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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44DAAC it is the complementary color #BB2553. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44DAAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44DAAC shade: #49DAA7, #5AECBA, #6BFECD, #7CFFE0 and #8DFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44DAAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44DAAC shade: #44DAAC, #33C899, #22B686, #11A473 and #009260

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44DAAC shade: #43D9AB, #43D983, #43D95A, #55D943 and #7DD943

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44DAAC shade: #43D9AB, #43D9D4, #43B6D9, #438ED9 and #4365D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44DAAC shade matches the following richer shades: #43D9AB, #31ECB2 and #1FFEB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44DAAC shade: #43D9AB, #55C7A4, #67B59D, #7AA396 and #8C918F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44DAAC shade: #43D95A, #43D982, #43D9AA, #43D9D2 and #43B9D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44DAAC shade: #21A97F, #28CC99, #43D9AB, #66E0BB and #88E7CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44DAAC shade: #44DAAC, #4355D9 and #D96E43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44DAAC shade: #44DAAC, #AA43D9 and #D9AA43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44DAAC shade: #44DAAC, #4355D9, #D94373 and #D9C843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44DAAC shade: #44DAAC, #5F43D9, #D94373 and #BED943

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 21 / 15

HEX #44DAAC

RGB 68 218 172

HSL 161.6, 0.67%, 0.56%

LAB 78.67, -49.99, 11.34

 

Complementary color

CMYK 0 / 80 / 56 / 27

HEX #BB2553

RGB 187 37 83

HSL 341.6, 0.67%, 0.44%

LAB 42.02, 60.21, 11.64

 

CMYK 67 / 0 / 23 / 15

HEX #49DAA7

RGB 73 218 167

HSL 158.9, 0.66%, 0.57%

LAB 78.66, -50.36, 14

 

CMYK 62 / 0 / 21 / 7

HEX #5AECBA

RGB 90 236 186

HSL 159.45, 0.79%, 0.64%

LAB 84.85, -50.63, 12.81

 

CMYK 58 / 0 / 19 / 0

HEX #6BFECD

RGB 107 254 205

HSL 160, 0.99%, 0.71%

LAB 90.97, -50.77, 11.71

 

CMYK 51 / 0 / 12 / 0

HEX #7CFFE0

RGB 124 255 224

HSL 165.8, 1%, 0.74%

LAB 92.21, -43.5, 3.76

 

CMYK 45 / 0 / 5 / 0

HEX #8DFFF3

RGB 141 255 243

HSL 173.68, 1%, 0.78%

LAB 93.3, -35.35, -4.41

 

CMYK 69 / 0 / 21 / 15

HEX #44DAAC

RGB 68 218 172

HSL 161.6, 0.67%, 0.56%

LAB 78.67, -49.99, 11.34

 

CMYK 75 / 0 / 24 / 22

HEX #33C899

RGB 51 200 153

HSL 161.07, 0.59%, 0.49%

LAB 72.44, -49.42, 12.63

 

CMYK 81 / 0 / 26 / 29

HEX #22B686

RGB 34 182 134

HSL 160.54, 0.69%, 0.42%

LAB 66.15, -48.54, 14.05

 

CMYK 90 / 0 / 30 / 36

HEX #11A473

RGB 17 164 115

HSL 160, 0.81%, 0.35%

LAB 59.81, -47.26, 15.64

 

CMYK 100 / 0 / 34 / 43

HEX #009260

RGB 0 146 96

HSL 159.45, 1%, 0.29%

LAB 53.39, -45.56, 17.4

 

CMYK 69 / 0 / 21 / 15

HEX #43D9AB

RGB 67 217 171

HSL 161.6, 0.66%, 0.56%

LAB 78.32, -49.96, 11.38

 

CMYK 69 / 0 / 40 / 15

HEX #43D983

RGB 67 217 131

HSL 145.6, 0.66%, 0.56%

LAB 77.55, -58.25, 31.23

 

