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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #444650 it is the complementary color #BBB9AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #444650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #444650 shade: #49464B, #5A585E, #6B6A71, #7C7C84 and #8D8E97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #444650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #444650 shade: #444650, #33343D, #22222A, #111017 and #000004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #444650 shade: #44464F, #45444F, #48444F, #4B444F and #4E444F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #444650 shade: #44464F and #44444F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #444650 shade matches the following richer shades: #44464F, #383E5B, #2C3667, #202E73 and #14267F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #444650 shade: #44464F, #4F4D43, #5B5537, #675D2B and #736520

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #444650 shade: #444C4F, #44494F, #44464F, #45444F and #48444F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #444650 shade: #1E1E23, #313239, #44464F, #575966 and #696D7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #444650 shade: #444650, #4F444F and #4A4F44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #444650 shade: #444650, #4F4446 and #464F44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #444650 shade: #444650, #4F444F, #4F4D44 and #444F44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #444650 shade: #444650, #4F444B, #4F4D44 and #444F47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 13 / 0 / 69

HEX #444650

RGB 68 70 80

HSL 230, 0.08%, 0.29%

LAB 29.88, 1.56, -6.26

 

Complementary color

CMYK 0 / 1 / 6 / 27

HEX #BBB9AF

RGB 187 185 175

HSL 50, 0.08%, 0.71%

LAB 75.05, -1.09, 5.31

 

CMYK 3 / 7 / 0 / 71

HEX #49464B

RGB 73 70 75

HSL 276, 0.03%, 0.28%

LAB 30.17, 2.36, -2.55

 

CMYK 4 / 6 / 0 / 63

HEX #5A585E

RGB 90 88 94

HSL 260, 0.03%, 0.36%

LAB 37.77, 2.09, -3.18

 

CMYK 5 / 6 / 0 / 56

HEX #6B6A71

RGB 107 106 113

HSL 248.57, 0.03%, 0.43%

LAB 45.12, 1.86, -3.77

 

CMYK 6 / 6 / 0 / 48

HEX #7C7C84

RGB 124 124 132

HSL 240, 0.03%, 0.5%

LAB 52.25, 1.65, -4.34

 

CMYK 7 / 6 / 0 / 41

HEX #8D8E97

RGB 141 142 151

HSL 234, 0.05%, 0.57%

LAB 59.2, 1.45, -4.9

 

CMYK 15 / 13 / 0 / 69

HEX #444650

RGB 68 70 80

HSL 230, 0.08%, 0.29%

LAB 29.88, 1.56, -6.26

 

CMYK 16 / 15 / 0 / 76

HEX #33343D

RGB 51 52 61

HSL 234, 0.09%, 0.22%

LAB 21.93, 1.82, -5.78

 

CMYK 19 / 19 / 0 / 84

HEX #22222A

RGB 34 34 42

HSL 240, 0.11%, 0.15%

LAB 13.54, 2.13, -5.32

 

CMYK 26 / 30 / 0 / 91

HEX #111017

RGB 17 16 23

HSL 248.57, 0.18%, 0.08%

LAB 4.98, 1.92, -4.1

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 14 / 11 / 0 / 69

HEX #44464F

RGB 68 70 79

HSL 229.09, 0.07%, 0.29%

LAB 29.85, 1.31, -5.66

 

CMYK 13 / 14 / 0 / 69

HEX #45444F

RGB 69 68 79

HSL 245.45, 0.07%, 0.29%

LAB 29.32, 2.99, -6.44

 

CMYK 9 / 14 / 0 / 69

HEX #48444F

RGB 72 68 79

HSL 261.82, 0.07%, 0.29%

LAB 29.6, 4.17, -5.99

 

CMYK 5 / 14 / 0 / 69

HEX #4B444F

RGB 75 68 79

HSL 278.18, 0.07%, 0.29%

LAB 29.9, 5.37, -5.52

 

CMYK 1 / 14 / 0 / 69

HEX #4E444F

RGB 78 68 79

HSL 294.55, 0.07%, 0.29%

LAB 30.2, 6.58, -5.03

 

CMYK 14 / 11 / 0 / 69

HEX #44464F

RGB 68 70 79

HSL 229.09, 0.07%, 0.29%

LAB 29.85, 1.31, -5.66

 

CMYK 14 / 14 / 0 / 69

HEX #44444F

RGB 68 68 79

HSL 240, 0.07%, 0.29%

LAB 29.23, 2.6, -6.59

 

CMYK 14 / 11 / 0 / 69

HEX #44464F

RGB 68 70 79

HSL 229.09, 0.07%, 0.29%

LAB 29.85, 1.31, -5.66

 

CMYK 38 / 32 / 0 / 64

HEX #383E5B

RGB 56 62 91

HSL 229.71, 0.24%, 0.29%

LAB 26.85, 5.61, -18.11

 

CMYK 57 / 48 / 0 / 60

HEX #2C3667

RGB 44 54 103

HSL 229.83, 0.4%, 0.29%

LAB 24.17, 11.74, -30.17

 

CMYK 72 / 60 / 0 / 55

HEX #202E73

RGB 32 46 115

HSL 229.88, 0.56%, 0.29%

LAB 21.94, 19.56, -41.53

 

CMYK 84 / 70 / 0 / 50

HEX #14267F

RGB 20 38 127

HSL 229.91, 0.73%, 0.29%

LAB 20.31, 28.46, -51.87

 

CMYK 14 / 11 / 0 / 69

HEX #44464F

RGB 68 70 79

HSL 229.09, 0.07%, 0.29%

LAB 29.85, 1.31, -5.66

 

