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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44419F it is the complementary color #BBBE60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44419F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44419F shade: #49419A, #5A53AD, #6B65C0, #7C77D3 and #8D89E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44419F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44419F shade: #44419F, #332F8C, #221D79, #110B66 and #000053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44419F shade: #44419F, #5D419F, #76419F, #90419F and #9F4194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44419F shade: #44419F and #41419F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44419F shade matches the following richer shades: #44419F, #332EB1, #221CC3 and #110AD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44419F shade: #44419F, #55538D, #66657B, #777768 and #888956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44419F shade: #41719F, #41589F, #42419F, #5B419F and #74419F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44419F shade: #2B2964, #373582, #44419F, #5451B8 and #716EC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44419F shade: #44419F, #9F418A and #659F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44419F shade: #44419F, #9F4241 and #419F42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44419F shade: #44419F, #9F418A, #9D9F41 and #419F55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44419F shade: #44419F, #9F416E, #9D9F41 and #419F71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

Complementary color

CMYK 2 / 0 / 49 / 25

HEX #BBBE60

RGB 187 190 96

HSL 61.91, 0.42%, 0.56%

LAB 74.97, -14.28, 46.65

 

CMYK 53 / 58 / 0 / 40

HEX #49419A

RGB 73 65 154

HSL 245.39, 0.41%, 0.43%

LAB 32.98, 28.55, -47.78

 

CMYK 48 / 52 / 0 / 32

HEX #5A53AD

RGB 90 83 173

HSL 244.67, 0.35%, 0.5%

LAB 40.21, 27.03, -47.45

 

CMYK 44 / 47 / 0 / 25

HEX #6B65C0

RGB 107 101 192

HSL 243.96, 0.42%, 0.57%

LAB 47.29, 25.75, -47.15

 

CMYK 41 / 44 / 0 / 17

HEX #7C77D3

RGB 124 119 211

HSL 243.26, 0.51%, 0.65%

LAB 54.22, 24.66, -46.9

 

CMYK 39 / 40 / 0 / 10

HEX #8D89E6

RGB 141 137 230

HSL 242.58, 0.65%, 0.72%

LAB 61.02, 23.71, -46.71

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 64 / 66 / 0 / 45

HEX #332F8C

RGB 51 47 140

HSL 242.58, 0.5%, 0.37%

LAB 25.65, 31.18, -51.19

 

CMYK 72 / 76 / 0 / 53

HEX #221D79

RGB 34 29 121

HSL 243.26, 0.61%, 0.29%

LAB 18.36, 33.44, -51.23

 

CMYK 83 / 89 / 0 / 60

HEX #110B66

RGB 17 11 102

HSL 243.96, 0.81%, 0.22%

LAB 11.4, 35.38, -50.43

 

CMYK 100 / 100 / 0 / 67

HEX #000053

RGB 0 0 83

HSL 240, 1%, 0.16%

LAB 5.64, 33.82, -47.22

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 42 / 59 / 0 / 38

HEX #5D419F

RGB 93 65 159

HSL 257.87, 0.42%, 0.44%

LAB 35.22, 34.57, -47.1

 

CMYK 26 / 59 / 0 / 38

HEX #76419F

RGB 118 65 159

HSL 273.83, 0.42%, 0.44%

LAB 38.08, 40.75, -42.35

 

CMYK 9 / 59 / 0 / 38

HEX #90419F

RGB 144 65 159

HSL 290.43, 0.42%, 0.44%

LAB 41.55, 47.58, -36.62

 

CMYK 0 / 59 / 7 / 38

HEX #9F4194

RGB 159 65 148

HSL 307.02, 0.42%, 0.44%

LAB 43.2, 49.65, -27.27

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 59 / 59 / 0 / 38

HEX #41419F

RGB 65 65 159

HSL 240, 0.42%, 0.44%

LAB 32.72, 28.61, -51.27

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 71 / 74 / 0 / 31

HEX #332EB1

RGB 51 46 177

HSL 242.29, 0.59%, 0.44%

LAB 28.98, 44.31, -68.23

 

CMYK 83 / 86 / 0 / 24

HEX #221CC3

RGB 34 28 195

HSL 242.16, 0.75%, 0.44%

LAB 27.05, 57.56, -82.15

 

CMYK 92 / 95 / 0 / 16

HEX #110AD5

RGB 17 10 213

HSL 242.07, 0.91%, 0.44%

LAB 27.13, 67.34, -92.55

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 40 / 41 / 0 / 45

HEX #55538D

RGB 85 83 141

HSL 242.07, 0.26%, 0.44%

LAB 37.92, 15.96, -31.95

 

