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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #444561 it is the complementary color #BBBA9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #444561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #444561 shade: #49455C, #5A576F, #6B6982, #7C7B95 and #8D8DA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #444561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #444561 shade: #444561, #33334E, #22213B, #110F28 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #444561 shade: #424360, #494260, #514260, #594260 and #60425E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #444561 shade: #424360 and #424260

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #444561 shade matches the following richer shades: #424360, #35376D, #282B7A, #1B1F87 and #0E1295

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #444561 shade: #424360, #505053, #5D5C45, #6A6838 and #77752B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #444561 shade: #425460, #424C60, #424460, #494260 and #514260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #444561 shade: #21212F, #313247, #424360, #535578 and #646690

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #444561 shade: #444561, #60425B and #506042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #444561 shade: #444561, #604244 and #446042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #444561 shade: #444561, #60425B, #605E42 and #426047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #444561 shade: #444561, #604253, #605E42 and #426050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 29 / 0 / 62

HEX #444561

RGB 68 69 97

HSL 237.93, 0.18%, 0.32%

LAB 30.27, 6.77, -16.59

 

Complementary color

CMYK 0 / 1 / 16 / 27

HEX #BBBA9E

RGB 187 186 158

HSL 57.93, 0.18%, 0.68%

LAB 74.92, -4.45, 14.35

 

CMYK 21 / 25 / 0 / 64

HEX #49455C

RGB 73 69 92

HSL 250.43, 0.14%, 0.32%

LAB 30.51, 7.17, -12.99

 

CMYK 19 / 22 / 0 / 56

HEX #5A576F

RGB 90 87 111

HSL 247.5, 0.12%, 0.39%

LAB 38.09, 6.73, -13.25

 

CMYK 18 / 19 / 0 / 49

HEX #6B6982

RGB 107 105 130

HSL 244.8, 0.11%, 0.46%

LAB 45.42, 6.34, -13.54

 

CMYK 17 / 17 / 0 / 42

HEX #7C7B95

RGB 124 123 149

HSL 242.31, 0.11%, 0.53%

LAB 52.53, 6.01, -13.86

 

CMYK 16 / 16 / 0 / 34

HEX #8D8DA8

RGB 141 141 168

HSL 240, 0.13%, 0.61%

LAB 59.47, 5.71, -14.19

 

CMYK 30 / 29 / 0 / 62

HEX #444561

RGB 68 69 97

HSL 237.93, 0.18%, 0.32%

LAB 30.27, 6.77, -16.59

 

CMYK 35 / 35 / 0 / 69

HEX #33334E

RGB 51 51 78

HSL 240, 0.21%, 0.25%

LAB 22.38, 7.39, -16.54

 

CMYK 42 / 44 / 0 / 77

HEX #22213B

RGB 34 33 59

HSL 242.31, 0.28%, 0.18%

LAB 14.08, 8.22, -16.61

 

CMYK 58 / 63 / 0 / 84

HEX #110F28

RGB 17 15 40

HSL 244.8, 0.45%, 0.11%

LAB 5.55, 8.25, -16.36

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 31 / 30 / 0 / 62

HEX #424360

RGB 66 67 96

HSL 238, 0.19%, 0.32%

LAB 29.46, 7.12, -17.23

 

CMYK 24 / 31 / 0 / 62

HEX #494260

RGB 73 66 96

HSL 254, 0.19%, 0.32%

LAB 29.81, 10.2, -16.64

 

CMYK 16 / 31 / 0 / 62

HEX #514260

RGB 81 66 96

HSL 270, 0.19%, 0.32%

LAB 30.62, 13.07, -15.32

 

CMYK 7 / 31 / 0 / 62

HEX #594260

RGB 89 66 96

HSL 286, 0.19%, 0.32%

LAB 31.5, 16.02, -13.89

 

CMYK 0 / 31 / 2 / 62

HEX #60425E

RGB 96 66 94

HSL 304, 0.19%, 0.32%

LAB 32.24, 18.21, -11.41

 

CMYK 31 / 30 / 0 / 62

HEX #424360

RGB 66 67 96

HSL 238, 0.19%, 0.32%

LAB 29.46, 7.12, -17.23

 

CMYK 31 / 31 / 0 / 62

HEX #424260

RGB 66 66 96

HSL 240, 0.19%, 0.32%

LAB 29.16, 7.78, -17.69

 

CMYK 31 / 30 / 0 / 62

HEX #424360

RGB 66 67 96

HSL 238, 0.19%, 0.32%

LAB 29.46, 7.12, -17.23

 

CMYK 51 / 50 / 0 / 57

HEX #35376D

RGB 53 55 109

HSL 237.86, 0.35%, 0.32%

LAB 25.54, 15.43, -31.8

 

CMYK 67 / 65 / 0 / 52

HEX #282B7A

RGB 40 43 122

HSL 237.8, 0.51%, 0.32%

LAB 22.25, 25.59, -45.48

 

CMYK 80 / 77 / 0 / 47

HEX #1B1F87

RGB 27 31 135

HSL 237.78, 0.67%, 0.32%

LAB 19.89, 36.5, -57.6

 

CMYK 91 / 88 / 0 / 42

HEX #0E1295

RGB 14 18 149

HSL 238.22, 0.83%, 0.32%

LAB 18.78, 47.18, -68.19

 

CMYK 31 / 30 / 0 / 62

HEX #424360

RGB 66 67 96

HSL 238, 0.19%, 0.32%

LAB 29.46, 7.12, -17.23

 

