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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44F7F5 it is the complementary color #BB080A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44F7F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44F7F5 shade: #49F7F0, #5AFFFF, #6BFFFF, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44F7F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44F7F5 shade: #44F7F5, #33E5E2, #22D3CF, #11C1BC and #00AFA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44F7F5 shade: #44F7F5, #44F7C5, #44F795, #44F765 and #54F744

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44F7F5 shade: #44F7F5, #44C9F7, #4499F7, #4468F7 and #4444F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44F7F5 shade matches the following richer shades: #44F7F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44F7F5 shade: #44F7F5, #54E7E5, #64D7D6, #73C8C7 and #83B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44F7F5 shade: #44F795, #44F7C4, #44F7F4, #44CAF7 and #449BF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44F7F5 shade: #09E0DD, #1DF5F3, #44F7F5, #6CF8F7 and #94FAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44F7F5 shade: #44F7F5, #6544F7 and #F7AC44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44F7F5 shade: #44F7F5, #F444F7 and #F7F444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44F7F5 shade: #44F7F5, #6544F7, #F74447 and #D6F744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44F7F5 shade: #44F7F5, #9B44F7, #F74447 and #A1F744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

Complementary color

CMYK 0 / 96 / 95 / 27

HEX #BB080A

RGB 187 8 10

HSL 359.33, 0.92%, 0.38%

LAB 39.17, 62.69, 49.69

 

CMYK 70 / 0 / 3 / 3

HEX #49F7F0

RGB 73 247 240

HSL 177.59, 0.92%, 0.63%

LAB 89.03, -44.47, -9.38

 

CMYK 65 / 0 / 0 / 0

HEX #5AFFFF

RGB 90 255 255

HSL 180, 1%, 0.68%

LAB 92.09, -41.76, -12.58

 

CMYK 58 / 0 / 0 / 0

HEX #6BFFFF

RGB 107 255 255

HSL 180, 1%, 0.71%

LAB 92.52, -39.12, -11.9

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 78 / 0 / 1 / 10

HEX #33E5E2

RGB 51 229 226

HSL 178.99, 0.77%, 0.55%

LAB 83.04, -42.72, -10.98

 

CMYK 84 / 0 / 2 / 17

HEX #22D3CF

RGB 34 211 207

HSL 178.64, 0.72%, 0.48%

LAB 76.94, -41.49, -9.96

 

CMYK 91 / 0 / 3 / 24

HEX #11C1BC

RGB 17 193 188

HSL 178.3, 0.84%, 0.41%

LAB 70.79, -39.93, -8.83

 

CMYK 100 / 0 / 3 / 31

HEX #00AFA9

RGB 0 175 169

HSL 177.94, 1%, 0.34%

LAB 64.58, -38.08, -7.59

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 72 / 0 / 20 / 3

HEX #44F7C5

RGB 68 247 197

HSL 163.24, 0.92%, 0.62%

LAB 87.86, -55.91, 11.31

 

CMYK 72 / 0 / 40 / 3

HEX #44F795

RGB 68 247 149

HSL 147.15, 0.92%, 0.62%

LAB 86.96, -65.78, 34.55

 

CMYK 72 / 0 / 59 / 3

HEX #44F765

RGB 68 247 101

HSL 131.06, 0.92%, 0.62%

LAB 86.35, -72.84, 56.38

 

CMYK 66 / 0 / 72 / 3

HEX #54F744

RGB 84 247 68

HSL 114.64, 0.92%, 0.62%

LAB 86.42, -73.24, 69.41

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 72 / 19 / 0 / 3

HEX #44C9F7

RGB 68 201 247

HSL 195.42, 0.92%, 0.62%

LAB 75.9, -21.22, -32.99

 

CMYK 72 / 38 / 0 / 3

HEX #4499F7

RGB 68 153 247

HSL 211.51, 0.92%, 0.62%

LAB 62.28, 5.15, -54.33

 

CMYK 72 / 58 / 0 / 3

HEX #4468F7

RGB 68 104 247

HSL 227.93, 0.92%, 0.62%

LAB 49.31, 35.07, -75.22

 

CMYK 72 / 72 / 0 / 3

HEX #4444F7

RGB 68 68 247

HSL 240, 0.92%, 0.62%

LAB 41.34, 56.26, -88.28

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 64 / 0 / 1 / 9

HEX #54E7E5

RGB 84 231 229

HSL 179.18, 0.75%, 0.62%

LAB 84.33, -38.81, -10.58

 

