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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #446F1E it is the complementary color #BB90E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #446F1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #446F1E shade: #496F19, #5A812C, #6B933F, #7CA552 and #8DB765

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #446F1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #446F1E shade: #446F1E, #335D0B, #224B00, #113900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #446F1E shade: #44701E, #5A701E, #706F1E, #70591E and #70431E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #446F1E shade: #44701E, #2E701E, #1E7024, #1E703A and #1E7050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #446F1E shade matches the following richer shades: #44701E, #447B13 and #438707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #446F1E shade: #44701E, #45642A, #465835, #474D41 and #47414C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #446F1E shade: #706E1E, #5B701E, #46701E, #30701E and #1E7022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #446F1E shade: #1D2F0C, #304F15, #44701E, #589027 and #6CB030

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #446F1E shade: #446F1E, #1E7059 and #701E66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #446F1E shade: #446F1E, #1E4670 and #701E46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #446F1E shade: #446F1E, #1E7059, #481E70 and #701E35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #446F1E shade: #446F1E, #1E6E70, #481E70 and #70201E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 73 / 56

HEX #446F1E

RGB 68 111 30

HSL 91.85, 0.57%, 0.28%

LAB 42.29, -29.42, 38.53

 

Complementary color

CMYK 17 / 36 / 0 / 12

HEX #BB90E1

RGB 187 144 225

HSL 271.85, 0.57%, 0.72%

LAB 66.48, 31.44, -35.09

 

CMYK 34 / 0 / 77 / 56

HEX #496F19

RGB 73 111 25

HSL 86.51, 0.63%, 0.27%

LAB 42.54, -27.81, 40.89

 

CMYK 30 / 0 / 66 / 49

HEX #5A812C

RGB 90 129 44

HSL 87.53, 0.49%, 0.34%

LAB 49.56, -28.19, 40.44

 

CMYK 27 / 0 / 57 / 42

HEX #6B933F

RGB 107 147 63

HSL 88.57, 0.4%, 0.41%

LAB 56.44, -28.36, 39.46

 

CMYK 25 / 0 / 50 / 35

HEX #7CA552

RGB 124 165 82

HSL 89.64, 0.34%, 0.48%

LAB 63.18, -28.41, 38.31

 

CMYK 23 / 0 / 45 / 28

HEX #8DB765

RGB 141 183 101

HSL 90.73, 0.36%, 0.56%

LAB 69.8, -28.4, 37.11

 

CMYK 39 / 0 / 73 / 56

HEX #446F1E

RGB 68 111 30

HSL 91.85, 0.57%, 0.28%

LAB 42.29, -29.42, 38.53

 

CMYK 45 / 0 / 88 / 64

HEX #335D0B

RGB 51 93 11

HSL 90.73, 0.79%, 0.2%

LAB 35.12, -28.83, 38.27

 

CMYK 55 / 0 / 100 / 71

HEX #224B00

RGB 34 75 0

HSL 92.8, 1%, 0.15%

LAB 27.77, -27.62, 35.44

 

CMYK 70 / 0 / 100 / 78

HEX #113900

RGB 17 57 0

HSL 102.11, 1%, 0.11%

LAB 20.22, -25.53, 27.74

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 39 / 0 / 73 / 56

HEX #44701E

RGB 68 112 30

HSL 92.2, 0.58%, 0.28%

LAB 42.63, -29.89, 38.87

 

CMYK 20 / 0 / 73 / 56

HEX #5A701E

RGB 90 112 30

HSL 76.1, 0.58%, 0.28%

LAB 44.03, -20.78, 40.74

 

CMYK 0 / 1 / 73 / 56

HEX #706F1E

RGB 112 111 30

HSL 59.27, 0.58%, 0.28%

LAB 45.51, -10.17, 42.81

 

CMYK 0 / 21 / 73 / 56

HEX #70591E

RGB 112 89 30

HSL 43.17, 0.58%, 0.28%

LAB 39.04, 2.58, 36.31

 

CMYK 0 / 40 / 73 / 56

HEX #70431E

RGB 112 67 30

HSL 27.07, 0.58%, 0.28%

LAB 33.03, 15.9, 29.94

 

CMYK 39 / 0 / 73 / 56

HEX #44701E

RGB 68 112 30

HSL 92.2, 0.58%, 0.28%

LAB 42.63, -29.89, 38.87

 

CMYK 59 / 0 / 73 / 56

HEX #2E701E

RGB 46 112 30

HSL 108.29, 0.58%, 0.28%

LAB 41.63, -37.29, 37.53

 

CMYK 73 / 0 / 68 / 56

HEX #1E7024

RGB 30 112 36

HSL 124.39, 0.58%, 0.28%

LAB 41.2, -40.55, 34.24

 

CMYK 73 / 0 / 48 / 56

HEX #1E703A

RGB 30 112 58

HSL 140.49, 0.58%, 0.28%

LAB 41.48, -37.27, 23.1

 

CMYK 73 / 0 / 29 / 56

HEX #1E7050

RGB 30 112 80

HSL 156.59, 0.58%, 0.28%

LAB 41.91, -32.55, 10.89

 

CMYK 39 / 0 / 73 / 56

HEX #44701E

RGB 68 112 30

HSL 92.2, 0.58%, 0.28%

LAB 42.63, -29.89, 38.87

 

CMYK 45 / 0 / 85 / 52

HEX #447B13

RGB 68 123 19

HSL 91.73, 0.73%, 0.28%

LAB 46.23, -35.52, 46.28

 

CMYK 50 / 0 / 95 / 47

HEX #438707

RGB 67 135 7

HSL 91.88, 0.9%, 0.28%

LAB 50.14, -41.3, 52.33

 

