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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44556D it is the complementary color #BBAA92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44556D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44556D shade: #495568, #5A677B, #6B798E, #7C8BA1 and #8D9DB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44556D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44556D shade: #44556D, #33435A, #223147, #111F34 and #000D21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44556D shade: #44556D, #444A6D, #49446D, #54446D and #5F446D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44556D shade: #44556D, #444A6D and #44446D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44556D shade matches the following richer shades: #44556D, #36537C, #27508A, #194E99 and #0A4BA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44556D shade: #44556D, #53585F, #615A50, #705D42 and #7E5F34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44556D shade: #446B6D, #44606D, #44556D, #444A6D and #49446D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44556D shade: #242E3B, #344154, #44556D, #546987 and #657D9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44556D shade: #44556D, #64446D and #666D44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44556D shade: #44556D, #6D4455 and #556D44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44556D shade: #44556D, #64446D, #6D5C44 and #4D6D44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44556D shade: #44556D, #6D446A, #6D5C44 and #446D48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

Complementary color

CMYK 0 / 9 / 22 / 27

HEX #BBAA92

RGB 187 170 146

HSL 35.12, 0.23%, 0.65%

LAB 70.45, 2.25, 14.61

 

CMYK 30 / 18 / 0 / 59

HEX #495568

RGB 73 85 104

HSL 216.77, 0.18%, 0.35%

LAB 35.82, 0.21, -12.49

 

CMYK 27 / 16 / 0 / 52

HEX #5A677B

RGB 90 103 123

HSL 216.36, 0.15%, 0.42%

LAB 43.22, -0.02, -12.79

 

CMYK 25 / 15 / 0 / 44

HEX #6B798E

RGB 107 121 142

HSL 216, 0.14%, 0.49%

LAB 50.4, -0.22, -13.12

 

CMYK 23 / 14 / 0 / 37

HEX #7C8BA1

RGB 124 139 161

HSL 215.68, 0.16%, 0.56%

LAB 57.39, -0.4, -13.46

 

CMYK 22 / 13 / 0 / 29

HEX #8D9DB4

RGB 141 157 180

HSL 215.38, 0.21%, 0.63%

LAB 64.22, -0.57, -13.82

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 43 / 26 / 0 / 65

HEX #33435A

RGB 51 67 90

HSL 215.38, 0.28%, 0.28%

LAB 28, 0.39, -15.71

 

CMYK 52 / 31 / 0 / 72

HEX #223147

RGB 34 49 71

HSL 215.68, 0.35%, 0.21%

LAB 20.01, 0.94, -15.62

 

CMYK 67 / 40 / 0 / 80

HEX #111F34

RGB 17 31 52

HSL 216, 0.51%, 0.14%

LAB 11.6, 1.85, -15.63

 

CMYK 100 / 61 / 0 / 87

HEX #000D21

RGB 0 13 33

HSL 216.36, 1%, 0.06%

LAB 3.59, 1.66, -14.1

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 38 / 32 / 0 / 57

HEX #444A6D

RGB 68 74 109

HSL 231.22, 0.23%, 0.35%

LAB 32.33, 7.04, -21.03

HEX #444A6D

CMYK 33 / 38 / 0 / 57

HEX #49446D

RGB 73 68 109

HSL 247.32, 0.23%, 0.35%

LAB 31.01, 12.55, -23.05

HEX #49446D

CMYK 23 / 38 / 0 / 57

HEX #54446D

RGB 84 68 109

HSL 263.41, 0.23%, 0.35%

LAB 32.09, 16.19, -21.29

HEX #54446D

CMYK 13 / 38 / 0 / 57

HEX #5F446D

RGB 95 68 109

HSL 279.51, 0.23%, 0.35%

LAB 33.29, 19.97, -19.33

HEX #5F446D

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 38 / 32 / 0 / 57

HEX #444A6D

RGB 68 74 109

HSL 231.22, 0.23%, 0.35%

LAB 32.33, 7.04, -21.03

HEX #444A6D

CMYK 38 / 38 / 0 / 57

HEX #44446D

RGB 68 68 109

HSL 240, 0.23%, 0.35%

LAB 30.56, 10.97, -23.78

HEX #44446D

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 56 / 33 / 0 / 51

HEX #36537C

RGB 54 83 124

HSL 215.14, 0.39%, 0.35%

LAB 34.85, 2.2, -26.5

 

CMYK 72 / 42 / 0 / 46

HEX #27508A

RGB 39 80 138

HSL 215.15, 0.56%, 0.35%

LAB 33.99, 6.29, -36.53

 

CMYK 84 / 49 / 0 / 40

HEX #194E99

RGB 25 78 153

HSL 215.16, 0.72%, 0.35%

LAB 33.89, 11.8, -45.84

 

