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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44C996 it is the complementary color #BB3669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44C996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44C996 shade: #49C991, #5ADBA4, #6BEDB7, #7CFFCA and #8DFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44C996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44C996 shade: #44C996, #33B783, #22A570, #11935D and #00814A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44C996 shade: #45C996, #45C972, #45C94F, #5EC945 and #82C945

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44C996 shade: #45C996, #45C9BA, #45B4C9, #4590C9 and #456DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44C996 shade matches the following richer shades: #45C996, #31DC9B and #1EEF9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44C996 shade: #45C996, #58B591, #6CA28D, #7F8E88 and #927B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44C996 shade: #45C94E, #45C971, #45C994, #45C9B7 and #45B7C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44C996 shade: #2A9169, #33B181, #45C996, #65D2A8 and #85DBBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44C996 shade: #44C996, #455FC9 and #C95F45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44C996 shade: #44C996, #9445C9 and #C99445

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44C996 shade: #44C996, #455FC9, #C94579 and #C9AE45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44C996 shade: #44C996, #5245C9, #C94579 and #BBC945

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 25 / 21

HEX #44C996

RGB 68 201 150

HSL 156.99, 0.55%, 0.53%

LAB 73.03, -48, 15.12

 

Complementary color

CMYK 0 / 71 / 44 / 27

HEX #BB3669

RGB 187 54 105

HSL 336.99, 0.55%, 0.47%

LAB 44.55, 56.62, 1.51

 

CMYK 64 / 0 / 28 / 21

HEX #49C991

RGB 73 201 145

HSL 153.75, 0.54%, 0.54%

LAB 73.05, -48.2, 17.84

 

CMYK 59 / 0 / 25 / 14

HEX #5ADBA4

RGB 90 219 164

HSL 154.42, 0.64%, 0.61%

LAB 79.34, -48.35, 16.59

 

CMYK 55 / 0 / 23 / 7

HEX #6BEDB7

RGB 107 237 183

HSL 155.08, 0.78%, 0.67%

LAB 85.56, -48.37, 15.45

 

CMYK 51 / 0 / 21 / 0

HEX #7CFFCA

RGB 124 255 202

HSL 155.73, 1%, 0.74%

LAB 91.72, -48.31, 14.39

 

CMYK 45 / 0 / 13 / 0

HEX #8DFFDD

RGB 141 255 221

HSL 162.11, 1%, 0.78%

LAB 92.75, -40.33, 6.17

 

CMYK 66 / 0 / 25 / 21

HEX #44C996

RGB 68 201 150

HSL 156.99, 0.55%, 0.53%

LAB 73.03, -48, 15.12

 

CMYK 72 / 0 / 28 / 28

HEX #33B783

RGB 51 183 131

HSL 156.36, 0.56%, 0.46%

LAB 66.68, -47.55, 16.47

 

CMYK 79 / 0 / 32 / 35

HEX #22A570

RGB 34 165 112

HSL 155.73, 0.66%, 0.39%

LAB 60.27, -46.8, 17.96

 

CMYK 88 / 0 / 37 / 42

HEX #11935D

RGB 17 147 93

HSL 155.08, 0.79%, 0.32%

LAB 53.79, -45.6, 19.64

 

CMYK 100 / 0 / 43 / 49

HEX #00814A

RGB 0 129 74

HSL 154.42, 1%, 0.25%

LAB 47.23, -43.92, 21.49

 

CMYK 66 / 0 / 25 / 21

HEX #45C996

RGB 69 201 150

HSL 156.82, 0.55%, 0.53%

LAB 73.05, -47.83, 15.15

 

CMYK 66 / 0 / 43 / 21

HEX #45C972

RGB 69 201 114

HSL 140.45, 0.55%, 0.53%

LAB 72.4, -54.88, 33.18

 

CMYK 66 / 0 / 61 / 21

HEX #45C94F

RGB 69 201 79

HSL 124.55, 0.55%, 0.53%

LAB 71.96, -59.85, 49.51

 

CMYK 53 / 0 / 66 / 21

HEX #5EC945

RGB 94 201 69

HSL 108.64, 0.55%, 0.53%

LAB 72.62, -55.01, 54.72

 

CMYK 35 / 0 / 66 / 21

HEX #82C945

RGB 130 201 69

HSL 92.27, 0.55%, 0.53%

LAB 74.16, -43.82, 56.84

 

CMYK 66 / 0 / 25 / 21

HEX #45C996

RGB 69 201 150

HSL 156.82, 0.55%, 0.53%

LAB 73.05, -47.83, 15.15

 

CMYK 66 / 0 / 7 / 21

HEX #45C9BA

RGB 69 201 186

HSL 173.18, 0.55%, 0.53%

LAB 73.92, -39.03, -3.02

 

CMYK 66 / 10 / 0 / 21

HEX #45B4C9

RGB 69 180 201

HSL 189.55, 0.55%, 0.53%

LAB 68.11, -24.72, -19.92

 

CMYK 66 / 28 / 0 / 21

HEX #4590C9

RGB 69 144 201

HSL 205.91, 0.55%, 0.53%

LAB 57.49, -5.33, -36.3

 

CMYK 66 / 46 / 0 / 21

HEX #456DC9

RGB 69 109 201

HSL 221.82, 0.55%, 0.53%

LAB 47.52, 15.79, -52.1

 

CMYK 66 / 0 / 25 / 21

HEX #45C996

RGB 69 201 150

HSL 156.82, 0.55%, 0.53%

LAB 73.05, -47.83, 15.15

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 87 / 0 / 33 / 6

HEX #1EEF9F

RGB 30 239 159

HSL 157.03, 0.87%, 0.53%

LAB 84.23, -64.79, 25.77

 

