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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44591B it is the complementary color #BBA6E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44591B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44591B shade: #495916, #5A6B29, #6B7D3C, #7C8F4F and #8DA162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44591B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44591B shade: #44591B, #334708, #223500, #112300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44591B shade: #44591B, #55591B, #594D1B, #593C1B and #592B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44591B shade: #44591B, #33591B, #23591B, #1B5924 and #1B5935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44591B shade matches the following richer shades: #44591B, #476312 and #4A6C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44591B shade: #44591B, #415025, #3E462E, #3B3D38 and #383341

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44591B shade: #594D1B, #55591B, #45591B, #34591B and #23591B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44591B shade: #141A08, #2C3A11, #44591B, #5C7925 and #74982E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44591B shade: #44591B, #1B593C and #551B59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44591B shade: #44591B, #1B4559 and #591B45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44591B shade: #44591B, #1B593C, #301B59 and #591B38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44591B shade: #44591B, #1B594F, #301B59 and #591B25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

Complementary color

CMYK 18 / 27 / 0 / 11

HEX #BBA6E4

RGB 187 166 228

HSL 260.32, 0.53%, 0.77%

LAB 71.85, 19.87, -28.43

 

CMYK 18 / 0 / 75 / 65

HEX #495916

RGB 73 89 22

HSL 74.33, 0.6%, 0.22%

LAB 35.24, -16.76, 34.86

 

CMYK 16 / 0 / 62 / 58

HEX #5A6B29

RGB 90 107 41

HSL 75.45, 0.45%, 0.29%

LAB 42.54, -17.26, 34.12

 

CMYK 14 / 0 / 52 / 51

HEX #6B7D3C

RGB 107 125 60

HSL 76.62, 0.35%, 0.36%

LAB 49.64, -17.54, 32.96

 

CMYK 13 / 0 / 45 / 44

HEX #7C8F4F

RGB 124 143 79

HSL 77.81, 0.29%, 0.44%

LAB 56.58, -17.72, 31.72

 

CMYK 12 / 0 / 39 / 37

HEX #8DA162

RGB 141 161 98

HSL 79.05, 0.25%, 0.51%

LAB 63.37, -17.82, 30.5

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 28 / 0 / 89 / 72

HEX #334708

RGB 51 71 8

HSL 79.05, 0.8%, 0.15%

LAB 27.37, -18.08, 32.27

 

CMYK 36 / 0 / 100 / 79

HEX #223500

RGB 34 53 0

HSL 81.51, 1%, 0.1%

LAB 19.58, -16.9, 27.25

 

CMYK 51 / 0 / 100 / 86

HEX #112300

RGB 17 35 0

HSL 90.86, 1%, 0.07%

LAB 11.42, -15.15, 16.67

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 4 / 0 / 70 / 65

HEX #55591B

RGB 85 89 27

HSL 63.87, 0.53%, 0.23%

LAB 36.28, -10.73, 34

 

CMYK 0 / 13 / 70 / 65

HEX #594D1B

RGB 89 77 27

HSL 48.39, 0.53%, 0.23%

LAB 32.94, -1.66, 30.59

 

CMYK 0 / 33 / 70 / 65

HEX #593C1B

RGB 89 60 27

HSL 31.94, 0.53%, 0.23%

LAB 27.94, 8.96, 25.06

 

CMYK 0 / 52 / 70 / 65

HEX #592B1B

RGB 89 43 27

HSL 15.48, 0.53%, 0.23%

LAB 23.44, 19.58, 19.82

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 43 / 0 / 70 / 65

HEX #33591B

RGB 51 89 27

HSL 96.77, 0.53%, 0.23%

LAB 33.83, -25.77, 30.66

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 70 / 0 / 60 / 65

HEX #1B5924

RGB 27 89 36

HSL 128.71, 0.53%, 0.23%

LAB 32.93, -32.16, 24.71

 

CMYK 70 / 0 / 40 / 65

HEX #1B5935

RGB 27 89 53

HSL 145.16, 0.53%, 0.23%

LAB 33.21, -29.02, 15.21

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 28 / 0 / 82 / 61

HEX #476312

RGB 71 99 18

HSL 80.74, 0.69%, 0.23%

LAB 38.39, -23.17, 39.43

 

CMYK 31 / 0 / 93 / 58

HEX #4A6C08

RGB 74 108 8

HSL 80.4, 0.86%, 0.23%

LAB 41.53, -26.77, 45.13

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 19 / 0 / 54 / 69

HEX #415025

RGB 65 80 37

HSL 80.93, 0.37%, 0.23%

LAB 31.79, -14, 23.25

 

