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Color name
HEX #44C45C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44C45C it is the complementary color #BB3BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44C45C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44C45C shade: #49C457, #5AD66A, #6BE87D, #7CFA90 and #8DFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44C45C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44C45C shade: #44C45C, #33B249, #22A036, #118E23 and #007C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44C45C shade: #44C45C, #4FC444, #71C444, #94C444 and #B6C444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44C45C shade: #44C45C, #44C47F, #44C4A1, #44C4C3 and #44A2C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44C45C shade matches the following richer shades: #44C45C, #31D850 and #1DEB44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44C45C shade: #44C45C, #58B069, #6C9C75, #808881 and #94758E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44C45C shade: #71C444, #4FC444, #44C45C, #44C47E and #44C4A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44C45C shade: #2B8A3D, #35AA4B, #44C45C, #64CE78 and #83D893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44C45C shade: #44C45C, #4493C4 and #C44460

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44C45C shade: #44C45C, #5C44C4 and #C45C44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44C45C shade: #44C45C, #4493C4, #C444AC and #C47544

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44C45C shade: #44C45C, #446DC4, #C444AC and #C49B44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

Complementary color

CMYK 0 / 68 / 13 / 27

HEX #BB3BA3

RGB 187 59 163

HSL 311.25, 0.52%, 0.48%

LAB 47.41, 61.98, -29.34

 

CMYK 63 / 0 / 56 / 23

HEX #49C457

RGB 73 196 87

HSL 126.83, 0.51%, 0.53%

LAB 70.58, -56.27, 44.26

 

CMYK 58 / 0 / 50 / 16

HEX #5AD66A

RGB 90 214 106

HSL 127.74, 0.6%, 0.6%

LAB 76.86, -56.61, 42.91

 

CMYK 54 / 0 / 46 / 9

HEX #6BE87D

RGB 107 232 125

HSL 128.64, 0.73%, 0.66%

LAB 83.08, -56.74, 41.57

 

CMYK 50 / 0 / 42 / 2

HEX #7CFA90

RGB 124 250 144

HSL 129.52, 0.93%, 0.73%

LAB 89.24, -56.74, 40.27

 

CMYK 45 / 0 / 36 / 0

HEX #8DFFA3

RGB 141 255 163

HSL 131.58, 1%, 0.78%

LAB 91.61, -51.36, 34.12

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 71 / 0 / 59 / 30

HEX #33B249

RGB 51 178 73

HSL 130.39, 0.55%, 0.45%

LAB 64.18, -55.91, 43.15

 

CMYK 79 / 0 / 66 / 37

HEX #22A036

RGB 34 160 54

HSL 129.52, 0.65%, 0.38%

LAB 57.8, -54.69, 44.43

 

CMYK 88 / 0 / 75 / 44

HEX #118E23

RGB 17 142 35

HSL 128.64, 0.79%, 0.31%

LAB 51.37, -52.71, 45.34

 

CMYK 100 / 0 / 87 / 51

HEX #007C10

RGB 0 124 16

HSL 127.74, 1%, 0.24%

LAB 44.88, -49.85, 45.26

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 60 / 0 / 65 / 23

HEX #4FC444

RGB 79 196 68

HSL 114.84, 0.52%, 0.52%

LAB 70.57, -57.07, 52.77

 

CMYK 42 / 0 / 65 / 23

HEX #71C444

RGB 113 196 68

HSL 98.91, 0.52%, 0.52%

LAB 71.83, -47.51, 54.51

 

CMYK 24 / 0 / 65 / 23

HEX #94C444

RGB 148 196 68

HSL 82.5, 0.52%, 0.52%

LAB 73.67, -35.1, 57.02

 

CMYK 7 / 0 / 65 / 23

HEX #B6C444

RGB 182 196 68

HSL 66.56, 0.52%, 0.52%

LAB 75.97, -21.51, 60.15

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 65 / 0 / 35 / 23

HEX #44C47F

RGB 68 196 127

HSL 147.66, 0.52%, 0.52%

LAB 71.04, -50.77, 24.62

 

CMYK 65 / 0 / 18 / 23

HEX #44C4A1

RGB 68 196 161

HSL 163.59, 0.52%, 0.52%

LAB 71.75, -43.33, 7.37

 

CMYK 65 / 0 / 1 / 23

HEX #44C4C3

RGB 68 196 195

HSL 179.53, 0.52%, 0.52%

LAB 72.66, -34.41, -9.79

 

CMYK 65 / 17 / 0 / 23

HEX #44A2C4

RGB 68 162 196

HSL 195.94, 0.52%, 0.52%

LAB 62.55, -17.1, -25.64

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 77 / 0 / 63 / 15

HEX #31D850

RGB 49 216 80

HSL 131.14, 0.68%, 0.52%

LAB 76.28, -67.98, 53.85

 