CMYK 17 / 18 / 0 / 52

HEX #66657B

RGB 102 101 123

HSL 242.73, 0.1%, 0.44%

LAB 43.6, 5.32, -12.12

 

CMYK 0 / 0 / 13 / 53

HEX #777768

RGB 119 119 104

HSL 60, 0.07%, 0.44%

LAB 49.64, -2.85, 8.26

 

CMYK 1 / 0 / 37 / 46

HEX #888956

RGB 136 137 86

HSL 61.18, 0.23%, 0.44%

LAB 55.88, -8.64, 27.25

 

CMYK 59 / 29 / 0 / 38

HEX #41719F

RGB 65 113 159

HSL 209.36, 0.42%, 0.44%

LAB 46.23, -2.02, -29.75

 

CMYK 59 / 45 / 0 / 38

HEX #41589F

RGB 65 88 159

HSL 225.32, 0.42%, 0.44%

LAB 38.91, 13.65, -41.31

 

CMYK 58 / 59 / 0 / 38

HEX #42419F

RGB 66 65 159

HSL 240.64, 0.42%, 0.44%

LAB 32.79, 28.8, -51.15

 

CMYK 43 / 59 / 0 / 38

HEX #5B419F

RGB 91 65 159

HSL 256.6, 0.42%, 0.44%

LAB 35.02, 34.11, -47.44

 

CMYK 27 / 59 / 0 / 38

HEX #74419F

RGB 116 65 159

HSL 272.55, 0.42%, 0.44%

LAB 37.84, 40.24, -42.76

 

CMYK 57 / 59 / 0 / 61

HEX #2B2964

RGB 43 41 100

HSL 242.03, 0.42%, 0.28%

LAB 20.12, 19.51, -34.73

 

CMYK 58 / 59 / 0 / 49

HEX #373582

RGB 55 53 130

HSL 241.56, 0.42%, 0.36%

LAB 26.65, 24.52, -43.32

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 54 / 56 / 0 / 28

HEX #5451B8

RGB 84 81 184

HSL 241.75, 0.42%, 0.52%

LAB 39.97, 30.46, -54.35

 

CMYK 42 / 44 / 0 / 23

HEX #716EC4

RGB 113 110 196

HSL 242.09, 0.42%, 0.6%

LAB 50.27, 22.95, -44.67

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 0 / 59 / 13 / 38

HEX #9F418A

RGB 159 65 138

HSL 313.4, 0.42%, 0.44%

LAB 42.74, 47.99, -21.93

 

CMYK 36 / 0 / 59 / 38

HEX #659F41

RGB 101 159 65

HSL 97.02, 0.42%, 0.44%

LAB 59.84, -35.99, 42.34

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 0 / 58 / 59 / 38

HEX #9F4241

RGB 159 66 65

HSL 0.64, 0.42%, 0.44%

LAB 40.65, 38.62, 20.15

 

CMYK 59 / 0 / 58 / 38

HEX #419F42

RGB 65 159 66

HSL 120.64, 0.42%, 0.44%

LAB 58.33, -46.87, 39.73

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 0 / 59 / 13 / 38

HEX #9F418A

RGB 159 65 138

HSL 313.4, 0.42%, 0.44%

LAB 42.74, 47.99, -21.93

 

CMYK 1 / 0 / 59 / 38

HEX #9D9F41

RGB 157 159 65

HSL 61.28, 0.42%, 0.44%

LAB 63.63, -13.5, 47.64

 

CMYK 59 / 0 / 47 / 38

HEX #419F55

RGB 65 159 85

HSL 132.77, 0.42%, 0.44%

LAB 58.58, -44.14, 30.43

 

CMYK 57 / 59 / 0 / 38

HEX #44419F

RGB 68 65 159

HSL 241.91, 0.42%, 0.44%

LAB 32.95, 29.18, -50.89

 

CMYK 0 / 59 / 31 / 38

HEX #9F416E

RGB 159 65 110

HSL 331.28, 0.42%, 0.44%

LAB 41.65, 43.86, -6.4

 

CMYK 1 / 0 / 59 / 38

HEX #9D9F41

RGB 157 159 65

HSL 61.28, 0.42%, 0.44%

LAB 63.63, -13.5, 47.64

 

CMYK 59 / 0 / 29 / 38

HEX #419F71

RGB 65 159 113

HSL 150.64, 0.42%, 0.44%

LAB 59.08, -38.85, 15.89

 

Description

Color code: HEX #44419F | qconv.com Color code: HEX #44419F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 65 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 65 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 59 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 59% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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