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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44EB46 it is the complementary color #BB14B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44EB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44EB46 shade: #49EB41, #5AFD54, #6BFF67, #7CFF7A and #8DFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44EB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44EB46 shade: #44EB46, #33D933, #22C720, #11B50D and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44EB46 shade: #41EB43, #6DEB41, #9BEB41, #C8EB41 and #EBDF41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44EB46 shade: #41EB43, #41EB71, #41EB9F, #41EBCC and #41DBEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44EB46 shade matches the following richer shades: #41EB43 and #30FC33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44EB46 shade: #41EB43, #52DA54, #63C964, #74B875 and #85A785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44EB46 shade: #9CEB41, #6EEB41, #41EB41, #41EB6E and #41EB9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44EB46 shade: #14C516, #1CE71E, #41EB43, #67EF68 and #8CF28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44EB46 shade: #44EB46, #41C9EB and #EB4185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44EB46 shade: #44EB46, #4141EB and #EB4141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44EB46 shade: #44EB46, #41C9EB, #EB41EB and #EB6341

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44EB46 shade: #44EB46, #4196EB, #EB41EB and #EB9641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 70 / 8

HEX #44EB46

RGB 68 235 70

HSL 120.72, 0.81%, 0.59%

LAB 82.43, -72.13, 64.52

 

Complementary color

CMYK 0 / 89 / 1 / 27

HEX #BB14B9

RGB 187 20 185

HSL 300.72, 0.81%, 0.41%

LAB 45.04, 75.44, -46.08

 

CMYK 69 / 0 / 72 / 8

HEX #49EB41

RGB 73 235 65

HSL 117.18, 0.81%, 0.59%

LAB 82.49, -71.67, 66.4

 

CMYK 64 / 0 / 67 / 1

HEX #5AFD54

RGB 90 253 84

HSL 117.87, 0.98%, 0.66%

LAB 88.48, -72.72, 65.82

 

CMYK 58 / 0 / 60 / 0

HEX #6BFF67

RGB 107 255 103

HSL 118.42, 1%, 0.7%

LAB 89.68, -67.95, 59.59

 

CMYK 51 / 0 / 52 / 0

HEX #7CFF7A

RGB 124 255 122

HSL 119.1, 1%, 0.74%

LAB 90.42, -61.68, 52.18

 

CMYK 45 / 0 / 45 / 0

HEX #8DFF8D

RGB 141 255 141

HSL 120, 1%, 0.78%

LAB 91.28, -54.66, 44.47

 

CMYK 71 / 0 / 70 / 8

HEX #44EB46

RGB 68 235 70

HSL 120.72, 0.81%, 0.59%

LAB 82.43, -72.13, 64.52

 

CMYK 76 / 0 / 76 / 15

HEX #33D933

RGB 51 217 51

HSL 120, 0.69%, 0.53%

LAB 76.42, -70.58, 64.85

 

CMYK 83 / 0 / 84 / 22

HEX #22C720

RGB 34 199 32

HSL 119.28, 0.72%, 0.45%

LAB 70.38, -68.41, 64.43

 

CMYK 91 / 0 / 93 / 29

HEX #11B50D

RGB 17 181 13

HSL 118.57, 0.87%, 0.38%

LAB 64.32, -65.45, 62.79

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 72 / 0 / 71 / 8

HEX #41EB43

RGB 65 235 67

HSL 120.71, 0.81%, 0.59%

LAB 82.35, -72.85, 65.5

 

CMYK 54 / 0 / 72 / 8

HEX #6DEB41

RGB 109 235 65

HSL 104.47, 0.81%, 0.59%

LAB 83.47, -63.76, 67.7

 

CMYK 34 / 0 / 72 / 8

HEX #9BEB41

RGB 155 235 65

HSL 88.24, 0.81%, 0.59%

LAB 85.39, -49.69, 70.24

 

CMYK 15 / 0 / 72 / 8

HEX #C8EB41

RGB 200 235 65

HSL 72.35, 0.81%, 0.59%

LAB 88.01, -32.96, 73.69

 

CMYK 0 / 5 / 72 / 8

HEX #EBDF41

RGB 235 223 65

HSL 55.76, 0.81%, 0.59%

LAB 87.4, -12.97, 74.01

 

CMYK 72 / 0 / 71 / 8

HEX #41EB43

RGB 65 235 67

HSL 120.71, 0.81%, 0.59%

LAB 82.35, -72.85, 65.5

 

CMYK 72 / 0 / 52 / 8

HEX #41EB71

RGB 65 235 113

HSL 136.94, 0.81%, 0.59%

LAB 82.77, -67.8, 46.69

 

CMYK 72 / 0 / 32 / 8

HEX #41EB9F

RGB 65 235 159

HSL 153.18, 0.81%, 0.59%

LAB 83.47, -59.92, 24.8

 

CMYK 72 / 0 / 13 / 8

HEX #41EBCC

RGB 65 235 204

HSL 169.06, 0.81%, 0.59%

LAB 84.43, -49.69, 2.71

 

CMYK 72 / 7 / 0 / 8

HEX #41DBEB

RGB 65 219 235

HSL 185.65, 0.81%, 0.59%

LAB 80.62, -34.1, -19.37

 

CMYK 72 / 0 / 71 / 8

HEX #41EB43

RGB 65 235 67

HSL 120.71, 0.81%, 0.59%

LAB 82.35, -72.85, 65.5

 

CMYK 81 / 0 / 80 / 1

HEX #30FC33

RGB 48 252 51

HSL 120.88, 0.97%, 0.59%

LAB 87.24, -81.13, 75.14

 

