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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #449E46 it is the complementary color #BB61B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #449E46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #449E46 shade: #499E41, #5AB054, #6BC267, #7CD47A and #8DE68D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #449E46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #449E46 shade: #449E46, #338C33, #227A20, #11680D and #005600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #449E46 shade: #439D45, #599D43, #719D43, #899D43 and #9D9843

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #449E46 shade: #439D45, #439D5D, #439D75, #439D8D and #43949D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #449E46 shade matches the following richer shades: #439D45, #31AF33, #1FC122 and #0CD311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #449E46 shade: #439D45, #558A56, #677868, #796679 and #8B548A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #449E46 shade: #719D43, #599D43, #439D44, #439D5C and #439D74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #449E46 shade: #2A632B, #368038, #439D45, #53B556 and #70C272

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #449E46 shade: #449E46, #43899D and #9D4365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #449E46 shade: #449E46, #44439D and #9D4443

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #449E46 shade: #449E46, #43899D, #9D439B and #9D5643

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #449E46 shade: #449E46, #436E9D, #9D439B and #9D7143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 56 / 38

HEX #449E46

RGB 68 158 70

HSL 121.33, 0.4%, 0.44%

LAB 58.16, -45.2, 37.59

 

Complementary color

CMYK 0 / 48 / 1 / 27

HEX #BB61B9

RGB 187 97 185

HSL 301.33, 0.4%, 0.56%

LAB 54.68, 48.64, -30.88

 

CMYK 54 / 0 / 59 / 38

HEX #499E41

RGB 73 158 65

HSL 114.84, 0.42%, 0.44%

LAB 58.28, -44.49, 40.21

 

CMYK 49 / 0 / 52 / 31

HEX #5AB054

RGB 90 176 84

HSL 116.09, 0.37%, 0.51%

LAB 64.85, -44.61, 38.94

 

CMYK 45 / 0 / 47 / 24

HEX #6BC267

RGB 107 194 103

HSL 117.36, 0.43%, 0.58%

LAB 71.34, -44.57, 37.65

 

CMYK 42 / 0 / 42 / 17

HEX #7CD47A

RGB 124 212 122

HSL 118.67, 0.51%, 0.65%

LAB 77.74, -44.43, 36.39

 

CMYK 39 / 0 / 39 / 10

HEX #8DE68D

RGB 141 230 141

HSL 120, 0.64%, 0.73%

LAB 84.06, -44.24, 35.17

 

CMYK 57 / 0 / 56 / 38

HEX #449E46

RGB 68 158 70

HSL 121.33, 0.4%, 0.44%

LAB 58.16, -45.2, 37.59

 

CMYK 64 / 0 / 64 / 45

HEX #338C33

RGB 51 140 51

HSL 120, 0.47%, 0.37%

LAB 51.5, -44.77, 38.87

 

CMYK 72 / 0 / 74 / 52

HEX #227A20

RGB 34 122 32

HSL 118.67, 0.58%, 0.3%

LAB 44.75, -43.83, 39.82

 

CMYK 84 / 0 / 88 / 59

HEX #11680D

RGB 17 104 13

HSL 117.36, 0.78%, 0.23%

LAB 37.93, -41.99, 39.83

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 57 / 0 / 56 / 38

HEX #439D45

RGB 67 157 69

HSL 121.33, 0.4%, 0.44%

LAB 57.79, -45.19, 37.64

 

CMYK 43 / 0 / 57 / 38

HEX #599D43

RGB 89 157 67

HSL 105.33, 0.4%, 0.44%

LAB 58.64, -38.98, 39.84

 

CMYK 28 / 0 / 57 / 38

HEX #719D43

RGB 113 157 67

HSL 89.33, 0.4%, 0.44%

LAB 59.92, -30.42, 41.65

 

CMYK 13 / 0 / 57 / 38

HEX #899D43

RGB 137 157 67

HSL 73.33, 0.4%, 0.44%

LAB 61.51, -20.8, 43.9

 

