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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #445B32 it is the complementary color #BBA4CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #445B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #445B32 shade: #495B2D, #5A6D40, #6B7F53, #7C9166 and #8DA379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #445B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #445B32 shade: #445B32, #33491F, #22370C, #112500 and #001300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #445B32 shade: #445C32, #505C32, #5B5C32, #5C5132 and #5C4632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #445B32 shade: #445C32, #395C32, #325C36, #325C42 and #325C4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #445B32 shade matches the following richer shades: #445C32, #436727, #42731B, #407E10 and #3F8A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #445B32 shade: #445C32, #46503E, #474549, #493955 and #4A2D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #445B32 shade: #5B5C32, #505C32, #455C32, #3A5C32 and #325C36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #445B32 shade: #1D2615, #304124, #445C32, #587641 and #6C914F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #445B32 shade: #445B32, #325C51 and #5C3255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #445B32 shade: #445B32, #32455C and #5C3245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #445B32 shade: #445B32, #325C51, #49325C and #5C323D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #445B32 shade: #445B32, #325A5C, #49325C and #5C3432

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 45 / 64

HEX #445B32

RGB 68 91 50

HSL 93.66, 0.29%, 0.28%

LAB 35.87, -17.03, 20.85

 

Complementary color

CMYK 9 / 20 / 0 / 20

HEX #BBA4CD

RGB 187 164 205

HSL 273.66, 0.29%, 0.72%

LAB 70.54, 16.06, -17.81

 

CMYK 20 / 0 / 51 / 64

HEX #495B2D

RGB 73 91 45

HSL 83.48, 0.34%, 0.27%

LAB 36.15, -15.59, 24.16

 

CMYK 17 / 0 / 41 / 57

HEX #5A6D40

RGB 90 109 64

HSL 85.33, 0.26%, 0.34%

LAB 43.48, -15.63, 22.84

 

CMYK 16 / 0 / 35 / 50

HEX #6B7F53

RGB 107 127 83

HSL 87.27, 0.21%, 0.41%

LAB 50.6, -15.61, 21.59

 

CMYK 14 / 0 / 30 / 43

HEX #7C9166

RGB 124 145 102

HSL 89.3, 0.17%, 0.48%

LAB 57.55, -15.56, 20.42

 

CMYK 13 / 0 / 26 / 36

HEX #8DA379

RGB 141 163 121

HSL 91.43, 0.19%, 0.56%

LAB 64.35, -15.52, 19.34

 

CMYK 25 / 0 / 45 / 64

HEX #445B32

RGB 68 91 50

HSL 93.66, 0.29%, 0.28%

LAB 35.87, -17.03, 20.85

 

CMYK 30 / 0 / 58 / 71

HEX #33491F

RGB 51 73 31

HSL 91.43, 0.4%, 0.2%

LAB 28.29, -17.08, 22.23

 

CMYK 38 / 0 / 78 / 78

HEX #22370C

RGB 34 55 12

HSL 89.3, 0.64%, 0.13%

LAB 20.44, -16.92, 23.28

 

CMYK 54 / 0 / 100 / 85

HEX #112500

RGB 17 37 0

HSL 92.43, 1%, 0.07%

LAB 12.24, -16.21, 17.79

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 26 / 0 / 46 / 64

HEX #445C32

RGB 68 92 50

HSL 94.29, 0.3%, 0.28%

LAB 36.2, -17.58, 21.27

 

CMYK 13 / 0 / 46 / 64

HEX #505C32

RGB 80 92 50

HSL 77.14, 0.3%, 0.28%

LAB 37.1, -12.41, 22.59

 

CMYK 1 / 0 / 46 / 64

HEX #5B5C32

RGB 91 92 50

HSL 61.43, 0.3%, 0.28%

LAB 38.04, -7.43, 23.97

 

CMYK 0 / 12 / 46 / 64

HEX #5C5132

RGB 92 81 50

HSL 44.29, 0.3%, 0.28%

LAB 34.78, -0.39, 19.88

 

