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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #446264 it is the complementary color #BB9D9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #446264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #446264 shade: #49625F, #5A7472, #6B8685, #7C9898 and #8DAAAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #446264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #446264 shade: #446264, #335051, #223E3E, #112C2B and #001A18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #446264 shade: #446264, #445964, #445064, #444864 and #484464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #446264 shade: #446264, #445964, #445064, #444864 and #444464

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #446264 shade matches the following richer shades: #446264, #366E71, #28797F, #1B858C and #0D919A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #446264 shade: #446264, #515656, #5F4A48, #6D3E3B and #7A322D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #446264 shade: #446454, #44645D, #446264, #445A64 and #445164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #446264 shade: #223233, #334A4B, #446264, #547A7C and #659295

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #446264 shade: #446264, #4C4464 and #645844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #446264 shade: #446264, #644462 and #626444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #446264 shade: #446264, #4C4464, #644544 and #5C6444

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #446264 shade: #446264, #554464, #644544 and #526444

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

Complementary color

CMYK 0 / 16 / 17 / 27

HEX #BB9D9B

RGB 187 157 155

HSL 3.75, 0.19%, 0.67%

LAB 67.31, 10.75, 5.17

 

CMYK 26 / 0 / 3 / 62

HEX #49625F

RGB 73 98 95

HSL 172.8, 0.15%, 0.34%

LAB 39.54, -10, -1.34

 

CMYK 22 / 0 / 2 / 55

HEX #5A7472

RGB 90 116 114

HSL 175.38, 0.13%, 0.4%

LAB 46.82, -9.89, -2.02

 

CMYK 20 / 0 / 1 / 47

HEX #6B8685

RGB 107 134 133

HSL 177.78, 0.11%, 0.47%

LAB 53.89, -9.8, -2.65

 

CMYK 18 / 0 / 0 / 40

HEX #7C9898

RGB 124 152 152

HSL 180, 0.12%, 0.54%

LAB 60.79, -9.74, -3.26

 

CMYK 18 / 1 / 0 / 33

HEX #8DAAAB

RGB 141 170 171

HSL 182, 0.15%, 0.61%

LAB 67.54, -9.7, -3.84

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 37 / 1 / 0 / 68

HEX #335051

RGB 51 80 81

HSL 182, 0.23%, 0.26%

LAB 31.89, -10.48, -4.04

 

CMYK 45 / 0 / 0 / 76

HEX #223E3E

RGB 34 62 62

HSL 180, 0.29%, 0.19%

LAB 24.11, -10.56, -3.34

 

CMYK 61 / 0 / 2 / 83

HEX #112C2B

RGB 17 44 43

HSL 177.78, 0.44%, 0.12%

LAB 15.98, -10.55, -2.51

 

CMYK 100 / 0 / 8 / 90

HEX #001A18

RGB 0 26 24

HSL 175.38, 1%, 0.05%

LAB 7.27, -9.45, -1.64

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 32 / 11 / 0 / 61

HEX #445964

RGB 68 89 100

HSL 200.63, 0.19%, 0.33%

LAB 36.54, -5.04, -8.93

 

CMYK 32 / 20 / 0 / 61

HEX #445064

RGB 68 80 100

HSL 217.5, 0.19%, 0.33%

LAB 33.75, 0.54, -13.17

 

CMYK 32 / 28 / 0 / 61

HEX #444864

RGB 68 72 100

HSL 232.5, 0.19%, 0.33%

LAB 31.31, 5.68, -16.91

 

CMYK 28 / 32 / 0 / 61

HEX #484464

RGB 72 68 100

HSL 247.5, 0.19%, 0.33%

LAB 30.48, 9.65, -18.16

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 32 / 11 / 0 / 61

HEX #445964

RGB 68 89 100

HSL 200.63, 0.19%, 0.33%

LAB 36.54, -5.04, -8.93

 

CMYK 32 / 20 / 0 / 61

HEX #445064

RGB 68 80 100

HSL 217.5, 0.19%, 0.33%

LAB 33.75, 0.54, -13.17

 

CMYK 32 / 28 / 0 / 61

HEX #444864

RGB 68 72 100

HSL 232.5, 0.19%, 0.33%

LAB 31.31, 5.68, -16.91

 

CMYK 32 / 32 / 0 / 61

HEX #444464

RGB 68 68 100

HSL 240, 0.19%, 0.33%

LAB 30.12, 8.29, -18.75

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 52 / 3 / 0 / 56

HEX #366E71

RGB 54 110 113

HSL 183.05, 0.35%, 0.33%

LAB 42.96, -17.47, -7.35

 

CMYK 69 / 5 / 0 / 50

HEX #28797F

RGB 40 121 127

HSL 184.14, 0.52%, 0.33%

LAB 46.52, -21.89, -10.43

 

