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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44AF65 it is the complementary color #BB509A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44AF65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44AF65 shade: #49AF60, #5AC173, #6BD386, #7CE599 and #8DF7AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44AF65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44AF65 shade: #44AF65, #339D52, #228B3F, #11792C and #006719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44AF65 shade: #44B065, #44B048, #5DB044, #7AB044 and #97B044

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44AF65 shade: #44B065, #44B082, #44B09F, #44A3B0 and #4486B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44AF65 shade matches the following richer shades: #44B065, #30C45E, #1CD756 and #09EB4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44AF65 shade: #44B065, #589C6D, #6C8874, #7F747C and #936184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44AF65 shade: #5DB044, #44B048, #44B064, #44B081 and #44B09E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44AF65 shade: #2D7443, #389254, #44B065, #5DC07C and #7BCB94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44AF65 shade: #44AF65, #447AB0 and #B0444F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44AF65 shade: #44AF65, #6444B0 and #B06444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44AF65 shade: #44AF65, #447AB0, #B0448F and #B07A44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44AF65 shade: #44AF65, #445AB0, #B0448F and #B09A44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 42 / 31

HEX #44AF65

RGB 68 175 101

HSL 138.5, 0.44%, 0.48%

LAB 64.02, -47.22, 29.04

 

Complementary color

CMYK 0 / 57 / 18 / 27

HEX #BB509A

RGB 187 80 154

HSL 318.5, 0.44%, 0.52%

LAB 50.26, 51.77, -19.6

 

CMYK 58 / 0 / 45 / 31

HEX #49AF60

RGB 73 175 96

HSL 133.53, 0.41%, 0.49%

LAB 64.1, -46.92, 31.78

 

CMYK 53 / 0 / 40 / 24

HEX #5AC173

RGB 90 193 115

HSL 134.56, 0.45%, 0.55%

LAB 70.56, -46.95, 30.39

 

CMYK 49 / 0 / 36 / 17

HEX #6BD386

RGB 107 211 134

HSL 135.58, 0.54%, 0.62%

LAB 76.94, -46.86, 29.09

 

CMYK 46 / 0 / 33 / 10

HEX #7CE599

RGB 124 229 153

HSL 136.57, 0.67%, 0.69%

LAB 83.24, -46.69, 27.86

 

CMYK 43 / 0 / 30 / 3

HEX #8DF7AC

RGB 141 247 172

HSL 137.55, 0.87%, 0.76%

LAB 89.47, -46.48, 26.71

 

CMYK 61 / 0 / 42 / 31

HEX #44AF65

RGB 68 175 101

HSL 138.5, 0.44%, 0.48%

LAB 64.02, -47.22, 29.04

 

CMYK 68 / 0 / 48 / 38

HEX #339D52

RGB 51 157 82

HSL 137.55, 0.51%, 0.41%

LAB 57.49, -46.89, 30.54

 

CMYK 76 / 0 / 55 / 45

HEX #228B3F

RGB 34 139 63

HSL 136.57, 0.61%, 0.34%

LAB 50.88, -46.17, 32.13

 

CMYK 86 / 0 / 64 / 53

HEX #11792C

RGB 17 121 44

HSL 135.58, 0.75%, 0.27%

LAB 44.2, -44.8, 33.71

 

CMYK 100 / 0 / 76 / 60

HEX #006719

RGB 0 103 25

HSL 134.56, 1%, 0.2%

LAB 37.43, -42.62, 34.96

 

CMYK 61 / 0 / 43 / 31

HEX #44B065

RGB 68 176 101

HSL 138.33, 0.44%, 0.48%

LAB 64.34, -47.62, 29.45

 

CMYK 61 / 0 / 59 / 31

HEX #44B048

RGB 68 176 72

HSL 122.22, 0.44%, 0.48%

LAB 63.96, -51.88, 43.46

 

CMYK 47 / 0 / 61 / 31

HEX #5DB044

RGB 93 176 68

HSL 106.11, 0.44%, 0.48%

LAB 64.8, -45.61, 46.5

 

