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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #450B55 it is the complementary color #BAF4AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #450B55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #450B55 shade: #4A0B50, #5B1D63, #6C2F76, #7D4189 and #8E539C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #450B55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #450B55 shade: #450B55, #340042, #23002F, #12001C and #010009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #450B55 shade: #450B55, #550B51, #550B3D, #550B29 and #550B15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #450B55 shade: #450B55, #310B55, #1D0B55 and #0B0B55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #450B55 shade matches the following richer shades: #450B55 and #4A035D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #450B55 shade: #450B55, #41124D, #3C1A46, #38223E and #332A36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #450B55 shade: #1D0B55, #310B55, #450B55, #550B52 and #550B3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #450B55 shade: #0A010C, #270631, #450B55, #630F7A and #80149E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #450B55 shade: #450B55, #550B0C and #0B5527

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #450B55 shade: #450B55, #55450B and #0B5545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #450B55 shade: #450B55, #550B0C, #1B550B and #0B5554

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #450B55 shade: #450B55, #55200B, #1B550B and #0B4055

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

Complementary color

CMYK 24 / 0 / 30 / 4

HEX #BAF4AA

RGB 186 244 170

HSL 107.03, 0.77%, 0.81%

LAB 90.8, -31.77, 29.9

 

CMYK 7 / 86 / 0 / 69

HEX #4A0B50

RGB 74 11 80

HSL 294.78, 0.76%, 0.18%

LAB 16.87, 37.76, -26.39

 

CMYK 8 / 71 / 0 / 61

HEX #5B1D63

RGB 91 29 99

HSL 293.14, 0.55%, 0.25%

LAB 23.68, 38.59, -28.02

 

CMYK 8 / 60 / 0 / 54

HEX #6C2F76

RGB 108 47 118

HSL 291.55, 0.43%, 0.32%

LAB 30.71, 38.35, -28.92

 

CMYK 9 / 53 / 0 / 46

HEX #7D4189

RGB 125 65 137

HSL 290, 0.36%, 0.4%

LAB 37.75, 37.71, -29.48

 

CMYK 9 / 47 / 0 / 39

HEX #8E539C

RGB 142 83 156

HSL 288.49, 0.31%, 0.47%

LAB 44.71, 36.93, -29.87

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 21 / 100 / 0 / 74

HEX #340042

RGB 52 0 66

HSL 287.27, 1%, 0.13%

LAB 9.98, 34.7, -27.98

 

CMYK 26 / 100 / 0 / 82

HEX #23002F

RGB 35 0 47

HSL 284.68, 1%, 0.09%

LAB 5.08, 25.76, -22.22

 

CMYK 36 / 100 / 0 / 89

HEX #12001C

RGB 18 0 28

HSL 278.57, 1%, 0.05%

LAB 1.92, 10.53, -12.54

 

CMYK 89 / 100 / 0 / 96

HEX #010009

RGB 1 0 9

HSL 246.67, 1%, 0.02%

LAB 0.24, 1.51, -3.31

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 0 / 87 / 5 / 67

HEX #550B51

RGB 85 11 81

HSL 303.24, 0.77%, 0.19%

LAB 19.08, 40.45, -23.42

 

CMYK 0 / 87 / 28 / 67

HEX #550B3D

RGB 85 11 61

HSL 319.46, 0.77%, 0.19%

LAB 17.95, 37.28, -11.37

 

CMYK 0 / 87 / 52 / 67

HEX #550B29

RGB 85 11 41

HSL 335.68, 0.77%, 0.19%

LAB 17.14, 34.87, 1.66

 

CMYK 0 / 87 / 75 / 67

HEX #550B15

RGB 85 11 21

HSL 351.89, 0.77%, 0.19%

LAB 16.63, 33.31, 15.39

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 42 / 87 / 0 / 67

HEX #310B55

RGB 49 11 85

HSL 270.81, 0.77%, 0.19%

LAB 12.91, 33.85, -36.41

 

CMYK 66 / 87 / 0 / 67

HEX #1D0B55

RGB 29 11 85

HSL 254.59, 0.77%, 0.19%

LAB 10.23, 30.84, -40.91

 

CMYK 87 / 87 / 0 / 67

HEX #0B0B55

RGB 11 11 85

HSL 240, 0.77%, 0.19%

LAB 8.71, 29.14, -43.48

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 20 / 97 / 0 / 64

HEX #4A035D

RGB 74 3 93

HSL 287.33, 0.94%, 0.19%

LAB 17.04, 42.8, -34.88

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 16 / 77 / 0 / 70

HEX #41124D

RGB 65 18 77

HSL 287.8, 0.62%, 0.19%

LAB 15.96, 32.23, -25.87

 

