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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #446391 it is the complementary color #BB9C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #446391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #446391 shade: #49638C, #5A759F, #6B87B2, #7C99C5 and #8DABD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #446391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #446391 shade: #446391, #33517E, #223F6B, #112D58 and #001B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #446391 shade: #446391, #444E91, #4F4491, #634491 and #784491

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #446391 shade: #446391, #444E91 and #444491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #446391 shade matches the following richer shades: #446391, #3360A2, #215CB4 and #1059C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #446391 shade: #446391, #556680, #676A6E, #786D5D and #89714C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #446391 shade: #448D91, #447991, #446491, #445091 and #4D4491

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #446391 shade: #2A3D59, #375075, #446391, #5176AD and #6D8CBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #446391 shade: #446391, #804491 and #839144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #446391 shade: #446391, #914464 and #649144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #446391 shade: #446391, #804491, #917144 and #559144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #446391 shade: #446391, #91448B, #917144 and #44914A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

Complementary color

CMYK 0 / 17 / 41 / 27

HEX #BB9C6E

RGB 187 156 110

HSL 35.84, 0.36%, 0.58%

LAB 66.11, 5.12, 28.37

 

CMYK 48 / 29 / 0 / 45

HEX #49638C

RGB 73 99 140

HSL 216.72, 0.31%, 0.42%

LAB 41.59, 2.22, -25.65

 

CMYK 43 / 26 / 0 / 38

HEX #5A759F

RGB 90 117 159

HSL 216.52, 0.28%, 0.49%

LAB 48.76, 1.67, -25.7

 

CMYK 40 / 24 / 0 / 30

HEX #6B87B2

RGB 107 135 178

HSL 216.34, 0.32%, 0.56%

LAB 55.75, 1.22, -25.8

 

CMYK 37 / 22 / 0 / 23

HEX #7C99C5

RGB 124 153 197

HSL 216.16, 0.39%, 0.63%

LAB 62.59, 0.85, -25.93

 

CMYK 35 / 21 / 0 / 15

HEX #8DABD8

RGB 141 171 216

HSL 216, 0.49%, 0.7%

LAB 69.29, 0.53, -26.09

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 60 / 36 / 0 / 51

HEX #33517E

RGB 51 81 126

HSL 216, 0.42%, 0.35%

LAB 34.18, 3.5, -28.81

 

CMYK 68 / 41 / 0 / 58

HEX #223F6B

RGB 34 63 107

HSL 216.16, 0.52%, 0.28%

LAB 26.61, 4.81, -28.9

 

CMYK 81 / 49 / 0 / 65

HEX #112D58

RGB 17 45 88

HSL 216.34, 0.68%, 0.21%

LAB 18.8, 6.78, -29.01

 

CMYK 100 / 61 / 0 / 73

HEX #001B45

RGB 0 27 69

HSL 216.52, 1%, 0.14%

LAB 10.66, 9.56, -29.24

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 53 / 46 / 0 / 43

HEX #444E91

RGB 68 78 145

HSL 232.21, 0.36%, 0.42%

LAB 35.44, 16.01, -38.39

 

CMYK 46 / 53 / 0 / 43

HEX #4F4491

RGB 79 68 145

HSL 248.57, 0.36%, 0.42%

LAB 33.65, 25.16, -41.21

 

CMYK 32 / 53 / 0 / 43

HEX #634491

RGB 99 68 145

HSL 264.16, 0.36%, 0.42%

LAB 35.66, 30.41, -37.88

 

CMYK 17 / 53 / 0 / 43

HEX #784491

RGB 120 68 145

HSL 280.52, 0.36%, 0.42%

LAB 38.15, 36.34, -33.77

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 53 / 46 / 0 / 43

HEX #444E91

RGB 68 78 145

HSL 232.21, 0.36%, 0.42%

LAB 35.44, 16.01, -38.39

 

CMYK 53 / 53 / 0 / 43

HEX #444491

RGB 68 68 145

HSL 240, 0.36%, 0.42%

LAB 32.72, 22.56, -42.75

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 69 / 41 / 0 / 36

HEX #3360A2

RGB 51 96 162

HSL 215.68, 0.52%, 0.42%

LAB 40.7, 6.92, -40.28

 

CMYK 82 / 49 / 0 / 29

HEX #215CB4

RGB 33 92 180

HSL 215.92, 0.69%, 0.42%

LAB 40.04, 14.03, -52.01

 

CMYK 92 / 55 / 0 / 23

HEX #1059C5

RGB 16 89 197

HSL 215.8, 0.85%, 0.42%

LAB 40.06, 21.57, -61.92

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 34 / 20 / 0 / 50

HEX #556680

RGB 85 102 128

HSL 216.28, 0.2%, 0.42%

LAB 42.75, 0.31, -16.55

 

