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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44A1ED it is the complementary color #BB5E12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44A1ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44A1ED shade: #49A1E8, #5AB3FB, #6BC5FF, #7CD7FF and #8DE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44A1ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44A1ED shade: #44A1ED, #338FDA, #227DC7, #116BB4 and #0059A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44A1ED shade: #45A1EC, #4574EC, #4547EC, #7045EC and #9D45EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44A1ED shade: #45A1EC, #4574EC, #4547EC and #4545EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44A1ED shade matches the following richer shades: #45A1EC and #34A3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44A1ED shade: #45A1EC, #559FDC, #669ECB, #769CBB and #879AAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44A1ED shade: #45ECDB, #45D0EC, #45A4EC, #4577EC and #454AEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44A1ED shade: #1478CB, #1F8EE8, #45A1EC, #6AB4F0 and #90C7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44A1ED shade: #44A1ED, #AF45EC and #E7EC45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44A1ED shade: #44A1ED, #EC45A4 and #A4EC45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44A1ED shade: #44A1ED, #AF45EC, #EC8D45 and #82EC45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44A1ED shade: #44A1ED, #E145EC, #EC8D45 and #50EC45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 32 / 0 / 7

HEX #44A1ED

RGB 68 161 237

HSL 206.98, 0.82%, 0.6%

LAB 64.03, -2.94, -46.08

 

Complementary color

CMYK 0 / 50 / 90 / 27

HEX #BB5E12

RGB 187 94 18

HSL 26.98, 0.82%, 0.4%

LAB 50.23, 33.18, 54.68

 

CMYK 69 / 31 / 0 / 9

HEX #49A1E8

RGB 73 161 232

HSL 206.79, 0.78%, 0.6%

LAB 63.94, -3.93, -43.44

 

CMYK 64 / 29 / 0 / 2

HEX #5AB3FB

RGB 90 179 251

HSL 206.83, 0.95%, 0.67%

LAB 70.44, -5.06, -43.58

 

CMYK 58 / 23 / 0 / 0

HEX #6BC5FF

RGB 107 197 255

HSL 203.51, 1%, 0.71%

LAB 76.24, -10.56, -36.65

 

CMYK 51 / 16 / 0 / 0

HEX #7CD7FF

RGB 124 215 255

HSL 198.32, 1%, 0.74%

LAB 81.9, -16.56, -27.89

 

CMYK 45 / 9 / 0 / 0

HEX #8DE9FF

RGB 141 233 255

HSL 191.58, 1%, 0.78%

LAB 87.56, -21.87, -19.21

 

CMYK 71 / 32 / 0 / 7

HEX #44A1ED

RGB 68 161 237

HSL 206.98, 0.82%, 0.6%

LAB 64.03, -2.94, -46.08

 

CMYK 77 / 34 / 0 / 15

HEX #338FDA

RGB 51 143 218

HSL 206.95, 0.69%, 0.53%

LAB 57.47, -1.36, -45.92

 

CMYK 83 / 37 / 0 / 22

HEX #227DC7

RGB 34 125 199

HSL 206.91, 0.71%, 0.46%

LAB 50.84, 0.63, -45.72

 

CMYK 91 / 41 / 0 / 29

HEX #116BB4

RGB 17 107 180

HSL 206.87, 0.83%, 0.39%

LAB 44.13, 3.14, -45.46

 

CMYK 100 / 45 / 0 / 37

HEX #0059A1

RGB 0 89 161

HSL 206.83, 1%, 0.32%

LAB 37.33, 6.21, -45.14

 

CMYK 71 / 32 / 0 / 7

HEX #45A1EC

RGB 69 161 236

HSL 206.95, 0.81%, 0.6%

LAB 64.01, -3.15, -45.55

 

CMYK 71 / 51 / 0 / 7

HEX #4574EC

RGB 69 116 236

HSL 223.11, 0.81%, 0.6%

LAB 51.62, 23.84, -65.31

 

CMYK 71 / 70 / 0 / 7

HEX #4547EC

RGB 69 71 236

HSL 239.28, 0.81%, 0.6%

LAB 40.94, 51.2, -82.74

 

CMYK 53 / 71 / 0 / 7

HEX #7045EC

RGB 112 69 236

HSL 255.45, 0.81%, 0.6%

LAB 43.88, 57.7, -77.79

 

CMYK 33 / 71 / 0 / 7

HEX #9D45EC

RGB 157 69 236

HSL 271.62, 0.81%, 0.6%

LAB 48.86, 65.24, -69.46

 

CMYK 71 / 32 / 0 / 7

HEX #45A1EC

RGB 69 161 236

HSL 206.95, 0.81%, 0.6%

LAB 64.01, -3.15, -45.55

 

CMYK 71 / 51 / 0 / 7

HEX #4574EC

RGB 69 116 236

HSL 223.11, 0.81%, 0.6%

LAB 51.62, 23.84, -65.31

 

CMYK 71 / 70 / 0 / 7

HEX #4547EC

RGB 69 71 236

HSL 239.28, 0.81%, 0.6%

LAB 40.94, 51.2, -82.74

 

CMYK 71 / 71 / 0 / 7

HEX #4545EC

RGB 69 69 236

HSL 240, 0.81%, 0.6%

LAB 40.54, 52.32, -83.41

 

CMYK 71 / 32 / 0 / 7

HEX #45A1EC

RGB 69 161 236

HSL 206.95, 0.81%, 0.6%

LAB 64.01, -3.15, -45.55

 

CMYK 79 / 36 / 0 / 1

HEX #34A3FD

RGB 52 163 253

HSL 206.87, 0.98%, 0.6%

LAB 64.98, -0.32, -53.35

 

