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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #444171 it is the complementary color #BBBE8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #444171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #444171 shade: #49416C, #5A537F, #6B6592, #7C77A5 and #8D89B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #444171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #444171 shade: #444171, #332F5E, #221D4B, #110B38 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #444171 shade: #444171, #514171, #5E4171, #6B4171 and #71416A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #444171 shade: #444171 and #414171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #444171 shade matches the following richer shades: #444171, #37327F, #2A248E, #1E159C and #1107AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #444171 shade: #444171, #504F62, #5D5E54, #6A6C46 and #767A37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #444171 shade: #415871, #414B71, #434171, #504171 and #5D4171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #444171 shade: #24233C, #343257, #444171, #53508B and #6560A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #444171 shade: #444171, #714165 and #527141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #444171 shade: #444171, #714341 and #417143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #444171 shade: #444171, #714165, #6E7141 and #41714D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #444171 shade: #444171, #714156, #6E7141 and #41715B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

Complementary color

CMYK 2 / 0 / 25 / 25

HEX #BBBE8E

RGB 187 190 142

HSL 63.75, 0.27%, 0.65%

LAB 75.67, -8.94, 23.96

 

CMYK 32 / 40 / 0 / 58

HEX #49416C

RGB 73 65 108

HSL 251.16, 0.25%, 0.34%

LAB 30.11, 14.23, -23.83

 

CMYK 29 / 35 / 0 / 50

HEX #5A537F

RGB 90 83 127

HSL 249.55, 0.21%, 0.41%

LAB 37.65, 13.45, -23.79

 

CMYK 27 / 31 / 0 / 43

HEX #6B6592

RGB 107 101 146

HSL 248, 0.18%, 0.48%

LAB 44.95, 12.8, -23.82

 

CMYK 25 / 28 / 0 / 35

HEX #7C77A5

RGB 124 119 165

HSL 246.52, 0.2%, 0.56%

LAB 52.06, 12.25, -23.9

 

CMYK 23 / 26 / 0 / 28

HEX #8D89B8

RGB 141 137 184

HSL 245.11, 0.25%, 0.63%

LAB 58.99, 11.76, -24.03

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 46 / 50 / 0 / 63

HEX #332F5E

RGB 51 47 94

HSL 245.11, 0.33%, 0.28%

LAB 22.11, 15.31, -27.57

 

CMYK 55 / 61 / 0 / 71

HEX #221D4B

RGB 34 29 75

HSL 246.52, 0.44%, 0.2%

LAB 13.98, 16.82, -27.91

 

CMYK 70 / 80 / 0 / 78

HEX #110B38

RGB 17 11 56

HSL 248, 0.67%, 0.13%

LAB 5.82, 17.83, -27.8

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 28 / 42 / 0 / 56

HEX #514171

RGB 81 65 113

HSL 260, 0.27%, 0.35%

LAB 31.17, 18.21, -25.27

 

CMYK 17 / 42 / 0 / 56

HEX #5E4171

RGB 94 65 113

HSL 276.25, 0.27%, 0.35%

LAB 32.6, 22.47, -22.93

 

CMYK 5 / 42 / 0 / 56

HEX #6B4171

RGB 107 65 113

HSL 292.5, 0.27%, 0.35%

LAB 34.19, 26.85, -20.33

 

CMYK 0 / 42 / 6 / 56

HEX #71416A

RGB 113 65 106

HSL 308.75, 0.27%, 0.35%

LAB 34.66, 27.49, -15.13

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 42 / 42 / 0 / 56

HEX #414171

RGB 65 65 113

HSL 240, 0.27%, 0.35%

LAB 29.66, 13.3, -27.76

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 57 / 61 / 0 / 50

HEX #37327F

RGB 55 50 127

HSL 243.9, 0.44%, 0.35%

LAB 25.64, 25.47, -43.07

 

CMYK 70 / 75 / 0 / 44

HEX #2A248E

RGB 42 36 142

HSL 243.4, 0.6%, 0.35%

LAB 22.68, 37.42, -57.34

 

CMYK 81 / 87 / 0 / 39

HEX #1E159C

RGB 30 21 156

HSL 244, 0.76%, 0.35%

LAB 20.88, 48.66, -68.99

 

CMYK 90 / 96 / 0 / 33

HEX #1107AB

RGB 17 7 171

HSL 243.66, 0.92%, 0.35%

LAB 20.87, 57.02, -78.15

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 18 / 19 / 0 / 62

HEX #504F62

RGB 80 79 98

HSL 243.16, 0.11%, 0.35%

LAB 34.35, 4.87, -10.89

 

