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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #450E48 it is the complementary color #BAF1B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #450E48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #450E48 shade: #4A0E43, #5B2056, #6C3269, #7D447C and #8E568F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #450E48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #450E48 shade: #450E48, #340035, #230022, #12000F and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #450E48 shade: #450E48, #480E3B, #480E2C, #480E1C and #480E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #450E48 shade: #450E48, #350E48, #260E48, #160E48 and #0E0E48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #450E48 shade matches the following richer shades: #450E48, #4B074F and #510056

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #450E48 shade: #450E48, #3F1541, #381C3A, #322333 and #2C2A2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #450E48 shade: #250E48, #350E48, #440E48, #480E3C and #480E2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #450E48 shade: #030003, #240725, #450E48, #66156A and #871B8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #450E48 shade: #450E48, #48160E and #0E482D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #450E48 shade: #450E48, #48440E and #0E4844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #450E48 shade: #450E48, #48160E, #12480E and #0E4048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #450E48 shade: #450E48, #48270E, #12480E and #0E2F48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

Complementary color

CMYK 23 / 0 / 24 / 5

HEX #BAF1B7

RGB 186 241 183

HSL 116.9, 0.67%, 0.83%

LAB 90.21, -28.31, 22.47

 

CMYK 0 / 81 / 9 / 71

HEX #4A0E43

RGB 74 14 67

HSL 307, 0.68%, 0.17%

LAB 16.38, 34.26, -18.19

 

CMYK 0 / 65 / 5 / 64

HEX #5B2056

RGB 91 32 86

HSL 305.08, 0.48%, 0.24%

LAB 23.44, 34.6, -19.83

 

CMYK 0 / 54 / 3 / 58

HEX #6C3269

RGB 108 50 105

HSL 303.1, 0.37%, 0.31%

LAB 30.61, 34.13, -20.81

 

CMYK 0 / 46 / 1 / 51

HEX #7D447C

RGB 125 68 124

HSL 301.05, 0.3%, 0.38%

LAB 37.75, 33.39, -21.47

 

CMYK 1 / 40 / 0 / 44

HEX #8E568F

RGB 142 86 143

HSL 298.95, 0.25%, 0.45%

LAB 44.79, 32.59, -21.98

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 2 / 100 / 0 / 79

HEX #340035

RGB 52 0 53

HSL 298.87, 1%, 0.1%

LAB 8.88, 32.12, -20.39

 

CMYK 0 / 100 / 3 / 86

HEX #230022

RGB 35 0 34

HSL 301.71, 1%, 0.07%

LAB 4.27, 21.52, -13.55

 

CMYK 0 / 100 / 17 / 93

HEX #12000F

RGB 18 0 15

HSL 310, 1%, 0.04%

LAB 1.47, 7.4, -4.12

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 0 / 81 / 18 / 72

HEX #480E3B

RGB 72 14 59

HSL 313.45, 0.67%, 0.17%

LAB 15.53, 32.32, -13.93

 

CMYK 0 / 81 / 39 / 72

HEX #480E2C

RGB 72 14 44

HSL 328.97, 0.67%, 0.17%

LAB 14.81, 30.05, -4.26

 

CMYK 0 / 81 / 61 / 72

HEX #480E1C

RGB 72 14 28

HSL 345.52, 0.67%, 0.17%

LAB 14.26, 28.26, 6.69

 

CMYK 0 / 81 / 81 / 72

HEX #480E0E

RGB 72 14 14

HSL 0, 0.67%, 0.17%

LAB 13.96, 27.24, 15.57

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 26 / 81 / 0 / 72

HEX #350E48

RGB 53 14 72

HSL 280.34, 0.67%, 0.17%

LAB 12.85, 29.96, -27.53

 

CMYK 47 / 81 / 0 / 72

HEX #260E48

RGB 38 14 72

HSL 264.83, 0.67%, 0.17%

LAB 10.51, 26.6, -31.43

 

CMYK 69 / 81 / 0 / 72

HEX #160E48

RGB 22 14 72

HSL 248.28, 0.67%, 0.17%

LAB 8.59, 23.67, -34.66

 

CMYK 81 / 81 / 0 / 72

HEX #0E0E48

RGB 14 14 72

HSL 240, 0.67%, 0.17%

LAB 7.91, 22.59, -35.81

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 5 / 91 / 0 / 69

HEX #4B074F

RGB 75 7 79

HSL 296.67, 0.84%, 0.17%

LAB 16.56, 39.02, -26.18

 

CMYK 6 / 100 / 0 / 66

HEX #510056

RGB 81 0 86

HSL 296.51, 1%, 0.17%

LAB 17.56, 43.61, -29.27

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 3 / 68 / 0 / 75

HEX #3F1541

RGB 63 21 65

HSL 297.27, 0.51%, 0.17%

LAB 15.35, 27.51, -18.55

 