CMYK 14 / 63 / 0 / 73

HEX #3C1A46

RGB 60 26 70

HSL 286.36, 0.46%, 0.19%

LAB 16.21, 24.89, -20.7

 

CMYK 10 / 45 / 0 / 76

HEX #38223E

RGB 56 34 62

HSL 287.14, 0.29%, 0.19%

LAB 17.14, 16.41, -13.73

 

CMYK 6 / 22 / 0 / 79

HEX #332A36

RGB 51 42 54

HSL 285, 0.13%, 0.19%

LAB 18.48, 6.88, -6.18

 

CMYK 66 / 87 / 0 / 67

HEX #1D0B55

RGB 29 11 85

HSL 254.59, 0.77%, 0.19%

LAB 10.23, 30.84, -40.91

 

CMYK 42 / 87 / 0 / 67

HEX #310B55

RGB 49 11 85

HSL 270.81, 0.77%, 0.19%

LAB 12.91, 33.85, -36.41

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 0 / 87 / 4 / 67

HEX #550B52

RGB 85 11 82

HSL 302.43, 0.77%, 0.19%

LAB 19.14, 40.62, -23.99

 

CMYK 0 / 87 / 27 / 67

HEX #550B3E

RGB 85 11 62

HSL 318.65, 0.77%, 0.19%

LAB 18, 37.42, -12

 

CMYK 17 / 92 / 0 / 95

HEX #0A010C

RGB 10 1 12

HSL 289.09, 0.85%, 0.03%

LAB 1.02, 3.9, -3.38

 

CMYK 20 / 88 / 0 / 81

HEX #270631

RGB 39 6 49

HSL 286.05, 0.78%, 0.11%

LAB 7.08, 24.72, -20.49

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 19 / 88 / 0 / 52

HEX #630F7A

RGB 99 15 122

HSL 287.1, 0.78%, 0.27%

LAB 24.95, 49.94, -40.76

 

CMYK 19 / 87 / 0 / 38

HEX #80149E

RGB 128 20 158

HSL 286.96, 0.78%, 0.35%

LAB 33.05, 60.73, -49.78

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 0 / 87 / 86 / 67

HEX #550B0C

RGB 85 11 12

HSL 359.19, 0.77%, 0.19%

LAB 16.49, 32.89, 20.35

 

CMYK 87 / 0 / 54 / 67

HEX #0B5527

RGB 11 85 39

HSL 142.7, 0.77%, 0.19%

LAB 31.15, -32.97, 20.76

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 0 / 19 / 87 / 67

HEX #55450B

RGB 85 69 11

HSL 47.03, 0.77%, 0.19%

LAB 29.94, 0.34, 34.67

 

CMYK 87 / 0 / 19 / 67

HEX #0B5545

RGB 11 85 69

HSL 167.03, 0.77%, 0.19%

LAB 31.8, -25.69, 3.28

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 0 / 87 / 86 / 67

HEX #550B0C

RGB 85 11 12

HSL 359.19, 0.77%, 0.19%

LAB 16.49, 32.89, 20.35

 

CMYK 68 / 0 / 87 / 67

HEX #1B550B

RGB 27 85 11

HSL 107.03, 0.77%, 0.19%

LAB 31.24, -33.24, 34.35

 

CMYK 87 / 0 / 1 / 67

HEX #0B5554

RGB 11 85 84

HSL 179.19, 0.77%, 0.19%

LAB 32.28, -20.91, -5.52

 

CMYK 19 / 87 / 0 / 67

HEX #450B55

RGB 69 11 85

HSL 287.03, 0.77%, 0.19%

LAB 16.31, 37.7, -30.73

 

CMYK 0 / 62 / 87 / 67

HEX #55200B

RGB 85 32 11

HSL 17.03, 0.77%, 0.19%

LAB 20, 23.32, 24.96

 

CMYK 68 / 0 / 87 / 67

HEX #1B550B

RGB 27 85 11

HSL 107.03, 0.77%, 0.19%

LAB 31.24, -33.24, 34.35

 

CMYK 87 / 25 / 0 / 67

HEX #0B4055

RGB 11 64 85

HSL 197.03, 0.77%, 0.19%

LAB 24.93, -8.35, -17.35

 

Description

Color code: HEX #450B55 | qconv.com Color code: HEX #450B55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 11 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 11 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 87 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 87% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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