CMYK 94 / 55 / 0 / 35

HEX #0A4BA7

RGB 10 75 167

HSL 215.16, 0.89%, 0.35%

LAB 33.75, 18.56, -54.52

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 13 / 7 / 0 / 63

HEX #53585F

RGB 83 88 95

HSL 215, 0.07%, 0.35%

LAB 37.2, -0.37, -4.72

 

CMYK 0 / 7 / 18 / 62

HEX #615A50

RGB 97 90 80

HSL 35.29, 0.1%, 0.35%

LAB 38.61, 0.93, 6.79

 

CMYK 0 / 17 / 41 / 56

HEX #705D42

RGB 112 93 66

HSL 35.22, 0.26%, 0.35%

LAB 40.68, 3.55, 18.39

 

CMYK 0 / 25 / 59 / 51

HEX #7E5F34

RGB 126 95 52

HSL 34.86, 0.42%, 0.35%

LAB 42.56, 7.26, 29.21

 

CMYK 38 / 2 / 0 / 57

HEX #446B6D

RGB 68 107 109

HSL 182.93, 0.23%, 0.35%

LAB 42.53, -13.14, -5.49

 

CMYK 38 / 12 / 0 / 57

HEX #44606D

RGB 68 96 109

HSL 199.02, 0.23%, 0.35%

LAB 39.07, -6.74, -10.69

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 38 / 32 / 0 / 57

HEX #444A6D

RGB 68 74 109

HSL 231.22, 0.23%, 0.35%

LAB 32.33, 7.04, -21.03

HEX #444A6D

CMYK 33 / 38 / 0 / 57

HEX #49446D

RGB 73 68 109

HSL 247.32, 0.23%, 0.35%

LAB 31.01, 12.55, -23.05

HEX #49446D

CMYK 39 / 22 / 0 / 77

HEX #242E3B

RGB 36 46 59

HSL 213.91, 0.24%, 0.19%

LAB 18.56, -0.39, -9.65

 

CMYK 38 / 23 / 0 / 67

HEX #344154

RGB 52 65 84

HSL 215.63, 0.24%, 0.27%

LAB 27.16, 0.14, -13.1

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 38 / 22 / 0 / 47

HEX #546987

RGB 84 105 135

HSL 215.29, 0.23%, 0.43%

LAB 43.85, 0.16, -19.08

 

CMYK 36 / 21 / 0 / 38

HEX #657D9F

RGB 101 125 159

HSL 215.17, 0.23%, 0.51%

LAB 51.77, 0.05, -21.01

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 8 / 38 / 0 / 57

HEX #64446D

RGB 100 68 109

HSL 286.83, 0.23%, 0.35%

LAB 33.87, 21.72, -18.37

 

CMYK 6 / 0 / 38 / 57

HEX #666D44

RGB 102 109 68

HSL 70.24, 0.23%, 0.35%

LAB 44.49, -9.96, 22.04

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 0 / 38 / 22 / 57

HEX #6D4455

RGB 109 68 85

HSL 335.12, 0.23%, 0.35%

LAB 34.07, 20.33, -2.75

 

CMYK 22 / 0 / 38 / 57

HEX #556D44

RGB 85 109 68

HSL 95.12, 0.23%, 0.35%

LAB 43.19, -17.08, 20.1

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 8 / 38 / 0 / 57

HEX #64446D

RGB 100 68 109

HSL 286.83, 0.23%, 0.35%

LAB 33.87, 21.72, -18.37

 

CMYK 0 / 16 / 38 / 57

HEX #6D5C44

RGB 109 92 68

HSL 35.12, 0.23%, 0.35%

LAB 40.12, 3.07, 16.39

 

CMYK 29 / 0 / 38 / 57

HEX #4D6D44

RGB 77 109 68

HSL 106.83, 0.23%, 0.35%

LAB 42.66, -20.22, 19.3

 

CMYK 38 / 22 / 0 / 57

HEX #44556D

RGB 68 85 109

HSL 215.12, 0.23%, 0.35%

LAB 35.66, -0, -15.88

 

CMYK 0 / 38 / 3 / 57

HEX #6D446A

RGB 109 68 106

HSL 304.39, 0.23%, 0.35%

LAB 34.85, 24.28, -14.88

 

CMYK 0 / 16 / 38 / 57

HEX #6D5C44

RGB 109 92 68

HSL 35.12, 0.23%, 0.35%

LAB 40.12, 3.07, 16.39

 

CMYK 38 / 0 / 34 / 57

HEX #446D48

RGB 68 109 72

HSL 125.85, 0.23%, 0.35%

LAB 42.21, -22.81, 16.26

 

Description

Color code: HEX #44556D | qconv.com Color code: HEX #44556D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 85 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 85 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 22 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 22% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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