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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4458B3 it is the complementary color #BBA74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4458B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4458B3 shade: #4958AE, #5A6AC1, #6B7CD4, #7C8EE7 and #8DA0FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4458B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4458B3 shade: #4458B3, #3346A0, #22348D, #11227A and #001067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4458B3 shade: #4357B1, #4D43B1, #6A43B1, #8843B1 and #A643B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4458B3 shade: #4357B1 and #4343B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4458B3 shade matches the following richer shades: #4357B1, #2F4AC5, #1B3DD9 and #0731EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4458B3 shade: #4357B1, #57639D, #6A7089, #7E7D76 and #928962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4458B3 shade: #4392B1, #4374B1, #4357B1, #4C43B1 and #6943B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4458B3 shade: #2C3975, #374893, #4357B1, #5C6EC1 and #7A89CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4458B3 shade: #4458B3, #B143AF and #83B143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4458B3 shade: #4458B3, #B14357 and #57B143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4458B3 shade: #4458B3, #B143AF, #B19D43 and #43B145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4458B3 shade: #4458B3, #B1438E, #B19D43 and #43B166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 51 / 0 / 30

HEX #4458B3

RGB 68 88 179

HSL 229.19, 0.45%, 0.48%

LAB 40.35, 21.24, -50.85

 

Complementary color

CMYK 0 / 11 / 59 / 27

HEX #BBA74C

RGB 187 167 76

HSL 49.19, 0.45%, 0.52%

LAB 68.55, -3.97, 48.74

 

CMYK 58 / 49 / 0 / 32

HEX #4958AE

RGB 73 88 174

HSL 231.09, 0.41%, 0.48%

LAB 40.33, 20.48, -47.91

 

CMYK 53 / 45 / 0 / 24

HEX #5A6AC1

RGB 90 106 193

HSL 230.68, 0.45%, 0.55%

LAB 47.41, 19.03, -47.61

 

CMYK 50 / 42 / 0 / 17

HEX #6B7CD4

RGB 107 124 212

HSL 230.29, 0.55%, 0.63%

LAB 54.34, 17.84, -47.36

 

CMYK 46 / 39 / 0 / 9

HEX #7C8EE7

RGB 124 142 231

HSL 229.91, 0.69%, 0.7%

LAB 61.13, 16.84, -47.16

 

CMYK 44 / 36 / 0 / 2

HEX #8DA0FA

RGB 141 160 250

HSL 229.54, 0.92%, 0.77%

LAB 67.8, 15.99, -47

 

CMYK 62 / 51 / 0 / 30

HEX #4458B3

RGB 68 88 179

HSL 229.19, 0.45%, 0.48%

LAB 40.35, 21.24, -50.85

 

CMYK 68 / 56 / 0 / 37

HEX #3346A0

RGB 51 70 160

HSL 229.54, 0.52%, 0.41%

LAB 33.18, 23.26, -51.16

 

CMYK 76 / 63 / 0 / 45

HEX #22348D

RGB 34 52 141

HSL 229.91, 0.61%, 0.34%

LAB 25.92, 25.81, -51.42

 

CMYK 86 / 72 / 0 / 52

HEX #11227A

RGB 17 34 122

HSL 230.29, 0.76%, 0.27%

LAB 18.66, 28.97, -51.41

 

CMYK 100 / 84 / 0 / 60

HEX #001067

RGB 0 16 103

HSL 230.68, 1%, 0.2%

LAB 11.62, 32.25, -50.74

 

CMYK 62 / 51 / 0 / 31

HEX #4357B1

RGB 67 87 177

HSL 229.09, 0.45%, 0.48%

LAB 39.89, 21, -50.41

 

CMYK 56 / 62 / 0 / 31

HEX #4D43B1

RGB 77 67 177

HSL 245.45, 0.45%, 0.48%

LAB 35.53, 35.52, -57.43

 

CMYK 40 / 62 / 0 / 31

HEX #6A43B1

RGB 106 67 177

HSL 261.27, 0.45%, 0.48%

LAB 38.29, 41.41, -52.83

 

CMYK 23 / 62 / 0 / 31

HEX #8843B1

RGB 136 67 177

HSL 277.64, 0.45%, 0.48%

LAB 41.88, 48.39, -46.87

 

CMYK 6 / 62 / 0 / 31

HEX #A643B1

RGB 166 67 177

HSL 294, 0.45%, 0.48%

LAB 46.04, 55.79, -40

 

CMYK 62 / 51 / 0 / 31

HEX #4357B1

RGB 67 87 177

HSL 229.09, 0.45%, 0.48%

LAB 39.89, 21, -50.41

 

CMYK 62 / 62 / 0 / 31

HEX #4343B1

RGB 67 67 177

HSL 240, 0.45%, 0.48%

LAB 34.77, 33.8, -58.71

 

CMYK 62 / 51 / 0 / 31

HEX #4357B1

RGB 67 87 177

HSL 229.09, 0.45%, 0.48%

LAB 39.89, 21, -50.41

 

CMYK 76 / 62 / 0 / 23

HEX #2F4AC5

RGB 47 74 197

HSL 229.2, 0.61%, 0.48%

LAB 36.99, 33.74, -66.89

 

CMYK 88 / 72 / 0 / 15

HEX #1B3DD9

RGB 27 61 217

HSL 229.26, 0.78%, 0.48%

LAB 35.16, 47.52, -81.5

 

CMYK 97 / 79 / 0 / 7

HEX #0731EC

RGB 7 49 236

HSL 229, 0.94%, 0.48%

LAB 34.6, 59.86, -93.31

 

