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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44BD39 it is the complementary color #BB42C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44BD39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44BD39 shade: #49BD34, #5ACF47, #6BE15A, #7CF36D and #8DFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44BD39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44BD39 shade: #44BD39, #33AB26, #229913, #118700 and #007500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44BD39 shade: #43BC38, #66BC38, #8ABC38, #AEBC38 and #BCA738

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44BD39 shade: #43BC38, #38BC50, #38BC74, #38BC98 and #38BCBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44BD39 shade matches the following richer shades: #43BC38, #32D024 and #22E410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44BD39 shade: #43BC38, #53A84C, #64945F, #748173 and #856D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44BD39 shade: #89BC38, #66BC38, #43BC38, #38BC50 and #38BC73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44BD39 shade: #2C7C25, #379C2E, #43BC38, #5CCB52 and #7AD472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44BD39 shade: #44BD39, #38ADBC and #BC3878

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44BD39 shade: #44BD39, #3843BC and #BC3843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44BD39 shade: #44BD39, #38ADBC, #B138BC and #BC4738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44BD39 shade: #44BD39, #3885BC, #B138BC and #BC6F38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 70 / 26

HEX #44BD39

RGB 68 189 57

HSL 115, 0.54%, 0.48%

LAB 67.96, -58.1, 54.33

 

Complementary color

CMYK 6 / 67 / 0 / 22

HEX #BB42C6

RGB 187 66 198

HSL 295, 0.54%, 0.52%

LAB 50.14, 65.02, -45.52

 

CMYK 61 / 0 / 72 / 26

HEX #49BD34

RGB 73 189 52

HSL 110.8, 0.57%, 0.47%

LAB 68.06, -57.39, 56.36

 

CMYK 57 / 0 / 66 / 19

HEX #5ACF47

RGB 90 207 71

HSL 111.62, 0.59%, 0.55%

LAB 74.35, -58.08, 55.75

 

CMYK 52 / 0 / 60 / 12

HEX #6BE15A

RGB 107 225 90

HSL 112.44, 0.69%, 0.62%

LAB 80.58, -58.48, 54.8

 

CMYK 49 / 0 / 55 / 5

HEX #7CF36D

RGB 124 243 109

HSL 113.28, 0.85%, 0.69%

LAB 86.75, -58.67, 53.7

 

CMYK 45 / 0 / 50 / 0

HEX #8DFF80

RGB 141 255 128

HSL 113.86, 1%, 0.75%

LAB 91.12, -56.37, 50.41

 

CMYK 64 / 0 / 70 / 26

HEX #44BD39

RGB 68 189 57

HSL 115, 0.54%, 0.48%

LAB 67.96, -58.1, 54.33

 

CMYK 70 / 0 / 78 / 33

HEX #33AB26

RGB 51 171 38

HSL 114.14, 0.64%, 0.41%

LAB 61.63, -56.94, 54.65

 

CMYK 78 / 0 / 88 / 40

HEX #229913

RGB 34 153 19

HSL 113.28, 0.78%, 0.34%

LAB 55.25, -55.1, 53.96

 

CMYK 87 / 0 / 100 / 47

HEX #118700

RGB 17 135 0

HSL 112.44, 1%, 0.26%

LAB 48.82, -52.38, 52.04

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 64 / 0 / 70 / 26

HEX #43BC38

RGB 67 188 56

HSL 115, 0.54%, 0.48%

LAB 67.61, -58.06, 54.34

 

CMYK 46 / 0 / 70 / 26

HEX #66BC38

RGB 102 188 56

HSL 99.09, 0.54%, 0.48%

LAB 68.81, -48.74, 55.95

 

CMYK 27 / 0 / 70 / 26

HEX #8ABC38

RGB 138 188 56

HSL 82.73, 0.54%, 0.48%

LAB 70.63, -36.12, 58.4

 

CMYK 7 / 0 / 70 / 26

HEX #AEBC38

RGB 174 188 56

HSL 66.36, 0.54%, 0.48%

LAB 73.06, -21.59, 61.63

 

CMYK 0 / 11 / 70 / 26

HEX #BCA738

RGB 188 167 56

HSL 50.45, 0.54%, 0.48%

LAB 68.47, -4.79, 57.45

 

CMYK 64 / 0 / 70 / 26

HEX #43BC38

RGB 67 188 56

HSL 115, 0.54%, 0.48%

LAB 67.61, -58.06, 54.34

 

CMYK 70 / 0 / 57 / 26

HEX #38BC50

RGB 56 188 80

HSL 130.91, 0.54%, 0.48%

LAB 67.57, -57.63, 43.87

 

CMYK 70 / 0 / 38 / 26

HEX #38BC74

RGB 56 188 116

HSL 147.27, 0.54%, 0.48%

LAB 68.07, -51.85, 26.41

 

CMYK 70 / 0 / 19 / 26

HEX #38BC98

RGB 56 188 152

HSL 163.64, 0.54%, 0.48%

LAB 68.8, -43.98, 8.03

 

CMYK 70 / 0 / 1 / 26

HEX #38BCBB

RGB 56 188 187

HSL 179.55, 0.54%, 0.48%

LAB 69.75, -34.62, -9.78

 

CMYK 64 / 0 / 70 / 26

HEX #43BC38

RGB 67 188 56

HSL 115, 0.54%, 0.48%

LAB 67.61, -58.06, 54.34

 

CMYK 76 / 0 / 83 / 18

HEX #32D024

RGB 50 208 36

HSL 115.12, 0.7%, 0.48%

LAB 73.49, -68.88, 66.35

 

CMYK 85 / 0 / 93 / 11

HEX #22E410

RGB 34 228 16

HSL 114.91, 0.87%, 0.48%

LAB 79.54, -77.15, 75.18

 