CMYK 0 / 3 / 15 / 69

HEX #4F4D43

RGB 79 77 67

HSL 50, 0.08%, 0.29%

LAB 32.65, -1.19, 6.23

 

CMYK 0 / 7 / 40 / 64

HEX #5B5537

RGB 91 85 55

HSL 50, 0.25%, 0.29%

LAB 35.98, -2.64, 18.4

 

CMYK 0 / 10 / 58 / 60

HEX #675D2B

RGB 103 93 43

HSL 50, 0.41%, 0.29%

LAB 39.39, -3.14, 29.78

 

CMYK 0 / 12 / 72 / 55

HEX #736520

RGB 115 101 32

HSL 49.88, 0.56%, 0.29%

LAB 42.85, -2.93, 39.39

 

CMYK 14 / 4 / 0 / 69

HEX #444C4F

RGB 68 76 79

HSL 196.36, 0.07%, 0.29%

LAB 31.72, -2.49, -2.88

 

CMYK 14 / 8 / 0 / 69

HEX #44494F

RGB 68 73 79

HSL 212.73, 0.07%, 0.29%

LAB 30.78, -0.61, -4.27

 

CMYK 14 / 11 / 0 / 69

HEX #44464F

RGB 68 70 79

HSL 229.09, 0.07%, 0.29%

LAB 29.85, 1.31, -5.66

 

CMYK 13 / 14 / 0 / 69

HEX #45444F

RGB 69 68 79

HSL 245.45, 0.07%, 0.29%

LAB 29.32, 2.99, -6.44

 

CMYK 9 / 14 / 0 / 69

HEX #48444F

RGB 72 68 79

HSL 261.82, 0.07%, 0.29%

LAB 29.6, 4.17, -5.99

 

CMYK 14 / 14 / 0 / 86

HEX #1E1E23

RGB 30 30 35

HSL 240, 0.08%, 0.13%

LAB 11.46, 1.33, -3.4

 

CMYK 14 / 12 / 0 / 78

HEX #313239

RGB 49 50 57

HSL 232.5, 0.08%, 0.21%

LAB 20.94, 1.31, -4.57

 

CMYK 14 / 11 / 0 / 69

HEX #44464F

RGB 68 70 79

HSL 229.09, 0.07%, 0.29%

LAB 29.85, 1.31, -5.66

 

CMYK 15 / 13 / 0 / 60

HEX #575966

RGB 87 89 102

HSL 232, 0.08%, 0.37%

LAB 38.08, 2.18, -7.72

 

CMYK 15 / 12 / 0 / 51

HEX #696D7C

RGB 105 109 124

HSL 227.37, 0.08%, 0.45%

LAB 46.17, 1.81, -8.82

 

CMYK 15 / 13 / 0 / 69

HEX #444650

RGB 68 70 80

HSL 230, 0.08%, 0.29%

LAB 29.88, 1.56, -6.26

 

CMYK 0 / 14 / 0 / 69

HEX #4F444F

RGB 79 68 79

HSL 300, 0.07%, 0.29%

LAB 30.31, 6.98, -4.87

 

CMYK 6 / 0 / 14 / 69

HEX #4A4F44

RGB 74 79 68

HSL 87.27, 0.07%, 0.29%

LAB 32.84, -4.36, 5.81

 

CMYK 15 / 13 / 0 / 69

HEX #444650

RGB 68 70 80

HSL 230, 0.08%, 0.29%

LAB 29.88, 1.56, -6.26

 

CMYK 0 / 14 / 11 / 69

HEX #4F4446

RGB 79 68 70

HSL 349.09, 0.07%, 0.29%

LAB 30.01, 5.08, 0.52

 

CMYK 11 / 0 / 14 / 69

HEX #464F44

RGB 70 79 68

HSL 109.09, 0.07%, 0.29%

LAB 32.51, -6.03, 5.29

 

CMYK 15 / 13 / 0 / 69

HEX #444650

RGB 68 70 80

HSL 230, 0.08%, 0.29%

LAB 29.88, 1.56, -6.26

 

CMYK 0 / 14 / 0 / 69

HEX #4F444F

RGB 79 68 79

HSL 300, 0.07%, 0.29%

LAB 30.31, 6.98, -4.87

 

CMYK 0 / 3 / 14 / 69

HEX #4F4D44

RGB 79 77 68

HSL 49.09, 0.07%, 0.29%

LAB 32.67, -1, 5.63

 

CMYK 14 / 0 / 14 / 69

HEX #444F44

RGB 68 79 68

HSL 120, 0.07%, 0.29%

LAB 32.34, -6.85, 5.03

 

CMYK 15 / 13 / 0 / 69

HEX #444650

RGB 68 70 80

HSL 230, 0.08%, 0.29%

LAB 29.88, 1.56, -6.26

 

CMYK 0 / 14 / 5 / 69

HEX #4F444B

RGB 79 68 75

HSL 321.82, 0.07%, 0.29%

LAB 30.17, 6.11, -2.48

 

CMYK 0 / 3 / 14 / 69

HEX #4F4D44

RGB 79 77 68

HSL 49.09, 0.07%, 0.29%

LAB 32.67, -1, 5.63

 

CMYK 14 / 0 / 10 / 69

HEX #444F47

RGB 68 79 71

HSL 136.36, 0.07%, 0.29%

LAB 32.43, -6.2, 3.25

 

Description

Color code: HEX #444650 | qconv.com Color code: HEX #444650 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 70 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 70 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 13 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 13% 0% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - La Couchothèque
Link: http://www.couchotheque.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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