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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44FCD1 it is the complementary color #BB032E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44FCD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44FCD1 shade: #49FCCC, #5AFFDF, #6BFFF2, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44FCD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44FCD1 shade: #44FCD1, #33EABE, #22D8AB, #11C698 and #00B485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44FCD1 shade: #45FCD1, #45FCA0, #45FC6E, #4CFC45 and #7EFC45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44FCD1 shade: #45FCD1, #45F5FC, #45C4FC, #4592FC and #4561FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44FCD1 shade matches the following richer shades: #45FCD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44FCD1 shade: #45FCD1, #54ECC9, #63DDC1, #72CEB9 and #82BFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44FCD1 shade: #45FC6C, #45FC9D, #45FCCE, #45F9FC and #45C8FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44FCD1 shade: #03EBB5, #1CFBC7, #45FCD1, #6DFCDB and #96FDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44FCD1 shade: #44FCD1, #454EFC and #FC8545

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44FCD1 shade: #44FCD1, #CE45FC and #FCCE45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44FCD1 shade: #44FCD1, #454EFC, #FC4572 and #FCF345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44FCD1 shade: #44FCD1, #7245FC, #FC4572 and #CEFC45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 17 / 1

HEX #44FCD1

RGB 68 252 209

HSL 165.98, 0.97%, 0.63%

LAB 89.6, -55.09, 7.58

 

Complementary color

CMYK 0 / 98 / 75 / 27

HEX #BB032E

RGB 187 3 46

HSL 345.98, 0.97%, 0.37%

LAB 39.29, 64.05, 31.33

 

CMYK 71 / 0 / 19 / 1

HEX #49FCCC

RGB 73 252 204

HSL 163.91, 0.97%, 0.64%

LAB 89.58, -55.65, 10.14

 

CMYK 65 / 0 / 13 / 0

HEX #5AFFDF

RGB 90 255 223

HSL 168.36, 1%, 0.68%

LAB 91.24, -49.95, 2.75

 

CMYK 58 / 0 / 5 / 0

HEX #6BFFF2

RGB 107 255 242

HSL 174.73, 1%, 0.71%

LAB 92.16, -42.46, -5.7

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 73 / 0 / 17 / 1

HEX #44FCD1

RGB 68 252 209

HSL 165.98, 0.97%, 0.63%

LAB 89.6, -55.09, 7.58

 

CMYK 78 / 0 / 19 / 8

HEX #33EABE

RGB 51 234 190

HSL 165.57, 0.81%, 0.56%

LAB 83.58, -54.28, 8.81

 

CMYK 84 / 0 / 21 / 15

HEX #22D8AB

RGB 34 216 171

HSL 165.16, 0.73%, 0.49%

LAB 77.51, -53.21, 10.16

 

CMYK 91 / 0 / 23 / 22

HEX #11C698

RGB 17 198 152

HSL 164.75, 0.84%, 0.42%

LAB 71.4, -51.77, 11.65

 

CMYK 100 / 0 / 26 / 29

HEX #00B485

RGB 0 180 133

HSL 164.33, 1%, 0.35%

LAB 65.23, -50, 13.27

 

CMYK 73 / 0 / 17 / 1

HEX #45FCD1

RGB 69 252 209

HSL 165.9, 0.97%, 0.63%

LAB 89.62, -54.97, 7.6

 

CMYK 73 / 0 / 37 / 1

HEX #45FCA0

RGB 69 252 160

HSL 149.84, 0.97%, 0.63%

LAB 88.65, -65.43, 31.31

 

CMYK 73 / 0 / 56 / 1

HEX #45FC6E

RGB 69 252 110

HSL 133.44, 0.97%, 0.63%

LAB 87.97, -73.22, 54.33

 

CMYK 70 / 0 / 73 / 1

HEX #4CFC45

RGB 76 252 69

HSL 117.7, 0.97%, 0.63%

LAB 87.77, -76.17, 70.38

 

CMYK 50 / 0 / 73 / 1

HEX #7EFC45

RGB 126 252 69

HSL 101.31, 0.97%, 0.63%

LAB 89.15, -65.02, 72.22

 

CMYK 73 / 0 / 17 / 1

HEX #45FCD1

RGB 69 252 209

HSL 165.9, 0.97%, 0.63%

LAB 89.62, -54.97, 7.6

 

CMYK 73 / 3 / 0 / 1

HEX #45F5FC

RGB 69 245 252

HSL 182.3, 0.97%, 0.63%

LAB 88.73, -40.73, -16.09

 

CMYK 73 / 22 / 0 / 1

HEX #45C4FC

RGB 69 196 252

HSL 198.36, 0.97%, 0.63%

LAB 74.68, -16.91, -37.55

 

CMYK 73 / 42 / 0 / 1

HEX #4592FC

RGB 69 146 252

HSL 214.75, 0.97%, 0.63%

LAB 60.65, 11.19, -59.67

 

CMYK 73 / 62 / 0 / 1

HEX #4561FC

RGB 69 97 252

HSL 230.82, 0.97%, 0.63%

LAB 48.06, 41.21, -80.03

 

CMYK 73 / 0 / 17 / 1

HEX #45FCD1

RGB 69 252 209

HSL 165.9, 0.97%, 0.63%

LAB 89.62, -54.97, 7.6

 

CMYK 73 / 0 / 17 / 1

HEX #45FCD1

RGB 69 252 209

HSL 165.9, 0.97%, 0.63%

LAB 89.62, -54.97, 7.6

 

