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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #446A82 it is the complementary color #BB957D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #446A82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #446A82 shade: #496A7D, #5A7C90, #6B8EA3, #7CA0B6 and #8DB2C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #446A82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #446A82 shade: #446A82, #33586F, #22465C, #113449 and #002236

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #446A82 shade: #446A82, #445982, #444982, #504482 and #614482

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #446A82 shade: #446A82, #445982, #444982 and #444482

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #446A82 shade matches the following richer shades: #446A82, #346E92, #2471A2, #1475B2 and #0478C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #446A82 shade: #446A82, #546672, #646362, #745F52 and #845B41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #446A82 shade: #448279, #447B82, #446A82, #445A82 and #444982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #446A82 shade: #283E4C, #365467, #446A82, #52809D and #6994B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #446A82 shade: #446A82, #684482 and #828144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #446A82 shade: #446A82, #82446A and #6A8244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #446A82 shade: #446A82, #684482, #825C44 and #5E8244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #446A82 shade: #446A82, #7B4482, #825C44 and #4B8244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

Complementary color

CMYK 0 / 20 / 33 / 27

HEX #BB957D

RGB 187 149 125

HSL 23.23, 0.31%, 0.61%

LAB 64.6, 10.79, 18.09

 

CMYK 42 / 15 / 0 / 51

HEX #496A7D

RGB 73 106 125

HSL 201.92, 0.26%, 0.39%

LAB 43.07, -6.58, -14.33

 

CMYK 38 / 14 / 0 / 44

HEX #5A7C90

RGB 90 124 144

HSL 202.22, 0.23%, 0.46%

LAB 50.22, -6.74, -14.67

 

CMYK 34 / 13 / 0 / 36

HEX #6B8EA3

RGB 107 142 163

HSL 202.5, 0.23%, 0.53%

LAB 57.19, -6.87, -15.02

 

CMYK 32 / 12 / 0 / 29

HEX #7CA0B6

RGB 124 160 182

HSL 202.76, 0.28%, 0.6%

LAB 64, -6.97, -15.37

 

CMYK 30 / 11 / 0 / 21

HEX #8DB2C9

RGB 141 178 201

HSL 203, 0.36%, 0.67%

LAB 70.68, -7.06, -15.73

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 54 / 21 / 0 / 56

HEX #33586F

RGB 51 88 111

HSL 203, 0.37%, 0.32%

LAB 35.66, -6.08, -17.21

 

CMYK 63 / 24 / 0 / 64

HEX #22465C

RGB 34 70 92

HSL 202.76, 0.46%, 0.25%

LAB 28.1, -5.49, -16.93

 

CMYK 77 / 29 / 0 / 71

HEX #113449

RGB 17 52 73

HSL 202.5, 0.62%, 0.18%

LAB 20.27, -4.49, -16.64

 

CMYK 100 / 37 / 0 / 79

HEX #002236

RGB 0 34 54

HSL 202.22, 1%, 0.11%

LAB 12.03, -3.17, -16.44

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 48 / 32 / 0 / 49

HEX #445982

RGB 68 89 130

HSL 219.68, 0.31%, 0.39%

LAB 37.82, 3.96, -25.49

 

CMYK 48 / 44 / 0 / 49

HEX #444982

RGB 68 73 130

HSL 235.16, 0.31%, 0.39%

LAB 33.15, 14.31, -32.84

 

CMYK 38 / 48 / 0 / 49

HEX #504482

RGB 80 68 130

HSL 251.61, 0.31%, 0.39%

LAB 32.81, 20.86, -33.31

 

CMYK 25 / 48 / 0 / 49

HEX #614482

RGB 97 68 130

HSL 268.06, 0.31%, 0.39%

LAB 34.57, 25.86, -30.41

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 48 / 32 / 0 / 49

HEX #445982

RGB 68 89 130

HSL 219.68, 0.31%, 0.39%

LAB 37.82, 3.96, -25.49

 

CMYK 48 / 44 / 0 / 49

HEX #444982

RGB 68 73 130

HSL 235.16, 0.31%, 0.39%

LAB 33.15, 14.31, -32.84

 

CMYK 48 / 48 / 0 / 49

HEX #444482

RGB 68 68 130

HSL 240, 0.31%, 0.39%

LAB 31.75, 17.61, -35.07

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 64 / 25 / 0 / 43

HEX #346E92

RGB 52 110 146

HSL 202.98, 0.47%, 0.39%

LAB 44.17, -7.28, -25.3

 

CMYK 78 / 30 / 0 / 36

HEX #2471A2

RGB 36 113 162

HSL 203.33, 0.64%, 0.39%

LAB 45.35, -5.81, -32.96

 

CMYK 89 / 34 / 0 / 30

HEX #1475B2

RGB 20 117 178

HSL 203.16, 0.8%, 0.39%

LAB 47.09, -3.62, -39.6

 