CMYK 62 / 51 / 0 / 31

HEX #4357B1

RGB 67 87 177

HSL 229.09, 0.45%, 0.48%

LAB 39.89, 21, -50.41

 

CMYK 45 / 37 / 0 / 38

HEX #57639D

RGB 87 99 157

HSL 229.71, 0.29%, 0.48%

LAB 43.34, 11.27, -33.01

 

CMYK 23 / 18 / 0 / 46

HEX #6A7089

RGB 106 112 137

HSL 228.39, 0.13%, 0.48%

LAB 47.57, 3.52, -14.45

 

CMYK 0 / 1 / 6 / 51

HEX #7E7D76

RGB 126 125 118

HSL 52.5, 0.03%, 0.48%

LAB 52.3, -0.97, 3.94

 

CMYK 0 / 6 / 33 / 43

HEX #928962

RGB 146 137 98

HSL 48.75, 0.2%, 0.48%

LAB 56.96, -2.9, 22.17

 

CMYK 62 / 18 / 0 / 31

HEX #4392B1

RGB 67 146 177

HSL 196.91, 0.45%, 0.48%

LAB 57, -14.67, -23.47

 

CMYK 62 / 34 / 0 / 31

HEX #4374B1

RGB 67 116 177

HSL 213.27, 0.45%, 0.48%

LAB 48.08, 2.69, -37.36

 

CMYK 62 / 51 / 0 / 31

HEX #4357B1

RGB 67 87 177

HSL 229.09, 0.45%, 0.48%

LAB 39.89, 21, -50.41

 

CMYK 57 / 62 / 0 / 31

HEX #4C43B1

RGB 76 67 177

HSL 244.91, 0.45%, 0.48%

LAB 35.45, 35.34, -57.57

 

CMYK 41 / 62 / 0 / 31

HEX #6943B1

RGB 105 67 177

HSL 260.73, 0.45%, 0.48%

LAB 38.18, 41.19, -53.01

 

CMYK 62 / 51 / 0 / 54

HEX #2C3975

RGB 44 57 117

HSL 229.32, 0.45%, 0.32%

LAB 26, 14.83, -36.21

 

CMYK 63 / 51 / 0 / 42

HEX #374893

RGB 55 72 147

HSL 228.91, 0.46%, 0.4%

LAB 33.04, 17.88, -43.51

 

CMYK 62 / 51 / 0 / 31

HEX #4357B1

RGB 67 87 177

HSL 229.09, 0.45%, 0.48%

LAB 39.89, 21, -50.41

 

CMYK 52 / 43 / 0 / 24

HEX #5C6EC1

RGB 92 110 193

HSL 229.31, 0.45%, 0.56%

LAB 48.61, 16.99, -45.69

 

CMYK 40 / 33 / 0 / 20

HEX #7A89CC

RGB 122 137 204

HSL 229.02, 0.45%, 0.64%

LAB 58.4, 11.47, -36.37

 

CMYK 62 / 51 / 0 / 30

HEX #4458B3

RGB 68 88 179

HSL 229.19, 0.45%, 0.48%

LAB 40.35, 21.24, -50.85

 

CMYK 0 / 62 / 1 / 31

HEX #B143AF

RGB 177 67 175

HSL 301.09, 0.45%, 0.48%

LAB 47.57, 58.2, -36.29

 

CMYK 26 / 0 / 62 / 31

HEX #83B143

RGB 131 177 67

HSL 85.09, 0.45%, 0.48%

LAB 67.03, -32.93, 49.97

 

CMYK 62 / 51 / 0 / 30

HEX #4458B3

RGB 68 88 179

HSL 229.19, 0.45%, 0.48%

LAB 40.35, 21.24, -50.85

 

CMYK 0 / 62 / 51 / 31

HEX #B14357

RGB 177 67 87

HSL 349.09, 0.45%, 0.48%

LAB 44.3, 46.41, 12.03

 

CMYK 51 / 0 / 62 / 31

HEX #57B143

RGB 87 177 67

HSL 109.09, 0.45%, 0.48%

LAB 64.86, -47.89, 46.96

 

CMYK 62 / 51 / 0 / 30

HEX #4458B3

RGB 68 88 179

HSL 229.19, 0.45%, 0.48%

LAB 40.35, 21.24, -50.85

 

CMYK 0 / 62 / 1 / 31

HEX #B143AF

RGB 177 67 175

HSL 301.09, 0.45%, 0.48%

LAB 47.57, 58.2, -36.29

 

CMYK 0 / 11 / 62 / 31

HEX #B19D43

RGB 177 157 67

HSL 49.09, 0.45%, 0.48%

LAB 64.86, -3.6, 48.57

 

CMYK 62 / 0 / 61 / 31

HEX #43B145

RGB 67 177 69

HSL 121.09, 0.45%, 0.48%

LAB 64.22, -52.83, 45.14

 

CMYK 62 / 51 / 0 / 30

HEX #4458B3

RGB 68 88 179

HSL 229.19, 0.45%, 0.48%

LAB 40.35, 21.24, -50.85

 

CMYK 0 / 62 / 20 / 31

HEX #B1438E

RGB 177 67 142

HSL 319.09, 0.45%, 0.48%

LAB 46.06, 52.94, -19

 

CMYK 0 / 11 / 62 / 31

HEX #B19D43

RGB 177 157 67

HSL 49.09, 0.45%, 0.48%

LAB 64.86, -3.6, 48.57

 

CMYK 62 / 0 / 42 / 31

HEX #43B166

RGB 67 177 102

HSL 139.09, 0.45%, 0.48%

LAB 64.64, -48.06, 29.32

 

Description

Color code: HEX #4458B3 | qconv.com Color code: HEX #4458B3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 88 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 88 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 51 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 51% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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