CMYK 6 / 4 / 0 / 57

HEX #676A6E

RGB 103 106 110

HSL 214.29, 0.03%, 0.42%

LAB 44.68, -0.3, -2.64

 

CMYK 0 / 9 / 23 / 53

HEX #786D5D

RGB 120 109 93

HSL 35.56, 0.13%, 0.42%

LAB 46.61, 1.49, 10.51

 

CMYK 0 / 18 / 45 / 46

HEX #89714C

RGB 137 113 76

HSL 36.39, 0.29%, 0.42%

LAB 49.07, 4.12, 24.04

 

CMYK 53 / 3 / 0 / 43

HEX #448D91

RGB 68 141 145

HSL 183.12, 0.36%, 0.42%

LAB 54.37, -21.49, -9.11

 

CMYK 53 / 17 / 0 / 43

HEX #447991

RGB 68 121 145

HSL 198.7, 0.36%, 0.42%

LAB 48.19, -10.57, -18.45

 

CMYK 53 / 31 / 0 / 43

HEX #446491

RGB 68 100 145

HSL 215.06, 0.36%, 0.42%

LAB 41.83, 1.95, -28.3

 

CMYK 53 / 45 / 0 / 43

HEX #445091

RGB 68 80 145

HSL 230.65, 0.36%, 0.42%

LAB 36, 14.71, -37.49

 

CMYK 47 / 53 / 0 / 43

HEX #4D4491

RGB 77 68 145

HSL 247.01, 0.36%, 0.42%

LAB 33.47, 24.67, -41.5

 

CMYK 53 / 31 / 0 / 65

HEX #2A3D59

RGB 42 61 89

HSL 215.74, 0.36%, 0.26%

LAB 25.42, 1.38, -19.12

 

CMYK 53 / 32 / 0 / 54

HEX #375075

RGB 55 80 117

HSL 215.81, 0.36%, 0.34%

LAB 33.63, 1.99, -24.06

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 53 / 32 / 0 / 32

HEX #5176AD

RGB 81 118 173

HSL 215.87, 0.36%, 0.5%

LAB 49.16, 3.13, -33.29

 

CMYK 41 / 25 / 0 / 27

HEX #6D8CBA

RGB 109 140 186

HSL 215.84, 0.36%, 0.58%

LAB 57.61, 1.13, -27.48

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 12 / 53 / 0 / 43

HEX #804491

RGB 128 68 145

HSL 286.75, 0.36%, 0.42%

LAB 39.19, 38.66, -32.06

 

CMYK 10 / 0 / 53 / 43

HEX #839144

RGB 131 145 68

HSL 70.91, 0.36%, 0.42%

LAB 57.55, -17.05, 38.71

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 0 / 53 / 31 / 43

HEX #914464

RGB 145 68 100

HSL 335.06, 0.36%, 0.42%

LAB 39.7, 36.22, -3.31

 

CMYK 31 / 0 / 53 / 43

HEX #649144

RGB 100 145 68

HSL 95.06, 0.36%, 0.42%

LAB 55.46, -29.52, 35.71

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 12 / 53 / 0 / 43

HEX #804491

RGB 128 68 145

HSL 286.75, 0.36%, 0.42%

LAB 39.19, 38.66, -32.06

 

CMYK 0 / 22 / 53 / 43

HEX #917144

RGB 145 113 68

HSL 35.06, 0.36%, 0.42%

LAB 49.79, 6.82, 29.64

 

CMYK 41 / 0 / 53 / 43

HEX #559144

RGB 85 145 68

HSL 106.75, 0.36%, 0.42%

LAB 54.66, -34.87, 34.56

 

CMYK 53 / 32 / 0 / 43

HEX #446391

RGB 68 99 145

HSL 215.84, 0.36%, 0.42%

LAB 41.53, 2.57, -28.77

 

CMYK 0 / 53 / 4 / 43

HEX #91448B

RGB 145 68 139

HSL 304.68, 0.36%, 0.42%

LAB 41.24, 42.52, -25.02

 

CMYK 0 / 22 / 53 / 43

HEX #917144

RGB 145 113 68

HSL 35.06, 0.36%, 0.42%

LAB 49.79, 6.82, 29.64

 

CMYK 53 / 0 / 49 / 43

HEX #44914A

RGB 68 145 74

HSL 124.68, 0.36%, 0.42%

LAB 54, -39.27, 30.47

 

Description

Color code: HEX #446391 | qconv.com Color code: HEX #446391 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 99 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 99 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 32 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 32% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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