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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44ADCD it is the complementary color #BB5232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44ADCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44ADCD shade: #49ADC8, #5ABFDB, #6BD1EE, #7CE3FF and #8DF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44ADCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44ADCD shade: #44ADCD, #339BBA, #2289A7, #117794 and #006581

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44ADCD shade: #45ADCD, #4589CD, #4564CD, #4B45CD and #7045CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44ADCD shade: #45ADCD, #4589CD, #4564CD and #4545CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44ADCD shade matches the following richer shades: #45ADCD, #32B8E0 and #1FC2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44ADCD shade: #45ADCD, #58A3BA, #6B99A7, #7E8F94 and #918581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44ADCD shade: #45CDA4, #45CDC9, #45ADCD, #4589CD and #4565CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44ADCD shade: #287E98, #3199B8, #45ADCD, #66BCD6 and #86CADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44ADCD shade: #44ADCD, #8045CD and #CDB745

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44ADCD shade: #44ADCD, #CD45AD and #ADCD45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44ADCD shade: #44ADCD, #8045CD, #CD6545 and #92CD45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44ADCD shade: #44ADCD, #A945CD, #CD6545 and #69CD45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 16 / 0 / 20

HEX #44ADCD

RGB 68 173 205

HSL 194.01, 0.58%, 0.54%

LAB 66.15, -20.05, -25.12

 

Complementary color

CMYK 0 / 56 / 73 / 27

HEX #BB5232

RGB 187 82 50

HSL 14.01, 0.58%, 0.46%

LAB 48.04, 40.35, 38.82

 

CMYK 64 / 14 / 0 / 22

HEX #49ADC8

RGB 73 173 200

HSL 192.76, 0.54%, 0.54%

LAB 66.12, -20.79, -22.4

 

CMYK 59 / 13 / 0 / 14

HEX #5ABFDB

RGB 90 191 219

HSL 193.02, 0.64%, 0.61%

LAB 72.59, -21.34, -22.88

 

CMYK 55 / 12 / 0 / 7

HEX #6BD1EE

RGB 107 209 238

HSL 193.28, 0.79%, 0.68%

LAB 78.98, -21.76, -23.34

 

CMYK 51 / 11 / 0 / 0

HEX #7CE3FF

RGB 124 227 255

HSL 192.82, 1%, 0.74%

LAB 85.22, -22.62, -22.82

 

CMYK 45 / 4 / 0 / 0

HEX #8DF5FF

RGB 141 245 255

HSL 185.26, 1%, 0.78%

LAB 90.87, -27.73, -14.25

 

CMYK 67 / 16 / 0 / 20

HEX #44ADCD

RGB 68 173 205

HSL 194.01, 0.58%, 0.54%

LAB 66.15, -20.05, -25.12

 

CMYK 73 / 17 / 0 / 27

HEX #339BBA

RGB 51 155 186

HSL 193.78, 0.57%, 0.46%

LAB 59.61, -19.14, -24.6

 

CMYK 80 / 18 / 0 / 35

HEX #2289A7

RGB 34 137 167

HSL 193.53, 0.66%, 0.39%

LAB 52.97, -17.92, -24.01

 

CMYK 89 / 20 / 0 / 42

HEX #117794

RGB 17 119 148

HSL 193.28, 0.79%, 0.32%

LAB 46.25, -16.27, -23.34

 

CMYK 100 / 22 / 0 / 49

HEX #006581

RGB 0 101 129

HSL 193.02, 1%, 0.25%

LAB 39.4, -14.18, -22.58

 

CMYK 66 / 16 / 0 / 20

HEX #45ADCD

RGB 69 173 205

HSL 194.12, 0.58%, 0.54%

LAB 66.18, -19.9, -25.07

 

CMYK 66 / 33 / 0 / 20

HEX #4589CD

RGB 69 137 205

HSL 210, 0.58%, 0.54%

LAB 55.65, 0.1, -41.45

 