CMYK 88 / 0 / 71 / 8

HEX #1DEB44

RGB 29 235 68

HSL 131.36, 0.84%, 0.52%

LAB 81.89, -76.81, 64.52

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 50 / 0 / 40 / 31

HEX #58B069

RGB 88 176 105

HSL 131.59, 0.36%, 0.52%

LAB 65.08, -42.02, 28.44

 

CMYK 31 / 0 / 25 / 39

HEX #6C9C75

RGB 108 156 117

HSL 131.25, 0.2%, 0.52%

LAB 60.11, -24.45, 15.38

 

CMYK 6 / 0 / 5 / 47

HEX #808881

RGB 128 136 129

HSL 127.5, 0.03%, 0.52%

LAB 55.87, -4.34, 2.74

 

CMYK 0 / 21 / 4 / 42

HEX #94758E

RGB 148 117 142

HSL 311.61, 0.13%, 0.52%

LAB 52.92, 16.56, -8.97

 

CMYK 42 / 0 / 65 / 23

HEX #71C444

RGB 113 196 68

HSL 98.91, 0.52%, 0.52%

LAB 71.83, -47.51, 54.51

 

CMYK 60 / 0 / 65 / 23

HEX #4FC444

RGB 79 196 68

HSL 114.84, 0.52%, 0.52%

LAB 70.57, -57.07, 52.77

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 65 / 0 / 36 / 23

HEX #44C47E

RGB 68 196 126

HSL 147.19, 0.52%, 0.52%

LAB 71.02, -50.97, 25.13

 

CMYK 65 / 0 / 18 / 23

HEX #44C4A0

RGB 68 196 160

HSL 163.13, 0.52%, 0.52%

LAB 71.72, -43.57, 7.88

 

CMYK 69 / 0 / 56 / 46

HEX #2B8A3D

RGB 43 138 61

HSL 131.37, 0.52%, 0.35%

LAB 50.72, -44.46, 33.01

 

CMYK 69 / 0 / 56 / 33

HEX #35AA4B

RGB 53 170 75

HSL 131.28, 0.52%, 0.44%

LAB 61.67, -52.43, 39.24

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 51 / 0 / 42 / 19

HEX #64CE78

RGB 100 206 120

HSL 131.32, 0.52%, 0.6%

LAB 74.96, -48.93, 33.61

 

CMYK 39 / 0 / 32 / 15

HEX #83D893

RGB 131 216 147

HSL 131.29, 0.52%, 0.68%

LAB 79.64, -40.11, 26.14

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 65 / 25 / 0 / 23

HEX #4493C4

RGB 68 147 196

HSL 202.97, 0.52%, 0.52%

LAB 58.11, -8.87, -32.51

 

CMYK 0 / 65 / 51 / 23

HEX #C44460

RGB 196 68 96

HSL 346.88, 0.52%, 0.52%

LAB 47.9, 53.03, 12.01

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 53 / 65 / 0 / 23

HEX #5C44C4

RGB 92 68 196

HSL 251.25, 0.52%, 0.52%

LAB 38.54, 43.51, -63.65

 

CMYK 0 / 53 / 65 / 23

HEX #C45C44

RGB 196 92 68

HSL 11.25, 0.52%, 0.52%

LAB 51.62, 39.78, 33.4

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 65 / 25 / 0 / 23

HEX #4493C4

RGB 68 147 196

HSL 202.97, 0.52%, 0.52%

LAB 58.11, -8.87, -32.51

 

CMYK 0 / 65 / 12 / 23

HEX #C444AC

RGB 196 68 172

HSL 311.25, 0.52%, 0.52%

LAB 50.51, 62.16, -29.71

 

CMYK 0 / 40 / 65 / 23

HEX #C47544

RGB 196 117 68

HSL 22.97, 0.52%, 0.52%

LAB 56.95, 26.62, 39.71

 

CMYK 65 / 0 / 53 / 23

HEX #44C45C

RGB 68 196 92

HSL 131.25, 0.52%, 0.52%

LAB 70.51, -56.62, 41.75

 

CMYK 65 / 44 / 0 / 23

HEX #446DC4

RGB 68 109 196

HSL 220.78, 0.52%, 0.52%

LAB 47.17, 13.85, -49.78

 

CMYK 0 / 65 / 12 / 23

HEX #C444AC

RGB 196 68 172

HSL 311.25, 0.52%, 0.52%

LAB 50.51, 62.16, -29.71

 

CMYK 0 / 21 / 65 / 23

HEX #C49B44

RGB 196 155 68

HSL 40.78, 0.52%, 0.52%

LAB 66.21, 5.83, 50.12

 

Description

Color code: HEX #44C45C | qconv.com Color code: HEX #44C45C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 196 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 196 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 53 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 53% 23% C M Y K

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Provide designers and agencies with accurate color values.

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