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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D889 it is the complementary color #BB2776. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D889. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D889 shade: #49D884, #5AEA97, #6BFCAA, #7CFFBD and #8DFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D889. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D889 shade: #44D889, #33C676, #22B463, #11A250 and #00903D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D889 shade: #45D789, #45D762, #50D745, #77D745 and #9FD745

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D889 shade: #45D789, #45D7B1, #45D6D7, #45AFD7 and #4588D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D889 shade matches the following richer shades: #45D789, #33E988 and #21FC87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D889 shade: #45D789, #58C58B, #6AB38C, #7CA18D and #8E8F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D889 shade: #52D745, #45D760, #45D787, #45D7AE and #45D7D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D889 shade: #23A761, #2AC974, #45D789, #67DE9F and #89E6B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D889 shade: #44D889, #4578D7 and #D74D45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D889 shade: #44D889, #8745D7 and #D78745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D889 shade: #44D889, #4578D7, #D74596 and #D7A445

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D889 shade: #44D889, #454DD7, #D74596 and #D7D045

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 37 / 15

HEX #44D889

RGB 68 216 137

HSL 147.97, 0.65%, 0.56%

LAB 77.37, -56.6, 27.91

 

Complementary color

CMYK 0 / 79 / 37 / 27

HEX #BB2776

RGB 187 39 118

HSL 327.97, 0.65%, 0.44%

LAB 43.25, 62.79, -8.46

 

CMYK 66 / 0 / 39 / 15

HEX #49D884

RGB 73 216 132

HSL 144.76, 0.65%, 0.57%

LAB 77.4, -56.67, 30.53

 

CMYK 62 / 0 / 35 / 8

HEX #5AEA97

RGB 90 234 151

HSL 145.42, 0.77%, 0.64%

LAB 83.58, -56.95, 29.14

 

CMYK 58 / 0 / 33 / 1

HEX #6BFCAA

RGB 107 252 170

HSL 146.07, 0.96%, 0.7%

LAB 89.7, -57.06, 27.84

 

CMYK 51 / 0 / 26 / 0

HEX #7CFFBD

RGB 124 255 189

HSL 149.77, 1%, 0.74%

LAB 91.45, -50.94, 20.68

 

CMYK 45 / 0 / 18 / 0

HEX #8DFFD0

RGB 141 255 208

HSL 155.26, 1%, 0.78%

LAB 92.46, -43.08, 12.44

 

CMYK 69 / 0 / 37 / 15

HEX #44D889

RGB 68 216 137

HSL 147.97, 0.65%, 0.56%

LAB 77.37, -56.6, 27.91

 

CMYK 74 / 0 / 40 / 22

HEX #33C676

RGB 51 198 118

HSL 147.35, 0.59%, 0.49%

LAB 71.15, -56, 29.41

 

CMYK 81 / 0 / 45 / 29

HEX #22B463

RGB 34 180 99

HSL 146.71, 0.68%, 0.42%

LAB 64.87, -55.03, 31.04

 

CMYK 90 / 0 / 51 / 36

HEX #11A250

RGB 17 162 80

HSL 146.07, 0.81%, 0.35%

LAB 58.55, -53.54, 32.79

 

CMYK 100 / 0 / 58 / 44

HEX #00903D

RGB 0 144 61

HSL 145.42, 1%, 0.28%

LAB 52.16, -51.48, 34.59

 

CMYK 68 / 0 / 36 / 16

HEX #45D789

RGB 69 215 137

HSL 147.95, 0.65%, 0.56%

LAB 77.08, -56.06, 27.53

 

CMYK 68 / 0 / 54 / 16

HEX #45D762

RGB 69 215 98

HSL 131.92, 0.65%, 0.56%

LAB 76.53, -62.37, 46.17

 

CMYK 63 / 0 / 68 / 16

HEX #50D745

RGB 80 215 69

HSL 115.48, 0.65%, 0.56%

LAB 76.52, -63.41, 58.78

 

CMYK 45 / 0 / 68 / 16

HEX #77D745

RGB 119 215 69

HSL 99.45, 0.65%, 0.56%

LAB 77.85, -53.15, 60.59

 

CMYK 26 / 0 / 68 / 16

HEX #9FD745

RGB 159 215 69

HSL 83.01, 0.65%, 0.56%

LAB 79.84, -39.44, 63.29

 

CMYK 68 / 0 / 36 / 16

HEX #45D789

RGB 69 215 137

HSL 147.95, 0.65%, 0.56%

LAB 77.08, -56.06, 27.53

 

CMYK 68 / 0 / 18 / 16

HEX #45D7B1

RGB 69 215 177

HSL 164.38, 0.65%, 0.56%

LAB 77.9, -47.41, 7.59

 

CMYK 68 / 0 / 0 / 16

HEX #45D6D7

RGB 69 214 215

HSL 180.41, 0.65%, 0.56%

LAB 78.62, -37.02, -11.69

 

CMYK 68 / 19 / 0 / 16

HEX #45AFD7

RGB 69 175 215

HSL 196.44, 0.65%, 0.56%

LAB 67.15, -17.79, -29.1

 

CMYK 68 / 37 / 0 / 16

HEX #4588D7

RGB 69 136 215

HSL 212.47, 0.65%, 0.56%

LAB 55.87, 4.16, -46.74

 

CMYK 68 / 0 / 36 / 16

HEX #45D789

RGB 69 215 137

HSL 147.95, 0.65%, 0.56%

LAB 77.08, -56.06, 27.53

 

CMYK 78 / 0 / 42 / 9

HEX #33E988

RGB 51 233 136

HSL 148.02, 0.81%, 0.56%

LAB 82.25, -65.28, 34.81

 