CMYK 66 / 51 / 0 / 20

HEX #4564CD

RGB 69 100 205

HSL 226.32, 0.58%, 0.54%

LAB 45.34, 22.89, -57.9

 

CMYK 63 / 66 / 0 / 20

HEX #4B45CD

RGB 75 69 205

HSL 242.65, 0.58%, 0.54%

LAB 38.13, 43.05, -69.61

 

CMYK 45 / 66 / 0 / 20

HEX #7045CD

RGB 112 69 205

HSL 258.97, 0.58%, 0.54%

LAB 41.39, 49.18, -64.15

 

CMYK 66 / 16 / 0 / 20

HEX #45ADCD

RGB 69 173 205

HSL 194.12, 0.58%, 0.54%

LAB 66.18, -19.9, -25.07

 

CMYK 66 / 33 / 0 / 20

HEX #4589CD

RGB 69 137 205

HSL 210, 0.58%, 0.54%

LAB 55.65, 0.1, -41.45

 

CMYK 66 / 51 / 0 / 20

HEX #4564CD

RGB 69 100 205

HSL 226.32, 0.58%, 0.54%

LAB 45.34, 22.89, -57.9

 

CMYK 66 / 66 / 0 / 20

HEX #4545CD

RGB 69 69 205

HSL 240, 0.58%, 0.54%

LAB 37.72, 42.24, -70.3

 

CMYK 66 / 16 / 0 / 20

HEX #45ADCD

RGB 69 173 205

HSL 194.12, 0.58%, 0.54%

LAB 66.18, -19.9, -25.07

 

CMYK 78 / 18 / 0 / 12

HEX #32B8E0

RGB 50 184 224

HSL 193.79, 0.74%, 0.54%

LAB 69.71, -21.94, -30.12

 

CMYK 87 / 20 / 0 / 5

HEX #1FC2F3

RGB 31 194 243

HSL 193.87, 0.9%, 0.54%

LAB 73.12, -22.26, -35.18

 

CMYK 66 / 16 / 0 / 20

HEX #45ADCD

RGB 69 173 205

HSL 194.12, 0.58%, 0.54%

LAB 66.18, -19.9, -25.07

 

CMYK 53 / 12 / 0 / 27

HEX #58A3BA

RGB 88 163 186

HSL 194.08, 0.42%, 0.54%

LAB 63.19, -16.82, -19.02

 

CMYK 36 / 8 / 0 / 35

HEX #6B99A7

RGB 107 153 167

HSL 194, 0.25%, 0.54%

LAB 60.51, -11.9, -12.28

 

CMYK 15 / 3 / 0 / 42

HEX #7E8F94

RGB 126 143 148

HSL 193.64, 0.09%, 0.54%

LAB 58.24, -4.99, -4.72

 

CMYK 0 / 8 / 11 / 43

HEX #918581

RGB 145 133 129

HSL 15, 0.07%, 0.54%

LAB 56.47, 3.79, 3.78

 

CMYK 66 / 0 / 20 / 20

HEX #45CDA4

RGB 69 205 164

HSL 161.91, 0.58%, 0.54%

LAB 74.58, -46.3, 9.8

 

CMYK 66 / 0 / 2 / 20

HEX #45CDC9

RGB 69 205 201

HSL 178.24, 0.58%, 0.54%

LAB 75.54, -36.78, -8.75

 

CMYK 66 / 16 / 0 / 20

HEX #45ADCD

RGB 69 173 205

HSL 194.12, 0.58%, 0.54%

LAB 66.18, -19.9, -25.07

 

CMYK 66 / 33 / 0 / 20

HEX #4589CD

RGB 69 137 205

HSL 210, 0.58%, 0.54%

LAB 55.65, 0.1, -41.45

 

CMYK 66 / 51 / 0 / 20

HEX #4565CD

RGB 69 101 205

HSL 225.88, 0.58%, 0.54%

LAB 45.61, 22.26, -57.47

 

