A3DCB

RGB 106 61 203

HSL 259.01, 0.58%, 0.52%

LAB 39.09, 51.73, -66.76

 

CMYK 29 / 70 / 0 / 20

HEX #913DCB

RGB 145 61 203

HSL 275.49, 0.58%, 0.52%

LAB 43.75, 59.02, -58.98

 

CMYK 10 / 70 / 0 / 20

HEX #B73DCB

RGB 183 61 203

HSL 291.55, 0.58%, 0.52%

LAB 49.15, 66.93, -50.02

 

CMYK 0 / 70 / 9 / 20

HEX #CB3DB9

RGB 203 61 185

HSL 307.61, 0.58%, 0.52%

LAB 51.31, 68.44, -35.98

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 70 / 70 / 0 / 20

HEX #3D3DCB

RGB 61 61 203

HSL 240, 0.58%, 0.52%

LAB 35.28, 45.33, -73.15

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 78 / 82 / 0 / 13

HEX #3229DF

RGB 50 41 223

HSL 242.97, 0.74%, 0.52%

LAB 33.12, 61.03, -88.31

 

CMYK 87 / 91 / 0 / 5

HEX #2015F3

RGB 32 21 243

HSL 242.97, 0.9%, 0.52%

LAB 32.51, 72.84, -100.73

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 53 / 56 / 0 / 28

HEX #5651B7

RGB 86 81 183

HSL 242.94, 0.41%, 0.52%

LAB 40.05, 30.55, -53.61

 

CMYK 36 / 38 / 0 / 36

HEX #6865A3

RGB 104 101 163

HSL 242.9, 0.25%, 0.52%

LAB 45.49, 16.52, -33.08

 

CMYK 15 / 16 / 0 / 44

HEX #7A7990

RGB 122 121 144

HSL 242.61, 0.09%, 0.52%

LAB 51.64, 5.33, -12.3

 

CMYK 0 / 0 / 11 / 45

HEX #8C8C7C

RGB 140 140 124

HSL 60, 0.07%, 0.52%

LAB 57.83, -2.96, 8.55

 

CMYK 70 / 35 / 0 / 20

HEX #3D84CB

RGB 61 132 203

HSL 210, 0.58%, 0.52%

LAB 53.82, 1.1, -43.23

 

CMYK 70 / 54 / 0 / 20

HEX #3D5ECB

RGB 61 94 203

HSL 226.06, 0.58%, 0.52%

LAB 43.23, 24.8, -60.19

 

CMYK 67 / 70 / 0 / 20

HEX #423DCB

RGB 66 61 203

HSL 242.11, 0.58%, 0.52%

LAB 35.61, 45.9, -72.6

 

CMYK 49 / 70 / 0 / 20

HEX #683DCB

RGB 104 61 203

HSL 258.17, 0.58%, 0.52%

LAB 38.89, 51.39, -67.11

 

CMYK 30 / 70 / 0 / 20

HEX #8E3DCB

RGB 142 61 203

HSL 274.23, 0.58%, 0.52%

LAB 43.36, 58.42, -59.63

 

CMYK 70 / 74 / 0 / 44

HEX #2B2690

RGB 43 38 144

HSL 242.83, 0.58%, 0.36%

LAB 23.38, 37.03, -57.42

 

CMYK 70 / 73 / 0 / 31

HEX #352FB0

RGB 53 47 176

HSL 242.79, 0.58%, 0.44%

LAB 29.22, 43.62, -67.24

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 53 / 56 / 0 / 17

HEX #645ED4

RGB 100 94 212

HSL 243.05, 0.58%, 0.6%

LAB 46.27, 34.55, -60.31

 

CMYK 40 / 43 / 0 / 14

HEX #837EDC

RGB 131 126 220

HSL 243.19, 0.57%, 0.68%

LAB 56.99, 24.82, -47.54

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 0 / 70 / 16 / 20

HEX #CB3DAA

RGB 203 61 170

HSL 313.94, 0.58%, 0.52%

LAB 50.61, 66.25, -28.29

 

CMYK 44 / 0 / 70 / 20

HEX #71CB3D

RGB 113 203 61

HSL 98.03, 0.58%, 0.52%

LAB 73.91, -50.89, 59.46

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 0 / 67 / 70 / 20

HEX #CB423D

RGB 203 66 61

HSL 2.11, 0.58%, 0.52%

LAB 48.17, 53.77, 33.54

 

CMYK 70 / 0 / 67 / 20

HEX #3DCB42

RGB 61 203 66

HSL 122.11, 0.58%, 0.52%

LAB 72.29, -63.39, 55.32

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 0 / 70 / 16 / 20

HEX #CB3DAA

RGB 203 61 170

HSL 313.94, 0.58%, 0.52%

LAB 50.61, 66.25, -28.29

 

CMYK 2 / 0 / 70 / 20

HEX #C6CB3D

RGB 198 203 61

HSL 62.11, 0.58%, 0.52%

LAB 79.07, -18.7, 66.34

 

CMYK 70 / 0 / 54 / 20

HEX #3DCB5E

RGB 61 203 94

HSL 133.94, 0.58%, 0.52%

LAB 72.57, -60.13, 43.25

 

CMYK 67 / 70 / 0 / 20

HEX #443DCB

RGB 68 61 203

HSL 242.96, 0.58%, 0.52%

LAB 35.75, 46.13, -72.37

 

CMYK 0 / 70 / 37 / 20

HEX #CB3D7F

RGB 203 61 127

HSL 332.11, 0.58%, 0.52%

LAB 48.97, 60.89, -5.14

 

CMYK 2 / 0 / 70 / 20

HEX #C6CB3D

RGB 198 203 61

HSL 62.11, 0.58%, 0.52%

LAB 79.07, -18.7, 66.34

 

CMYK 70 / 0 / 33 / 20

HEX #3DCB89

RGB 61 203 137

HSL 152.11, 0.58%, 0.52%

LAB 73.23, -52.72, 22.29

 

Description

Color code: HEX #443DCB | qconv.com Color code: HEX #443DCB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 61 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 61 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 70 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 70% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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