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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44A597 it is the complementary color #BB5A68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44A597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44A597 shade: #49A592, #5AB7A5, #6BC9B8, #7CDBCB and #8DEDDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44A597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44A597 shade: #44A597, #339384, #228171, #116F5E and #005D4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44A597 shade: #44A698, #44A67D, #44A663, #44A648 and #5AA644

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44A597 shade: #44A698, #449AA6, #447FA6, #4465A6 and #444AA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44A597 shade matches the following richer shades: #44A698, #31B9A5, #1ECCB3 and #0BDFC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44A597 shade: #44A698, #57938A, #69807D, #7C6D6F and #8F5A62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44A597 shade: #44A663, #44A67D, #44A697, #449BA6 and #4480A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44A597 shade: #2C6B62, #38897D, #44A698, #58BBAC and #76C7BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44A597 shade: #44A597, #4844A6 and #A67044

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44A597 shade: #44A597, #9744A6 and #A69744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44A597 shade: #44A597, #4844A6, #A64452 and #A1A644

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44A597 shade: #44A597, #6644A6, #A64452 and #84A644

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 8 / 35

HEX #44A597

RGB 68 165 151

HSL 171.34, 0.42%, 0.46%

LAB 61.98, -31.8, -1.26

 

Complementary color

CMYK 0 / 52 / 44 / 27

HEX #BB5A68

RGB 187 90 104

HSL 351.34, 0.42%, 0.54%

LAB 50.54, 40.43, 10.67

 

CMYK 56 / 0 / 12 / 35

HEX #49A592

RGB 73 165 146

HSL 167.61, 0.39%, 0.47%

LAB 62, -32.07, 1.6

 

CMYK 51 / 0 / 10 / 28

HEX #5AB7A5

RGB 90 183 165

HSL 168.39, 0.39%, 0.54%

LAB 68.58, -32.09, 0.69

 

CMYK 47 / 0 / 8 / 21

HEX #6BC9B8

RGB 107 201 184

HSL 169.15, 0.47%, 0.6%

LAB 75.05, -32.04, -0.15

 

CMYK 43 / 0 / 7 / 14

HEX #7CDBCB

RGB 124 219 203

HSL 169.89, 0.57%, 0.67%

LAB 81.43, -31.95, -0.93

 

CMYK 41 / 0 / 6 / 7

HEX #8DEDDE

RGB 141 237 222

HSL 170.63, 0.73%, 0.74%

LAB 87.73, -31.84, -1.66

 

CMYK 59 / 0 / 8 / 35

HEX #44A597

RGB 68 165 151

HSL 171.34, 0.42%, 0.46%

LAB 61.98, -31.8, -1.26

 

CMYK 65 / 0 / 10 / 42

HEX #339384

RGB 51 147 132

HSL 170.63, 0.48%, 0.39%

LAB 55.32, -31.53, -0.28

 

CMYK 74 / 0 / 12 / 49

HEX #228171

RGB 34 129 113

HSL 169.89, 0.58%, 0.32%

LAB 48.55, -31.01, 0.84

 

CMYK 85 / 0 / 15 / 56

HEX #116F5E

RGB 17 111 94

HSL 169.15, 0.73%, 0.25%

LAB 41.68, -30.1, 2.13

 

CMYK 100 / 0 / 19 / 64

HEX #005D4B

RGB 0 93 75

HSL 168.39, 1%, 0.18%

LAB 34.67, -28.8, 3.63

 

CMYK 59 / 0 / 8 / 35

HEX #44A698

RGB 68 166 152

HSL 171.43, 0.42%, 0.46%

LAB 62.31, -32.01, -1.33

 

CMYK 59 / 0 / 25 / 35

HEX #44A67D

RGB 68 166 125

HSL 154.9, 0.42%, 0.46%

LAB 61.64, -38.64, 12.8

 

CMYK 59 / 0 / 40 / 35

HEX #44A663

RGB 68 166 99

HSL 138.98, 0.42%, 0.46%

LAB 61.13, -43.91, 26.33

 