CMYK 69 / 0 / 59 / 15

HEX #43D95A

RGB 67 217 90

HSL 129.2, 0.66%, 0.56%

LAB 77.02, -64.43, 50.41

 

CMYK 61 / 0 / 69 / 15

HEX #55D943

RGB 85 217 67

HSL 112.8, 0.66%, 0.56%

LAB 77.26, -63.17, 60.37

 

CMYK 42 / 0 / 69 / 15

HEX #7DD943

RGB 125 217 67

HSL 96.8, 0.66%, 0.56%

LAB 78.69, -52.22, 62.31

 

CMYK 69 / 0 / 21 / 15

HEX #43D9AB

RGB 67 217 171

HSL 161.6, 0.66%, 0.56%

LAB 78.32, -49.96, 11.38

 

CMYK 69 / 0 / 2 / 15

HEX #43D9D4

RGB 67 217 212

HSL 178, 0.66%, 0.56%

LAB 79.37, -39.5, -8.97

 

CMYK 69 / 16 / 0 / 15

HEX #43B6D9

RGB 67 182 217

HSL 194, 0.66%, 0.56%

LAB 69.23, -21.09, -27.01

 

CMYK 69 / 35 / 0 / 15

HEX #438ED9

RGB 67 142 217

HSL 210, 0.66%, 0.56%

LAB 57.61, 0.99, -45.12

 

CMYK 69 / 53 / 0 / 15

HEX #4365D9

RGB 67 101 217

HSL 226.4, 0.66%, 0.56%

LAB 46.33, 26.22, -63.17

 

CMYK 69 / 0 / 21 / 15

HEX #43D9AB

RGB 67 217 171

HSL 161.6, 0.66%, 0.56%

LAB 78.32, -49.96, 11.38

 

CMYK 79 / 0 / 25 / 7

HEX #31ECB2

RGB 49 236 178

HSL 161.39, 0.83%, 0.56%

LAB 83.89, -58.08, 15.52

 

CMYK 88 / 0 / 27 / 0

HEX #1FFEB9

RGB 31 254 185

HSL 161.43, 0.99%, 0.56%

LAB 89.24, -64.61, 19.37

 

CMYK 69 / 0 / 21 / 15

HEX #43D9AB

RGB 67 217 171

HSL 161.6, 0.66%, 0.56%

LAB 78.32, -49.96, 11.38

 

CMYK 57 / 0 / 18 / 22

HEX #55C7A4

RGB 85 199 164

HSL 161.58, 0.5%, 0.56%

LAB 73.19, -40.76, 7.88

 

CMYK 43 / 0 / 13 / 29

HEX #67B59D

RGB 103 181 157

HSL 161.54, 0.35%, 0.56%

LAB 68.29, -29.82, 4.74

 

CMYK 25 / 0 / 8 / 36

HEX #7AA396

RGB 122 163 150

HSL 160.98, 0.18%, 0.56%

LAB 63.78, -16.72, 2.23

 

CMYK 3 / 0 / 1 / 43

HEX #8C918F

RGB 140 145 143

HSL 156, 0.02%, 0.56%

LAB 59.72, -2.21, 0.42

 

CMYK 69 / 0 / 59 / 15

HEX #43D95A

RGB 67 217 90

HSL 129.2, 0.66%, 0.56%

LAB 77.02, -64.43, 50.41

 

CMYK 69 / 0 / 40 / 15

HEX #43D982

RGB 67 217 130

HSL 145.2, 0.66%, 0.56%

LAB 77.54, -58.43, 31.72

 

CMYK 69 / 0 / 22 / 15

HEX #43D9AA

RGB 67 217 170

HSL 161.2, 0.66%, 0.56%

LAB 78.3, -50.2, 11.88

 

CMYK 69 / 0 / 3 / 15

HEX #43D9D2

RGB 67 217 210

HSL 177.2, 0.66%, 0.56%

LAB 79.31, -40.05, -7.98

 

