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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #449749 it is the complementary color #BB68B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #449749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #449749 shade: #499744, #5AA957, #6BBB6A, #7CCD7D and #8DDF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #449749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #449749 shade: #449749, #338536, #227323, #116110 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #449749 shade: #439748, #559743, #6B9743, #829743 and #979543

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #449749 shade: #439748, #43975F, #439775, #43978C and #438B97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #449749 shade matches the following richer shades: #439748, #32A939, #20BA29 and #0ECC1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #449749 shade: #439748, #558558, #677368, #796277 and #8A5087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #449749 shade: #6C9743, #569743, #439748, #43975E and #439774

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #449749 shade: #2A5E2D, #377A3B, #439748, #52B158 and #6FBE74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #449749 shade: #449749, #438297 and #974361

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #449749 shade: #449749, #484397 and #974843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #449749 shade: #449749, #438297, #974393 and #975843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #449749 shade: #449749, #436997, #974393 and #977143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 52 / 41

HEX #449749

RGB 68 151 73

HSL 123.61, 0.38%, 0.43%

LAB 55.93, -41.94, 33.38

 

Complementary color

CMYK 0 / 44 / 3 / 27

HEX #BB68B6

RGB 187 104 182

HSL 303.61, 0.38%, 0.57%

LAB 55.93, 44.5, -27.21

 

CMYK 52 / 0 / 55 / 41

HEX #499744

RGB 73 151 68

HSL 116.39, 0.38%, 0.43%

LAB 56.05, -41.24, 36.12

 

CMYK 47 / 0 / 49 / 34

HEX #5AA957

RGB 90 169 87

HSL 117.8, 0.32%, 0.5%

LAB 62.71, -41.25, 34.79

 

CMYK 43 / 0 / 43 / 27

HEX #6BBB6A

RGB 107 187 106

HSL 119.26, 0.37%, 0.57%

LAB 69.26, -41.13, 33.49

 

CMYK 40 / 0 / 39 / 20

HEX #7CCD7D

RGB 124 205 125

HSL 120.74, 0.45%, 0.65%

LAB 75.72, -40.94, 32.24

 

CMYK 37 / 0 / 35 / 13

HEX #8DDF90

RGB 141 223 144

HSL 122.2, 0.56%, 0.71%

LAB 82.08, -40.71, 31.04

 

CMYK 55 / 0 / 52 / 41

HEX #449749

RGB 68 151 73

HSL 123.61, 0.38%, 0.43%

LAB 55.93, -41.94, 33.38

 

CMYK 62 / 0 / 59 / 48

HEX #338536

RGB 51 133 54

HSL 122.2, 0.45%, 0.36%

LAB 49.19, -41.68, 34.76

 

CMYK 70 / 0 / 70 / 55

HEX #227323

RGB 34 115 35

HSL 120.74, 0.54%, 0.29%

LAB 42.34, -40.96, 35.97

 

CMYK 82 / 0 / 84 / 62

HEX #116110

RGB 17 97 16

HSL 119.26, 0.72%, 0.22%

LAB 35.41, -39.4, 36.51

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 56 / 0 / 52 / 41

HEX #439748

RGB 67 151 72

HSL 123.57, 0.39%, 0.43%

LAB 55.88, -42.36, 33.83

 

CMYK 44 / 0 / 56 / 41

HEX #559743

RGB 85 151 67

HSL 107.14, 0.39%, 0.43%

LAB 56.56, -37.66, 37.34

 

CMYK 29 / 0 / 56 / 41

HEX #6B9743

RGB 107 151 67

HSL 91.43, 0.39%, 0.43%

LAB 57.72, -29.85, 39

 

CMYK 14 / 0 / 56 / 41

HEX #829743

RGB 130 151 67

HSL 75, 0.39%, 0.43%

LAB 59.24, -20.66, 41.15

 

CMYK 0 / 1 / 56 / 41

HEX #979543

RGB 151 149 67

HSL 58.57, 0.39%, 0.43%

LAB 60.32, -10.65, 42.83

 

CMYK 56 / 0 / 52 / 41

HEX #439748

RGB 67 151 72

HSL 123.57, 0.39%, 0.43%

LAB 55.88, -42.36, 33.83

 

CMYK 56 / 0 / 37 / 41

HEX #43975F

RGB 67 151 95

HSL 140, 0.39%, 0.43%

LAB 56.24, -38.52, 22.01

 

CMYK 56 / 0 / 23 / 41

HEX #439775

RGB 67 151 117

HSL 155.71, 0.39%, 0.43%

LAB 56.69, -33.9, 10.32

 

CMYK 56 / 0 / 7 / 41

HEX #43978C

RGB 67 151 140

HSL 172.14, 0.39%, 0.43%

LAB 57.29, -28.16, -1.91

 

CMYK 56 / 8 / 0 / 41

HEX #438B97

RGB 67 139 151

HSL 188.57, 0.39%, 0.43%

LAB 53.91, -18.9, -13.26

 

CMYK 56 / 0 / 52 / 41

HEX #439748

RGB 67 151 72

HSL 123.57, 0.39%, 0.43%

LAB 55.88, -42.36, 33.83

 

CMYK 70 / 0 / 66 / 34

HEX #32A939

RGB 50 169 57

HSL 123.53, 0.54%, 0.43%

LAB 61.09, -54.82, 46.84

 

CMYK 83 / 0 / 78 / 27

HEX #20BA29

RGB 32 186 41

HSL 123.51, 0.71%, 0.43%

LAB 66.2, -64.27, 58

 

CMYK 93 / 0 / 87 / 20

HEX #0ECC1A

RGB 14 204 26

HSL 123.79, 0.87%, 0.43%

LAB 71.79, -71.61, 66.95

 