CMYK 81 / 5 / 0 / 45

HEX #1B858C

RGB 27 133 140

HSL 183.72, 0.68%, 0.33%

LAB 50.57, -25.6, -12.02

 

CMYK 92 / 6 / 0 / 40

HEX #0D919A

RGB 13 145 154

HSL 183.83, 0.84%, 0.33%

LAB 54.73, -28.08, -13.87

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 6 / 0 / 0 / 66

HEX #515656

RGB 81 86 86

HSL 180, 0.03%, 0.33%

LAB 36.13, -1.98, -0.69

 

CMYK 0 / 22 / 24 / 63

HEX #5F4A48

RGB 95 74 72

HSL 5.22, 0.14%, 0.33%

LAB 33.56, 8.55, 4.58

 

CMYK 0 / 43 / 46 / 57

HEX #6D3E3B

RGB 109 62 59

HSL 3.6, 0.3%, 0.33%

LAB 31.83, 20.17, 10.73

 

CMYK 0 / 59 / 63 / 52

HEX #7A322D

RGB 122 50 45

HSL 3.9, 0.46%, 0.33%

LAB 30.9, 31.03, 18.82

 

CMYK 32 / 0 / 16 / 61

HEX #446454

RGB 68 100 84

HSL 150, 0.19%, 0.33%

LAB 39.55, -15.49, 5.37

 

CMYK 32 / 0 / 7 / 61

HEX #44645D

RGB 68 100 93

HSL 166.88, 0.19%, 0.33%

LAB 39.8, -13.34, 0.23

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 32 / 10 / 0 / 61

HEX #445A64

RGB 68 90 100

HSL 198.75, 0.19%, 0.33%

LAB 36.86, -5.65, -8.45

 

CMYK 32 / 19 / 0 / 61

HEX #445164

RGB 68 81 100

HSL 215.63, 0.19%, 0.33%

LAB 34.05, -0.09, -12.7

 

CMYK 33 / 2 / 0 / 80

HEX #223233

RGB 34 50 51

HSL 183.53, 0.2%, 0.17%

LAB 19.48, -6.27, -2.77

 

CMYK 32 / 1 / 0 / 71

HEX #334A4B

RGB 51 74 75

HSL 182.5, 0.19%, 0.25%

LAB 29.69, -8.53, -3.46

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 32 / 2 / 0 / 51

HEX #547A7C

RGB 84 122 124

HSL 183, 0.19%, 0.41%

LAB 48.58, -12.74, -5.38

 

CMYK 32 / 2 / 0 / 42

HEX #659295

RGB 101 146 149

HSL 183.75, 0.19%, 0.49%

LAB 57.55, -14.43, -6.49

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 24 / 32 / 0 / 61

HEX #4C4464

RGB 76 68 100

HSL 255, 0.19%, 0.33%

LAB 30.86, 11.03, -17.55

 

CMYK 0 / 12 / 32 / 61

HEX #645844

RGB 100 88 68

HSL 37.5, 0.19%, 0.33%

LAB 38.03, 1.47, 13.41

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 0 / 32 / 2 / 61

HEX #644462

RGB 100 68 98

HSL 303.75, 0.19%, 0.33%

LAB 33.4, 19.31, -12.14

 

CMYK 2 / 0 / 32 / 61

HEX #626444

RGB 98 100 68

HSL 63.75, 0.19%, 0.33%

LAB 41.42, -6.54, 17.94

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 24 / 32 / 0 / 61

HEX #4C4464

RGB 76 68 100

HSL 255, 0.19%, 0.33%

LAB 30.86, 11.03, -17.55

 

CMYK 0 / 31 / 32 / 61

HEX #644544

RGB 100 69 68

HSL 1.87, 0.19%, 0.33%

LAB 32.66, 13.2, 5.94

 

CMYK 8 / 0 / 32 / 61

HEX #5C6444

RGB 92 100 68

HSL 75, 0.19%, 0.33%

LAB 40.91, -9.14, 17.17

 

CMYK 32 / 2 / 0 / 61

HEX #446264

RGB 68 98 100

HSL 183.75, 0.19%, 0.33%

LAB 39.39, -10.4, -4.68

 

CMYK 15 / 32 / 0 / 61

HEX #554464

RGB 85 68 100

HSL 271.88, 0.19%, 0.33%

LAB 31.77, 14.23, -16.06

 

CMYK 0 / 31 / 32 / 61

HEX #644544

RGB 100 69 68

HSL 1.87, 0.19%, 0.33%

LAB 32.66, 13.2, 5.94

 

CMYK 18 / 0 / 32 / 61

HEX #526444

RGB 82 100 68

HSL 93.75, 0.19%, 0.33%

LAB 40.12, -13.34, 15.98

 

Description

Color code: HEX #446264 | qconv.com Color code: HEX #446264 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 98 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 98 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 2 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 2% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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