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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #447E8C it is the complementary color #BB8173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #447E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #447E8C shade: #497E87, #5A909A, #6BA2AD, #7CB4C0 and #8DC6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #447E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #447E8C shade: #447E8C, #336C79, #225A66, #114853 and #003640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #447E8C shade: #437E8D, #436B8D, #43578D, #44438D and #57438D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #447E8C shade: #437E8D, #436B8D, #43578D and #43438D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #447E8C shade matches the following richer shades: #437E8D, #33899E, #2293AE, #119DBF and #00A8D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #447E8C shade: #437E8D, #54747C, #656A6B, #765F5A and #875549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #447E8C shade: #438D73, #438D87, #437F8D, #436C8D and #43588D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #447E8C shade: #294C55, #366571, #437E8D, #5197A8 and #6BA9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #447E8C shade: #447E8C, #60438D and #8D7D43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #447E8C shade: #447E8C, #8D437F and #7F8D43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #447E8C shade: #447E8C, #60438D, #8D5143 and #718D43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #447E8C shade: #447E8C, #75438D, #8D5143 and #5B8D43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 10 / 0 / 45

HEX #447E8C

RGB 68 126 140

HSL 191.67, 0.35%, 0.41%

LAB 49.55, -14.9, -13.44

 

Complementary color

CMYK 0 / 31 / 39 / 27

HEX #BB8173

RGB 187 129 115

HSL 11.67, 0.35%, 0.59%

LAB 59.44, 20.63, 16.62

 

CMYK 46 / 7 / 0 / 47

HEX #497E87

RGB 73 126 135

HSL 188.71, 0.3%, 0.41%

LAB 49.6, -15.1, -10.4

 

CMYK 42 / 6 / 0 / 40

HEX #5A909A

RGB 90 144 154

HSL 189.38, 0.26%, 0.48%

LAB 56.54, -15.16, -10.93

 

CMYK 38 / 6 / 0 / 32

HEX #6BA2AD

RGB 107 162 173

HSL 190, 0.29%, 0.55%

LAB 63.33, -15.19, -11.44

 

CMYK 35 / 6 / 0 / 25

HEX #7CB4C0

RGB 124 180 192

HSL 190.59, 0.35%, 0.62%

LAB 69.99, -15.19, -11.92

 

CMYK 33 / 6 / 0 / 17

HEX #8DC6D3

RGB 141 198 211

HSL 191.14, 0.44%, 0.69%

LAB 76.53, -15.19, -12.39

 

CMYK 51 / 10 / 0 / 45

HEX #447E8C

RGB 68 126 140

HSL 191.67, 0.35%, 0.41%

LAB 49.55, -14.9, -13.44

 

CMYK 58 / 11 / 0 / 53

HEX #336C79

RGB 51 108 121

HSL 191.14, 0.41%, 0.34%

LAB 42.47, -14.6, -12.92

 

CMYK 67 / 12 / 0 / 60

HEX #225A66

RGB 34 90 102

HSL 190.59, 0.5%, 0.27%

LAB 35.23, -14.11, -12.33

 

CMYK 80 / 13 / 0 / 67

HEX #114853

RGB 17 72 83

HSL 190, 0.66%, 0.2%

LAB 27.79, -13.24, -11.64

 

CMYK 100 / 16 / 0 / 75

HEX #003640

RGB 0 54 64

HSL 189.38, 1%, 0.13%

LAB 20.08, -12.06, -10.88

 

CMYK 52 / 11 / 0 / 45

HEX #437E8D

RGB 67 126 141

HSL 192.16, 0.36%, 0.41%

LAB 49.54, -14.83, -14.05

 

CMYK 52 / 24 / 0 / 45

HEX #436B8D

RGB 67 107 141

HSL 207.57, 0.36%, 0.41%

LAB 43.7, -3.87, -22.99

 

CMYK 52 / 38 / 0 / 45

HEX #43578D

RGB 67 87 141

HSL 223.78, 0.36%, 0.41%

LAB 37.72, 8.59, -32.34

 