CMYK 87 / 0 / 46 / 1

HEX #21FC87

RGB 33 252 135

HSL 147.95, 0.97%, 0.56%

LAB 87.82, -73.4, 42.44

 

CMYK 68 / 0 / 36 / 16

HEX #45D789

RGB 69 215 137

HSL 147.95, 0.65%, 0.56%

LAB 77.08, -56.06, 27.53

 

CMYK 55 / 0 / 29 / 23

HEX #58C58B

RGB 88 197 139

HSL 148.07, 0.48%, 0.56%

LAB 72.14, -44.67, 19.86

 

CMYK 41 / 0 / 22 / 30

HEX #6AB38C

RGB 106 179 140

HSL 147.95, 0.32%, 0.56%

LAB 67.43, -31.73, 12.86

 

CMYK 23 / 0 / 12 / 37

HEX #7CA18D

RGB 124 161 141

HSL 147.57, 0.16%, 0.56%

LAB 63.09, -16.9, 6.29

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 62 / 0 / 68 / 16

HEX #52D745

RGB 82 215 69

HSL 114.66, 0.65%, 0.56%

LAB 76.57, -62.98, 58.86

 

CMYK 68 / 0 / 55 / 16

HEX #45D760

RGB 69 215 96

HSL 131.1, 0.65%, 0.56%

LAB 76.5, -62.63, 47.08

 

CMYK 68 / 0 / 37 / 16

HEX #45D787

RGB 69 215 135

HSL 147.12, 0.65%, 0.56%

LAB 77.05, -56.43, 28.52

 

CMYK 68 / 0 / 19 / 16

HEX #45D7AE

RGB 69 215 174

HSL 163.15, 0.65%, 0.56%

LAB 77.83, -48.13, 9.09

 

CMYK 68 / 0 / 1 / 16

HEX #45D7D5

RGB 69 215 213

HSL 179.18, 0.65%, 0.56%

LAB 78.85, -38.04, -10.27

 

CMYK 79 / 0 / 42 / 35

HEX #23A761

RGB 35 167 97

HSL 148.18, 0.65%, 0.4%

LAB 60.66, -50.54, 26.62

 

CMYK 79 / 0 / 42 / 21

HEX #2AC974

RGB 42 201 116

HSL 147.92, 0.65%, 0.48%

LAB 71.91, -58.59, 31.42

 

CMYK 68 / 0 / 36 / 16

HEX #45D789

RGB 69 215 137

HSL 147.95, 0.65%, 0.56%

LAB 77.08, -56.06, 27.53

 

CMYK 54 / 0 / 28 / 13

HEX #67DE9F

RGB 103 222 159

HSL 148.24, 0.64%, 0.64%

LAB 80.53, -47.83, 20.94

 

CMYK 40 / 0 / 22 / 10

HEX #89E6B4

RGB 137 230 180

HSL 147.74, 0.65%, 0.72%

LAB 84.59, -38.61, 15.81

 

CMYK 69 / 0 / 37 / 15

HEX #44D889

RGB 68 216 137

HSL 147.97, 0.65%, 0.56%

LAB 77.37, -56.6, 27.91

 

CMYK 68 / 44 / 0 / 16

HEX #4578D7

RGB 69 120 215

HSL 219.04, 0.65%, 0.56%

LAB 51.39, 13.89, -53.88

 

CMYK 0 / 64 / 68 / 16

HEX #D74D45

RGB 215 77 69

HSL 3.29, 0.65%, 0.56%

LAB 52.05, 53.64, 34.07

 

CMYK 69 / 0 / 37 / 15

HEX #44D889

RGB 68 216 137

HSL 147.97, 0.65%, 0.56%

LAB 77.37, -56.6, 27.91

 

CMYK 37 / 68 / 0 / 16

HEX #8745D7

RGB 135 69 215

HSL 267.12, 0.65%, 0.56%

LAB 44.68, 56.16, -64.44

 

CMYK 0 / 37 / 68 / 16

HEX #D78745

RGB 215 135 69

HSL 27.12, 0.65%, 0.56%

LAB 63.51, 24.85, 47.29

 

CMYK 69 / 0 / 37 / 15

HEX #44D889

RGB 68 216 137

HSL 147.97, 0.65%, 0.56%

LAB 77.37, -56.6, 27.91

 

CMYK 68 / 44 / 0 / 16

HEX #4578D7

RGB 69 120 215

HSL 219.04, 0.65%, 0.56%

LAB 51.39, 13.89, -53.88

 

CMYK 0 / 68 / 30 / 16

HEX #D74596

RGB 215 69 150

HSL 326.71, 0.65%, 0.56%

LAB 52.85, 63.86, -12.89

 

CMYK 0 / 24 / 68 / 16

HEX #D7A445

RGB 215 164 69

HSL 39.04, 0.65%, 0.56%

LAB 70.47, 9.23, 54.85

 

CMYK 69 / 0 / 37 / 15

HEX #44D889

RGB 68 216 137

HSL 147.97, 0.65%, 0.56%

LAB 77.37, -56.6, 27.91

 

CMYK 68 / 64 / 0 / 16

HEX #454DD7

RGB 69 77 215

HSL 236.71, 0.65%, 0.56%

LAB 40.38, 40.76, -71.71

 

CMYK 0 / 68 / 30 / 16

HEX #D74596

RGB 215 69 150

HSL 326.71, 0.65%, 0.56%

LAB 52.85, 63.86, -12.89

 

CMYK 0 / 3 / 68 / 16

HEX #D7D045

RGB 215 208 69

HSL 57.12, 0.65%, 0.56%

LAB 81.83, -13.66, 66.57

 

Description

Color code: HEX #44D889 | qconv.com Color code: HEX #44D889 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 216 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 216 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 37 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 37% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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