CMYK 72 / 0 / 71 / 8

HEX #41EB43

RGB 65 235 67

HSL 120.71, 0.81%, 0.59%

LAB 82.35, -72.85, 65.5

 

CMYK 62 / 0 / 61 / 15

HEX #52DA54

RGB 82 218 84

HSL 120.88, 0.65%, 0.59%

LAB 77.62, -62.55, 53.84

 

CMYK 51 / 0 / 50 / 21

HEX #63C964

RGB 99 201 100

HSL 120.59, 0.49%, 0.59%

LAB 73.12, -50.13, 41.28

 

CMYK 37 / 0 / 36 / 28

HEX #74B875

RGB 116 184 117

HSL 120.88, 0.32%, 0.59%

LAB 68.95, -35.26, 27.43

 

CMYK 20 / 0 / 20 / 35

HEX #85A785

RGB 133 167 133

HSL 120, 0.16%, 0.59%

LAB 65.21, -18.46, 13.83

 

CMYK 34 / 0 / 72 / 8

HEX #9CEB41

RGB 156 235 65

HSL 87.88, 0.81%, 0.59%

LAB 85.44, -49.35, 70.31

 

CMYK 53 / 0 / 72 / 8

HEX #6EEB41

RGB 110 235 65

HSL 104.12, 0.81%, 0.59%

LAB 83.5, -63.5, 67.74

 

CMYK 72 / 0 / 72 / 8

HEX #41EB41

RGB 65 235 65

HSL 120, 0.81%, 0.59%

LAB 82.34, -73, 66.19

 

CMYK 72 / 0 / 53 / 8

HEX #41EB6E

RGB 65 235 110

HSL 135.88, 0.81%, 0.59%

LAB 82.74, -68.22, 48.05

 

CMYK 72 / 0 / 34 / 8

HEX #41EB9C

RGB 65 235 156

HSL 152.12, 0.81%, 0.59%

LAB 83.41, -60.51, 26.27

 

CMYK 90 / 0 / 89 / 23

HEX #14C516

RGB 20 197 22

HSL 120.68, 0.82%, 0.43%

LAB 69.57, -69.47, 65.8

 

CMYK 88 / 0 / 87 / 9

HEX #1CE71E

RGB 28 231 30

HSL 120.59, 0.81%, 0.51%

LAB 80.46, -78.04, 73.78

 

CMYK 72 / 0 / 71 / 8

HEX #41EB43

RGB 65 235 67

HSL 120.71, 0.81%, 0.59%

LAB 82.35, -72.85, 65.5

 

CMYK 57 / 0 / 56 / 6

HEX #67EF68

RGB 103 239 104

HSL 120.44, 0.81%, 0.67%

LAB 84.8, -63.07, 53.47

 

CMYK 42 / 0 / 42 / 5

HEX #8CF28D

RGB 140 242 141

HSL 120.59, 0.8%, 0.75%

LAB 87.49, -49.63, 39.61

 

CMYK 71 / 0 / 70 / 8

HEX #44EB46

RGB 68 235 70

HSL 120.72, 0.81%, 0.59%

LAB 82.43, -72.13, 64.52

 

CMYK 72 / 14 / 0 / 8

HEX #41C9EB

RGB 65 201 235

HSL 192, 0.81%, 0.59%

LAB 75.39, -25.36, -27.33

 

CMYK 0 / 72 / 43 / 8

HEX #EB4185

RGB 235 65 133

HSL 336, 0.81%, 0.59%

LAB 55.21, 68.94, 1.09

 

CMYK 71 / 0 / 70 / 8

HEX #44EB46

RGB 68 235 70

HSL 120.72, 0.81%, 0.59%

LAB 82.43, -72.13, 64.52

 

CMYK 72 / 72 / 0 / 8

HEX #4141EB

RGB 65 65 235

HSL 240, 0.81%, 0.59%

LAB 39.42, 53.83, -84.7

 

CMYK 0 / 72 / 72 / 8

HEX #EB4141

RGB 235 65 65

HSL 0, 0.81%, 0.59%

LAB 53.84, 64.39, 39.32

 

CMYK 71 / 0 / 70 / 8

HEX #44EB46

RGB 68 235 70

HSL 120.72, 0.81%, 0.59%

LAB 82.43, -72.13, 64.52

 

CMYK 72 / 14 / 0 / 8

HEX #41C9EB

RGB 65 201 235

HSL 192, 0.81%, 0.59%

LAB 75.39, -25.36, -27.33

 

CMYK 0 / 72 / 0 / 8

HEX #EB41EB

RGB 235 65 235

HSL 300, 0.81%, 0.59%

LAB 59.38, 81.77, -51.4

 

CMYK 0 / 58 / 72 / 8

HEX #EB6341

RGB 235 99 65

HSL 12, 0.81%, 0.59%

LAB 58.94, 50.65, 45.05

 

CMYK 71 / 0 / 70 / 8

HEX #44EB46

RGB 68 235 70

HSL 120.72, 0.81%, 0.59%

LAB 82.43, -72.13, 64.52

 

CMYK 72 / 36 / 0 / 8

HEX #4196EB

RGB 65 150 235

HSL 210, 0.81%, 0.59%

LAB 60.72, 2.31, -50.2

 

CMYK 0 / 72 / 0 / 8

HEX #EB41EB

RGB 235 65 235

HSL 300, 0.81%, 0.59%

LAB 59.38, 81.77, -51.4

 

CMYK 0 / 36 / 72 / 8

HEX #EB9641

RGB 235 150 65

HSL 30, 0.81%, 0.59%

LAB 69.37, 24.95, 56.16

 

Description

Color code: HEX #44EB46 | qconv.com Color code: HEX #44EB46 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 235 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 235 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 70% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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