CMYK 71 / 32 / 0 / 7

HEX #45A1EC

RGB 69 161 236

HSL 206.95, 0.81%, 0.6%

LAB 64.01, -3.15, -45.55

 

CMYK 61 / 28 / 0 / 14

HEX #559FDC

RGB 85 159 220

HSL 207.11, 0.66%, 0.6%

LAB 63.26, -4.77, -37.86

 

CMYK 50 / 22 / 0 / 20

HEX #669ECB

RGB 102 158 203

HSL 206.73, 0.49%, 0.6%

LAB 63, -5.92, -28.75

 

CMYK 37 / 17 / 0 / 27

HEX #769CBB

RGB 118 156 187

HSL 206.96, 0.34%, 0.6%

LAB 62.69, -5.19, -20.2

 

CMYK 21 / 9 / 0 / 33

HEX #879AAA

RGB 135 154 170

HSL 207.43, 0.17%, 0.6%

LAB 62.65, -3.15, -10.6

 

CMYK 71 / 0 / 7 / 7

HEX #45ECDB

RGB 69 236 219

HSL 173.89, 0.81%, 0.6%

LAB 85.19, -45.77, -4.07

 

CMYK 71 / 12 / 0 / 7

HEX #45D0EC

RGB 69 208 236

HSL 190.06, 0.81%, 0.6%

LAB 77.54, -28.02, -24.57

 

CMYK 71 / 31 / 0 / 7

HEX #45A4EC

RGB 69 164 236

HSL 205.87, 0.81%, 0.6%

LAB 64.86, -4.85, -44.21

 

CMYK 71 / 50 / 0 / 7

HEX #4577EC

RGB 69 119 236

HSL 222.04, 0.81%, 0.6%

LAB 52.41, 21.98, -64.04

 

CMYK 71 / 69 / 0 / 7

HEX #454AEC

RGB 69 74 236

HSL 238.2, 0.81%, 0.6%

LAB 41.56, 49.5, -81.72

 

CMYK 90 / 41 / 0 / 20

HEX #1478CB

RGB 20 120 203

HSL 207.21, 0.82%, 0.44%

LAB 49.37, 4.23, -50.37

 

CMYK 87 / 39 / 0 / 9

HEX #1F8EE8

RGB 31 142 232

HSL 206.87, 0.81%, 0.52%

LAB 57.52, 2.6, -53.67

 

CMYK 71 / 32 / 0 / 7

HEX #45A1EC

RGB 69 161 236

HSL 206.95, 0.81%, 0.6%

LAB 64.01, -3.15, -45.55

 

CMYK 56 / 25 / 0 / 6

HEX #6AB4F0

RGB 106 180 240

HSL 206.87, 0.82%, 0.68%

LAB 70.87, -6.12, -36.9

 

CMYK 41 / 18 / 0 / 4

HEX #90C7F4

RGB 144 199 244

HSL 207, 0.82%, 0.76%

LAB 78.06, -6.54, -27.82

 

CMYK 71 / 32 / 0 / 7

HEX #44A1ED

RGB 68 161 237

HSL 206.98, 0.82%, 0.6%

LAB 64.03, -2.94, -46.08

 

CMYK 26 / 71 / 0 / 7

HEX #AF45EC

RGB 175 69 236

HSL 278.08, 0.81%, 0.6%

LAB 51.18, 68.62, -65.59

 

CMYK 2 / 0 / 71 / 7

HEX #E7EC45

RGB 231 236 69

HSL 61.8, 0.81%, 0.6%

LAB 90.51, -20.79, 75.53

 

CMYK 71 / 32 / 0 / 7

HEX #44A1ED

RGB 68 161 237

HSL 206.98, 0.82%, 0.6%

LAB 64.03, -2.94, -46.08

 

CMYK 0 / 71 / 31 / 7

HEX #EC45A4

RGB 236 69 164

HSL 325.87, 0.81%, 0.6%

LAB 56.85, 71.08, -14.73

 

CMYK 31 / 0 / 71 / 7

HEX #A4EC45

RGB 164 236 69

HSL 85.87, 0.81%, 0.6%

LAB 86.16, -46.72, 69.79

 

CMYK 71 / 32 / 0 / 7

HEX #44A1ED

RGB 68 161 237

HSL 206.98, 0.82%, 0.6%

LAB 64.03, -2.94, -46.08

 

CMYK 26 / 71 / 0 / 7

HEX #AF45EC

RGB 175 69 236

HSL 278.08, 0.81%, 0.6%

LAB 51.18, 68.62, -65.59

 

CMYK 0 / 40 / 71 / 7

HEX #EC8D45

RGB 236 141 69

HSL 25.87, 0.81%, 0.6%

LAB 67.51, 30.29, 52.41

 

CMYK 45 / 0 / 71 / 7

HEX #82EC45

RGB 130 236 69

HSL 98.08, 0.81%, 0.6%

LAB 84.57, -57.94, 67.67

 

CMYK 71 / 32 / 0 / 7

HEX #44A1ED

RGB 68 161 237

HSL 206.98, 0.82%, 0.6%

LAB 64.03, -2.94, -46.08

 

CMYK 5 / 71 / 0 / 7

HEX #E145EC

RGB 225 69 236

HSL 296.05, 0.81%, 0.6%

LAB 58.34, 78.63, -53.71

 

CMYK 0 / 40 / 71 / 7

HEX #EC8D45

RGB 236 141 69

HSL 25.87, 0.81%, 0.6%

LAB 67.51, 30.29, 52.41

 

CMYK 66 / 0 / 71 / 7

HEX #50EC45

RGB 80 236 69

HSL 116.05, 0.81%, 0.6%

LAB 82.98, -70.39, 65.54

 

Description

Color code: HEX #44A1ED | qconv.com Color code: HEX #44A1ED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 161 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 161 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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