CMYK 4 / 4 / 0 / 67

HEX #505053

RGB 80 80 83

HSL 240, 0.02%, 0.32%

LAB 34.12, 0.66, -1.76

 

CMYK 0 / 1 / 26 / 64

HEX #5D5C45

RGB 93 92 69

HSL 57.5, 0.15%, 0.32%

LAB 38.57, -3.87, 13.42

 

CMYK 0 / 2 / 47 / 58

HEX #6A6838

RGB 106 104 56

HSL 57.6, 0.31%, 0.32%

LAB 43.14, -6.83, 27.2

 

CMYK 0 / 2 / 64 / 53

HEX #77752B

RGB 119 117 43

HSL 58.42, 0.47%, 0.32%

LAB 48.03, -9.42, 39.88

 

CMYK 31 / 13 / 0 / 62

HEX #425460

RGB 66 84 96

HSL 204, 0.19%, 0.32%

LAB 34.69, -3.75, -9.24

 

CMYK 31 / 21 / 0 / 62

HEX #424C60

RGB 66 76 96

HSL 220, 0.19%, 0.32%

LAB 32.19, 1.27, -13.02

 

CMYK 31 / 29 / 0 / 62

HEX #424460

RGB 66 68 96

HSL 236, 0.19%, 0.32%

LAB 29.76, 6.46, -16.77

 

CMYK 24 / 31 / 0 / 62

HEX #494260

RGB 73 66 96

HSL 254, 0.19%, 0.32%

LAB 29.81, 10.2, -16.64

 

CMYK 16 / 31 / 0 / 62

HEX #514260

RGB 81 66 96

HSL 270, 0.19%, 0.32%

LAB 30.62, 13.07, -15.32

 

CMYK 30 / 30 / 0 / 82

HEX #21212F

RGB 33 33 47

HSL 240, 0.18%, 0.16%

LAB 13.33, 3.93, -9.25

 

CMYK 31 / 30 / 0 / 72

HEX #313247

RGB 49 50 71

HSL 237.27, 0.18%, 0.24%

LAB 21.54, 5.24, -13.16

 

CMYK 31 / 30 / 0 / 62

HEX #424360

RGB 66 67 96

HSL 238, 0.19%, 0.32%

LAB 29.46, 7.12, -17.23

 

CMYK 31 / 29 / 0 / 53

HEX #535578

RGB 83 85 120

HSL 236.76, 0.18%, 0.4%

LAB 37.28, 7.98, -20.09

 

CMYK 31 / 29 / 0 / 44

HEX #646690

RGB 100 102 144

HSL 237.27, 0.18%, 0.48%

LAB 44.55, 9.43, -23.29

 

CMYK 30 / 29 / 0 / 62

HEX #444561

RGB 68 69 97

HSL 237.93, 0.18%, 0.32%

LAB 30.27, 6.77, -16.59

 

CMYK 0 / 31 / 5 / 62

HEX #60425B

RGB 96 66 91

HSL 310, 0.19%, 0.32%

LAB 32.12, 17.58, -9.67

 

CMYK 17 / 0 / 31 / 62

HEX #506042

RGB 80 96 66

HSL 92, 0.19%, 0.32%

LAB 38.66, -12.25, 15.18

 

CMYK 30 / 29 / 0 / 62

HEX #444561

RGB 68 69 97

HSL 237.93, 0.18%, 0.32%

LAB 30.27, 6.77, -16.59

 

CMYK 0 / 31 / 29 / 62

HEX #604244

RGB 96 66 68

HSL 356, 0.19%, 0.32%

LAB 31.35, 13.34, 4

 

CMYK 29 / 0 / 31 / 62

HEX #446042

RGB 68 96 66

HSL 116, 0.19%, 0.32%

LAB 37.82, -17.05, 13.9

 

CMYK 30 / 29 / 0 / 62

HEX #444561

RGB 68 69 97

HSL 237.93, 0.18%, 0.32%

LAB 30.27, 6.77, -16.59

 

CMYK 0 / 31 / 5 / 62

HEX #60425B

RGB 96 66 91

HSL 310, 0.19%, 0.32%

LAB 32.12, 17.58, -9.67

 

CMYK 0 / 2 / 31 / 62

HEX #605E42

RGB 96 94 66

HSL 56, 0.19%, 0.32%

LAB 39.39, -4.2, 16.39

 

CMYK 31 / 0 / 26 / 62

HEX #426047

RGB 66 96 71

HSL 130, 0.19%, 0.32%

LAB 37.8, -16.82, 10.82

 

CMYK 30 / 29 / 0 / 62

HEX #444561

RGB 68 69 97

HSL 237.93, 0.18%, 0.32%

LAB 30.27, 6.77, -16.59

 

CMYK 0 / 31 / 14 / 62

HEX #604253

RGB 96 66 83

HSL 326, 0.19%, 0.32%

LAB 31.82, 15.99, -4.98

 

CMYK 0 / 2 / 31 / 62

HEX #605E42

RGB 96 94 66

HSL 56, 0.19%, 0.32%

LAB 39.39, -4.2, 16.39

 

CMYK 31 / 0 / 17 / 62

HEX #426050

RGB 66 96 80

HSL 148, 0.19%, 0.32%

LAB 38.03, -14.88, 5.63

 

Description

Color code: HEX #444561 | qconv.com Color code: HEX #444561 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 69 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 69 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 29 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 29% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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