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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44B8DA it is the complementary color #BB4725. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44B8DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44B8DA shade: #49B8D5, #5ACAE8, #6BDCFB, #7CEEFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44B8DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44B8DA shade: #44B8DA, #33A6C7, #2294B4, #1182A1 and #00708E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44B8DA shade: #43B7D9, #438FD9, #4366D9, #4843D9 and #7143D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44B8DA shade: #43B7D9, #438FD9, #4366D9 and #4343D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44B8DA shade matches the following richer shades: #43B7D9, #31C1EC and #1FCBFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44B8DA shade: #43B7D9, #55ADC7, #67A4B5, #7A9AA3 and #8C9091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44B8DA shade: #43D9AA, #43D9D2, #43B9D9, #4391D9 and #4369D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44B8DA shade: #218AA9, #28A6CC, #43B7D9, #66C4E0 and #88D2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44B8DA shade: #44B8DA, #8243D9 and #D9BE43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44B8DA shade: #44B8DA, #D943B9 and #B9D943

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44B8DA shade: #44B8DA, #8243D9, #D96443 and #9BD943

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44B8DA shade: #44B8DA, #AF43D9, #D96443 and #6ED943

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 16 / 0 / 15

HEX #44B8DA

RGB 68 184 218

HSL 193.6, 0.67%, 0.56%

LAB 69.87, -21.67, -26.56

 

Complementary color

CMYK 0 / 62 / 80 / 27

HEX #BB4725

RGB 187 71 37

HSL 13.6, 0.67%, 0.44%

LAB 45.91, 45.07, 43.35

 

CMYK 66 / 14 / 0 / 16

HEX #49B8D5

RGB 73 184 213

HSL 192.43, 0.63%, 0.56%

LAB 69.83, -22.47, -23.89

 

CMYK 61 / 13 / 0 / 9

HEX #5ACAE8

RGB 90 202 232

HSL 192.68, 0.76%, 0.63%

LAB 76.22, -23.1, -24.39

 

CMYK 57 / 12 / 0 / 2

HEX #6BDCFB

RGB 107 220 251

HSL 192.92, 0.95%, 0.7%

LAB 82.53, -23.58, -24.86

 

CMYK 51 / 7 / 0 / 0

HEX #7CEEFF

RGB 124 238 255

HSL 187.79, 1%, 0.74%

LAB 88.28, -28, -18.19

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 69 / 16 / 0 / 15

HEX #44B8DA

RGB 68 184 218

HSL 193.6, 0.67%, 0.56%

LAB 69.87, -21.67, -26.56

 

CMYK 74 / 17 / 0 / 22

HEX #33A6C7

RGB 51 166 199

HSL 193.38, 0.59%, 0.49%

LAB 63.43, -20.67, -26.02

 

CMYK 81 / 18 / 0 / 29

HEX #2294B4

RGB 34 148 180

HSL 193.15, 0.68%, 0.42%

LAB 56.89, -19.37, -25.41

 

CMYK 89 / 19 / 0 / 37

HEX #1182A1

RGB 17 130 161

HSL 192.92, 0.81%, 0.35%

LAB 50.28, -17.64, -24.71

 

CMYK 100 / 21 / 0 / 44

HEX #00708E

RGB 0 112 142

HSL 192.68, 1%, 0.28%

LAB 43.57, -15.51, -23.94

 

CMYK 69 / 16 / 0 / 15

HEX #43B7D9

RGB 67 183 217

HSL 193.6, 0.66%, 0.56%

LAB 69.52, -21.61, -26.56

 

CMYK 69 / 34 / 0 / 15

HEX #438FD9

RGB 67 143 217

HSL 209.6, 0.66%, 0.56%

LAB 57.89, 0.41, -44.66

 

CMYK 69 / 53 / 0 / 15

HEX #4366D9

RGB 67 102 217

HSL 226, 0.66%, 0.56%

LAB 46.59, 25.58, -62.75

 

CMYK 67 / 69 / 0 / 15

HEX #4843D9

RGB 72 67 217

HSL 242, 0.66%, 0.56%

LAB 38.55, 47.69, -75.84

 

CMYK 48 / 69 / 0 / 15

HEX #7143D9

RGB 113 67 217

HSL 258.4, 0.66%, 0.56%

LAB 42.05, 53.67, -69.97

 

CMYK 69 / 16 / 0 / 15

HEX #43B7D9

RGB 67 183 217

HSL 193.6, 0.66%, 0.56%

LAB 69.52, -21.61, -26.56

 

CMYK 69 / 34 / 0 / 15

HEX #438FD9

RGB 67 143 217

HSL 209.6, 0.66%, 0.56%

LAB 57.89, 0.41, -44.66

 

CMYK 69 / 53 / 0 / 15

HEX #4366D9

RGB 67 102 217

HSL 226, 0.66%, 0.56%

LAB 46.59, 25.58, -62.75

 

CMYK 69 / 69 / 0 / 15

HEX #4343D9

RGB 67 67 217

HSL 240, 0.66%, 0.56%

LAB 38.23, 47.11, -76.38

 

CMYK 69 / 16 / 0 / 15

HEX #43B7D9

RGB 67 183 217

HSL 193.6, 0.66%, 0.56%

LAB 69.52, -21.61, -26.56

 

CMYK 79 / 18 / 0 / 7

HEX #31C1EC

RGB 49 193 236

HSL 193.8, 0.83%, 0.56%

LAB 72.79, -22.72, -31.89

 

CMYK 88 / 20 / 0 / 0

HEX #1FCBFE

RGB 31 203 254

HSL 193.72, 0.99%, 0.56%

LAB 76.17, -23.17, -36.37

 