CMYK 53 / 0 / 0 / 16

HEX #64D7D6

RGB 100 215 214

HSL 179.48, 0.59%, 0.62%

LAB 79.71, -32.62, -9.44

 

CMYK 43 / 0 / 0 / 22

HEX #73C8C7

RGB 115 200 199

HSL 179.29, 0.44%, 0.62%

LAB 75.5, -25.94, -7.57

 

CMYK 29 / 0 / 1 / 28

HEX #83B8B7

RGB 131 184 183

HSL 178.87, 0.27%, 0.62%

LAB 71.23, -17.45, -5.09

 

CMYK 72 / 0 / 40 / 3

HEX #44F795

RGB 68 247 149

HSL 147.15, 0.92%, 0.62%

LAB 86.96, -65.78, 34.55

 

CMYK 72 / 0 / 21 / 3

HEX #44F7C4

RGB 68 247 196

HSL 162.91, 0.92%, 0.62%

LAB 87.84, -56.15, 11.79

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F4

RGB 68 247 244

HSL 178.99, 0.92%, 0.62%

LAB 89.06, -43.96, -11.44

 

CMYK 72 / 18 / 0 / 3

HEX #44CAF7

RGB 68 202 247

HSL 195.08, 0.92%, 0.62%

LAB 76.18, -21.73, -32.55

 

CMYK 72 / 37 / 0 / 3

HEX #449BF7

RGB 68 155 247

HSL 210.84, 0.92%, 0.62%

LAB 62.83, 3.98, -53.45

 

CMYK 96 / 0 / 1 / 12

HEX #09E0DD

RGB 9 224 221

HSL 179.16, 0.92%, 0.46%

LAB 81.07, -44.26, -11.31

 

CMYK 88 / 0 / 1 / 4

HEX #1DF5F3

RGB 29 245 243

HSL 179.44, 0.92%, 0.54%

LAB 87.99, -46.38, -12.56

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 56 / 0 / 0 / 3

HEX #6CF8F7

RGB 108 248 247

HSL 179.57, 0.91%, 0.7%

LAB 90.34, -37.85, -10.99

 

CMYK 41 / 0 / 0 / 2

HEX #94FAF9

RGB 148 250 249

HSL 179.41, 0.91%, 0.78%

LAB 92.36, -29.96, -8.88

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 59 / 72 / 0 / 3

HEX #6544F7

RGB 101 68 247

HSL 251.06, 0.92%, 0.62%

LAB 43.68, 59.77, -84.35

 

CMYK 0 / 30 / 72 / 3

HEX #F7AC44

RGB 247 172 68

HSL 34.86, 0.92%, 0.62%

LAB 75.88, 18.46, 61.98

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 1 / 72 / 0 / 3

HEX #F444F7

RGB 244 68 247

HSL 298.99, 0.92%, 0.62%

LAB 61.73, 84.55, -54.27

 

CMYK 0 / 1 / 72 / 3

HEX #F7F444

RGB 247 244 68

HSL 58.99, 0.92%, 0.62%

LAB 93.84, -18.17, 79.46

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 59 / 72 / 0 / 3

HEX #6544F7

RGB 101 68 247

HSL 251.06, 0.92%, 0.62%

LAB 43.68, 59.77, -84.35

 

CMYK 0 / 72 / 71 / 3

HEX #F74447

RGB 247 68 71

HSL 358.99, 0.92%, 0.62%

LAB 56.45, 67.23, 39.53

 

CMYK 13 / 0 / 72 / 3

HEX #D6F744

RGB 214 247 68

HSL 71.06, 0.92%, 0.62%

LAB 92.24, -32.82, 77.09

 

CMYK 72 / 0 / 1 / 3

HEX #44F7F5

RGB 68 247 245

HSL 179.33, 0.92%, 0.62%

LAB 89.08, -43.68, -11.91

 

CMYK 37 / 72 / 0 / 3

HEX #9B44F7

RGB 155 68 247

HSL 269.16, 0.92%, 0.62%

LAB 49.27, 67.83, -74.97

 

CMYK 0 / 72 / 71 / 3

HEX #F74447

RGB 247 68 71

HSL 358.99, 0.92%, 0.62%

LAB 56.45, 67.23, 39.53

 

CMYK 35 / 0 / 72 / 3

HEX #A1F744

RGB 161 247 68

HSL 88.83, 0.92%, 0.62%

LAB 89.17, -52.38, 73.06

 

Description

Color code: HEX #44F7F5 | qconv.com Color code: HEX #44F7F5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 247 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 247 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 1 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 1% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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