CMYK 39 / 0 / 73 / 56

HEX #44701E

RGB 68 112 30

HSL 92.2, 0.58%, 0.28%

LAB 42.63, -29.89, 38.87

 

CMYK 31 / 0 / 58 / 61

HEX #45642A

RGB 69 100 42

HSL 92.07, 0.41%, 0.28%

LAB 38.81, -22.45, 28.94

 

CMYK 20 / 0 / 40 / 65

HEX #465835

RGB 70 88 53

HSL 90.86, 0.25%, 0.28%

LAB 35.08, -14.06, 18.08

 

CMYK 8 / 0 / 16 / 70

HEX #474D41

RGB 71 77 65

HSL 90, 0.08%, 0.28%

LAB 31.87, -5, 6.3

 

CMYK 7 / 14 / 0 / 70

HEX #47414C

RGB 71 65 76

HSL 272.73, 0.08%, 0.28%

LAB 28.49, 5, -5.72

 

CMYK 0 / 2 / 73 / 56

HEX #706E1E

RGB 112 110 30

HSL 58.54, 0.58%, 0.28%

LAB 45.21, -9.61, 42.52

 

CMYK 19 / 0 / 73 / 56

HEX #5B701E

RGB 91 112 30

HSL 75.37, 0.58%, 0.28%

LAB 44.1, -20.33, 40.84

 

CMYK 38 / 0 / 73 / 56

HEX #46701E

RGB 70 112 30

HSL 90.73, 0.58%, 0.28%

LAB 42.74, -29.12, 39.02

 

CMYK 57 / 0 / 73 / 56

HEX #30701E

RGB 48 112 30

HSL 106.83, 0.58%, 0.28%

LAB 41.71, -36.71, 37.63

 

CMYK 73 / 0 / 70 / 56

HEX #1E7022

RGB 30 112 34

HSL 122.93, 0.58%, 0.28%

LAB 41.18, -40.78, 35.14

 

CMYK 38 / 0 / 74 / 82

HEX #1D2F0C

RGB 29 47 12

HSL 90.86, 0.59%, 0.12%

LAB 17.09, -14.76, 19.28

 

CMYK 39 / 0 / 73 / 69

HEX #304F15

RGB 48 79 21

HSL 92.07, 0.58%, 0.2%

LAB 30.09, -22.62, 29.47

 

CMYK 39 / 0 / 73 / 56

HEX #44701E

RGB 68 112 30

HSL 92.2, 0.58%, 0.28%

LAB 42.63, -29.89, 38.87

 

CMYK 39 / 0 / 73 / 44

HEX #589027

RGB 88 144 39

HSL 92, 0.57%, 0.36%

LAB 54.2, -36.28, 47.37

 

CMYK 39 / 0 / 73 / 31

HEX #6CB030

RGB 108 176 48

HSL 91.88, 0.57%, 0.44%

LAB 65.32, -42.39, 55.49

 

CMYK 39 / 0 / 73 / 56

HEX #446F1E

RGB 68 111 30

HSL 91.85, 0.57%, 0.28%

LAB 42.29, -29.42, 38.53

 

CMYK 73 / 0 / 21 / 56

HEX #1E7059

RGB 30 112 89

HSL 163.17, 0.58%, 0.28%

LAB 42.13, -30.24, 5.82

 

CMYK 0 / 73 / 9 / 56

HEX #701E66

RGB 112 30 102

HSL 307.32, 0.58%, 0.28%

LAB 27.66, 44.21, -23.45

 

CMYK 39 / 0 / 73 / 56

HEX #446F1E

RGB 68 111 30

HSL 91.85, 0.57%, 0.28%

LAB 42.29, -29.42, 38.53

 

CMYK 73 / 38 / 0 / 56

HEX #1E4670

RGB 30 70 112

HSL 210.73, 0.58%, 0.28%

LAB 28.97, 1.3, -28.35

 

CMYK 0 / 73 / 38 / 56

HEX #701E46

RGB 112 30 70

HSL 330.73, 0.58%, 0.28%

LAB 26.2, 39.49, -4.55

 

CMYK 39 / 0 / 73 / 56

HEX #446F1E

RGB 68 111 30

HSL 91.85, 0.57%, 0.28%

LAB 42.29, -29.42, 38.53

 

CMYK 73 / 0 / 21 / 56

HEX #1E7059

RGB 30 112 89

HSL 163.17, 0.58%, 0.28%

LAB 42.13, -30.24, 5.82

 

CMYK 36 / 73 / 0 / 56

HEX #481E70

RGB 72 30 112

HSL 270.73, 0.58%, 0.28%

LAB 21.86, 36.58, -39.56

 

CMYK 0 / 73 / 53 / 56

HEX #701E35

RGB 112 30 53

HSL 343.17, 0.58%, 0.28%

LAB 25.65, 37.63, 6.17

 

CMYK 39 / 0 / 73 / 56

HEX #446F1E

RGB 68 111 30

HSL 91.85, 0.57%, 0.28%

LAB 42.29, -29.42, 38.53

 

CMYK 73 / 2 / 0 / 56

HEX #1E6E70

RGB 30 110 112

HSL 181.46, 0.58%, 0.28%

LAB 42.15, -22.45, -8.03

 

CMYK 36 / 73 / 0 / 56

HEX #481E70

RGB 72 30 112

HSL 270.73, 0.58%, 0.28%

LAB 21.86, 36.58, -39.56

 

CMYK 0 / 71 / 73 / 56

HEX #70201E

RGB 112 32 30

HSL 1.46, 0.58%, 0.28%

LAB 25.48, 35.04, 21.34

 

Description

Color code: HEX #446F1E | qconv.com Color code: HEX #446F1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 111 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 111 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 73 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 73% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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