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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44DE6A it is the complementary color #BB2195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44DE6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44DE6A shade: #49DE65, #5AF078, #6BFF8B, #7CFF9E and #8DFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44DE6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44DE6A shade: #44DE6A, #33CC57, #22BA44, #11A831 and #00961E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44DE6A shade: #44DE6A, #48DE44, #71DE44, #9ADE44 and #C4DE44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44DE6A shade: #44DE6A, #44DE93, #44DEBD, #44D5DE and #44ACDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44DE6A shade matches the following richer shades: #44DE6A and #32EF61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44DE6A shade: #44DE6A, #56CC73, #68BA7C, #79A885 and #8B978E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44DE6A shade: #72DE44, #49DE44, #44DE68, #44DE91 and #44DEBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44DE6A shade: #1FB043, #25D450, #44DE6A, #67E486 and #8AEAA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44DE6A shade: #44DE6A, #449BDE and #DE445E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44DE6A shade: #44DE6A, #6844DE and #DE6844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44DE6A shade: #44DE6A, #449BDE, #DE44BA and #DE8744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44DE6A shade: #44DE6A, #446DDE, #DE44BA and #DEB544

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

Complementary color

CMYK 0 / 82 / 20 / 27

HEX #BB2195

RGB 187 33 149

HSL 314.81, 0.7%, 0.43%

LAB 43.98, 67.96, -26.31

 

CMYK 67 / 0 / 55 / 13

HEX #49DE65

RGB 73 222 101

HSL 131.28, 0.69%, 0.58%

LAB 78.81, -63.68, 47.54

 

CMYK 63 / 0 / 50 / 6

HEX #5AF078

RGB 90 240 120

HSL 132, 0.83%, 0.65%

LAB 84.92, -64.2, 46.16

 

CMYK 58 / 0 / 45 / 0

HEX #6BFF8B

RGB 107 255 139

HSL 132.97, 1%, 0.71%

LAB 90.1, -63.37, 43.68

 

CMYK 51 / 0 / 38 / 0

HEX #7CFF9E

RGB 124 255 158

HSL 135.57, 1%, 0.74%

LAB 90.9, -56.51, 35.56

 

CMYK 45 / 0 / 31 / 0

HEX #8DFFB1

RGB 141 255 177

HSL 138.95, 1%, 0.78%

LAB 91.84, -49, 27.41

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 75 / 0 / 57 / 20

HEX #33CC57

RGB 51 204 87

HSL 134.12, 0.6%, 0.5%

LAB 72.61, -62.97, 46.54

 

CMYK 82 / 0 / 63 / 27

HEX #22BA44

RGB 34 186 68

HSL 133.42, 0.69%, 0.43%

LAB 66.42, -61.59, 47.91

 

CMYK 90 / 0 / 71 / 34

HEX #11A831

RGB 17 168 49

HSL 132.72, 0.82%, 0.36%

LAB 60.2, -59.53, 49.04

 

CMYK 100 / 0 / 80 / 41

HEX #00961E

RGB 0 150 30

HSL 132, 1%, 0.29%

LAB 53.93, -56.72, 49.57

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 68 / 0 / 69 / 13

HEX #48DE44

RGB 72 222 68

HSL 118.44, 0.7%, 0.57%

LAB 78.48, -67.44, 61.18

 

CMYK 49 / 0 / 69 / 13

HEX #71DE44

RGB 113 222 68

HSL 102.47, 0.7%, 0.57%

LAB 79.71, -57.7, 62.84

 

CMYK 31 / 0 / 69 / 13

HEX #9ADE44

RGB 154 222 68

HSL 86.49, 0.7%, 0.57%

LAB 81.58, -44.39, 65.35

 

CMYK 12 / 0 / 69 / 13

HEX #C4DE44

RGB 196 222 68

HSL 70.13, 0.7%, 0.57%

LAB 84.17, -28.34, 68.81

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 69 / 0 / 34 / 13

HEX #44DE93

RGB 68 222 147

HSL 150.78, 0.7%, 0.57%

LAB 79.37, -56.95, 25.44

 

CMYK 69 / 0 / 15 / 13

HEX #44DEBD

RGB 68 222 189

HSL 167.14, 0.7%, 0.57%

LAB 80.26, -47.58, 4.6

 

CMYK 69 / 4 / 0 / 13

HEX #44D5DE

RGB 68 213 222

HSL 183.51, 0.7%, 0.57%

LAB 78.51, -34.7, -15.59

 

CMYK 69 / 23 / 0 / 13

HEX #44ACDE

RGB 68 172 222

HSL 199.48, 0.7%, 0.57%

LAB 66.53, -14.07, -33.92

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 79 / 0 / 59 / 6

HEX #32EF61

RGB 50 239 97

HSL 134.92, 0.86%, 0.57%

LAB 83.59, -73.14, 54.85

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 58 / 0 / 44 / 20

HEX #56CC73

RGB 86 204 115

HSL 134.75, 0.54%, 0.57%

LAB 73.81, -52.33, 34.58

 

