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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44E938 it is the complementary color #BB16C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44E938. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44E938 shade: #49E933, #5AFB46, #6BFF59, #7CFF6C and #8DFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44E938. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44E938 shade: #44E938, #33D725, #22C512, #11B300 and #00A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44E938 shade: #45E939, #74E939, #A4E939, #D3E939 and #E9CF39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44E938 shade: #45E939, #39E95D, #39E98C, #39E9BB and #39E7E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44E938 shade matches the following richer shades: #45E939 and #36FA27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44E938 shade: #45E939, #54D74B, #64C55D, #73B36E and #82A280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44E938 shade: #A5E939, #77E939, #48E939, #39E959 and #39E988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44E938 shade: #20BB14, #26E018, #45E939, #68ED5E and #8BF183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44E938 shade: #44E938, #39D4E9 and #E9398E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44E938 shade: #44E938, #3948E9 and #E93948

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44E938 shade: #44E938, #39D4E9, #DA39E9 and #E94E39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44E938 shade: #44E938, #399FE9, #DA39E9 and #E98239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 76 / 9

HEX #44E938

RGB 68 233 56

HSL 115.93, 0.8%, 0.57%

LAB 81.73, -72.54, 68.56

 

Complementary color

CMYK 6 / 89 / 0 / 22

HEX #BB16C7

RGB 187 22 199

HSL 295.93, 0.8%, 0.43%

LAB 45.99, 77.3, -52.73

 

CMYK 69 / 0 / 78 / 9

HEX #49E933

RGB 73 233 51

HSL 112.75, 0.81%, 0.56%

LAB 81.8, -71.98, 70.17

 

CMYK 64 / 0 / 72 / 2

HEX #5AFB46

RGB 90 251 70

HSL 113.37, 0.96%, 0.63%

LAB 87.78, -73.2, 70.16

 

CMYK 58 / 0 / 65 / 0

HEX #6BFF59

RGB 107 255 89

HSL 113.49, 1%, 0.67%

LAB 89.56, -69.33, 65.19

 

CMYK 51 / 0 / 58 / 0

HEX #7CFF6C

RGB 124 255 108

HSL 113.47, 1%, 0.71%

LAB 90.27, -63.29, 58.26

 

CMYK 45 / 0 / 50 / 0

HEX #8DFF7F

RGB 141 255 127

HSL 113.44, 1%, 0.75%

LAB 91.11, -56.49, 50.86

 

CMYK 71 / 0 / 76 / 9

HEX #44E938

RGB 68 233 56

HSL 115.93, 0.8%, 0.57%

LAB 81.73, -72.54, 68.56

 

CMYK 76 / 0 / 83 / 16

HEX #33D725

RGB 51 215 37

HSL 115.28, 0.71%, 0.49%

LAB 75.72, -70.79, 68.14

 

CMYK 83 / 0 / 91 / 23

HEX #22C512

RGB 34 197 18

HSL 114.64, 0.83%, 0.42%

LAB 69.69, -68.38, 66.64

 

CMYK 91 / 0 / 100 / 30

HEX #11B300

RGB 17 179 0

HSL 114.3, 1%, 0.35%

LAB 63.64, -65.19, 63.9

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 70 / 0 / 76 / 9

HEX #45E939

RGB 69 233 57

HSL 115.91, 0.8%, 0.57%

LAB 81.75, -72.3, 68.27

 

CMYK 50 / 0 / 76 / 9

HEX #74E939

RGB 116 233 57

HSL 99.89, 0.8%, 0.57%

LAB 83.07, -61.66, 70

 

CMYK 30 / 0 / 76 / 9

HEX #A4E939

RGB 164 233 57

HSL 83.52, 0.8%, 0.57%

LAB 85.23, -46.11, 72.84

 

CMYK 9 / 0 / 76 / 9

HEX #D3E939

RGB 211 233 57

HSL 67.5, 0.8%, 0.57%

LAB 88.17, -28.01, 76.64

 

CMYK 0 / 11 / 76 / 9

HEX #E9CF39

RGB 233 207 57

HSL 51.14, 0.8%, 0.57%

LAB 83.04, -6.12, 72.54

 

CMYK 70 / 0 / 76 / 9

HEX #45E939

RGB 69 233 57

HSL 115.91, 0.8%, 0.57%

LAB 81.75, -72.3, 68.27

 

CMYK 76 / 0 / 60 / 9

HEX #39E95D

RGB 57 233 93

HSL 132.27, 0.8%, 0.57%

LAB 81.8, -70.85, 54.57

 

CMYK 76 / 0 / 40 / 9

HEX #39E98C

RGB 57 233 140

HSL 148.3, 0.8%, 0.57%

LAB 82.4, -63.86, 33.02

 

CMYK 76 / 0 / 20 / 9

HEX #39E9BB

RGB 57 233 187

HSL 164.32, 0.8%, 0.57%

LAB 83.3, -53.97, 10

 

CMYK 76 / 1 / 0 / 9

HEX #39E7E9

RGB 57 231 233

HSL 180.68, 0.8%, 0.57%

LAB 83.92, -41.06, -13.36

 

CMYK 70 / 0 / 76 / 9

HEX #45E939

RGB 69 233 57

HSL 115.91, 0.8%, 0.57%

LAB 81.75, -72.3, 68.27

 

CMYK 78 / 0 / 84 / 2

HEX #36FA27

RGB 54 250 39

HSL 115.73, 0.95%, 0.57%

LAB 86.65, -80.46, 77.52

 

CMYK 70 / 0 / 76 / 9

HEX #45E939

RGB 69 233 57

HSL 115.91, 0.8%, 0.57%

LAB 81.75, -72.3, 68.27

 