CMYK 59 / 0 / 57 / 35

HEX #44A648

RGB 68 166 72

HSL 122.45, 0.42%, 0.46%

LAB 60.75, -48.08, 39.71

 

CMYK 46 / 0 / 59 / 35

HEX #5AA644

RGB 90 166 68

HSL 106.53, 0.42%, 0.46%

LAB 61.54, -42.39, 42.74

 

CMYK 59 / 0 / 8 / 35

HEX #44A698

RGB 68 166 152

HSL 171.43, 0.42%, 0.46%

LAB 62.31, -32.01, -1.33

 

CMYK 59 / 7 / 0 / 35

HEX #449AA6

RGB 68 154 166

HSL 187.35, 0.42%, 0.46%

LAB 59.06, -22.12, -14.07

 

CMYK 59 / 23 / 0 / 35

HEX #447FA6

RGB 68 127 166

HSL 203.88, 0.42%, 0.46%

LAB 50.87, -7.34, -26.6

 

CMYK 59 / 39 / 0 / 35

HEX #4465A6

RGB 68 101 166

HSL 219.8, 0.42%, 0.46%

LAB 43.2, 8.4, -38.64

 

CMYK 59 / 55 / 0 / 35

HEX #444AA6

RGB 68 74 166

HSL 236.33, 0.42%, 0.46%

LAB 35.75, 25.77, -50.56

 

CMYK 59 / 0 / 8 / 35

HEX #44A698

RGB 68 166 152

HSL 171.43, 0.42%, 0.46%

LAB 62.31, -32.01, -1.33

 

CMYK 74 / 0 / 11 / 27

HEX #31B9A5

RGB 49 185 165

HSL 171.18, 0.58%, 0.46%

LAB 68.07, -40.28, -0.18

 

CMYK 85 / 0 / 12 / 20

HEX #1ECCB3

RGB 30 204 179

HSL 171.38, 0.74%, 0.46%

LAB 74.01, -46.53, 0.81

 

CMYK 95 / 0 / 14 / 13

HEX #0BDFC0

RGB 11 223 192

HSL 171.23, 0.91%, 0.46%

LAB 79.98, -51.82, 2.52

 

CMYK 59 / 0 / 8 / 35

HEX #44A698

RGB 68 166 152

HSL 171.43, 0.42%, 0.46%

LAB 62.31, -32.01, -1.33

 

CMYK 41 / 0 / 6 / 42

HEX #57938A

RGB 87 147 138

HSL 171, 0.26%, 0.46%

LAB 56.81, -21.73, -1.37

 

CMYK 18 / 0 / 2 / 50

HEX #69807D

RGB 105 128 125

HSL 172.17, 0.1%, 0.46%

LAB 51.75, -8.95, -1.15

 

CMYK 0 / 12 / 10 / 51

HEX #7C6D6F

RGB 124 109 111

HSL 352, 0.06%, 0.46%

LAB 47.46, 6.25, 1.04

 

CMYK 0 / 37 / 31 / 44

HEX #8F5A62

RGB 143 90 98

HSL 350.94, 0.23%, 0.46%

LAB 44.28, 22.92, 4.56

 

CMYK 59 / 0 / 40 / 35

HEX #44A663

RGB 68 166 99

HSL 138.98, 0.42%, 0.46%

LAB 61.13, -43.91, 26.33

 

CMYK 59 / 0 / 25 / 35

HEX #44A67D

RGB 68 166 125

HSL 154.9, 0.42%, 0.46%

LAB 61.64, -38.64, 12.8

 

CMYK 59 / 0 / 9 / 35

HEX #44A697

RGB 68 166 151

HSL 170.82, 0.42%, 0.46%

LAB 62.28, -32.28, -0.81

 

CMYK 59 / 7 / 0 / 35

HEX #449BA6

RGB 68 155 166

HSL 186.73, 0.42%, 0.46%

LAB 59.37, -22.64, -13.61

 