CMYK 52 / 52 / 0 / 45

HEX #44438D

RGB 68 67 141

HSL 240.81, 0.36%, 0.41%

LAB 32.18, 21.88, -41.16

 

CMYK 38 / 52 / 0 / 45

HEX #57438D

RGB 87 67 141

HSL 256.22, 0.36%, 0.41%

LAB 33.91, 26.65, -38.3

 

CMYK 52 / 11 / 0 / 45

HEX #437E8D

RGB 67 126 141

HSL 192.16, 0.36%, 0.41%

LAB 49.54, -14.83, -14.05

 

CMYK 52 / 24 / 0 / 45

HEX #436B8D

RGB 67 107 141

HSL 207.57, 0.36%, 0.41%

LAB 43.7, -3.87, -22.99

 

CMYK 52 / 38 / 0 / 45

HEX #43578D

RGB 67 87 141

HSL 223.78, 0.36%, 0.41%

LAB 37.72, 8.59, -32.34

 

CMYK 52 / 52 / 0 / 45

HEX #43438D

RGB 67 67 141

HSL 240, 0.36%, 0.41%

LAB 32.1, 21.65, -41.29

 

CMYK 52 / 11 / 0 / 45

HEX #437E8D

RGB 67 126 141

HSL 192.16, 0.36%, 0.41%

LAB 49.54, -14.83, -14.05

 

CMYK 68 / 13 / 0 / 38

HEX #33899E

RGB 51 137 158

HSL 191.78, 0.51%, 0.41%

LAB 53.02, -18.67, -18.71

 

CMYK 80 / 16 / 0 / 32

HEX #2293AE

RGB 34 147 174

HSL 191.57, 0.67%, 0.41%

LAB 56.35, -20.88, -22.83

 

CMYK 91 / 18 / 0 / 25

HEX #119DBF

RGB 17 157 191

HSL 191.72, 0.84%, 0.41%

LAB 59.88, -21.53, -27.03

 

CMYK 100 / 19 / 0 / 18

HEX #00A8D0

RGB 0 168 208

HSL 191.54, 1%, 0.41%

LAB 63.8, -21.97, -30.48

 

CMYK 52 / 11 / 0 / 45

HEX #437E8D

RGB 67 126 141

HSL 192.16, 0.36%, 0.41%

LAB 49.54, -14.83, -14.05

 

CMYK 32 / 6 / 0 / 51

HEX #54747C

RGB 84 116 124

HSL 192, 0.19%, 0.41%

LAB 46.75, -9.35, -8.11

 

CMYK 6 / 1 / 0 / 58

HEX #656A6B

RGB 101 106 107

HSL 190, 0.03%, 0.41%

LAB 44.43, -1.7, -1.23

 

CMYK 0 / 19 / 24 / 54

HEX #765F5A

RGB 118 95 90

HSL 10.71, 0.13%, 0.41%

LAB 42.42, 8.47, 6.37

 

CMYK 0 / 37 / 46 / 47

HEX #875549

RGB 135 85 73

HSL 11.61, 0.3%, 0.41%

LAB 41.42, 19.31, 15.64

 

CMYK 52 / 0 / 18 / 45

HEX #438D73

RGB 67 141 115

HSL 158.92, 0.36%, 0.41%

LAB 53.47, -29.64, 6.89

 

CMYK 52 / 0 / 4 / 45

HEX #438D87

RGB 67 141 135

HSL 175.14, 0.36%, 0.41%

LAB 54.02, -24.51, -3.85

 

CMYK 52 / 10 / 0 / 45

HEX #437F8D

RGB 67 127 141

HSL 191.35, 0.36%, 0.41%

LAB 49.85, -15.39, -13.58

 

CMYK 52 / 23 / 0 / 45

HEX #436C8D

RGB 67 108 141

HSL 206.76, 0.36%, 0.41%

LAB 44, -4.47, -22.52

 