CMYK 74 / 17 / 0 / 40

HEX #287E98

RGB 40 126 152

HSL 193.93, 0.58%, 0.38%

LAB 49.06, -16.34, -21.32

 

CMYK 73 / 17 / 0 / 28

HEX #3199B8

RGB 49 153 184

HSL 193.78, 0.58%, 0.46%

LAB 58.88, -19, -24.6

 

CMYK 66 / 16 / 0 / 20

HEX #45ADCD

RGB 69 173 205

HSL 194.12, 0.58%, 0.54%

LAB 66.18, -19.9, -25.07

 

CMYK 52 / 12 / 0 / 16

HEX #66BCD6

RGB 102 188 214

HSL 193.93, 0.58%, 0.62%

LAB 71.99, -18.85, -21.04

 

CMYK 40 / 9 / 0 / 13

HEX #86CADF

RGB 134 202 223

HSL 194.16, 0.58%, 0.7%

LAB 77.66, -16.12, -17.19

 

CMYK 67 / 16 / 0 / 20

HEX #44ADCD

RGB 68 173 205

HSL 194.01, 0.58%, 0.54%

LAB 66.15, -20.05, -25.12

 

CMYK 38 / 66 / 0 / 20

HEX #8045CD

RGB 128 69 205

HSL 266.03, 0.58%, 0.54%

LAB 43.14, 52.3, -61.22

 

CMYK 0 / 11 / 66 / 20

HEX #CDB745

RGB 205 183 69

HSL 50.29, 0.58%, 0.54%

LAB 74.37, -5.12, 58.65

 

CMYK 67 / 16 / 0 / 20

HEX #44ADCD

RGB 68 173 205

HSL 194.01, 0.58%, 0.54%

LAB 66.15, -20.05, -25.12

 

CMYK 0 / 66 / 16 / 20

HEX #CD45AD

RGB 205 69 173

HSL 314.12, 0.58%, 0.54%

LAB 52.12, 64.23, -27.68

 

CMYK 16 / 0 / 66 / 20

HEX #ADCD45

RGB 173 205 69

HSL 74.12, 0.58%, 0.54%

LAB 77.86, -29.45, 61.51

 

CMYK 67 / 16 / 0 / 20

HEX #44ADCD

RGB 68 173 205

HSL 194.01, 0.58%, 0.54%

LAB 66.15, -20.05, -25.12

 

CMYK 38 / 66 / 0 / 20

HEX #8045CD

RGB 128 69 205

HSL 266.03, 0.58%, 0.54%

LAB 43.14, 52.3, -61.22

 

CMYK 0 / 51 / 66 / 20

HEX #CD6545

RGB 205 101 69

HSL 14.12, 0.58%, 0.54%

LAB 54.78, 38.74, 36.94

 

CMYK 29 / 0 / 66 / 20

HEX #92CD45

RGB 146 205 69

HSL 86.03, 0.58%, 0.54%

LAB 76.19, -39.83, 59.25

 

CMYK 67 / 16 / 0 / 20

HEX #44ADCD

RGB 68 173 205

HSL 194.01, 0.58%, 0.54%

LAB 66.15, -20.05, -25.12

 

CMYK 18 / 66 / 0 / 20

HEX #A945CD

RGB 169 69 205

HSL 284.12, 0.58%, 0.54%

LAB 48.38, 61.05, -52.51

 

CMYK 0 / 51 / 66 / 20

HEX #CD6545

RGB 205 101 69

HSL 14.12, 0.58%, 0.54%

LAB 54.78, 38.74, 36.94

 

CMYK 49 / 0 / 66 / 20

HEX #69CD45

RGB 105 205 69

HSL 104.12, 0.58%, 0.54%

LAB 74.25, -53.45, 56.6

 

Description

Color code: HEX #44ADCD | qconv.com Color code: HEX #44ADCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 173 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 173 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 16% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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