CMYK 31 / 0 / 61 / 31

HEX #7AB044

RGB 122 176 68

HSL 90, 0.44%, 0.48%

LAB 66.22, -35.77, 48.48

 

CMYK 14 / 0 / 61 / 31

HEX #97B044

RGB 151 176 68

HSL 73.89, 0.44%, 0.48%

LAB 68.06, -24.42, 51.03

 

CMYK 61 / 0 / 43 / 31

HEX #44B065

RGB 68 176 101

HSL 138.33, 0.44%, 0.48%

LAB 64.34, -47.62, 29.45

 

CMYK 61 / 0 / 26 / 31

HEX #44B082

RGB 68 176 130

HSL 154.44, 0.44%, 0.48%

LAB 64.88, -41.9, 14.56

 

CMYK 61 / 0 / 10 / 31

HEX #44B09F

RGB 68 176 159

HSL 170.56, 0.44%, 0.48%

LAB 65.58, -34.87, -0.45

 

CMYK 61 / 7 / 0 / 31

HEX #44A3B0

RGB 68 163 176

HSL 187.22, 0.44%, 0.48%

LAB 62.13, -23.77, -15.08

 

CMYK 61 / 24 / 0 / 31

HEX #4486B0

RGB 68 134 176

HSL 203.33, 0.44%, 0.48%

LAB 53.4, -8.09, -28.45

 

CMYK 61 / 0 / 43 / 31

HEX #44B065

RGB 68 176 101

HSL 138.33, 0.44%, 0.48%

LAB 64.34, -47.62, 29.45

 

CMYK 76 / 0 / 52 / 23

HEX #30C45E

RGB 48 196 94

HSL 138.65, 0.61%, 0.48%

LAB 70.12, -59.71, 40.2

 

CMYK 87 / 0 / 60 / 16

HEX #1CD756

RGB 28 215 86

HSL 138.61, 0.77%, 0.48%

LAB 75.77, -69.1, 50.6

 

CMYK 96 / 0 / 67 / 8

HEX #09EB4E

RGB 9 235 78

HSL 138.32, 0.93%, 0.48%

LAB 81.85, -76.88, 60.7

 

CMYK 61 / 0 / 43 / 31

HEX #44B065

RGB 68 176 101

HSL 138.33, 0.44%, 0.48%

LAB 64.34, -47.62, 29.45

 

CMYK 44 / 0 / 30 / 39

HEX #589C6D

RGB 88 156 109

HSL 138.53, 0.28%, 0.48%

LAB 58.93, -32.32, 18.05

 

CMYK 21 / 0 / 15 / 47

HEX #6C8874

RGB 108 136 116

HSL 137.14, 0.11%, 0.48%

LAB 54.09, -14.22, 7.49

 

CMYK 0 / 9 / 2 / 50

HEX #7F747C

RGB 127 116 124

HSL 316.36, 0.05%, 0.48%

LAB 50.05, 5.79, -2.86

 

CMYK 0 / 34 / 10 / 42

HEX #936184

RGB 147 97 132

HSL 318, 0.2%, 0.48%

LAB 47.52, 25.93, -11.16

 

CMYK 47 / 0 / 61 / 31

HEX #5DB044

RGB 93 176 68

HSL 106.11, 0.44%, 0.48%

LAB 64.8, -45.61, 46.5

 

CMYK 61 / 0 / 59 / 31

HEX #44B048

RGB 68 176 72

HSL 122.22, 0.44%, 0.48%

LAB 63.96, -51.88, 43.46

 

CMYK 61 / 0 / 43 / 31

HEX #44B064

RGB 68 176 100

HSL 137.78, 0.44%, 0.48%

LAB 64.32, -47.79, 29.96

 

CMYK 61 / 0 / 27 / 31

HEX #44B081

RGB 68 176 129

HSL 153.89, 0.44%, 0.48%

LAB 64.85, -42.12, 15.08

 