CMYK 59 / 23 / 0 / 35

HEX #4480A6

RGB 68 128 166

HSL 203.27, 0.42%, 0.46%

LAB 51.18, -7.91, -26.13

 

CMYK 59 / 0 / 8 / 58

HEX #2C6B62

RGB 44 107 98

HSL 171.43, 0.42%, 0.3%

LAB 41.11, -22.55, -1.04

 

CMYK 59 / 0 / 9 / 46

HEX #38897D

RGB 56 137 125

HSL 171.11, 0.42%, 0.38%

LAB 52.08, -27.64, -0.96

 

CMYK 59 / 0 / 8 / 35

HEX #44A698

RGB 68 166 152

HSL 171.43, 0.42%, 0.46%

LAB 62.31, -32.01, -1.33

 

CMYK 53 / 0 / 8 / 27

HEX #58BBAC

RGB 88 187 172

HSL 170.91, 0.42%, 0.54%

LAB 69.89, -32.68, -1.24

 

CMYK 41 / 0 / 6 / 22

HEX #76C7BB

RGB 118 199 187

HSL 171.11, 0.42%, 0.62%

LAB 75.01, -27.63, -1.79

 

CMYK 59 / 0 / 8 / 35

HEX #44A597

RGB 68 165 151

HSL 171.34, 0.42%, 0.46%

LAB 61.98, -31.8, -1.26

 

CMYK 57 / 59 / 0 / 35

HEX #4844A6

RGB 72 68 166

HSL 242.45, 0.42%, 0.46%

LAB 34.53, 30.38, -52.52

 

CMYK 0 / 33 / 59 / 35

HEX #A67044

RGB 166 112 68

HSL 26.94, 0.42%, 0.46%

LAB 51.96, 16.64, 32.85

 

CMYK 59 / 0 / 8 / 35

HEX #44A597

RGB 68 165 151

HSL 171.34, 0.42%, 0.46%

LAB 61.98, -31.8, -1.26

 

CMYK 9 / 59 / 0 / 35

HEX #9744A6

RGB 151 68 166

HSL 290.82, 0.42%, 0.46%

LAB 43.46, 49.37, -37.72

 

CMYK 0 / 9 / 59 / 35

HEX #A69744

RGB 166 151 68

HSL 50.82, 0.42%, 0.46%

LAB 62.22, -5.1, 44.87

 

CMYK 59 / 0 / 8 / 35

HEX #44A597

RGB 68 165 151

HSL 171.34, 0.42%, 0.46%

LAB 61.98, -31.8, -1.26

 

CMYK 57 / 59 / 0 / 35

HEX #4844A6

RGB 72 68 166

HSL 242.45, 0.42%, 0.46%

LAB 34.53, 30.38, -52.52

 

CMYK 0 / 59 / 51 / 35

HEX #A64452

RGB 166 68 82

HSL 351.43, 0.42%, 0.46%

LAB 42.54, 41.65, 12.39

 

CMYK 3 / 0 / 59 / 35

HEX #A1A644

RGB 161 166 68

HSL 63.06, 0.42%, 0.46%

LAB 65.96, -15.2, 48.93

 

CMYK 59 / 0 / 8 / 35

HEX #44A597

RGB 68 165 151

HSL 171.34, 0.42%, 0.46%

LAB 61.98, -31.8, -1.26

 

CMYK 39 / 59 / 0 / 35

HEX #6644A6

RGB 102 68 166

HSL 260.82, 0.42%, 0.46%

LAB 37.32, 36.9, -47.87

 

CMYK 0 / 59 / 51 / 35

HEX #A64452

RGB 166 68 82

HSL 351.43, 0.42%, 0.46%

LAB 42.54, 41.65, 12.39

 

CMYK 20 / 0 / 59 / 35

HEX #84A644

RGB 132 166 68

HSL 80.82, 0.42%, 0.46%

LAB 63.83, -27.22, 45.97

 

Description

Color code: HEX #44A597 | qconv.com Color code: HEX #44A597 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 165 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 165 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 8 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 8% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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