CMYK 3 / 52 / 0 / 77

HEX #381C3A

RGB 56 28 58

HSL 296, 0.35%, 0.17%

LAB 15.36, 19.41, -13.69

 

CMYK 2 / 31 / 0 / 80

HEX #322333

RGB 50 35 51

HSL 296.25, 0.19%, 0.17%

LAB 16.1, 10.61, -7.69

 

CMYK 0 / 5 / 0 / 83

HEX #2C2A2C

RGB 44 42 44

HSL 300, 0.02%, 0.17%

LAB 17.34, 1.38, -0.98

 

CMYK 49 / 81 / 0 / 72

HEX #250E48

RGB 37 14 72

HSL 263.79, 0.67%, 0.17%

LAB 10.37, 26.39, -31.67

 

CMYK 26 / 81 / 0 / 72

HEX #350E48

RGB 53 14 72

HSL 280.34, 0.67%, 0.17%

LAB 12.85, 29.96, -27.53

 

CMYK 6 / 81 / 0 / 72

HEX #440E48

RGB 68 14 72

HSL 295.86, 0.67%, 0.17%

LAB 15.54, 33.65, -23.06

 

CMYK 0 / 81 / 17 / 72

HEX #480E3C

RGB 72 14 60

HSL 312.41, 0.67%, 0.17%

LAB 15.58, 32.49, -14.56

 

CMYK 0 / 81 / 38 / 72

HEX #480E2D

RGB 72 14 45

HSL 327.93, 0.67%, 0.17%

LAB 14.85, 30.19, -4.93

 

CMYK 0 / 100 / 0 / 99

HEX #030003

RGB 3 0 3

HSL 300, 1%, 0.01%

LAB 0.23, 1.2, -0.86

 

CMYK 3 / 81 / 0 / 85

HEX #240725

RGB 36 7 37

HSL 298, 0.68%, 0.09%

LAB 5.97, 19.68, -13.24

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 4 / 80 / 0 / 58

HEX #66156A

RGB 102 21 106

HSL 297.18, 0.67%, 0.25%

LAB 24.96, 45.72, -30.44

 

CMYK 4 / 81 / 0 / 45

HEX #871B8D

RGB 135 27 141

HSL 296.84, 0.68%, 0.33%

LAB 33.69, 57.19, -38.28

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 0 / 69 / 81 / 72

HEX #48160E

RGB 72 22 14

HSL 8.28, 0.67%, 0.17%

LAB 15.4, 23.35, 17.42

 

CMYK 81 / 0 / 38 / 72

HEX #0E482D

RGB 14 72 45

HSL 152.07, 0.67%, 0.17%

LAB 26.5, -25.66, 11.07

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 0 / 6 / 81 / 72

HEX #48440E

RGB 72 68 14

HSL 55.86, 0.67%, 0.17%

LAB 28.23, -5.59, 31.37

 

CMYK 81 / 0 / 6 / 72

HEX #0E4844

RGB 14 72 68

HSL 175.86, 0.67%, 0.17%

LAB 27.15, -18.96, -2.87

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 0 / 69 / 81 / 72

HEX #48160E

RGB 72 22 14

HSL 8.28, 0.67%, 0.17%

LAB 15.4, 23.35, 17.42

 

CMYK 75 / 0 / 81 / 72

HEX #12480E

RGB 18 72 14

HSL 115.86, 0.67%, 0.17%

LAB 26.14, -30.11, 28.13

 

CMYK 81 / 11 / 0 / 72

HEX #0E4048

RGB 14 64 72

HSL 188.28, 0.67%, 0.17%

LAB 24.41, -13, -9.59

 

CMYK 4 / 81 / 0 / 72

HEX #450E48

RGB 69 14 72

HSL 296.9, 0.67%, 0.17%

LAB 15.73, 33.9, -22.75

 

CMYK 0 / 46 / 81 / 72

HEX #48270E

RGB 72 39 14

HSL 25.86, 0.67%, 0.17%

LAB 19.48, 13.07, 22.36

 

CMYK 75 / 0 / 81 / 72

HEX #12480E

RGB 18 72 14

HSL 115.86, 0.67%, 0.17%

LAB 26.14, -30.11, 28.13

 

CMYK 81 / 35 / 0 / 72

HEX #0E2F48

RGB 14 47 72

HSL 205.86, 0.67%, 0.17%

LAB 18.34, -2, -18.99

 

Description

Color code: HEX #450E48 | qconv.com Color code: HEX #450E48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 14 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 14 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 81 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 81% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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