CMYK 1 / 0 / 11 / 63

HEX #5D5E54

RGB 93 94 84

HSL 66, 0.06%, 0.35%

LAB 39.53, -2.41, 5.6

 

CMYK 2 / 0 / 35 / 58

HEX #6A6C46

RGB 106 108 70

HSL 63.16, 0.21%, 0.35%

LAB 44.56, -7.38, 21.05

 

CMYK 3 / 0 / 55 / 52

HEX #767A37

RGB 118 122 55

HSL 63.58, 0.38%, 0.35%

LAB 49.55, -11.63, 35.66

 

CMYK 42 / 22 / 0 / 56

HEX #415871

RGB 65 88 113

HSL 211.25, 0.27%, 0.35%

LAB 36.55, -1.59, -17.01

 

CMYK 42 / 34 / 0 / 56

HEX #414B71

RGB 65 75 113

HSL 227.5, 0.27%, 0.35%

LAB 32.59, 6.7, -23.15

 

CMYK 41 / 42 / 0 / 56

HEX #434171

RGB 67 65 113

HSL 242.5, 0.27%, 0.35%

LAB 29.83, 13.89, -27.47

 

CMYK 29 / 42 / 0 / 56

HEX #504171

RGB 80 65 113

HSL 258.75, 0.27%, 0.35%

LAB 31.06, 17.89, -25.44

 

CMYK 18 / 42 / 0 / 56

HEX #5D4171

RGB 93 65 113

HSL 275, 0.27%, 0.35%

LAB 32.48, 22.14, -23.12

 

CMYK 40 / 42 / 0 / 76

HEX #24233C

RGB 36 35 60

HSL 242.4, 0.26%, 0.19%

LAB 14.97, 7.78, -15.9

 

CMYK 40 / 43 / 0 / 66

HEX #343257

RGB 52 50 87

HSL 243.24, 0.27%, 0.27%

LAB 22.65, 11.24, -22.08

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 40 / 42 / 0 / 45

HEX #53508B

RGB 83 80 139

HSL 243.05, 0.27%, 0.43%

LAB 36.82, 16.7, -32.48

 

CMYK 38 / 41 / 0 / 36

HEX #6560A4

RGB 101 96 164

HSL 244.41, 0.27%, 0.51%

LAB 43.96, 19.05, -36.09

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 0 / 42 / 11 / 56

HEX #714165

RGB 113 65 101

HSL 315, 0.27%, 0.35%

LAB 34.46, 26.53, -12.28

 

CMYK 27 / 0 / 42 / 56

HEX #527141

RGB 82 113 65

HSL 98.75, 0.27%, 0.35%

LAB 44.21, -20.86, 23.1

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 0 / 41 / 42 / 56

HEX #714341

RGB 113 67 65

HSL 2.5, 0.27%, 0.35%

LAB 33.79, 19.63, 9.68

 

CMYK 42 / 0 / 41 / 56

HEX #417143

RGB 65 113 67

HSL 122.5, 0.27%, 0.35%

LAB 43.27, -26.75, 20.55

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 0 / 42 / 11 / 56

HEX #714165

RGB 113 65 101

HSL 315, 0.27%, 0.35%

LAB 34.46, 26.53, -12.28

 

CMYK 3 / 0 / 42 / 56

HEX #6E7141

RGB 110 113 65

HSL 63.75, 0.27%, 0.35%

LAB 46.32, -9.11, 26.22

 

CMYK 42 / 0 / 32 / 56

HEX #41714D

RGB 65 113 77

HSL 135, 0.27%, 0.35%

LAB 43.46, -24.88, 15

 

CMYK 40 / 42 / 0 / 56

HEX #444171

RGB 68 65 113

HSL 243.75, 0.27%, 0.35%

LAB 29.92, 14.18, -27.33

 

CMYK 0 / 42 / 24 / 56

HEX #714156

RGB 113 65 86

HSL 333.75, 0.27%, 0.35%

LAB 33.91, 23.88, -3.57

 

CMYK 3 / 0 / 42 / 56

HEX #6E7141

RGB 110 113 65

HSL 63.75, 0.27%, 0.35%

LAB 46.32, -9.11, 26.22

 

CMYK 42 / 0 / 19 / 56

HEX #41715B

RGB 65 113 91

HSL 152.5, 0.27%, 0.35%

LAB 43.78, -21.86, 7.15

 

Description

Color code: HEX #444171 | qconv.com Color code: HEX #444171 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 65 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 65 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 42 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 42% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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