CMYK 98 / 38 / 0 / 24

HEX #0478C2

RGB 4 120 194

HSL 203.37, 0.96%, 0.39%

LAB 48.7, 0.06, -46.28

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 26 / 11 / 0 / 55

HEX #546672

RGB 84 102 114

HSL 204, 0.15%, 0.39%

LAB 42.16, -3.78, -8.98

 

CMYK 0 / 1 / 2 / 61

HEX #646362

RGB 100 99 98

HSL 30, 0.01%, 0.39%

LAB 42.02, 0.19, 0.7

 

CMYK 0 / 18 / 29 / 55

HEX #745F52

RGB 116 95 82

HSL 22.94, 0.17%, 0.39%

LAB 42.01, 6.36, 10.63

 

CMYK 0 / 31 / 51 / 48

HEX #845B41

RGB 132 91 65

HSL 23.28, 0.34%, 0.39%

LAB 42.41, 13.59, 21.69

 

CMYK 48 / 0 / 7 / 49

HEX #448279

RGB 68 130 121

HSL 171.29, 0.31%, 0.39%

LAB 50.19, -22.38, -1.34

 

CMYK 48 / 5 / 0 / 49

HEX #447B82

RGB 68 123 130

HSL 186.77, 0.31%, 0.39%

LAB 48.27, -16.17, -9.48

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 48 / 31 / 0 / 49

HEX #445A82

RGB 68 90 130

HSL 218.71, 0.31%, 0.39%

LAB 38.12, 3.33, -25.02

 

CMYK 48 / 44 / 0 / 49

HEX #444982

RGB 68 73 130

HSL 235.16, 0.31%, 0.39%

LAB 33.15, 14.31, -32.84

 

CMYK 47 / 18 / 0 / 70

HEX #283E4C

RGB 40 62 76

HSL 203.33, 0.31%, 0.23%

LAB 25.01, -4.27, -11.22

 

CMYK 48 / 18 / 0 / 60

HEX #365467

RGB 54 84 103

HSL 203.27, 0.31%, 0.31%

LAB 34.2, -5.41, -14.44

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 48 / 18 / 0 / 38

HEX #52809D

RGB 82 128 157

HSL 203.2, 0.31%, 0.47%

LAB 51.46, -7.49, -20.41

 

CMYK 40 / 16 / 0 / 31

HEX #6994B0

RGB 105 148 176

HSL 203.66, 0.31%, 0.55%

LAB 59.27, -7.3, -19.28

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 20 / 48 / 0 / 49

HEX #684482

RGB 104 68 130

HSL 274.84, 0.31%, 0.39%

LAB 35.38, 28.01, -29.08

 

CMYK 0 / 1 / 48 / 49

HEX #828144

RGB 130 129 68

HSL 59.03, 0.31%, 0.39%

LAB 52.8, -8.89, 33

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 0 / 48 / 18 / 49

HEX #82446A

RGB 130 68 106

HSL 323.23, 0.31%, 0.39%

LAB 37.7, 31.8, -10.29

 

CMYK 18 / 0 / 48 / 49

HEX #6A8244

RGB 106 130 68

HSL 83.23, 0.31%, 0.39%

LAB 51.21, -19.66, 30.62

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 20 / 48 / 0 / 49

HEX #684482

RGB 104 68 130

HSL 274.84, 0.31%, 0.39%

LAB 35.38, 28.01, -29.08

 

CMYK 0 / 29 / 48 / 49

HEX #825C44

RGB 130 92 68

HSL 23.23, 0.31%, 0.39%

LAB 42.49, 12.44, 19.96

 

CMYK 28 / 0 / 48 / 49

HEX #5E8244

RGB 94 130 68

HSL 94.84, 0.31%, 0.39%

LAB 50.41, -24.45, 29.45

 

CMYK 48 / 18 / 0 / 49

HEX #446A82

RGB 68 106 130

HSL 203.23, 0.31%, 0.39%

LAB 42.99, -6.47, -17.49

 

CMYK 5 / 48 / 0 / 49

HEX #7B4482

RGB 123 68 130

HSL 293.23, 0.31%, 0.39%

LAB 37.76, 33.97, -25.17

 

CMYK 0 / 29 / 48 / 49

HEX #825C44

RGB 130 92 68

HSL 23.23, 0.31%, 0.39%

LAB 42.49, 12.44, 19.96

 

CMYK 42 / 0 / 48 / 49

HEX #4B8244

RGB 75 130 68

HSL 113.23, 0.31%, 0.39%

LAB 49.35, -31.35, 27.9

 

Description

Color code: HEX #446A82 | qconv.com Color code: HEX #446A82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 106 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 106 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 18 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 18% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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