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Color name
HEX #448E1A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #448E1A it is the complementary color #BB71E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #448E1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #448E1A shade: #498E15, #5AA028, #6BB23B, #7CC44E and #8DD661

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #448E1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #448E1A shade: #448E1A, #337C07, #226A00, #115800 and #004600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #448E1A shade: #448E1A, #638E1A, #828E1A, #8E7A1A and #8E5B1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #448E1A shade: #448E1A, #248E1A, #1A8E2E, #1A8E4D and #1A8E6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #448E1A shade matches the following richer shades: #448E1A and #409B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #448E1A shade: #448E1A, #478027, #4B7235, #4F6542 and #535750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #448E1A shade: #828E1A, #638E1A, #448E1A, #258E1A and #1A8E2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #448E1A shade: #22480D, #336B13, #448E1A, #54B120 and #65D326

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #448E1A shade: #448E1A, #1A8E7A and #8E1A73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #448E1A shade: #448E1A, #1A448E and #8E1A44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #448E1A shade: #448E1A, #1A8E7A, #631A8E and #8E1A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #448E1A shade: #448E1A, #1A7E8E, #631A8E and #8E291A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

Complementary color

CMYK 18 / 51 / 0 / 10

HEX #BB71E5

RGB 187 113 229

HSL 278.28, 0.69%, 0.67%

LAB 59.92, 49.15, -47.6

 

CMYK 49 / 0 / 85 / 44

HEX #498E15

RGB 73 142 21

HSL 94.21, 0.74%, 0.32%

LAB 52.75, -41.68, 51.68

 

CMYK 44 / 0 / 75 / 37

HEX #5AA028

RGB 90 160 40

HSL 95, 0.6%, 0.39%

LAB 59.41, -42.37, 52.23

 

CMYK 40 / 0 / 67 / 30

HEX #6BB23B

RGB 107 178 59

HSL 95.8, 0.5%, 0.46%

LAB 65.97, -42.76, 51.85

 

CMYK 37 / 0 / 60 / 23

HEX #7CC44E

RGB 124 196 78

HSL 96.61, 0.5%, 0.54%

LAB 72.44, -42.95, 51.03

 

CMYK 34 / 0 / 55 / 16

HEX #8DD661

RGB 141 214 97

HSL 97.44, 0.59%, 0.61%

LAB 78.82, -43.01, 50

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 59 / 0 / 94 / 51

HEX #337C07

RGB 51 124 7

HSL 97.44, 0.89%, 0.26%

LAB 45.82, -41.89, 48.49

 

CMYK 68 / 0 / 100 / 58

HEX #226A00

RGB 34 106 0

HSL 100.75, 1%, 0.21%

LAB 38.98, -39.98, 44.33

 

CMYK 81 / 0 / 100 / 65

HEX #115800

RGB 17 88 0

HSL 108.41, 1%, 0.17%

LAB 32.03, -37.25, 38.63

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 30 / 0 / 82 / 44

HEX #638E1A

RGB 99 142 26

HSL 82.24, 0.69%, 0.33%

LAB 54.1, -31.94, 51.99

 

CMYK 8 / 0 / 82 / 44

HEX #828E1A

RGB 130 142 26

HSL 66.21, 0.69%, 0.33%

LAB 56.25, -18.75, 54.73

 

CMYK 0 / 14 / 82 / 44

HEX #8E7A1A

RGB 142 122 26

HSL 49.66, 0.69%, 0.33%

LAB 51.55, -2.43, 50.97

 

CMYK 0 / 36 / 82 / 44

HEX #8E5B1A

RGB 142 91 26

HSL 33.62, 0.69%, 0.33%

LAB 43.22, 15.43, 43.42

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 75 / 0 / 82 / 44

HEX #248E1A

RGB 36 142 26

HSL 114.83, 0.69%, 0.33%

LAB 51.61, -50.83, 48.77

 

CMYK 82 / 0 / 68 / 44

HEX #1A8E2E

RGB 26 142 46

HSL 130.34, 0.69%, 0.33%

LAB 51.57, -50.63, 41.07

 

CMYK 82 / 0 / 46 / 44

HEX #1A8E4D

RGB 26 142 77

HSL 146.38, 0.69%, 0.33%

LAB 51.95, -46.04, 26.03

 

CMYK 82 / 0 / 23 / 44

HEX #1A8E6D

RGB 26 142 109

HSL 162.93, 0.69%, 0.33%

LAB 52.59, -38.95, 8.94

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 59 / 0 / 92 / 39

HEX #409B0C

RGB 64 155 12

HSL 98.18, 0.86%, 0.33%

LAB 56.64, -49.68, 56.85

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 45 / 0 / 70 / 50

HEX #478027

RGB 71 128 39

HSL 98.43, 0.53%, 0.33%

LAB 48.16, -35.27, 40.86

 