CMYK 61 / 0 / 10 / 31

HEX #44B09E

RGB 68 176 158

HSL 170, 0.44%, 0.48%

LAB 65.55, -35.13, 0.06

 

CMYK 61 / 0 / 42 / 55

HEX #2D7443

RGB 45 116 67

HSL 138.59, 0.44%, 0.32%

LAB 43.44, -34.01, 20.62

 

CMYK 62 / 0 / 42 / 43

HEX #389254

RGB 56 146 84

HSL 138.67, 0.45%, 0.4%

LAB 54.07, -41.08, 25.11

 

CMYK 61 / 0 / 43 / 31

HEX #44B065

RGB 68 176 101

HSL 138.33, 0.44%, 0.48%

LAB 64.34, -47.62, 29.45

 

CMYK 52 / 0 / 35 / 25

HEX #5DC07C

RGB 93 192 124

HSL 138.79, 0.44%, 0.56%

LAB 70.51, -44.21, 25.63

 

CMYK 39 / 0 / 27 / 20

HEX #7BCB94

RGB 123 203 148

HSL 138.75, 0.43%, 0.64%

LAB 75.49, -36.41, 19.89

 

CMYK 61 / 0 / 42 / 31

HEX #44AF65

RGB 68 175 101

HSL 138.5, 0.44%, 0.48%

LAB 64.02, -47.22, 29.04

 

CMYK 61 / 31 / 0 / 31

HEX #447AB0

RGB 68 122 176

HSL 210, 0.44%, 0.48%

LAB 49.84, -1.08, -34.01

 

CMYK 0 / 61 / 55 / 31

HEX #B0444F

RGB 176 68 79

HSL 353.89, 0.44%, 0.48%

LAB 44.13, 44.91, 16.69

 

CMYK 61 / 0 / 42 / 31

HEX #44AF65

RGB 68 175 101

HSL 138.5, 0.44%, 0.48%

LAB 64.02, -47.22, 29.04

 

CMYK 43 / 61 / 0 / 31

HEX #6444B0

RGB 100 68 176

HSL 257.78, 0.44%, 0.48%

LAB 37.8, 39.24, -53.06

 

CMYK 0 / 43 / 61 / 31

HEX #B06444

RGB 176 100 68

HSL 17.78, 0.44%, 0.48%

LAB 50.41, 27.6, 31.25

 

CMYK 61 / 0 / 42 / 31

HEX #44AF65

RGB 68 175 101

HSL 138.5, 0.44%, 0.48%

LAB 64.02, -47.22, 29.04

 

CMYK 61 / 31 / 0 / 31

HEX #447AB0

RGB 68 122 176

HSL 210, 0.44%, 0.48%

LAB 49.84, -1.08, -34.01

 

CMYK 0 / 61 / 19 / 31

HEX #B0448F

RGB 176 68 143

HSL 318.33, 0.44%, 0.48%

LAB 46.11, 52.36, -19.55

 

CMYK 0 / 31 / 61 / 31

HEX #B07A44

RGB 176 122 68

HSL 30, 0.44%, 0.48%

LAB 55.65, 15.35, 37.55

 

CMYK 61 / 0 / 42 / 31

HEX #44AF65

RGB 68 175 101

HSL 138.5, 0.44%, 0.48%

LAB 64.02, -47.22, 29.04

 

CMYK 61 / 49 / 0 / 31

HEX #445AB0

RGB 68 90 176

HSL 227.78, 0.44%, 0.48%

LAB 40.7, 18.9, -48.52

 

CMYK 0 / 61 / 19 / 31

HEX #B0448F

RGB 176 68 143

HSL 318.33, 0.44%, 0.48%

LAB 46.11, 52.36, -19.55

 

CMYK 0 / 13 / 61 / 31

HEX #B09A44

RGB 176 154 68

HSL 47.78, 0.44%, 0.48%

LAB 63.97, -2.35, 47.08

 

Description

Color code: HEX #44AF65 | qconv.com Color code: HEX #44AF65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 175 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 175 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 42 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 42% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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