CMYK 64 / 0 / 70 / 26

HEX #43BC38

RGB 67 188 56

HSL 115, 0.54%, 0.48%

LAB 67.61, -58.06, 54.34

 

CMYK 51 / 0 / 55 / 34

HEX #53A84C

RGB 83 168 76

HSL 115.43, 0.38%, 0.48%

LAB 61.97, -44.36, 39.33

 

CMYK 32 / 0 / 36 / 42

HEX #64945F

RGB 100 148 95

HSL 114.34, 0.22%, 0.48%

LAB 56.8, -27.12, 23.02

 

CMYK 10 / 0 / 11 / 49

HEX #748173

RGB 116 129 115

HSL 115.71, 0.06%, 0.48%

LAB 52.57, -7.63, 5.97

 

CMYK 1 / 19 / 0 / 47

HEX #856D87

RGB 133 109 135

HSL 295.38, 0.11%, 0.48%

LAB 49.1, 14.38, -10.73

 

CMYK 27 / 0 / 70 / 26

HEX #89BC38

RGB 137 188 56

HSL 83.18, 0.54%, 0.48%

LAB 70.57, -36.5, 58.33

 

CMYK 46 / 0 / 70 / 26

HEX #66BC38

RGB 102 188 56

HSL 99.09, 0.54%, 0.48%

LAB 68.81, -48.74, 55.95

 

CMYK 64 / 0 / 70 / 26

HEX #43BC38

RGB 67 188 56

HSL 115, 0.54%, 0.48%

LAB 67.61, -58.06, 54.34

 

CMYK 70 / 0 / 57 / 26

HEX #38BC50

RGB 56 188 80

HSL 130.91, 0.54%, 0.48%

LAB 67.57, -57.63, 43.87

 

CMYK 70 / 0 / 39 / 26

HEX #38BC73

RGB 56 188 115

HSL 146.82, 0.54%, 0.48%

LAB 68.05, -52.04, 26.91

 

CMYK 65 / 0 / 70 / 51

HEX #2C7C25

RGB 44 124 37

HSL 115.17, 0.54%, 0.32%

LAB 45.75, -41.86, 38.84

 

CMYK 65 / 0 / 71 / 39

HEX #379C2E

RGB 55 156 46

HSL 115.09, 0.54%, 0.4%

LAB 56.87, -50.29, 46.94

 

CMYK 64 / 0 / 70 / 26

HEX #43BC38

RGB 67 188 56

HSL 115, 0.54%, 0.48%

LAB 67.61, -58.06, 54.34

 

CMYK 55 / 0 / 60 / 20

HEX #5CCB52

RGB 92 203 82

HSL 115.04, 0.54%, 0.56%

LAB 73.28, -54.97, 49.86

 

CMYK 42 / 0 / 46 / 17

HEX #7AD472

RGB 122 212 114

HSL 115.1, 0.53%, 0.64%

LAB 77.54, -46.17, 40.1

 

CMYK 64 / 0 / 70 / 26

HEX #44BD39

RGB 68 189 57

HSL 115, 0.54%, 0.48%

LAB 67.96, -58.1, 54.33

 

CMYK 70 / 8 / 0 / 26

HEX #38ADBC

RGB 56 173 188

HSL 186.82, 0.54%, 0.48%

LAB 65.25, -27.08, -17.1

 

CMYK 0 / 70 / 36 / 26

HEX #BC3878

RGB 188 56 120

HSL 330.91, 0.54%, 0.48%

LAB 45.46, 57.73, -6.36

 

CMYK 64 / 0 / 70 / 26

HEX #44BD39

RGB 68 189 57

HSL 115, 0.54%, 0.48%

LAB 67.96, -58.1, 54.33

 

CMYK 70 / 64 / 0 / 26

HEX #3843BC

RGB 56 67 188

HSL 235, 0.54%, 0.48%

LAB 34.98, 36, -64.9

 

CMYK 0 / 70 / 64 / 26

HEX #BC3843

RGB 188 56 67

HSL 355, 0.54%, 0.48%

LAB 44.13, 53.17, 24.4

 

CMYK 64 / 0 / 70 / 26

HEX #44BD39

RGB 68 189 57

HSL 115, 0.54%, 0.48%

LAB 67.96, -58.1, 54.33

 

CMYK 70 / 8 / 0 / 26

HEX #38ADBC

RGB 56 173 188

HSL 186.82, 0.54%, 0.48%

LAB 65.25, -27.08, -17.1

 

CMYK 6 / 70 / 0 / 26

HEX #B138BC

RGB 177 56 188

HSL 295, 0.54%, 0.48%

LAB 46.72, 64.8, -45.25

 

CMYK 0 / 62 / 70 / 26

HEX #BC4738

RGB 188 71 56

HSL 6.82, 0.54%, 0.48%

LAB 46.29, 46.25, 33.55

 

CMYK 64 / 0 / 70 / 26

HEX #44BD39

RGB 68 189 57

HSL 115, 0.54%, 0.48%

LAB 67.96, -58.1, 54.33

 

CMYK 70 / 29 / 0 / 26

HEX #3885BC

RGB 56 133 188

HSL 205, 0.54%, 0.48%

LAB 53.22, -5.51, -35.65

 

CMYK 6 / 70 / 0 / 26

HEX #B138BC

RGB 177 56 188

HSL 295, 0.54%, 0.48%

LAB 46.72, 64.8, -45.25

 

CMYK 0 / 41 / 70 / 26

HEX #BC6F38

RGB 188 111 56

HSL 25, 0.54%, 0.48%

LAB 54.39, 25.83, 42.71

 

Description

Color code: HEX #44BD39 | qconv.com Color code: HEX #44BD39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 189 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 189 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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