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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #446F1A it is the complementary color #BB90E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #446F1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #446F1A shade: #496F15, #5A8128, #6B933B, #7CA54E and #8DB761

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #446F1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #446F1A shade: #446F1A, #335D07, #224B00, #113900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #446F1A shade: #446F1A, #5B6F1A, #6F6C1A, #6F551A and #6F3E1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #446F1A shade: #446F1A, #2D6F1A, #1A6F1E, #1A6F35 and #1A6F4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #446F1A shade matches the following richer shades: #446F1A, #447A0F and #448503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #446F1A shade: #446F1A, #446425, #445930, #444E3B and #444246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #446F1A shade: #6F6C1A, #5B6F1A, #446F1A, #2E6F1A and #1A6F1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #446F1A shade: #1B2C0A, #2F4E12, #446F1A, #589022 and #6DB229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #446F1A shade: #446F1A, #1A6F55 and #6F1A66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #446F1A shade: #446F1A, #1A446F and #6F1A44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #446F1A shade: #446F1A, #1A6F55, #441A6F and #6F1A33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #446F1A shade: #446F1A, #1A6F6F, #441A6F and #6F1A1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

Complementary color

CMYK 18 / 37 / 0 / 10

HEX #BB90E5

RGB 187 144 229

HSL 270.35, 0.62%, 0.73%

LAB 66.65, 32.32, -37.04

 

CMYK 34 / 0 / 81 / 56

HEX #496F15

RGB 73 111 21

HSL 85.33, 0.68%, 0.26%

LAB 42.52, -28.06, 42.32

 

CMYK 30 / 0 / 69 / 49

HEX #5A8128

RGB 90 129 40

HSL 86.29, 0.53%, 0.33%

LAB 49.53, -28.53, 42.18

 

CMYK 27 / 0 / 60 / 42

HEX #6B933B

RGB 107 147 59

HSL 87.27, 0.43%, 0.4%

LAB 56.4, -28.76, 41.34

 

CMYK 25 / 0 / 53 / 35

HEX #7CA54E

RGB 124 165 78

HSL 88.28, 0.36%, 0.48%

LAB 63.13, -28.87, 40.24

 

CMYK 23 / 0 / 47 / 28

HEX #8DB761

RGB 141 183 97

HSL 89.3, 0.37%, 0.55%

LAB 69.75, -28.89, 39.06

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 45 / 0 / 92 / 64

HEX #335D07

RGB 51 93 7

HSL 89.3, 0.86%, 0.2%

LAB 35.1, -29.02, 39.42

 

CMYK 55 / 0 / 100 / 71

HEX #224B00

RGB 34 75 0

HSL 92.8, 1%, 0.15%

LAB 27.77, -27.62, 35.44

 

CMYK 70 / 0 / 100 / 78

HEX #113900

RGB 17 57 0

HSL 102.11, 1%, 0.11%

LAB 20.22, -25.53, 27.74

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 18 / 0 / 77 / 56

HEX #5B6F1A

RGB 91 111 26

HSL 74.12, 0.62%, 0.27%

LAB 43.75, -20.06, 42.09

 

CMYK 0 / 3 / 77 / 56

HEX #6F6C1A

RGB 111 108 26

HSL 57.88, 0.62%, 0.27%

LAB 44.49, -9.17, 43.38

 

CMYK 0 / 23 / 77 / 56

HEX #6F551A

RGB 111 85 26

HSL 41.65, 0.62%, 0.27%

LAB 37.75, 4.27, 36.83

 

CMYK 0 / 44 / 77 / 56

HEX #6F3E1A

RGB 111 62 26

HSL 25.41, 0.62%, 0.27%

LAB 31.58, 18.21, 30.49

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 59 / 0 / 77 / 56

HEX #2D6F1A

RGB 45 111 26

HSL 106.59, 0.62%, 0.27%

LAB 41.22, -37.52, 38.74

 

CMYK 77 / 0 / 73 / 56

HEX #1A6F1E

RGB 26 111 30

HSL 122.82, 0.62%, 0.27%

LAB 40.71, -41.6, 36.38

 

CMYK 77 / 0 / 52 / 56

HEX #1A6F35

RGB 26 111 53

HSL 139.06, 0.62%, 0.27%

LAB 40.97, -38.47, 25.21

 

CMYK 77 / 0 / 32 / 56

HEX #1A6F4C

RGB 26 111 76

HSL 155.29, 0.62%, 0.27%

LAB 41.39, -33.73, 12.53

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 44 / 0 / 88 / 52

HEX #447A0F

RGB 68 122 15

HSL 90.28, 0.78%, 0.27%

LAB 45.88, -35.27, 47.07

 