CMYK 44 / 0 / 33 / 27

HEX #68BA7C

RGB 104 186 124

HSL 134.63, 0.37%, 0.57%

LAB 69.12, -38.61, 23.84

 

CMYK 28 / 0 / 21 / 34

HEX #79A885

RGB 121 168 133

HSL 135.32, 0.21%, 0.57%

LAB 64.77, -23.09, 13.11

 

CMYK 8 / 0 / 6 / 41

HEX #8B978E

RGB 139 151 142

HSL 135, 0.05%, 0.57%

LAB 61.29, -6.09, 3.26

 

CMYK 49 / 0 / 69 / 13

HEX #72DE44

RGB 114 222 68

HSL 102.08, 0.7%, 0.57%

LAB 79.75, -57.41, 62.89

 

CMYK 67 / 0 / 69 / 13

HEX #49DE44

RGB 73 222 68

HSL 118.05, 0.7%, 0.57%

LAB 78.51, -67.25, 61.21

 

CMYK 69 / 0 / 53 / 13

HEX #44DE68

RGB 68 222 104

HSL 134.03, 0.7%, 0.57%

LAB 78.74, -64.15, 46.02

 

CMYK 69 / 0 / 35 / 13

HEX #44DE91

RGB 68 222 145

HSL 150, 0.7%, 0.57%

LAB 79.34, -57.34, 26.42

 

CMYK 69 / 0 / 16 / 13

HEX #44DEBA

RGB 68 222 186

HSL 165.97, 0.7%, 0.57%

LAB 80.19, -48.32, 6.09

 

CMYK 82 / 0 / 62 / 31

HEX #1FB043

RGB 31 176 67

HSL 134.9, 0.7%, 0.41%

LAB 63.13, -58.81, 44.62

 

CMYK 83 / 0 / 62 / 17

HEX #25D450

RGB 37 212 80

HSL 134.74, 0.7%, 0.49%

LAB 74.86, -68.1, 52.21

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 55 / 0 / 41 / 11

HEX #67E486

RGB 103 228 134

HSL 134.88, 0.7%, 0.65%

LAB 81.89, -54.76, 35.57

 

CMYK 41 / 0 / 31 / 8

HEX #8AEAA2

RGB 138 234 162

HSL 135, 0.7%, 0.73%

LAB 85.43, -43.44, 26.31

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 69 / 30 / 0 / 13

HEX #449BDE

RGB 68 155 222

HSL 206.1, 0.7%, 0.57%

LAB 61.61, -4.66, -41.6

 

CMYK 0 / 69 / 58 / 13

HEX #DE445E

RGB 222 68 94

HSL 349.87, 0.7%, 0.57%

LAB 52.37, 60.99, 20.06

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 53 / 69 / 0 / 13

HEX #6844DE

RGB 104 68 222

HSL 254.03, 0.7%, 0.57%

LAB 41.77, 53.08, -73.33

 

CMYK 0 / 53 / 69 / 13

HEX #DE6844

RGB 222 104 68

HSL 14.03, 0.7%, 0.57%

LAB 57.89, 43.66, 41.74

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 69 / 30 / 0 / 13

HEX #449BDE

RGB 68 155 222

HSL 206.1, 0.7%, 0.57%

LAB 61.61, -4.66, -41.6

 

CMYK 0 / 69 / 16 / 13

HEX #DE44BA

RGB 222 68 186

HSL 314.03, 0.7%, 0.57%

LAB 55.29, 70.69, -30.12

 

CMYK 0 / 39 / 69 / 13

HEX #DE8744

RGB 222 135 68

HSL 26.1, 0.7%, 0.57%

LAB 64.38, 27.69, 48.99

 

CMYK 69 / 0 / 52 / 13

HEX #44DE6A

RGB 68 222 106

HSL 134.81, 0.7%, 0.57%

LAB 78.76, -63.88, 45.1

 

CMYK 69 / 51 / 0 / 13

HEX #446DDE

RGB 68 109 222

HSL 224.03, 0.7%, 0.57%

LAB 48.81, 23.1, -61.99

 

CMYK 0 / 69 / 16 / 13

HEX #DE44BA

RGB 222 68 186

HSL 314.03, 0.7%, 0.57%

LAB 55.29, 70.69, -30.12

 

CMYK 0 / 18 / 69 / 13

HEX #DEB544

RGB 222 181 68

HSL 44.03, 0.7%, 0.57%

LAB 75.45, 3.14, 60.69

 

Description

Color code: HEX #44DE6A | qconv.com Color code: HEX #44DE6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 222 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 222 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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