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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44805F it is the complementary color #BB7FA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44805F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44805F shade: #49805A, #5A926D, #6BA480, #7CB693 and #8DC8A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44805F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44805F shade: #44805F, #336E4C, #225C39, #114A26 and #003813

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44805F shade: #427E5D, #427E4D, #487E42, #587E42 and #687E42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44805F shade: #427E5D, #427E6E, #427E7E, #426F7E and #425F7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44805F shade matches the following richer shades: #427E5D, #338E5C, #239E5A, #13AD59 and #04BD57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44805F shade: #427E5D, #526F5F, #625F61, #714F62 and #814064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44805F shade: #477E42, #427E4D, #427E5D, #427E6D and #427E7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44805F shade: #264835, #346349, #427E5D, #519971 and #65AE86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44805F shade: #44805F, #42577E and #7E4542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44805F shade: #44805F, #5D427E and #7E5D42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44805F shade: #44805F, #42577E, #7E4263 and #7E6942

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44805F shade: #44805F, #42457E, #7E4263 and #7E7B42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 26 / 50

HEX #44805F

RGB 68 128 95

HSL 147, 0.31%, 0.38%

LAB 48.88, -27.64, 11.97

 

Complementary color

CMYK 0 / 32 / 14 / 27

HEX #BB7FA0

RGB 187 127 160

HSL 327, 0.31%, 0.62%

LAB 60.14, 28.22, -8.16

 

CMYK 43 / 0 / 30 / 50

HEX #49805A

RGB 73 128 90

HSL 138.55, 0.27%, 0.39%

LAB 49, -27.18, 15.07

 

CMYK 38 / 0 / 25 / 43

HEX #5A926D

RGB 90 146 109

HSL 140.36, 0.24%, 0.46%

LAB 55.92, -26.89, 13.92

 

CMYK 35 / 0 / 22 / 36

HEX #6BA480

RGB 107 164 128

HSL 142.11, 0.24%, 0.53%

LAB 62.71, -26.61, 12.86

 

CMYK 32 / 0 / 19 / 29

HEX #7CB693

RGB 124 182 147

HSL 143.79, 0.28%, 0.6%

LAB 69.36, -26.35, 11.89

 

CMYK 30 / 0 / 17 / 22

HEX #8DC8A6

RGB 141 200 166

HSL 145.42, 0.35%, 0.67%

LAB 75.9, -26.1, 10.98

 

CMYK 47 / 0 / 26 / 50

HEX #44805F

RGB 68 128 95

HSL 147, 0.31%, 0.38%

LAB 48.88, -27.64, 11.97

 

CMYK 54 / 0 / 31 / 57

HEX #336E4C

RGB 51 110 76

HSL 145.42, 0.37%, 0.32%

LAB 41.81, -27.84, 13.23

 

CMYK 63 / 0 / 38 / 64

HEX #225C39

RGB 34 92 57

HSL 143.79, 0.46%, 0.25%

LAB 34.58, -27.89, 14.66

 

CMYK 77 / 0 / 49 / 71

HEX #114A26

RGB 17 74 38

HSL 142.11, 0.63%, 0.18%

LAB 27.18, -27.57, 16.34

 

CMYK 100 / 0 / 66 / 78

HEX #003813

RGB 0 56 19

HSL 140.36, 1%, 0.11%

LAB 19.54, -26.89, 18.16

 

CMYK 48 / 0 / 26 / 51

HEX #427E5D

RGB 66 126 93

HSL 147, 0.31%, 0.38%

LAB 48.1, -27.67, 12.04

 

CMYK 48 / 0 / 39 / 51

HEX #427E4D

RGB 66 126 77

HSL 131, 0.31%, 0.38%

LAB 47.77, -30.87, 20.79

 

CMYK 43 / 0 / 48 / 51

HEX #487E42

RGB 72 126 66

HSL 114, 0.31%, 0.38%

LAB 47.87, -30.78, 27.09

 