CMYK 69 / 15 / 0 / 15

HEX #43B9D9

RGB 67 185 217

HSL 192.8, 0.66%, 0.56%

LAB 70.11, -22.63, -25.66

 

CMYK 80 / 0 / 25 / 34

HEX #21A97F

RGB 33 169 127

HSL 161.47, 0.67%, 0.4%

LAB 61.85, -45.05, 11.87

 

CMYK 80 / 0 / 25 / 20

HEX #28CC99

RGB 40 204 153

HSL 161.34, 0.67%, 0.48%

LAB 73.5, -52.24, 14.11

 

CMYK 69 / 0 / 21 / 15

HEX #43D9AB

RGB 67 217 171

HSL 161.6, 0.66%, 0.56%

LAB 78.32, -49.96, 11.38

 

CMYK 54 / 0 / 17 / 12

HEX #66E0BB

RGB 102 224 187

HSL 161.8, 0.66%, 0.64%

LAB 81.69, -42.96, 7.83

 

CMYK 41 / 0 / 13 / 9

HEX #88E7CA

RGB 136 231 202

HSL 161.68, 0.66%, 0.72%

LAB 85.33, -34.78, 5.32

 

CMYK 69 / 0 / 21 / 15

HEX #44DAAC

RGB 68 218 172

HSL 161.6, 0.67%, 0.56%

LAB 78.67, -49.99, 11.34

 

CMYK 69 / 61 / 0 / 15

HEX #4355D9

RGB 67 85 217

HSL 232.8, 0.66%, 0.56%

LAB 42.31, 36.27, -69.7

 

CMYK 0 / 49 / 69 / 15

HEX #D96E43

RGB 217 110 67

HSL 17.2, 0.66%, 0.56%

LAB 58.33, 38.69, 42.57

 

CMYK 69 / 0 / 21 / 15

HEX #44DAAC

RGB 68 218 172

HSL 161.6, 0.67%, 0.56%

LAB 78.67, -49.99, 11.34

 

CMYK 22 / 69 / 0 / 15

HEX #AA43D9

RGB 170 67 217

HSL 281.2, 0.66%, 0.56%

LAB 48.97, 64.53, -58.43

 

CMYK 0 / 22 / 69 / 15

HEX #D9AA43

RGB 217 170 67

HSL 41.2, 0.66%, 0.56%

LAB 72.17, 6.77, 57.57

 

CMYK 69 / 0 / 21 / 15

HEX #44DAAC

RGB 68 218 172

HSL 161.6, 0.67%, 0.56%

LAB 78.67, -49.99, 11.34

 

CMYK 69 / 61 / 0 / 15

HEX #4355D9

RGB 67 85 217

HSL 232.8, 0.66%, 0.56%

LAB 42.31, 36.27, -69.7

 

CMYK 0 / 69 / 47 / 15

HEX #D94373

RGB 217 67 115

HSL 340.8, 0.66%, 0.56%

LAB 51.84, 61.53, 6.59

 

CMYK 0 / 8 / 69 / 15

HEX #D9C843

RGB 217 200 67

HSL 53.2, 0.66%, 0.56%

LAB 79.88, -8.88, 65.43

 

CMYK 69 / 0 / 21 / 15

HEX #44DAAC

RGB 68 218 172

HSL 161.6, 0.67%, 0.56%

LAB 78.67, -49.99, 11.34

 

CMYK 56 / 69 / 0 / 15

HEX #5F43D9

RGB 95 67 217

HSL 251.2, 0.66%, 0.56%

LAB 40.34, 50.79, -72.84

 

CMYK 0 / 69 / 47 / 15

HEX #D94373

RGB 217 67 115

HSL 340.8, 0.66%, 0.56%

LAB 51.84, 61.53, 6.59

 

CMYK 12 / 0 / 69 / 15

HEX #BED943

RGB 190 217 67

HSL 70.8, 0.66%, 0.56%

LAB 82.37, -28.44, 67.23

 

Description

Color code: HEX #44DAAC | qconv.com Color code: HEX #44DAAC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 218 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 218 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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