CMYK 69 / 16 / 0 / 15

HEX #43B7D9

RGB 67 183 217

HSL 193.6, 0.66%, 0.56%

LAB 69.52, -21.61, -26.56

 

CMYK 57 / 13 / 0 / 22

HEX #55ADC7

RGB 85 173 199

HSL 193.68, 0.5%, 0.56%

LAB 66.48, -18.9, -21.26

 

CMYK 43 / 9 / 0 / 29

HEX #67A4B5

RGB 103 164 181

HSL 193.08, 0.35%, 0.56%

LAB 63.97, -15.19, -14.97

 

CMYK 25 / 6 / 0 / 36

HEX #7A9AA3

RGB 122 154 163

HSL 193.17, 0.18%, 0.56%

LAB 61.56, -8.94, -8.36

 

CMYK 3 / 1 / 0 / 43

HEX #8C9091

RGB 140 144 145

HSL 192, 0.02%, 0.56%

LAB 59.49, -1.25, -1.05

 

CMYK 69 / 0 / 22 / 15

HEX #43D9AA

RGB 67 217 170

HSL 161.2, 0.66%, 0.56%

LAB 78.3, -50.2, 11.88

 

CMYK 69 / 0 / 3 / 15

HEX #43D9D2

RGB 67 217 210

HSL 177.2, 0.66%, 0.56%

LAB 79.31, -40.05, -7.98

 

CMYK 69 / 15 / 0 / 15

HEX #43B9D9

RGB 67 185 217

HSL 192.8, 0.66%, 0.56%

LAB 70.11, -22.63, -25.66

 

CMYK 69 / 33 / 0 / 15

HEX #4391D9

RGB 67 145 217

HSL 208.8, 0.66%, 0.56%

LAB 58.47, -0.76, -43.76

 

CMYK 69 / 52 / 0 / 15

HEX #4369D9

RGB 67 105 217

HSL 224.8, 0.66%, 0.56%

LAB 47.37, 23.69, -61.47

 

CMYK 80 / 18 / 0 / 34

HEX #218AA9

RGB 33 138 169

HSL 193.68, 0.67%, 0.4%

LAB 53.35, -17.87, -24.59

 

CMYK 80 / 19 / 0 / 20

HEX #28A6CC

RGB 40 166 204

HSL 193.9, 0.67%, 0.48%

LAB 63.41, -20.19, -28.84

 

CMYK 69 / 16 / 0 / 15

HEX #43B7D9

RGB 67 183 217

HSL 193.6, 0.66%, 0.56%

LAB 69.52, -21.61, -26.56

 

CMYK 54 / 13 / 0 / 12

HEX #66C4E0

RGB 102 196 224

HSL 193.77, 0.66%, 0.64%

LAB 74.63, -20.13, -22.46

 

CMYK 41 / 9 / 0 / 9

HEX #88D2E7

RGB 136 210 231

HSL 193.26, 0.66%, 0.72%

LAB 80.23, -17.67, -17.59

 

CMYK 69 / 16 / 0 / 15

HEX #44B8DA

RGB 68 184 218

HSL 193.6, 0.67%, 0.56%

LAB 69.87, -21.67, -26.56

 

CMYK 40 / 69 / 0 / 15

HEX #8243D9

RGB 130 67 217

HSL 265.2, 0.66%, 0.56%

LAB 43.9, 56.68, -66.88

 

CMYK 0 / 12 / 69 / 15

HEX #D9BE43

RGB 217 190 67

HSL 49.2, 0.66%, 0.56%

LAB 77.27, -3.74, 62.81

 

CMYK 69 / 16 / 0 / 15

HEX #44B8DA

RGB 68 184 218

HSL 193.6, 0.67%, 0.56%

LAB 69.87, -21.67, -26.56

 

CMYK 0 / 69 / 15 / 15

HEX #D943B9

RGB 217 67 185

HSL 312.8, 0.66%, 0.56%

LAB 54.31, 69.68, -31.12

 

CMYK 15 / 0 / 69 / 15

HEX #B9D943

RGB 185 217 67

HSL 72.8, 0.66%, 0.56%

LAB 82.03, -30.43, 66.78

 

CMYK 69 / 16 / 0 / 15

HEX #44B8DA

RGB 68 184 218

HSL 193.6, 0.67%, 0.56%

LAB 69.87, -21.67, -26.56

 

CMYK 40 / 69 / 0 / 15

HEX #8243D9

RGB 130 67 217

HSL 265.2, 0.66%, 0.56%

LAB 43.9, 56.68, -66.88

 

CMYK 0 / 54 / 69 / 15

HEX #D96443

RGB 217 100 67

HSL 13.2, 0.66%, 0.56%

LAB 56.36, 43.69, 40.32

 

CMYK 29 / 0 / 69 / 15

HEX #9BD943

RGB 155 217 67

HSL 84.8, 0.66%, 0.56%

LAB 80.18, -41.93, 64.31

 

CMYK 69 / 16 / 0 / 15

HEX #44B8DA

RGB 68 184 218

HSL 193.6, 0.67%, 0.56%

LAB 69.87, -21.67, -26.56

 

CMYK 19 / 69 / 0 / 15

HEX #AF43D9

RGB 175 67 217

HSL 283.2, 0.66%, 0.56%

LAB 49.66, 65.57, -57.28

 

CMYK 0 / 54 / 69 / 15

HEX #D96443

RGB 217 100 67

HSL 13.2, 0.66%, 0.56%

LAB 56.36, 43.69, 40.32

 

CMYK 49 / 0 / 69 / 15

HEX #6ED943

RGB 110 217 67

HSL 102.8, 0.66%, 0.56%

LAB 78.08, -56.75, 61.48

 

Description

Color code: HEX #44B8DA | qconv.com Color code: HEX #44B8DA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 184 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 184 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 16 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 16% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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