CMYK 0 / 3 / 57 / 38

HEX #9D9843

RGB 157 152 67

HSL 56.67, 0.4%, 0.44%

LAB 61.68, -9.65, 44.52

 

CMYK 57 / 0 / 56 / 38

HEX #439D45

RGB 67 157 69

HSL 121.33, 0.4%, 0.44%

LAB 57.79, -45.19, 37.64

 

CMYK 57 / 0 / 41 / 38

HEX #439D5D

RGB 67 157 93

HSL 137.33, 0.4%, 0.44%

LAB 58.13, -41.46, 25.6

 

CMYK 57 / 0 / 25 / 38

HEX #439D75

RGB 67 157 117

HSL 153.33, 0.4%, 0.44%

LAB 58.59, -36.63, 12.99

 

CMYK 57 / 0 / 10 / 38

HEX #439D8D

RGB 67 157 141

HSL 169.33, 0.4%, 0.44%

LAB 59.19, -30.81, 0.3

 

CMYK 57 / 6 / 0 / 38

HEX #43949D

RGB 67 148 157

HSL 186, 0.4%, 0.44%

LAB 56.89, -21.86, -12.22

 

CMYK 57 / 0 / 56 / 38

HEX #439D45

RGB 67 157 69

HSL 121.33, 0.4%, 0.44%

LAB 57.79, -45.19, 37.64

 

CMYK 72 / 0 / 71 / 31

HEX #31AF33

RGB 49 175 51

HSL 120.95, 0.56%, 0.44%

LAB 62.97, -57.61, 51.3

 

CMYK 84 / 0 / 82 / 24

HEX #1FC122

RGB 31 193 34

HSL 121.11, 0.72%, 0.44%

LAB 68.42, -66.87, 62.13

 

CMYK 94 / 0 / 92 / 17

HEX #0CD311

RGB 12 211 17

HSL 121.51, 0.89%, 0.44%

LAB 74, -73.91, 70.36

 

CMYK 57 / 0 / 56 / 38

HEX #439D45

RGB 67 157 69

HSL 121.33, 0.4%, 0.44%

LAB 57.79, -45.19, 37.64

 

CMYK 38 / 0 / 38 / 46

HEX #558A56

RGB 85 138 86

HSL 121.13, 0.24%, 0.44%

LAB 52.71, -28.9, 22.44

 

CMYK 14 / 0 / 13 / 53

HEX #677868

RGB 103 120 104

HSL 123.53, 0.08%, 0.44%

LAB 48.66, -9.64, 6.69

 

CMYK 0 / 16 / 0 / 53

HEX #796679

RGB 121 102 121

HSL 300, 0.09%, 0.44%

LAB 45.56, 11.22, -7.79

 

CMYK 0 / 40 / 1 / 45

HEX #8B548A

RGB 139 84 138

HSL 301.09, 0.25%, 0.44%

LAB 43.75, 31.74, -20.61

 

CMYK 28 / 0 / 57 / 38

HEX #719D43

RGB 113 157 67

HSL 89.33, 0.4%, 0.44%

LAB 59.92, -30.42, 41.65

 

CMYK 43 / 0 / 57 / 38

HEX #599D43

RGB 89 157 67

HSL 105.33, 0.4%, 0.44%

LAB 58.64, -38.98, 39.84

 

CMYK 57 / 0 / 57 / 38

HEX #439D44

RGB 67 157 68

HSL 120.67, 0.4%, 0.44%

LAB 57.77, -45.32, 38.11

 

CMYK 57 / 0 / 41 / 38

HEX #439D5C

RGB 67 157 92

HSL 136.67, 0.4%, 0.44%

LAB 58.11, -41.64, 26.12

 

CMYK 57 / 0 / 26 / 38

HEX #439D74

RGB 67 157 116

HSL 152.67, 0.4%, 0.44%

LAB 58.57, -36.85, 13.52

 