CMYK 30 / 0 / 48 / 51

HEX #587E42

RGB 88 126 66

HSL 98, 0.31%, 0.38%

LAB 48.75, -25.03, 28.38

 

CMYK 17 / 0 / 48 / 51

HEX #687E42

RGB 104 126 66

HSL 82, 0.31%, 0.38%

LAB 49.81, -18.64, 29.93

 

CMYK 48 / 0 / 26 / 51

HEX #427E5D

RGB 66 126 93

HSL 147, 0.31%, 0.38%

LAB 48.1, -27.67, 12.04

 

CMYK 48 / 0 / 13 / 51

HEX #427E6E

RGB 66 126 110

HSL 164, 0.31%, 0.38%

LAB 48.52, -23.68, 2.68

 

CMYK 48 / 0 / 0 / 51

HEX #427E7E

RGB 66 126 126

HSL 180, 0.31%, 0.38%

LAB 48.99, -19.43, -6.05

 

CMYK 48 / 12 / 0 / 51

HEX #426F7E

RGB 66 111 126

HSL 195, 0.31%, 0.38%

LAB 44.28, -11.13, -13.13

 

CMYK 48 / 25 / 0 / 51

HEX #425F7E

RGB 66 95 126

HSL 211, 0.31%, 0.38%

LAB 39.33, -1.6, -20.71

 

CMYK 48 / 0 / 26 / 51

HEX #427E5D

RGB 66 126 93

HSL 147, 0.31%, 0.38%

LAB 48.1, -27.67, 12.04

 

CMYK 64 / 0 / 35 / 44

HEX #338E5C

RGB 51 142 92

HSL 147.03, 0.47%, 0.38%

LAB 52.75, -38.94, 18.91

 

CMYK 78 / 0 / 43 / 38

HEX #239E5A

RGB 35 158 90

HSL 146.83, 0.64%, 0.38%

LAB 57.61, -48.48, 26.38

 

CMYK 89 / 0 / 49 / 32

HEX #13AD59

RGB 19 173 89

HSL 147.27, 0.8%, 0.38%

LAB 62.29, -55.67, 32.88

 

CMYK 98 / 0 / 54 / 26

HEX #04BD57

RGB 4 189 87

HSL 146.92, 0.96%, 0.38%

LAB 67.36, -62.07, 40.14

 

CMYK 48 / 0 / 26 / 51

HEX #427E5D

RGB 66 126 93

HSL 147, 0.31%, 0.38%

LAB 48.1, -27.67, 12.04

 

CMYK 26 / 0 / 14 / 56

HEX #526F5F

RGB 82 111 95

HSL 146.9, 0.15%, 0.38%

LAB 44.22, -14.21, 5.51

 

CMYK 0 / 3 / 1 / 62

HEX #625F61

RGB 98 95 97

HSL 320, 0.02%, 0.38%

LAB 40.64, 1.6, -0.72

 

CMYK 0 / 30 / 13 / 56

HEX #714F62

RGB 113 79 98

HSL 326.47, 0.18%, 0.38%

LAB 37.81, 17.55, -5.34

 

CMYK 0 / 50 / 22 / 49

HEX #814064

RGB 129 64 100

HSL 326.77, 0.34%, 0.38%

LAB 36.47, 32.69, -8.39

 

CMYK 44 / 0 / 48 / 51

HEX #477E42

RGB 71 126 66

HSL 115, 0.31%, 0.38%

LAB 47.82, -31.12, 27.02

 

CMYK 48 / 0 / 39 / 51

HEX #427E4D

RGB 66 126 77

HSL 131, 0.31%, 0.38%

LAB 47.77, -30.87, 20.79

 

CMYK 48 / 0 / 26 / 51

HEX #427E5D

RGB 66 126 93

HSL 147, 0.31%, 0.38%

LAB 48.1, -27.67, 12.04

 

CMYK 48 / 0 / 13 / 51

HEX #427E6D

RGB 66 126 109

HSL 163, 0.31%, 0.38%

LAB 48.49, -23.93, 3.23

 