CMYK 34 / 0 / 54 / 55

HEX #4B7235

RGB 75 114 53

HSL 98.36, 0.37%, 0.33%

LAB 43.93, -25.76, 29.28

 

CMYK 22 / 0 / 35 / 60

HEX #4F6542

RGB 79 101 66

HSL 97.71, 0.21%, 0.33%

LAB 40.19, -15.46, 17.21

 

CMYK 5 / 0 / 8 / 66

HEX #535750

RGB 83 87 80

HSL 94.29, 0.04%, 0.33%

LAB 36.43, -3.08, 3.51

 

CMYK 8 / 0 / 82 / 44

HEX #828E1A

RGB 130 142 26

HSL 66.21, 0.69%, 0.33%

LAB 56.25, -18.75, 54.73

 

CMYK 30 / 0 / 82 / 44

HEX #638E1A

RGB 99 142 26

HSL 82.24, 0.69%, 0.33%

LAB 54.1, -31.94, 51.99

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 74 / 0 / 82 / 44

HEX #258E1A

RGB 37 142 26

HSL 114.31, 0.69%, 0.33%

LAB 51.63, -50.65, 48.8

 

CMYK 82 / 0 / 68 / 44

HEX #1A8E2D

RGB 26 142 45

HSL 129.83, 0.69%, 0.33%

LAB 51.56, -50.74, 41.5

 

CMYK 53 / 0 / 82 / 72

HEX #22480D

RGB 34 72 13

HSL 98.64, 0.69%, 0.17%

LAB 26.75, -25.37, 29.37

 

CMYK 52 / 0 / 82 / 58

HEX #336B13

RGB 51 107 19

HSL 98.18, 0.7%, 0.25%

LAB 40.03, -34.53, 40.24

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 53 / 0 / 82 / 31

HEX #54B120

RGB 84 177 32

HSL 98.48, 0.69%, 0.41%

LAB 64.51, -51.43, 59.52

 

CMYK 52 / 0 / 82 / 17

HEX #65D326

RGB 101 211 38

HSL 98.15, 0.69%, 0.49%

LAB 75.76, -58.86, 68.4

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 82 / 0 / 14 / 44

HEX #1A8E7A

RGB 26 142 122

HSL 169.66, 0.69%, 0.33%

LAB 52.92, -35.46, 1.92

 

CMYK 0 / 82 / 19 / 44

HEX #8E1A73

RGB 142 26 115

HSL 313.97, 0.69%, 0.33%

LAB 33.41, 54.93, -22.38

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 82 / 52 / 0 / 44

HEX #1A448E

RGB 26 68 142

HSL 218.28, 0.69%, 0.33%

LAB 30.17, 14.24, -45.13

 

CMYK 0 / 82 / 52 / 44

HEX #8E1A44

RGB 142 26 68

HSL 338.28, 0.69%, 0.33%

LAB 31.59, 49.58, 5.37

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 82 / 0 / 14 / 44

HEX #1A8E7A

RGB 26 142 122

HSL 169.66, 0.69%, 0.33%

LAB 52.92, -35.46, 1.92

 

CMYK 30 / 82 / 0 / 44

HEX #631A8E

RGB 99 26 142

HSL 277.76, 0.69%, 0.33%

LAB 27.69, 50.79, -48.86

 

CMYK 0 / 82 / 68 / 44

HEX #8E1A2D

RGB 142 26 45

HSL 350.17, 0.69%, 0.33%

LAB 31.06, 47.96, 19.82

 

CMYK 52 / 0 / 82 / 44

HEX #448E1A

RGB 68 142 26

HSL 98.28, 0.69%, 0.33%

LAB 52.56, -43.02, 50.01

 

CMYK 82 / 11 / 0 / 44

HEX #1A7E8E

RGB 26 126 142

HSL 188.28, 0.69%, 0.33%

LAB 48.38, -21.41, -16.51

 

CMYK 30 / 82 / 0 / 44

HEX #631A8E

RGB 99 26 142

HSL 277.76, 0.69%, 0.33%

LAB 27.69, 50.79, -48.86

 

CMYK 0 / 71 / 82 / 44

HEX #8E291A

RGB 142 41 26

HSL 7.76, 0.69%, 0.33%

LAB 32.73, 41.74, 33.36

 

Description

Color code: HEX #448E1A | qconv.com Color code: HEX #448E1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 142 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 142 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 82 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 82% 44% C M Y K

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