CMYK 0 / 24 / 46 / 64

HEX #5C4632

RGB 92 70 50

HSL 28.57, 0.3%, 0.28%

LAB 31.55, 6.42, 15.67

 

CMYK 26 / 0 / 46 / 64

HEX #445C32

RGB 68 92 50

HSL 94.29, 0.3%, 0.28%

LAB 36.2, -17.58, 21.27

 

CMYK 38 / 0 / 46 / 64

HEX #395C32

RGB 57 92 50

HSL 110, 0.3%, 0.28%

LAB 35.51, -21.93, 20.24

 

CMYK 46 / 0 / 41 / 64

HEX #325C36

RGB 50 92 54

HSL 125.71, 0.3%, 0.28%

LAB 35.2, -23.75, 17.41

 

CMYK 46 / 0 / 28 / 64

HEX #325C42

RGB 50 92 66

HSL 142.86, 0.3%, 0.28%

LAB 35.45, -21.3, 10.48

 

CMYK 46 / 0 / 16 / 64

HEX #325C4D

RGB 50 92 77

HSL 158.57, 0.3%, 0.28%

LAB 35.73, -18.69, 4.08

 

CMYK 26 / 0 / 46 / 64

HEX #445C32

RGB 68 92 50

HSL 94.29, 0.3%, 0.28%

LAB 36.2, -17.58, 21.27

 

CMYK 35 / 0 / 62 / 60

HEX #436727

RGB 67 103 39

HSL 93.75, 0.45%, 0.28%

LAB 39.65, -25.11, 31.44

 

CMYK 43 / 0 / 77 / 55

HEX #42731B

RGB 66 115 27

HSL 93.41, 0.62%, 0.28%

LAB 43.51, -32.23, 40.94

 

CMYK 49 / 0 / 87 / 51

HEX #407E10

RGB 64 126 16

HSL 93.82, 0.77%, 0.28%

LAB 47.04, -38.31, 47.76

 

CMYK 54 / 0 / 97 / 46

HEX #3F8A04

RGB 63 138 4

HSL 93.58, 0.94%, 0.28%

LAB 50.97, -43.82, 53.48

 

CMYK 26 / 0 / 46 / 64

HEX #445C32

RGB 68 92 50

HSL 94.29, 0.3%, 0.28%

LAB 36.2, -17.58, 21.27

 

CMYK 13 / 0 / 23 / 69

HEX #46503E

RGB 70 80 62

HSL 93.33, 0.13%, 0.28%

LAB 32.67, -7.83, 9.31

 

CMYK 3 / 5 / 0 / 71

HEX #474549

RGB 71 69 73

HSL 270, 0.03%, 0.28%

LAB 29.61, 1.72, -2.11

 

CMYK 14 / 33 / 0 / 67

HEX #493955

RGB 73 57 85

HSL 274.29, 0.2%, 0.28%

LAB 26.73, 13.23, -14.25

 

CMYK 23 / 53 / 0 / 62

HEX #4A2D60

RGB 74 45 96

HSL 274.12, 0.36%, 0.28%

LAB 24.25, 24.19, -25.32

 

CMYK 1 / 0 / 46 / 64

HEX #5B5C32

RGB 91 92 50

HSL 61.43, 0.3%, 0.28%

LAB 38.04, -7.43, 23.97

 

CMYK 13 / 0 / 46 / 64

HEX #505C32

RGB 80 92 50

HSL 77.14, 0.3%, 0.28%

LAB 37.1, -12.41, 22.59

 

CMYK 25 / 0 / 46 / 64

HEX #455C32

RGB 69 92 50

HSL 92.86, 0.3%, 0.28%

LAB 36.27, -17.16, 21.37

 

CMYK 37 / 0 / 46 / 64

HEX #3A5C32

RGB 58 92 50

HSL 108.57, 0.3%, 0.28%

LAB 35.57, -21.56, 20.33

 