CMYK 48 / 0 / 1 / 51

HEX #427E7D

RGB 66 126 125

HSL 179, 0.31%, 0.38%

LAB 48.96, -19.7, -5.51

 

CMYK 47 / 0 / 26 / 72

HEX #264835

RGB 38 72 53

HSL 146.47, 0.31%, 0.22%

LAB 27.58, -17.5, 7.6

 

CMYK 47 / 0 / 26 / 61

HEX #346349

RGB 52 99 73

HSL 146.81, 0.31%, 0.3%

LAB 38.08, -22.73, 9.88

 

CMYK 48 / 0 / 26 / 51

HEX #427E5D

RGB 66 126 93

HSL 147, 0.31%, 0.38%

LAB 48.1, -27.67, 12.04

 

CMYK 47 / 0 / 26 / 40

HEX #519971

RGB 81 153 113

HSL 146.67, 0.31%, 0.46%

LAB 57.77, -32.11, 14.17

 

CMYK 42 / 0 / 23 / 32

HEX #65AE86

RGB 101 174 134

HSL 147.12, 0.31%, 0.54%

LAB 65.56, -32.03, 13.51

 

CMYK 47 / 0 / 26 / 50

HEX #44805F

RGB 68 128 95

HSL 147, 0.31%, 0.38%

LAB 48.88, -27.64, 11.97

 

CMYK 48 / 31 / 0 / 51

HEX #42577E

RGB 66 87 126

HSL 219, 0.31%, 0.38%

LAB 36.89, 3.4, -24.49

 

CMYK 0 / 45 / 48 / 51

HEX #7E4542

RGB 126 69 66

HSL 3, 0.31%, 0.38%

LAB 36.15, 24.06, 12.59

 

CMYK 47 / 0 / 26 / 50

HEX #44805F

RGB 68 128 95

HSL 147, 0.31%, 0.38%

LAB 48.88, -27.64, 11.97

 

CMYK 26 / 48 / 0 / 51

HEX #5D427E

RGB 93 66 126

HSL 267, 0.31%, 0.38%

LAB 33.41, 24.83, -29.79

 

CMYK 0 / 26 / 48 / 51

HEX #7E5D42

RGB 126 93 66

HSL 27, 0.31%, 0.38%

LAB 42.24, 9.84, 20.74

 

CMYK 47 / 0 / 26 / 50

HEX #44805F

RGB 68 128 95

HSL 147, 0.31%, 0.38%

LAB 48.88, -27.64, 11.97

 

CMYK 48 / 31 / 0 / 51

HEX #42577E

RGB 66 87 126

HSL 219, 0.31%, 0.38%

LAB 36.89, 3.4, -24.49

 

CMYK 0 / 48 / 21 / 51

HEX #7E4263

RGB 126 66 99

HSL 327, 0.31%, 0.38%

LAB 36.43, 30.33, -7.86

 

CMYK 0 / 17 / 48 / 51

HEX #7E6942

RGB 126 105 66

HSL 39, 0.31%, 0.38%

LAB 45.54, 2.75, 24.99

 

CMYK 47 / 0 / 26 / 50

HEX #44805F

RGB 68 128 95

HSL 147, 0.31%, 0.38%

LAB 48.88, -27.64, 11.97

 

CMYK 48 / 45 / 0 / 51

HEX #42457E

RGB 66 69 126

HSL 237, 0.31%, 0.38%

LAB 31.63, 15.12, -32.79

 

CMYK 0 / 48 / 21 / 51

HEX #7E4263

RGB 126 66 99

HSL 327, 0.31%, 0.38%

LAB 36.43, 30.33, -7.86

 

CMYK 0 / 2 / 48 / 51

HEX #7E7B42

RGB 126 123 66

HSL 57, 0.31%, 0.38%

LAB 50.68, -7.54, 31.4

 

Description

Color code: HEX #44805F | qconv.com Color code: HEX #44805F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 128 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 128 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 26 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 26% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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