CMYK 11 / 0 / 34 / 73

HEX #3E462E

RGB 62 70 46

HSL 80, 0.21%, 0.23%

LAB 28.38, -8.18, 13.42

 

CMYK 3 / 0 / 8 / 76

HEX #3B3D38

RGB 59 61 56

HSL 84, 0.04%, 0.23%

LAB 25.42, -1.96, 2.79

 

CMYK 14 / 22 / 0 / 75

HEX #383341

RGB 56 51 65

HSL 261.43, 0.12%, 0.23%

LAB 22.27, 5.56, -7.93

 

CMYK 0 / 13 / 70 / 65

HEX #594D1B

RGB 89 77 27

HSL 48.39, 0.53%, 0.23%

LAB 32.94, -1.66, 30.59

 

CMYK 4 / 0 / 70 / 65

HEX #55591B

RGB 85 89 27

HSL 63.87, 0.53%, 0.23%

LAB 36.28, -10.73, 34

 

CMYK 22 / 0 / 70 / 65

HEX #45591B

RGB 69 89 27

HSL 79.35, 0.53%, 0.23%

LAB 34.98, -18.21, 32.24

 

CMYK 42 / 0 / 70 / 65

HEX #34591B

RGB 52 89 27

HSL 95.81, 0.53%, 0.23%

LAB 33.89, -25.38, 30.73

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 23 / 0 / 69 / 90

HEX #141A08

RGB 20 26 8

HSL 80, 0.53%, 0.07%

LAB 8.17, -6.49, 8.84

 

CMYK 24 / 0 / 71 / 77

HEX #2C3A11

RGB 44 58 17

HSL 80.49, 0.55%, 0.15%

LAB 22.31, -13.46, 23

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 24 / 0 / 69 / 53

HEX #5C7925

RGB 92 121 37

HSL 80.71, 0.53%, 0.31%

LAB 47.08, -24.01, 40.95

 

CMYK 24 / 0 / 70 / 40

HEX #74982E

RGB 116 152 46

HSL 80.38, 0.54%, 0.39%

LAB 58.38, -28.66, 49.38

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 70 / 0 / 33 / 65

HEX #1B593C

RGB 27 89 60

HSL 151.94, 0.53%, 0.23%

LAB 33.36, -27.43, 11.14

 

CMYK 4 / 70 / 0 / 65

HEX #551B59

RGB 85 27 89

HSL 296.13, 0.53%, 0.23%

LAB 21.71, 35.88, -24.61

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 70 / 22 / 0 / 65

HEX #1B4559

RGB 27 69 89

HSL 199.35, 0.53%, 0.23%

LAB 27.33, -7.45, -16.21

 

CMYK 0 / 70 / 22 / 65

HEX #591B45

RGB 89 27 69

HSL 319.35, 0.53%, 0.23%

LAB 21.35, 33.42, -11.63

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 70 / 0 / 33 / 65

HEX #1B593C

RGB 27 89 60

HSL 151.94, 0.53%, 0.23%

LAB 33.36, -27.43, 11.14

 

CMYK 46 / 70 / 0 / 65

HEX #301B59

RGB 48 27 89

HSL 260.32, 0.53%, 0.23%

LAB 16.17, 26.3, -33.8

 

CMYK 0 / 70 / 37 / 65

HEX #591B38

RGB 89 27 56

HSL 331.94, 0.53%, 0.23%

LAB 20.8, 31.49, -3.49

 

CMYK 24 / 0 / 70 / 65

HEX #44591B

RGB 68 89 27

HSL 80.32, 0.53%, 0.23%

LAB 34.91, -18.66, 32.14

 

CMYK 70 / 0 / 11 / 65

HEX #1B594F

RGB 27 89 79

HSL 170.32, 0.53%, 0.23%

LAB 33.86, -22.29, 0.01

 

CMYK 46 / 70 / 0 / 65

HEX #301B59

RGB 48 27 89

HSL 260.32, 0.53%, 0.23%

LAB 16.17, 26.3, -33.8

 

CMYK 0 / 70 / 58 / 65

HEX #591B25

RGB 89 27 37

HSL 350.32, 0.53%, 0.23%

LAB 20.21, 29.33, 8.95

 

Description

Color code: HEX #44591B | qconv.com Color code: HEX #44591B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 89 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 89 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 70 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 70% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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