CMYK 52 / 38 / 0 / 45

HEX #43588D

RGB 67 88 141

HSL 222.97, 0.36%, 0.41%

LAB 38.01, 7.95, -31.88

 

CMYK 52 / 11 / 0 / 67

HEX #294C55

RGB 41 76 85

HSL 192.27, 0.35%, 0.25%

LAB 30.15, -9.85, -9.26

 

CMYK 52 / 11 / 0 / 56

HEX #366571

RGB 54 101 113

HSL 192.2, 0.35%, 0.33%

LAB 40.05, -12.41, -11.72

 

CMYK 52 / 11 / 0 / 45

HEX #437E8D

RGB 67 126 141

HSL 192.16, 0.36%, 0.41%

LAB 49.54, -14.83, -14.05

 

CMYK 52 / 10 / 0 / 34

HEX #5197A8

RGB 81 151 168

HSL 191.72, 0.35%, 0.49%

LAB 58.7, -17.22, -15.7

 

CMYK 42 / 8 / 0 / 28

HEX #6BA9B8

RGB 107 169 184

HSL 191.69, 0.35%, 0.57%

LAB 65.72, -16.01, -13.99

 

CMYK 51 / 10 / 0 / 45

HEX #447E8C

RGB 68 126 140

HSL 191.67, 0.35%, 0.41%

LAB 49.55, -14.9, -13.44

 

CMYK 32 / 52 / 0 / 45

HEX #60438D

RGB 96 67 141

HSL 263.51, 0.36%, 0.41%

LAB 34.85, 29.1, -36.74

 

CMYK 0 / 11 / 52 / 45

HEX #8D7D43

RGB 141 125 67

HSL 47.03, 0.36%, 0.41%

LAB 52.66, -1.9, 33.6

 

CMYK 51 / 10 / 0 / 45

HEX #447E8C

RGB 68 126 140

HSL 191.67, 0.35%, 0.41%

LAB 49.55, -14.9, -13.44

 

CMYK 0 / 52 / 10 / 45

HEX #8D437F

RGB 141 67 127

HSL 311.35, 0.36%, 0.41%

LAB 39.93, 39.65, -19.77

 

CMYK 10 / 0 / 52 / 45

HEX #7F8D43

RGB 127 141 67

HSL 71.35, 0.36%, 0.41%

LAB 56.05, -16.75, 37.37

 

CMYK 51 / 10 / 0 / 45

HEX #447E8C

RGB 68 126 140

HSL 191.67, 0.35%, 0.41%

LAB 49.55, -14.9, -13.44

 

CMYK 32 / 52 / 0 / 45

HEX #60438D

RGB 96 67 141

HSL 263.51, 0.36%, 0.41%

LAB 34.85, 29.1, -36.74

 

CMYK 0 / 43 / 52 / 45

HEX #8D5143

RGB 141 81 67

HSL 11.35, 0.36%, 0.41%

LAB 41.14, 23.54, 19.05

 

CMYK 20 / 0 / 52 / 45

HEX #718D43

RGB 113 141 67

HSL 82.7, 0.36%, 0.41%

LAB 55.04, -22.57, 35.91

 

CMYK 51 / 10 / 0 / 45

HEX #447E8C

RGB 68 126 140

HSL 191.67, 0.35%, 0.41%

LAB 49.55, -14.9, -13.44

 

CMYK 17 / 52 / 0 / 45

HEX #75438D

RGB 117 67 141

HSL 280.54, 0.36%, 0.41%

LAB 37.33, 35.12, -32.65

 

CMYK 0 / 43 / 52 / 45

HEX #8D5143

RGB 141 81 67

HSL 11.35, 0.36%, 0.41%

LAB 41.14, 23.54, 19.05

 

CMYK 35 / 0 / 52 / 45

HEX #5B8D43

RGB 91 141 67

HSL 100.54, 0.36%, 0.41%

LAB 53.68, -31.05, 33.96

 

Description

Color code: HEX #447E8C | qconv.com Color code: HEX #447E8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 126 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 126 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 10 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 10% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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