CMYK 49 / 0 / 98 / 48

HEX #448503

RGB 68 133 3

HSL 90, 0.96%, 0.27%

LAB 49.51, -40.28, 52.58

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 32 / 0 / 63 / 61

HEX #446425

RGB 68 100 37

HSL 90.48, 0.46%, 0.27%

LAB 38.69, -23.42, 31.37

 

CMYK 24 / 0 / 46 / 65

HEX #445930

RGB 68 89 48

HSL 90.73, 0.3%, 0.27%

LAB 35.18, -16.23, 21.14

 

CMYK 13 / 0 / 24 / 69

HEX #444E3B

RGB 68 78 59

HSL 91.58, 0.14%, 0.27%

LAB 31.79, -8.05, 9.95

 

CMYK 3 / 6 / 0 / 73

HEX #444246

RGB 68 66 70

HSL 270, 0.03%, 0.27%

LAB 28.29, 1.74, -2.13

 

CMYK 0 / 3 / 77 / 56

HEX #6F6C1A

RGB 111 108 26

HSL 57.88, 0.62%, 0.27%

LAB 44.49, -9.17, 43.38

 

CMYK 18 / 0 / 77 / 56

HEX #5B6F1A

RGB 91 111 26

HSL 74.12, 0.62%, 0.27%

LAB 43.75, -20.06, 42.09

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 59 / 0 / 77 / 56

HEX #2E6F1A

RGB 46 111 26

HSL 105.88, 0.62%, 0.27%

LAB 41.25, -37.23, 38.79

 

CMYK 77 / 0 / 74 / 56

HEX #1A6F1D

RGB 26 111 29

HSL 122.12, 0.62%, 0.27%

LAB 40.7, -41.7, 36.8

 

CMYK 39 / 0 / 77 / 83

HEX #1B2C0A

RGB 27 44 10

HSL 90, 0.63%, 0.11%

LAB 15.78, -14.2, 18.48

 

CMYK 40 / 0 / 77 / 69

HEX #2F4E12

RGB 47 78 18

HSL 91, 0.63%, 0.19%

LAB 29.66, -22.79, 30.37

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 39 / 0 / 76 / 44

HEX #589022

RGB 88 144 34

HSL 90.55, 0.62%, 0.35%

LAB 54.17, -36.62, 49.21

 

CMYK 39 / 0 / 77 / 30

HEX #6DB229

RGB 109 178 41

HSL 90.22, 0.63%, 0.43%

LAB 65.94, -43.32, 58.54

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 77 / 0 / 23 / 56

HEX #1A6F55

RGB 26 111 85

HSL 161.65, 0.62%, 0.27%

LAB 41.6, -31.47, 7.46

 

CMYK 0 / 77 / 8 / 56

HEX #6F1A66

RGB 111 26 102

HSL 306.35, 0.62%, 0.27%

LAB 26.95, 45.44, -24.57

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 77 / 39 / 0 / 56

HEX #1A446F

RGB 26 68 111

HSL 210.35, 0.62%, 0.27%

LAB 28.12, 1.6, -29.07

 

CMYK 0 / 77 / 39 / 56

HEX #6F1A44

RGB 111 26 68

HSL 330.35, 0.62%, 0.27%

LAB 25.37, 40.52, -4.46

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 77 / 0 / 23 / 56

HEX #1A6F55

RGB 26 111 85

HSL 161.65, 0.62%, 0.27%

LAB 41.6, -31.47, 7.46

 

CMYK 39 / 77 / 0 / 56

HEX #441A6F

RGB 68 26 111

HSL 269.65, 0.62%, 0.27%

LAB 20.5, 37.49, -41.15

 

CMYK 0 / 77 / 54 / 56

HEX #6F1A33

RGB 111 26 51

HSL 342.35, 0.62%, 0.27%

LAB 24.82, 38.73, 6.33

 

CMYK 39 / 0 / 77 / 56

HEX #446F1A

RGB 68 111 26

HSL 90.35, 0.62%, 0.27%

LAB 42.27, -29.72, 40.13

 

CMYK 77 / 0 / 0 / 56

HEX #1A6F6F

RGB 26 111 111

HSL 180, 0.62%, 0.27%

LAB 42.36, -23.84, -7.12

 

CMYK 39 / 77 / 0 / 56

HEX #441A6F

RGB 68 26 111

HSL 269.65, 0.62%, 0.27%

LAB 20.5, 37.49, -41.15

 

CMYK 0 / 77 / 77 / 56

HEX #6F1A1A

RGB 111 26 26

HSL 0, 0.62%, 0.27%

LAB 24.3, 36.99, 22.5

 

Description

Color code: HEX #446F1A | qconv.com Color code: HEX #446F1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 111 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 111 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 77 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 77% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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