CMYK 61 / 0 / 65 / 16

HEX #54D74B

RGB 84 215 75

HSL 116.14, 0.64%, 0.57%

LAB 76.68, -61.98, 56.59

 

CMYK 49 / 0 / 53 / 23

HEX #64C55D

RGB 100 197 93

HSL 115.96, 0.47%, 0.57%

LAB 71.85, -49.17, 43.12

 

CMYK 36 / 0 / 39 / 30

HEX #73B36E

RGB 115 179 110

HSL 115.65, 0.31%, 0.57%

LAB 67.29, -34.39, 28.92

 

CMYK 20 / 0 / 21 / 36

HEX #82A280

RGB 130 162 128

HSL 116.47, 0.15%, 0.57%

LAB 63.46, -17.84, 14.12

 

CMYK 29 / 0 / 76 / 9

HEX #A5E939

RGB 165 233 57

HSL 83.18, 0.8%, 0.57%

LAB 85.29, -45.75, 72.91

 

CMYK 49 / 0 / 76 / 9

HEX #77E939

RGB 119 233 57

HSL 98.86, 0.8%, 0.57%

LAB 83.18, -60.81, 70.15

 

CMYK 69 / 0 / 76 / 9

HEX #48E939

RGB 72 233 57

HSL 114.89, 0.8%, 0.57%

LAB 81.81, -71.78, 68.36

 

CMYK 76 / 0 / 62 / 9

HEX #39E959

RGB 57 233 89

HSL 130.91, 0.8%, 0.57%

LAB 81.77, -71.31, 56.24

 

CMYK 76 / 0 / 42 / 9

HEX #39E988

RGB 57 233 136

HSL 146.93, 0.8%, 0.57%

LAB 82.34, -64.57, 34.94

 

CMYK 83 / 0 / 89 / 27

HEX #20BB14

RGB 32 187 20

HSL 115.69, 0.81%, 0.41%

LAB 66.44, -65.63, 63.51

 

CMYK 83 / 0 / 89 / 12

HEX #26E018

RGB 38 224 24

HSL 115.8, 0.81%, 0.49%

LAB 78.34, -75.45, 73.05

 

CMYK 70 / 0 / 76 / 9

HEX #45E939

RGB 69 233 57

HSL 115.91, 0.8%, 0.57%

LAB 81.75, -72.3, 68.27

 

CMYK 56 / 0 / 60 / 7

HEX #68ED5E

RGB 104 237 94

HSL 115.8, 0.8%, 0.65%

LAB 84.13, -63.22, 57.09

 

CMYK 42 / 0 / 46 / 5

HEX #8BF183

RGB 139 241 131

HSL 115.64, 0.8%, 0.73%

LAB 87.02, -50.9, 43.87

 

CMYK 71 / 0 / 76 / 9

HEX #44E938

RGB 68 233 56

HSL 115.93, 0.8%, 0.57%

LAB 81.73, -72.54, 68.56

 

CMYK 76 / 9 / 0 / 9

HEX #39D4E9

RGB 57 212 233

HSL 187.16, 0.8%, 0.57%

LAB 78.37, -32.26, -21.72

 

CMYK 0 / 76 / 39 / 9

HEX #E9398E

RGB 233 57 142

HSL 331.02, 0.8%, 0.57%

LAB 54.24, 71.77, -5.73

 

CMYK 71 / 0 / 76 / 9

HEX #44E938

RGB 68 233 56

HSL 115.93, 0.8%, 0.57%

LAB 81.73, -72.54, 68.56

 

CMYK 76 / 69 / 0 / 9

HEX #3948E9

RGB 57 72 233

HSL 234.89, 0.8%, 0.57%

LAB 40.23, 48.52, -82.24

 

CMYK 0 / 76 / 69 / 9

HEX #E93948

RGB 233 57 72

HSL 354.89, 0.8%, 0.57%

LAB 52.64, 66.7, 33.82

 

CMYK 71 / 0 / 76 / 9

HEX #44E938

RGB 68 233 56

HSL 115.93, 0.8%, 0.57%

LAB 81.73, -72.54, 68.56

 

CMYK 76 / 9 / 0 / 9

HEX #39D4E9

RGB 57 212 233

HSL 187.16, 0.8%, 0.57%

LAB 78.37, -32.26, -21.72

 

CMYK 6 / 76 / 0 / 9

HEX #DA39E9

RGB 218 57 233

HSL 294.89, 0.8%, 0.57%

LAB 55.8, 80.45, -56.14

 

CMYK 0 / 67 / 76 / 9

HEX #E94E39

RGB 233 78 57

HSL 7.16, 0.8%, 0.57%

LAB 55.14, 58.66, 45.02

 

CMYK 71 / 0 / 76 / 9

HEX #44E938

RGB 68 233 56

HSL 115.93, 0.8%, 0.57%

LAB 81.73, -72.54, 68.56

 

CMYK 76 / 32 / 0 / 9

HEX #399FE9

RGB 57 159 233

HSL 205.23, 0.8%, 0.57%

LAB 62.97, -4.58, -45.56

 

CMYK 6 / 76 / 0 / 9

HEX #DA39E9

RGB 218 57 233

HSL 294.89, 0.8%, 0.57%

LAB 55.8, 80.45, -56.14

 

CMYK 0 / 44 / 76 / 9

HEX #E98239

RGB 233 130 57

HSL 24.89, 0.8%, 0.57%

LAB 64.63, 34.27, 54.83

 

Description

Color code: HEX #44E938 | qconv.com Color code: HEX #44E938 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 233 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 233 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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