CMYK 56 / 0 / 52 / 41

HEX #439748

RGB 67 151 72

HSL 123.57, 0.39%, 0.43%

LAB 55.88, -42.36, 33.83

 

CMYK 36 / 0 / 34 / 48

HEX #558558

RGB 85 133 88

HSL 123.75, 0.22%, 0.43%

LAB 51.16, -26.1, 19.26

 

CMYK 10 / 0 / 10 / 55

HEX #677368

RGB 103 115 104

HSL 125, 0.06%, 0.43%

LAB 47.16, -6.8, 4.56

 

CMYK 0 / 19 / 2 / 53

HEX #796277

RGB 121 98 119

HSL 305.22, 0.11%, 0.43%

LAB 44.42, 13.22, -8.29

 

CMYK 0 / 42 / 2 / 46

HEX #8A5087

RGB 138 80 135

HSL 303.1, 0.27%, 0.43%

LAB 42.6, 33.08, -20.58

 

CMYK 28 / 0 / 56 / 41

HEX #6C9743

RGB 108 151 67

HSL 90.71, 0.39%, 0.43%

LAB 57.78, -29.47, 39.08

 

CMYK 43 / 0 / 56 / 41

HEX #569743

RGB 86 151 67

HSL 106.43, 0.39%, 0.43%

LAB 56.6, -37.34, 37.4

 

CMYK 56 / 0 / 52 / 41

HEX #439748

RGB 67 151 72

HSL 123.57, 0.39%, 0.43%

LAB 55.88, -42.36, 33.83

 

CMYK 56 / 0 / 38 / 41

HEX #43975E

RGB 67 151 94

HSL 139.29, 0.39%, 0.43%

LAB 56.22, -38.71, 22.54

 

CMYK 56 / 0 / 23 / 41

HEX #439774

RGB 67 151 116

HSL 155, 0.39%, 0.43%

LAB 56.67, -34.12, 10.86

 

CMYK 55 / 0 / 52 / 63

HEX #2A5E2D

RGB 42 94 45

HSL 123.46, 0.38%, 0.27%

LAB 35.37, -28.86, 22.8

 

CMYK 55 / 0 / 52 / 52

HEX #377A3B

RGB 55 122 59

HSL 123.58, 0.38%, 0.35%

LAB 45.7, -35.34, 28.01

 

CMYK 56 / 0 / 52 / 41

HEX #439748

RGB 67 151 72

HSL 123.57, 0.39%, 0.43%

LAB 55.88, -42.36, 33.83

 

CMYK 54 / 0 / 50 / 31

HEX #52B158

RGB 82 177 88

HSL 123.79, 0.38%, 0.51%

LAB 64.92, -46.69, 36.96

 

CMYK 42 / 0 / 39 / 25

HEX #6FBE74

RGB 111 190 116

HSL 123.8, 0.38%, 0.59%

LAB 70.5, -39.68, 29.95

 

CMYK 55 / 0 / 52 / 41

HEX #449749

RGB 68 151 73

HSL 123.61, 0.38%, 0.43%

LAB 55.93, -41.94, 33.38

 

CMYK 56 / 14 / 0 / 41

HEX #438297

RGB 67 130 151

HSL 195, 0.39%, 0.43%

LAB 51.14, -14.01, -17.46

 

CMYK 0 / 56 / 36 / 41

HEX #974361

RGB 151 67 97

HSL 338.57, 0.39%, 0.43%

LAB 40.34, 38.47, -0.4

 

CMYK 55 / 0 / 52 / 41

HEX #449749

RGB 68 151 73

HSL 123.61, 0.38%, 0.43%

LAB 55.93, -41.94, 33.38

 

CMYK 52 / 56 / 0 / 41

HEX #484397

RGB 72 67 151

HSL 243.57, 0.39%, 0.43%

LAB 33.19, 26.08, -45.63

 

CMYK 0 / 52 / 56 / 41

HEX #974843

RGB 151 72 67

HSL 3.57, 0.39%, 0.43%

LAB 40.6, 32.63, 18.62

 

CMYK 55 / 0 / 52 / 41

HEX #449749

RGB 68 151 73

HSL 123.61, 0.38%, 0.43%

LAB 55.93, -41.94, 33.38

 

CMYK 56 / 14 / 0 / 41

HEX #438297

RGB 67 130 151

HSL 195, 0.39%, 0.43%

LAB 51.14, -14.01, -17.46

 

CMYK 0 / 56 / 3 / 41

HEX #974393

RGB 151 67 147

HSL 302.86, 0.39%, 0.43%

LAB 42.31, 46.25, -28.15

 

CMYK 0 / 42 / 56 / 41

HEX #975843

RGB 151 88 67

HSL 15, 0.39%, 0.43%

LAB 44.18, 23.77, 23.28

 

CMYK 55 / 0 / 52 / 41

HEX #449749

RGB 68 151 73

HSL 123.61, 0.38%, 0.43%

LAB 55.93, -41.94, 33.38

 

CMYK 56 / 30 / 0 / 41

HEX #436997

RGB 67 105 151

HSL 212.86, 0.39%, 0.43%

LAB 43.55, 0.61, -29.19

 

CMYK 0 / 56 / 3 / 41

HEX #974393

RGB 151 67 147

HSL 302.86, 0.39%, 0.43%

LAB 42.31, 46.25, -28.15

 

CMYK 0 / 25 / 56 / 41

HEX #977143

RGB 151 113 67

HSL 32.86, 0.39%, 0.43%

LAB 50.45, 9.4, 31.14

 

Description

Color code: HEX #449749 | qconv.com Color code: HEX #449749 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 151 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 151 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 52 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 52% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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