CMYK 46 / 0 / 41 / 64

HEX #325C36

RGB 50 92 54

HSL 125.71, 0.3%, 0.28%

LAB 35.2, -23.75, 17.41

 

CMYK 24 / 0 / 45 / 85

HEX #1D2615

RGB 29 38 21

HSL 91.76, 0.29%, 0.12%

LAB 13.84, -7.96, 10.02

 

CMYK 26 / 0 / 45 / 75

HEX #304124

RGB 48 65 36

HSL 95.17, 0.29%, 0.2%

LAB 25.37, -13.13, 15.53

 

CMYK 26 / 0 / 46 / 64

HEX #445C32

RGB 68 92 50

HSL 94.29, 0.3%, 0.28%

LAB 36.2, -17.58, 21.27

 

CMYK 25 / 0 / 45 / 54

HEX #587641

RGB 88 118 65

HSL 93.96, 0.29%, 0.36%

LAB 46.2, -21.09, 25.72

 

CMYK 26 / 0 / 46 / 43

HEX #6C914F

RGB 108 145 79

HSL 93.64, 0.29%, 0.44%

LAB 56.09, -25.1, 30.88

 

CMYK 25 / 0 / 45 / 64

HEX #445B32

RGB 68 91 50

HSL 93.66, 0.29%, 0.28%

LAB 35.87, -17.03, 20.85

 

CMYK 46 / 0 / 12 / 64

HEX #325C51

RGB 50 92 81

HSL 164.29, 0.3%, 0.28%

LAB 35.84, -17.66, 1.75

 

CMYK 0 / 46 / 8 / 64

HEX #5C3255

RGB 92 50 85

HSL 310, 0.3%, 0.28%

LAB 27.33, 24.73, -13.12

 

CMYK 25 / 0 / 45 / 64

HEX #445B32

RGB 68 91 50

HSL 93.66, 0.29%, 0.28%

LAB 35.87, -17.03, 20.85

 

CMYK 46 / 25 / 0 / 64

HEX #32455C

RGB 50 69 92

HSL 212.86, 0.3%, 0.28%

LAB 28.66, -0.58, -15.99

 

CMYK 0 / 46 / 25 / 64

HEX #5C3245

RGB 92 50 69

HSL 332.86, 0.3%, 0.28%

LAB 26.7, 21.78, -3.51

 

CMYK 25 / 0 / 45 / 64

HEX #445B32

RGB 68 91 50

HSL 93.66, 0.29%, 0.28%

LAB 35.87, -17.03, 20.85

 

CMYK 46 / 0 / 12 / 64

HEX #325C51

RGB 50 92 81

HSL 164.29, 0.3%, 0.28%

LAB 35.84, -17.66, 1.75

 

CMYK 21 / 46 / 0 / 64

HEX #49325C

RGB 73 50 92

HSL 272.86, 0.3%, 0.28%

LAB 25.17, 19.62, -21.26

 

CMYK 0 / 46 / 34 / 64

HEX #5C323D

RGB 92 50 61

HSL 344.29, 0.3%, 0.28%

LAB 26.43, 20.5, 1.43

 

CMYK 25 / 0 / 45 / 64

HEX #445B32

RGB 68 91 50

HSL 93.66, 0.29%, 0.28%

LAB 35.87, -17.03, 20.85

 

CMYK 46 / 2 / 0 / 64

HEX #325A5C

RGB 50 90 92

HSL 182.86, 0.3%, 0.28%

LAB 35.52, -13.47, -5.57

 

CMYK 21 / 46 / 0 / 64

HEX #49325C

RGB 73 50 92

HSL 272.86, 0.3%, 0.28%

LAB 25.17, 19.62, -21.26

 

CMYK 0 / 43 / 46 / 64

HEX #5C3432

RGB 92 52 50

HSL 2.86, 0.3%, 0.28%

LAB 26.63, 17.73, 9.02

 

Description

Color code: HEX #445B32 | qconv.com Color code: HEX #445B32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 91 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 91 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 45 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 45% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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