CMYK 66 / 0 / 25 / 21

HEX #45C996

RGB 69 201 150

HSL 156.82, 0.55%, 0.53%

LAB 73.05, -47.83, 15.15

 

CMYK 51 / 0 / 20 / 29

HEX #58B591

RGB 88 181 145

HSL 156.77, 0.39%, 0.53%

LAB 67.4, -36.34, 9.99

 

CMYK 33 / 0 / 13 / 36

HEX #6CA28D

RGB 108 162 141

HSL 156.67, 0.23%, 0.53%

LAB 62.47, -22.58, 5.27

 

CMYK 11 / 0 / 4 / 44

HEX #7F8E88

RGB 127 142 136

HSL 156, 0.06%, 0.53%

LAB 57.69, -6.64, 1.35

 

CMYK 0 / 16 / 10 / 43

HEX #927B84

RGB 146 123 132

HSL 336.52, 0.1%, 0.53%

LAB 53.97, 10.46, -1.59

 

CMYK 66 / 0 / 61 / 21

HEX #45C94E

RGB 69 201 78

HSL 124.09, 0.55%, 0.53%

LAB 71.95, -59.96, 49.94

 

CMYK 66 / 0 / 44 / 21

HEX #45C971

RGB 69 201 113

HSL 140, 0.55%, 0.53%

LAB 72.38, -55.05, 33.67

 

CMYK 66 / 0 / 26 / 21

HEX #45C994

RGB 69 201 148

HSL 155.91, 0.55%, 0.53%

LAB 73.01, -48.27, 16.17

 

CMYK 66 / 0 / 9 / 21

HEX #45C9B7

RGB 69 201 183

HSL 171.82, 0.55%, 0.53%

LAB 73.84, -39.82, -1.52

 

CMYK 66 / 9 / 0 / 21

HEX #45B7C9

RGB 69 183 201

HSL 188.18, 0.55%, 0.53%

LAB 69, -26.23, -18.56

 

CMYK 71 / 0 / 28 / 43

HEX #2A9169

RGB 42 145 105

HSL 156.7, 0.55%, 0.37%

LAB 53.77, -39.04, 12.93

 

CMYK 71 / 0 / 27 / 31

HEX #33B181

RGB 51 177 129

HSL 157.14, 0.55%, 0.45%

LAB 64.75, -45.55, 14.87

 

CMYK 66 / 0 / 25 / 21

HEX #45C996

RGB 69 201 150

HSL 156.82, 0.55%, 0.53%

LAB 73.05, -47.83, 15.15

 

CMYK 52 / 0 / 20 / 18

HEX #65D2A8

RGB 101 210 168

HSL 156.88, 0.55%, 0.61%

LAB 77.09, -41.25, 11.36

 

CMYK 39 / 0 / 15 / 14

HEX #85DBBA

RGB 133 219 186

HSL 156.98, 0.54%, 0.69%

LAB 81.4, -33.42, 8.1

 

CMYK 66 / 0 / 25 / 21

HEX #44C996

RGB 68 201 150

HSL 156.99, 0.55%, 0.53%

LAB 73.03, -48, 15.12

 

CMYK 66 / 53 / 0 / 21

HEX #455FC9

RGB 69 95 201

HSL 228.18, 0.55%, 0.53%

LAB 43.75, 24.66, -58.17

 

CMYK 0 / 53 / 66 / 21

HEX #C95F45

RGB 201 95 69

HSL 11.82, 0.55%, 0.53%

LAB 52.98, 40.24, 34.66

 

CMYK 66 / 0 / 25 / 21

HEX #44C996

RGB 68 201 150

HSL 156.99, 0.55%, 0.53%

LAB 73.03, -48, 15.12

 

CMYK 26 / 66 / 0 / 21

HEX #9445C9

RGB 148 69 201

HSL 275.91, 0.55%, 0.53%

LAB 45.32, 55.57, -55.28

 

CMYK 0 / 26 / 66 / 21

HEX #C99445

RGB 201 148 69

HSL 35.91, 0.55%, 0.53%

LAB 64.98, 11.86, 48.46

 

CMYK 66 / 0 / 25 / 21

HEX #44C996

RGB 68 201 150

HSL 156.99, 0.55%, 0.53%

LAB 73.03, -48, 15.12

 

CMYK 66 / 53 / 0 / 21

HEX #455FC9

RGB 69 95 201

HSL 228.18, 0.55%, 0.53%

LAB 43.75, 24.66, -58.17

 

CMYK 0 / 66 / 40 / 21

HEX #C94579

RGB 201 69 121

HSL 336.36, 0.55%, 0.53%

LAB 49.56, 56.57, -0.67

 

CMYK 0 / 13 / 66 / 21

HEX #C9AE45

RGB 201 174 69

HSL 47.73, 0.55%, 0.53%

LAB 71.64, -2.12, 55.66

 

CMYK 66 / 0 / 25 / 21

HEX #44C996

RGB 68 201 150

HSL 156.99, 0.55%, 0.53%

LAB 73.03, -48, 15.12

 

CMYK 59 / 66 / 0 / 21

HEX #5245C9

RGB 82 69 201

HSL 245.91, 0.55%, 0.53%

LAB 38.32, 42.81, -66.96

 

CMYK 0 / 66 / 40 / 21

HEX #C94579

RGB 201 69 121

HSL 336.36, 0.55%, 0.53%

LAB 49.56, 56.57, -0.67

 

CMYK 7 / 0 / 66 / 21

HEX #BBC945

RGB 187 201 69

HSL 66.36, 0.55%, 0.53%

LAB 77.74, -21.84, 61.7

 

Description

Color code: HEX #44C996 | qconv.com Color code: HEX #44C996 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 201 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 201 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 25 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 25% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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