CMYK 64 / 0 / 15 / 7

HEX #54ECC9

RGB 84 236 201

HSL 166.18, 0.8%, 0.63%

LAB 85.04, -48.18, 5.22

 

CMYK 55 / 0 / 13 / 13

HEX #63DDC1

RGB 99 221 193

HSL 166.23, 0.64%, 0.63%

LAB 80.86, -40.85, 3.44

 

CMYK 45 / 0 / 10 / 19

HEX #72CEB9

RGB 114 206 185

HSL 166.3, 0.48%, 0.63%

LAB 76.81, -32.47, 1.91

 

CMYK 32 / 0 / 8 / 25

HEX #82BFB0

RGB 130 191 176

HSL 165.25, 0.32%, 0.63%

LAB 72.99, -22.89, 1.31

 

CMYK 73 / 0 / 57 / 1

HEX #45FC6C

RGB 69 252 108

HSL 132.79, 0.97%, 0.63%

LAB 87.95, -73.47, 55.19

 

CMYK 73 / 0 / 38 / 1

HEX #45FC9D

RGB 69 252 157

HSL 148.85, 0.97%, 0.63%

LAB 88.6, -65.99, 32.74

 

CMYK 73 / 0 / 18 / 1

HEX #45FCCE

RGB 69 252 206

HSL 164.92, 0.97%, 0.63%

LAB 89.55, -55.68, 9.06

 

CMYK 73 / 1 / 0 / 1

HEX #45F9FC

RGB 69 249 252

HSL 180.98, 0.97%, 0.63%

LAB 89.88, -42.52, -14.37

 

CMYK 73 / 21 / 0 / 1

HEX #45C8FC

RGB 69 200 252

HSL 197.05, 0.97%, 0.63%

LAB 75.82, -18.99, -35.78

 

CMYK 99 / 0 / 23 / 8

HEX #03EBB5

RGB 3 235 181

HSL 166.03, 0.97%, 0.47%

LAB 83.32, -59.49, 13.11

 

CMYK 89 / 0 / 21 / 2

HEX #1CFBC7

RGB 28 251 199

HSL 166.01, 0.97%, 0.55%

LAB 88.62, -60.44, 11.29

 

CMYK 73 / 0 / 17 / 1

HEX #45FCD1

RGB 69 252 209

HSL 165.9, 0.97%, 0.63%

LAB 89.62, -54.97, 7.6

 

CMYK 57 / 0 / 13 / 1

HEX #6DFCDB

RGB 109 252 219

HSL 166.15, 0.96%, 0.71%

LAB 90.77, -46.36, 4.2

 

CMYK 41 / 0 / 9 / 1

HEX #96FDE5

RGB 150 253 229

HSL 166.02, 0.96%, 0.79%

LAB 92.75, -35.47, 2.07

 

CMYK 73 / 0 / 17 / 1

HEX #44FCD1

RGB 68 252 209

HSL 165.98, 0.97%, 0.63%

LAB 89.6, -55.09, 7.58

 

CMYK 73 / 69 / 0 / 1

HEX #454EFC

RGB 69 78 252

HSL 237.05, 0.97%, 0.63%

LAB 43.86, 52.42, -86.92

 

CMYK 0 / 47 / 73 / 1

HEX #FC8545

RGB 252 133 69

HSL 20.98, 0.97%, 0.63%

LAB 67.95, 40.73, 53.52

 

CMYK 73 / 0 / 17 / 1

HEX #44FCD1

RGB 68 252 209

HSL 165.98, 0.97%, 0.63%

LAB 89.6, -55.09, 7.58

 

CMYK 18 / 73 / 0 / 1

HEX #CE45FC

RGB 206 69 252

HSL 284.92, 0.97%, 0.63%

LAB 56.49, 77.67, -65.74

 

CMYK 0 / 18 / 73 / 1

HEX #FCCE45

RGB 252 206 69

HSL 44.92, 0.97%, 0.63%

LAB 84.62, 2.91, 70.44

 

CMYK 73 / 0 / 17 / 1

HEX #44FCD1

RGB 68 252 209

HSL 165.98, 0.97%, 0.63%

LAB 89.6, -55.09, 7.58

 

CMYK 73 / 69 / 0 / 1

HEX #454EFC

RGB 69 78 252

HSL 237.05, 0.97%, 0.63%

LAB 43.86, 52.42, -86.92

 

CMYK 0 / 73 / 55 / 1

HEX #FC4572

RGB 252 69 114

HSL 345.25, 0.97%, 0.63%

LAB 58.19, 70.79, 16.99

 

CMYK 0 / 4 / 73 / 1

HEX #FCF345

RGB 252 243 69

HSL 57.05, 0.97%, 0.63%

LAB 93.98, -15.6, 79.41

 

CMYK 73 / 0 / 17 / 1

HEX #44FCD1

RGB 68 252 209

HSL 165.98, 0.97%, 0.63%

LAB 89.6, -55.09, 7.58

 

CMYK 55 / 73 / 0 / 1

HEX #7245FC

RGB 114 69 252

HSL 254.75, 0.97%, 0.63%

LAB 45.44, 62.36, -84.2

 

CMYK 0 / 73 / 55 / 1

HEX #FC4572

RGB 252 69 114

HSL 345.25, 0.97%, 0.63%

LAB 58.19, 70.79, 16.99

 

CMYK 18 / 0 / 73 / 1

HEX #CEFC45

RGB 206 252 69

HSL 75.08, 0.97%, 0.63%

LAB 93.09, -38.13, 77.41

 

Description

Color code: HEX #44FCD1 | qconv.com Color code: HEX #44FCD1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 252 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 252 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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