CMYK 58 / 0 / 57 / 61

HEX #2A632B

RGB 42 99 43

HSL 121.05, 0.4%, 0.28%

LAB 37.1, -31.42, 26.03

 

CMYK 58 / 0 / 56 / 50

HEX #368038

RGB 54 128 56

HSL 121.62, 0.41%, 0.36%

LAB 47.63, -38.6, 31.94

 

CMYK 57 / 0 / 56 / 38

HEX #439D45

RGB 67 157 69

HSL 121.33, 0.4%, 0.44%

LAB 57.79, -45.19, 37.64

 

CMYK 54 / 0 / 52 / 29

HEX #53B556

RGB 83 181 86

HSL 121.84, 0.4%, 0.52%

LAB 66.18, -48.3, 39.51

 

CMYK 42 / 0 / 41 / 24

HEX #70C272

RGB 112 194 114

HSL 121.46, 0.4%, 0.6%

LAB 71.72, -41.45, 32.58

 

CMYK 57 / 0 / 56 / 38

HEX #449E46

RGB 68 158 70

HSL 121.33, 0.4%, 0.44%

LAB 58.16, -45.2, 37.59

 

CMYK 57 / 13 / 0 / 38

HEX #43899D

RGB 67 137 157

HSL 193.33, 0.4%, 0.44%

LAB 53.51, -16.01, -17.33

 

CMYK 0 / 57 / 36 / 38

HEX #9D4365

RGB 157 67 101

HSL 337.33, 0.4%, 0.44%

LAB 41.41, 41.06, -1.21

 

CMYK 57 / 0 / 56 / 38

HEX #449E46

RGB 68 158 70

HSL 121.33, 0.4%, 0.44%

LAB 58.16, -45.2, 37.59

 

CMYK 57 / 57 / 0 / 38

HEX #44439D

RGB 68 67 157

HSL 240.67, 0.4%, 0.44%

LAB 33.3, 27.23, -49.11

 

CMYK 0 / 57 / 57 / 38

HEX #9D4443

RGB 157 68 67

HSL 0.67, 0.4%, 0.44%

LAB 40.75, 37.03, 18.98

 

CMYK 57 / 0 / 56 / 38

HEX #449E46

RGB 68 158 70

HSL 121.33, 0.4%, 0.44%

LAB 58.16, -45.2, 37.59

 

CMYK 57 / 13 / 0 / 38

HEX #43899D

RGB 67 137 157

HSL 193.33, 0.4%, 0.44%

LAB 53.51, -16.01, -17.33

 

CMYK 0 / 57 / 1 / 38

HEX #9D439B

RGB 157 67 155

HSL 301.33, 0.4%, 0.44%

LAB 43.58, 49.39, -30.9

 

CMYK 0 / 45 / 57 / 38

HEX #9D5643

RGB 157 86 67

HSL 12.67, 0.4%, 0.44%

LAB 44.56, 27.4, 23.93

 

CMYK 57 / 0 / 56 / 38

HEX #449E46

RGB 68 158 70

HSL 121.33, 0.4%, 0.44%

LAB 58.16, -45.2, 37.59

 

CMYK 57 / 30 / 0 / 38

HEX #436E9D

RGB 67 110 157

HSL 211.33, 0.4%, 0.44%

LAB 45.33, -0.45, -29.96

 

CMYK 0 / 57 / 1 / 38

HEX #9D439B

RGB 157 67 155

HSL 301.33, 0.4%, 0.44%

LAB 43.58, 49.39, -30.9

 

CMYK 0 / 28 / 57 / 38

HEX #9D7143

RGB 157 113 67

HSL 30.67, 0.4%, 0.44%

LAB 51.13, 12.05, 32.14

 

Description

Color code: HEX #449E46 | qconv.com Color code: HEX #449E46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 158 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 158 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 56 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 56% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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